Artemisia Gentileschi and feminism in early modern Europe:
Artemisia Gentileschi is by far the most famous woman artist of the pre-modern era. Her art addresses issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with their vigorous female protagonists chime with modern aud...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Reaktion Books
2020
|
| Schriftenreihe: | Renaissance lives
|
| Schlagworte: | |
| Zusammenfassung: | Artemisia Gentileschi is by far the most famous woman artist of the pre-modern era. Her art addresses issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with their vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. This book breaks new ground by placing Gentileschi in the context of women's political history. Mary D. Garrard shows that Gentileschi most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works and examines the artist anew in the context of feminist history. This beautifully illustrated book gives a full portrait of a strong woman artist who fought back through her art |
| Beschreibung: | 320 Seiten Illustrationen, Portraits 23 cm |
| ISBN: | 9781789142020 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046885246 | ||
| 003 | DE-604 | ||
| 005 | 20210503 | ||
| 007 | t | ||
| 008 | 200907s2020 ac|| b||| 00||| eng d | ||
| 020 | |a 9781789142020 |c hardback |9 978-1-78914-202-0 | ||
| 035 | |a (OCoLC)1195498395 | ||
| 035 | |a (DE-599)BVBBV046885246 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-Y2 |a DE-255 |a DE-19 |a DE-Y3 | ||
| 084 | |a LI 32610 |0 (DE-625)96082: |2 rvk | ||
| 100 | 1 | |a Garrard, Mary D. |d 1937- |e Verfasser |0 (DE-588)143161806 |4 aut | |
| 245 | 1 | 0 | |a Artemisia Gentileschi and feminism in early modern Europe |c Mary D. Garrard |
| 246 | 1 | 3 | |a Artemisia Gentileschi |
| 264 | 1 | |a London |b Reaktion Books |c 2020 | |
| 300 | |a 320 Seiten |b Illustrationen, Portraits |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Renaissance lives | |
| 505 | 8 | |a Artemisia and the writers: feminism in early modern Europe -- Sexuality and sexual violation: Susanna and Lucretia -- The fictive self: musicians and the Magdalenes -- Women and political power: Judith -- Battle of the sexes: women on top -- The divided self: allegorical and real -- Matriarchal succession: the Greenwich ceiling | |
| 520 | 3 | |a Artemisia Gentileschi is by far the most famous woman artist of the pre-modern era. Her art addresses issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with their vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. This book breaks new ground by placing Gentileschi in the context of women's political history. Mary D. Garrard shows that Gentileschi most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works and examines the artist anew in the context of feminist history. This beautifully illustrated book gives a full portrait of a strong woman artist who fought back through her art | |
| 600 | 1 | 7 | |a Marinella, Lucrezia |d 1571-1653 |0 (DE-588)121460460 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Tarabotti, Arcangela |d 1604-1652 |0 (DE-588)121124959 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Gentileschi, Artemisia |d 1593-1653 |0 (DE-588)118936794 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1600-1800 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Frauenemanzipation |0 (DE-588)4018218-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Feminismus |0 (DE-588)4222126-2 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Gentileschi, Artemisia / 1593-1652 or 1653 | |
| 653 | 0 | |a Feminism and art / Europe / History / 17th century | |
| 653 | 0 | |a Feminism and art | |
| 653 | 2 | |a Europe | |
| 653 | 4 | |a 1600-1699 | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a Gentileschi, Artemisia |d 1593-1653 |0 (DE-588)118936794 |D p |
| 689 | 0 | 1 | |a Feminismus |0 (DE-588)4222126-2 |D s |
| 689 | 0 | 2 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 3 | |a Frauenemanzipation |0 (DE-588)4018218-6 |D s |
| 689 | 0 | 4 | |a Geschichte 1600-1800 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Marinella, Lucrezia |d 1571-1653 |0 (DE-588)121460460 |D p |
| 689 | 1 | 1 | |a Tarabotti, Arcangela |d 1604-1652 |0 (DE-588)121124959 |D p |
| 689 | 1 | |5 DE-604 | |
| 940 | 1 | |q BSB_NED_20210312 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032295175 | ||
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09032 |g 4 |
| 942 | 1 | 1 | |c 305.309 |e 22/bsb |f 09032 |g 4 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09033 |g 4 |
| 942 | 1 | 1 | |c 305.309 |e 22/bsb |f 09033 |g 4 |
Datensatz im Suchindex
| _version_ | 1804181745738711040 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Garrard, Mary D. 1937- |
| author_GND | (DE-588)143161806 |
| author_facet | Garrard, Mary D. 1937- |
| author_role | aut |
| author_sort | Garrard, Mary D. 1937- |
| author_variant | m d g md mdg |
