Hollywood's artists: the directors guild of America and the construction of authorship
Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York
Columbia University Press
[2020]
|
Schriftenreihe: | Film and culture
|
Schlagworte: | |
Online-Zugang: | DE-12 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
Zusammenfassung: | Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema?In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra "one man, one film," the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large |
Beschreibung: | 1 Online-Ressource (viii, 297 Seiten) Illustrationen |
ISBN: | 9780231551434 |
DOI: | 10.7312/wexm19568 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV046887182 | ||
003 | DE-604 | ||
005 | 20210930 | ||
007 | cr|uuu---uuuuu | ||
008 | 200908s2020 xx a||| o|||| 00||| eng d | ||
020 | |a 9780231551434 |c Online, PDF |9 978-0-231-55143-4 | ||
024 | 7 | |a 10.7312/wexm19568 |2 doi | |
035 | |a (ZDB-23-DGG)9780231551434 | ||
035 | |a (ZDB-23-DPK)9780231551434 | ||
035 | |a (OCoLC)1197715709 | ||
035 | |a (DE-599)BVBBV046887182 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1046 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 |a DE-12 |a DE-Po75 | ||
082 | 0 | |a 791.4302/330922 |2 23 | |
100 | 1 | |a Wexman, Virginia Wright |d 1941- |e Verfasser |0 (DE-588)141572434 |4 aut | |
245 | 1 | 0 | |a Hollywood's artists |b the directors guild of America and the construction of authorship |c Virginia Wright Wexman |
264 | 1 | |a New York |b Columbia University Press |c [2020] | |
264 | 4 | |c © 2019 | |
300 | |a 1 Online-Ressource (viii, 297 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Film and culture | |
520 | |a Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema?In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra "one man, one film," the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large | ||
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
650 | 4 | |a Motion picture industry |z United States |x History | |
650 | 4 | |a Motion picture producers and directors |z United States |x History | |
650 | 4 | |a Motion pictures |x Production and direction |z United States |x History | |
650 | 0 | 7 | |a Filmproduzent |0 (DE-588)4324247-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Filmregisseur |0 (DE-588)4154375-0 |2 gnd |9 rswk-swf |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Filmproduzent |0 (DE-588)4324247-9 |D s |
689 | 0 | 2 | |a Filmregisseur |0 (DE-588)4154375-0 |D s |
689 | 0 | 3 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-231-19568-3 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-0-231-19569-0 |
856 | 4 | 0 | |u https://doi.org/10.7312/wexm19568 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
912 | |a ZDB-23-DPK | ||
940 | 1 | |q ZDB-23-DPK20 | |
940 | 1 | |q BSB_NED_20210930 | |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 090512 |g 73 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0904 |g 73 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 090511 |g 73 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032297076 | |
966 | e | |u https://doi.org/10.7312/wexm19568 |l DE-12 |p ZDB-23-DPK |q BSB_DPK_ColumbiaUniversityPress |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/wexm19568 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/wexm19568 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/wexm19568 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/wexm19568 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/wexm19568 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/wexm19568 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.7312/wexm19568 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1824507706706231296 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Wexman, Virginia Wright 1941- |
author_GND | (DE-588)141572434 |
author_facet | Wexman, Virginia Wright 1941- |
author_role | aut |
author_sort | Wexman, Virginia Wright 1941- |
author_variant | v w w vw vww |
building | Verbundindex |
bvnumber | BV046887182 |
collection | ZDB-23-DGG ZDB-23-DPK |
ctrlnum | (ZDB-23-DGG)9780231551434 (ZDB-23-DPK)9780231551434 (OCoLC)1197715709 (DE-599)BVBBV046887182 |
dewey-full | 791.4302/330922 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302/330922 |
dewey-search | 791.4302/330922 |
dewey-sort | 3791.4302 6330922 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.7312/wexm19568 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV046887182</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210930</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200908s2020 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231551434</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-0-231-55143-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/wexm19568</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780231551434</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DPK)9780231551434</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1197715709</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046887182</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4302/330922</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wexman, Virginia Wright</subfield><subfield code="d">1941-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)141572434</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hollywood's artists</subfield><subfield code="b">the directors guild of America and the construction of authorship</subfield><subfield code="c">Virginia Wright Wexman</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Columbia University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (viii, 297 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Film and culture</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema?In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra "one man, one film," the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture