Sound streams: a cultural history of radio-internet convergence
"In talking about contemporary media, we often use a language of newness, applying words like "revolution" and "disruption." Yet, the emergence of new sound media technologies and content-from the earliest internet radio broadcasts to the development of algorithmic music ser...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor
University of Michigan Press
2020
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "In talking about contemporary media, we often use a language of newness, applying words like "revolution" and "disruption." Yet, the emergence of new sound media technologies and content-from the earliest internet radio broadcasts to the development of algorithmic music services and the origins of podcasting-are not a disruption, but a continuation of the century-long history of radio. Today's most innovative media makers are reintroducing forms of audio storytelling from radio's past. Sound Streams is the first book to historicize radio-internet convergence from the early '90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting. Various iterations of internet radio, from streaming audio to podcasting, are all new radio practices rather than each being a separate new medium: radio is any sound media that is purposefully crafted to be heard by an audience. Rather than a particular set of technologies or textual conventions, web-based broadcasting combines unique practices and features and ideas from radio history. In addition, there exists a distinctive conversationality and reflexivity to radio talk, including a propensity for personal stories and emotional disclosure, that suits networked digital media culture. What media convergence has done is extend and intensify radio's logics of connectivity and sharing; sonically mediated personal expression intended for public consideration abounds in online media networks. Sound Streams marks a significant contribution to digital media and internet studies. Its mix of cultural history, industry research, and genre and formal analysis, especially of contemporary audio storytelling, will appeal to media scholars, radio and podcast practitioners, audio journalism students, and dedicated podcast fans"-- |
| Beschreibung: | xi, 325 Seiten 23 cm |
| ISBN: | 9780472054497 9780472074495 |
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgments introduction: ix R.O.I.: Radio on the Internet Soundtracking the Information Superhighway: The Origins of Internet Radio and Streaming Audio i one: two: Radio Dot-Com: Internet Radio Goes Mainstream Everybody Speaks: Audioblogging and the Birth of Podcasting 26 57 three: four: On the Line and Online: Talk Radio Meets the Internet Hang the DJ?: Music Radio and Sound Curation in the Algorithmic Age 94 126 five: 144 six: Touch at a Distance: The Remediation of Radio Drama in Modern Fiction and Nonfiction Audio Storytelling 174 Make Them Feel: Nonnarrated Audio Storytelling and Affective Engagement 200 seven: Conclusion: Radio: The Stealth Medium 228 Appendix: Methodological Notes on Interdisciplinarity and Developing a Convergent Methodology 243
viii · Contents Notes 2 49 Selected Bibliography 305 Index 315 Digital materials related to this title can be found on the Fulcrum platform via the following citable URL: https://doi.org/10.3998/mpub.9978838
Sound Streams traces the history of radio-internet convergence from 1993 up to the present day in 2020. It historicizes the so-called new media of the internet, streaming audio, and pod casting, showing how their emergence has been more a case of evolution than revolution, and how new media always refashion old media. Rather than divorce these contemporary media from the past through a language of newness, “revolution,” “disruption,” and the like, Sound Streams positions them within radio’s over century-long history, mapping the continuities between the new and the old to extract important lessons for modern scholars, producers, and audiences. Equally a history of radio and of the internet, Sound Streams tells the stories of the emergence of sound media technologies and content in the 1990s and 2000s, from the very first internet radio broadcasts to the development of algorithmic music radio services like Pandora to the origins of podcasting in a user-generated practice known as audioblogging, analyzing how and why people developed and used these media when they did. The book also profiles some of today’s most innovative media makers and programs, including Welcome to Night Vale, Radiolab, and Love + Radio, tracing how they are reintroducing and refashioning forms of audio storytelling from radio’s past that have long been silent or ignored. Andrew J. Bottomley is Assistant Professor of Media Studies at SUNY Oneonta.