| building | Verbundindex |
| bvnumber | BV046885246 |
| classification_rvk | LI 32610 |
| contents | Artemisia and the writers: feminism in early modern Europe -- Sexuality and sexual violation: Susanna and Lucretia -- The fictive self: musicians and the Magdalenes -- Women and political power: Judith -- Battle of the sexes: women on top -- The divided self: allegorical and real -- Matriarchal succession: the Greenwich ceiling |
| ctrlnum | (OCoLC)1195498395 (DE-599)BVBBV046885246 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1600-1800 gnd |
| era_facet | Geschichte 1600-1800 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03577nam a2200649 c 4500</leader><controlfield tag="001">BV046885246</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210503 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200907s2020 ac|| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781789142020</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-78914-202-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1195498395</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046885246</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-Y3</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 32610</subfield><subfield code="0">(DE-625)96082:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Garrard, Mary D.</subfield><subfield code="d">1937-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)143161806</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Artemisia Gentileschi and feminism in early modern Europe</subfield><subfield code="c">Mary D. Garrard</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Artemisia Gentileschi</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Reaktion Books</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">320 Seiten</subfield><subfield code="b">Illustrationen, Portraits</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Renaissance lives</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Artemisia and the writers: feminism in early modern Europe -- Sexuality and sexual violation: Susanna and Lucretia -- The fictive self: musicians and the Magdalenes -- Women and political power: Judith -- Battle of the sexes: women on top -- The divided self: allegorical and real -- Matriarchal succession: the Greenwich ceiling</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Artemisia Gentileschi is by far the most famous woman artist of the pre-modern era. Her art addresses issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with their vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. This book breaks new ground by placing Gentileschi in the context of women's political history. Mary D. Garrard shows that Gentileschi most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works and examines the artist anew in the context of feminist history. This beautifully illustrated book gives a full portrait of a strong woman artist who fought back through her art</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Marinella, Lucrezia</subfield><subfield code="d">1571-1653</subfield><subfield code="0">(DE-588)121460460</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Tarabotti, Arcangela</subfield><subfield code="d">1604-1652</subfield><subfield code="0">(DE-588)121124959</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Gentileschi, Artemisia</subfield><subfield code="d">1593-1653</subfield><subfield code="0">(DE-588)118936794</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1600-1800</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Frauenemanzipation</subfield><subfield code="0">(DE-588)4018218-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Feminismus</subfield><subfield code="0">(DE-588)4222126-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Gentileschi, Artemisia / 1593-1652 or 1653</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminism and art / Europe / History / 17th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Feminism and art</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Europe</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1600-1699</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Gentileschi, Artemisia</subfield><subfield code="d">1593-1653</subfield><subfield code="0">(DE-588)118936794</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Feminismus</subfield><subfield code="0">(DE-588)4222126-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Frauenemanzipation</subfield><subfield code="0">(DE-588)4018218-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1600-1800</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Marinella, Lucrezia</subfield><subfield code="d">1571-1653</subfield><subfield code="0">(DE-588)121460460</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Tarabotti, Arcangela</subfield><subfield code="d">1604-1652</subfield><subfield code="0">(DE-588)121124959</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210312</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032295175</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">4</subfield></datafield></record></collection> |