industry</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture producers and directors</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Production and direction</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmproduzent</subfield><subfield code="0">(DE-588)4324247-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmregisseur</subfield><subfield code="0">(DE-588)4154375-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Filmproduzent</subfield><subfield code="0">(DE-588)4324247-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Filmregisseur</subfield><subfield code="0">(DE-588)4154375-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-231-19568-3</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-0-231-19569-0</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7312/wexm19568</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DPK</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DPK20</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210930</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090512</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield><subfield code="g">73</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032297076</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/wexm19568</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DPK</subfield><subfield code="q">BSB_DPK_ColumbiaUniversityPress</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/wexm19568</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/wexm19568</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/wexm19568</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/wexm19568</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/wexm19568</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/wexm19568</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/wexm19568</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV046887182 |
illustrated | Illustrated |
index_date | 2024-07-03T15:19:55Z |
indexdate | 2025-02-19T17:28:59Z |
institution | BVB |
isbn | 9780231551434 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032297076 |
oclc_num | 1197715709 |
open_access_boolean | |
owner | DE-1046 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 DE-12 DE-Po75 |
owner_facet | DE-1046 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 DE-12 DE-Po75 |
physical | 1 Online-Ressource (viii, 297 Seiten) Illustrationen |
psigel | ZDB-23-DGG ZDB-23-DPK ZDB-23-DPK20 BSB_NED_20210930 ZDB-23-DPK BSB_DPK_ColumbiaUniversityPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Columbia University Press |
record_format | marc |
series2 | Film and culture |
spelling | Wexman, Virginia Wright 1941- Verfasser (DE-588)141572434 aut Hollywood's artists the directors guild of America and the construction of authorship Virginia Wright Wexman New York Columbia University Press [2020] © 2019 1 Online-Ressource (viii, 297 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Film and culture Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema?In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra "one man, one film," the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large Geschichte gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry United States History Motion picture producers and directors United States History Motion pictures Production and direction United States History Filmproduzent (DE-588)4324247-9 gnd rswk-swf Filmregisseur (DE-588)4154375-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Filmproduzent (DE-588)4324247-9 s Filmregisseur (DE-588)4154375-0 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-231-19568-3 Erscheint auch als Druck-Ausgabe, Paperback 978-0-231-19569-0 https://doi.org/10.7312/wexm19568 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Wexman, Virginia Wright 1941- Hollywood's artists the directors guild of America and the construction of authorship PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry United States History Motion picture producers and directors United States History Motion pictures Production and direction United States History Filmproduzent (DE-588)4324247-9 gnd Filmregisseur (DE-588)4154375-0 gnd |
subject_GND | (DE-588)4324247-9 (DE-588)4154375-0 (DE-588)4078704-7 |
title | Hollywood's artists the directors guild of America and the construction of authorship |
title_auth | Hollywood's artists the directors guild of America and the construction of authorship |
title_exact_search | Hollywood's artists the directors guild of America and the construction of authorship |
title_exact_search_txtP | Hollywood's artists the directors guild of America and the construction of authorship |
title_full | Hollywood's artists the directors guild of America and the construction of authorship Virginia Wright Wexman |
title_fullStr | Hollywood's artists the directors guild of America and the construction of authorship Virginia Wright Wexman |
title_full_unstemmed | Hollywood's artists the directors guild of America and the construction of authorship Virginia Wright Wexman |
title_short | Hollywood's artists |
title_sort | hollywood s artists the directors guild of america and the construction of authorship |
title_sub | the directors guild of America and the construction of authorship |
topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture industry United States History Motion picture producers and directors United States History Motion pictures Production and direction United States History Filmproduzent (DE-588)4324247-9 gnd Filmregisseur (DE-588)4154375-0 gnd |
topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion picture industry United States History Motion picture producers and directors United States History Motion pictures Production and direction United States History Filmproduzent Filmregisseur USA |
url | https://doi.org/10.7312/wexm19568 |
work_keys_str_mv | AT wexmanvirginiawright hollywoodsartiststhedirectorsguildofamericaandtheconstructionofauthorship |