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| adam_txt |
Contents Acknowledgments introduction: ix R.O.I.: Radio on the Internet Soundtracking the Information Superhighway: The Origins of Internet Radio and Streaming Audio i one: two: Radio Dot-Com: Internet Radio Goes Mainstream Everybody Speaks: Audioblogging and the Birth of Podcasting 26 57 three: four: On the Line and Online: Talk Radio Meets the Internet Hang the DJ?: Music Radio and Sound Curation in the Algorithmic Age 94 126 five: 144 six: Touch at a Distance: The Remediation of Radio Drama in Modern Fiction and Nonfiction Audio Storytelling 174 Make Them Feel: Nonnarrated Audio Storytelling and Affective Engagement 200 seven: Conclusion: Radio: The Stealth Medium 228 Appendix: Methodological Notes on Interdisciplinarity and Developing a Convergent Methodology 243
viii · Contents Notes 2 49 Selected Bibliography 305 Index 315 Digital materials related to this title can be found on the Fulcrum platform via the following citable URL: https://doi.org/10.3998/mpub.9978838
Sound Streams traces the history of radio-internet convergence from 1993 up to the present day in 2020. It historicizes the so-called new media of the internet, streaming audio, and pod casting, showing how their emergence has been more a case of evolution than revolution, and how new media always refashion old media. Rather than divorce these contemporary media from the past through a language of newness, “revolution,” “disruption,” and the like, Sound Streams positions them within radio’s over century-long history, mapping the continuities between the new and the old to extract important lessons for modern scholars, producers, and audiences. Equally a history of radio and of the internet, Sound Streams tells the stories of the emergence of sound media technologies and content in the 1990s and 2000s, from the very first internet radio broadcasts to the development of algorithmic music radio services like Pandora to the origins of podcasting in a user-generated practice known as audioblogging, analyzing how and why people developed and used these media when they did. The book also profiles some of today’s most innovative media makers and programs, including Welcome to Night Vale, Radiolab, and Love + Radio, tracing how they are reintroducing and refashioning forms of audio storytelling from radio’s past that have long been silent or ignored. Andrew J. Bottomley is Assistant Professor of Media Studies at SUNY Oneonta. |
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| spelling | Bottomley, Andrew J. Verfasser (DE-588)111698167X aut Sound streams a cultural history of radio-internet convergence Andrew J. Bottomley Ann Arbor University of Michigan Press 2020 xi, 325 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier Dissertation University of Wisconsin-Madison geht aus einer Dissertation hervor "In talking about contemporary media, we often use a language of newness, applying words like "revolution" and "disruption." Yet, the emergence of new sound media technologies and content-from the earliest internet radio broadcasts to the development of algorithmic music services and the origins of podcasting-are not a disruption, but a continuation of the century-long history of radio. Today's most innovative media makers are reintroducing forms of audio storytelling from radio's past. Sound Streams is the first book to historicize radio-internet convergence from the early '90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting. Various iterations of internet radio, from streaming audio to podcasting, are all new radio practices rather than each being a separate new medium: radio is any sound media that is purposefully crafted to be heard by an audience. Rather than a particular set of technologies or textual conventions, web-based broadcasting combines unique practices and features and ideas from radio history. In addition, there exists a distinctive conversationality and reflexivity to radio talk, including a propensity for personal stories and emotional disclosure, that suits networked digital media culture. What media convergence has done is extend and intensify radio's logics of connectivity and sharing; sonically mediated personal expression intended for public consideration abounds in online media networks. Sound Streams marks a significant contribution to digital media and internet studies. Its mix of cultural history, industry research, and genre and formal analysis, especially of contemporary audio storytelling, will appeal to media scholars, radio and podcast practitioners, audio journalism students, and dedicated podcast fans"-- Geschichte 1993-2020 gnd rswk-swf Hörfunk (DE-588)4025408-2 gnd rswk-swf Podcast (DE-588)7527248-9 gnd rswk-swf Internetradio (DE-588)4830454-2 gnd rswk-swf Internet (DE-588)4308416-3 gnd rswk-swf Medienkonvergenz (DE-588)1024346722 gnd rswk-swf Internet radio broadcasting / History Radio programs / History Internet radio broadcasting Radio programs History (DE-588)4113937-9 Hochschulschrift gnd-content Medienkonvergenz (DE-588)1024346722 s Hörfunk (DE-588)4025408-2 s Internet (DE-588)4308416-3 s Geschichte 1993-2020 z DE-604 Internetradio (DE-588)4830454-2 s Podcast (DE-588)7527248-9 s b DE-604 Online version Bottomley, Andrew Sound streams Ann Arbor : University of Michigan Press, 2020 9780472126774 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032295227&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032295227&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Bottomley, Andrew J. Sound streams a cultural history of radio-internet convergence Hörfunk (DE-588)4025408-2 gnd Podcast (DE-588)7527248-9 gnd Internetradio (DE-588)4830454-2 gnd Internet (DE-588)4308416-3 gnd Medienkonvergenz (DE-588)1024346722 gnd |
| subject_GND | (DE-588)4025408-2 (DE-588)7527248-9 (DE-588)4830454-2 (DE-588)4308416-3 (DE-588)1024346722 (DE-588)4113937-9 |
| title | Sound streams a cultural history of radio-internet convergence |
| title_auth | Sound streams a cultural history of radio-internet convergence |
| title_exact_search | Sound streams a cultural history of radio-internet convergence |
| title_exact_search_txtP | Sound streams a cultural history of radio-internet convergence |
| title_full | Sound streams a cultural history of radio-internet convergence Andrew J. Bottomley |
| title_fullStr | Sound streams a cultural history of radio-internet convergence Andrew J. Bottomley |
| title_full_unstemmed | Sound streams a cultural history of radio-internet convergence Andrew J. Bottomley |
| title_short | Sound streams |
| title_sort | sound streams a cultural history of radio internet convergence |
| title_sub | a cultural history of radio-internet convergence |
| topic | Hörfunk (DE-588)4025408-2 gnd Podcast (DE-588)7527248-9 gnd Internetradio (DE-588)4830454-2 gnd Internet (DE-588)4308416-3 gnd Medienkonvergenz (DE-588)1024346722 gnd |
| topic_facet | Hörfunk Podcast Internetradio Internet Medienkonvergenz Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032295227&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032295227&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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