| id | DE-604.BV046885246 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:19:19Z |
| indexdate | 2024-07-10T08:56:32Z |
| institution | BVB |
| isbn | 9781789142020 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032295175 |
| oclc_num | 1195498395 |
| open_access_boolean | |
| owner | DE-12 DE-Y2 DE-255 DE-19 DE-BY-UBM DE-Y3 |
| owner_facet | DE-12 DE-Y2 DE-255 DE-19 DE-BY-UBM DE-Y3 |
| physical | 320 Seiten Illustrationen, Portraits 23 cm |
| psigel | BSB_NED_20210312 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Reaktion Books |
| record_format | marc |
| series2 | Renaissance lives |
| spelling | Garrard, Mary D. 1937- Verfasser (DE-588)143161806 aut Artemisia Gentileschi and feminism in early modern Europe Mary D. Garrard Artemisia Gentileschi London Reaktion Books 2020 320 Seiten Illustrationen, Portraits 23 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Renaissance lives Artemisia and the writers: feminism in early modern Europe -- Sexuality and sexual violation: Susanna and Lucretia -- The fictive self: musicians and the Magdalenes -- Women and political power: Judith -- Battle of the sexes: women on top -- The divided self: allegorical and real -- Matriarchal succession: the Greenwich ceiling Artemisia Gentileschi is by far the most famous woman artist of the pre-modern era. Her art addresses issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with their vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. This book breaks new ground by placing Gentileschi in the context of women's political history. Mary D. Garrard shows that Gentileschi most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works and examines the artist anew in the context of feminist history. This beautifully illustrated book gives a full portrait of a strong woman artist who fought back through her art Marinella, Lucrezia 1571-1653 (DE-588)121460460 gnd rswk-swf Tarabotti, Arcangela 1604-1652 (DE-588)121124959 gnd rswk-swf Gentileschi, Artemisia 1593-1653 (DE-588)118936794 gnd rswk-swf Geschichte 1600-1800 gnd rswk-swf Frauenemanzipation (DE-588)4018218-6 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Gentileschi, Artemisia / 1593-1652 or 1653 Feminism and art / Europe / History / 17th century Feminism and art Europe 1600-1699 History Gentileschi, Artemisia 1593-1653 (DE-588)118936794 p Feminismus (DE-588)4222126-2 s Kunst (DE-588)4114333-4 s Frauenemanzipation (DE-588)4018218-6 s Geschichte 1600-1800 z DE-604 Marinella, Lucrezia 1571-1653 (DE-588)121460460 p Tarabotti, Arcangela 1604-1652 (DE-588)121124959 p |
| spellingShingle | Garrard, Mary D. 1937- Artemisia Gentileschi and feminism in early modern Europe Artemisia and the writers: feminism in early modern Europe -- Sexuality and sexual violation: Susanna and Lucretia -- The fictive self: musicians and the Magdalenes -- Women and political power: Judith -- Battle of the sexes: women on top -- The divided self: allegorical and real -- Matriarchal succession: the Greenwich ceiling Marinella, Lucrezia 1571-1653 (DE-588)121460460 gnd Tarabotti, Arcangela 1604-1652 (DE-588)121124959 gnd Gentileschi, Artemisia 1593-1653 (DE-588)118936794 gnd Frauenemanzipation (DE-588)4018218-6 gnd Kunst (DE-588)4114333-4 gnd Feminismus (DE-588)4222126-2 gnd |
| subject_GND | (DE-588)121460460 (DE-588)121124959 (DE-588)118936794 (DE-588)4018218-6 (DE-588)4114333-4 (DE-588)4222126-2 |
| title | Artemisia Gentileschi and feminism in early modern Europe |
| title_alt | Artemisia Gentileschi |
| title_auth | Artemisia Gentileschi and feminism in early modern Europe |
| title_exact_search | Artemisia Gentileschi and feminism in early modern Europe |
| title_exact_search_txtP | Artemisia Gentileschi and feminism in early modern Europe |
| title_full | Artemisia Gentileschi and feminism in early modern Europe Mary D. Garrard |
| title_fullStr | Artemisia Gentileschi and feminism in early modern Europe Mary D. Garrard |
| title_full_unstemmed | Artemisia Gentileschi and feminism in early modern Europe Mary D. Garrard |
| title_short | Artemisia Gentileschi and feminism in early modern Europe |
| title_sort | artemisia gentileschi and feminism in early modern europe |
| topic | Marinella, Lucrezia 1571-1653 (DE-588)121460460 gnd Tarabotti, Arcangela 1604-1652 (DE-588)121124959 gnd Gentileschi, Artemisia 1593-1653 (DE-588)118936794 gnd Frauenemanzipation (DE-588)4018218-6 gnd Kunst (DE-588)4114333-4 gnd Feminismus (DE-588)4222126-2 gnd |
| topic_facet | Marinella, Lucrezia 1571-1653 Tarabotti, Arcangela 1604-1652 Gentileschi, Artemisia 1593-1653 Frauenemanzipation Kunst Feminismus |
| work_keys_str_mv | AT garrardmaryd artemisiagentileschiandfeminisminearlymoderneurope AT garrardmaryd artemisiagentileschi |