Peopling insular art: practice, performance, perception : proceedings of the eighth International Conference on Insular Art, Glasgow 2017
The International Conference on Insular Art (IIAC) is the leading forum for scholars of the visual and material culture of early medieval Ireland and Britain, including manuscript illumination, sculpture, metalwork, and textiles, and encompassing the work of Anglo-Saxon-, Celtic- and Norse-speaking...
Gespeichert in:
| Körperschaft: | |
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| Weitere Verfasser: | , , , |
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; Philadelphia
Oxbow Books
2020
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The International Conference on Insular Art (IIAC) is the leading forum for scholars of the visual and material culture of early medieval Ireland and Britain, including manuscript illumination, sculpture, metalwork, and textiles, and encompassing the work of Anglo-Saxon-, Celtic- and Norse-speaking artists. The present volume contains a selection of papers presented at the eighth IIAC, which took place in Glasgow 11-14 July 2017. The theme of IIAC8 - 'Peopling Insular Art: Practice, Performance, Perception' - was intended to focus attention on those who commissioned, created, and engaged with Insular art objects, and how they conceptualised, fashioned, and experienced them (with 'engagement' covering not only contemporary audiences, but later medieval and modern ones too). The twenty-one articles gathered here reflect the diverse ways in which this theme has been interpreted. They demonstrate the intellectual vibrancy of Insular art studies, its international outlook, its interdiscplinarity, and its openness to innovative technologies and approaches, while at the same time demonstrating the strength and enduring value of established methodologies and research practices. The studies collected here focus not only on made objects, but on the creative processes and intellectual decisions which informed their making. This volume brings Insular makers - the illuminators, pattern-makers, rubricators, carvers, and casters - to the fore. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | viii, 213 Seiten, 24 ungezählte Seiten Bildtafeln Illustrationen, Karten 28 cm |
| ISBN: | 9781789254549 |
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| adam_text | CONTENTS
PREFACE V
SECTION 1: PRACTICE
1. RED-HANDED IN THE BARBERINI GOSPELS: THE RUBRICATOR DID IT 3
CAROL A. FARR
2. TURNING THE TABLES: AN ALTERNATIVE APPROACH TO UNDERSTANDING THE
CANON TABLES
INTHEBOOKOFKELLS
13
DONNCHA MACGABHANN
3. MAKING KEY PATTERN IN INSULAR ART: THE HARLEY GOLDEN GOSPELS AND
KILMARTIN CROSS 23
CYNTHIA THICKPENNY
4. COINCIDENCES, OR COMMON CONCEITS, IN THE LARGE ROGART AND ARDAGH
BROOCHES? 33
MICHAEL N. BRENNAN
5. MANUFACTURING THE THIN, OPENWORK PANELS ON THE CROSS OF CONG 47
STEPHEN WALKER
6. VIKING INFLUENCE IN INSULAR ART: CONSIDERING IDENTITY IN EARLY
MEDIEVAL IRELAND 51
GRIFFIN MURRAY
7. LIONS ON IONA
5
^
SUSAN YOUNGS
8. ARTISTIC AND CULTURAL TRANSMISSION ACROSS THE IRISH SEA: THE
MARIGOLD STONES OF WEXFORD AND THEIR
WELSH CONNECTIONS ~ 71
KATE COLBERT
SECTION 2: PERFORMANCE
9. POWER-DRESSING IN THE IRISH SEA AREA: AN INTERESTING GROUP OF
HIBERNO-SCANDINAVIAN STRAP-FITTINGS 87
CAROLINE PATERSON & CRAIG STANFORD
10. TOUCHING THE PAST: THE BREADALBANE BROOCH AND ITS BEARERS 99
SUE BRUNNING
11. WAS THE STAFFORDSHIRE HOARD A TROPHY HOARD? SOME EVIDENCE FROM
IRELAND 107
NIAMH WHITFIELD
12. CONNECTING PLACES: INSIGHTS ON PICTISH SCULPTURE FROM SWEDISH RUNE
STONES 115
ANOUK BUSSET
13. PATTERNS IN MONUMENTALITY: CHARACTERIZING SCULPTURAL ASSEMBLAGES AT
EARLY MEDIEVAL MONASTIC SITES
IN NORTHERN BRITAIN . 127
DAVID PETTS
14. THE HACKNESS CROSS: LANDSCAPE, PATRONAGE, AND INTERNATIONAL
INFLUENCES 141
KELLY KILPATRICK
*
IV . CONTENTS
15. THE CORRECT PATH TO HEAVEN : MOTHERHOOD AND MOTHERING IN ENGLISH
MANUSCRIPT ART, C. 970 TO 1030 151
STEPHENIE MCGUCKEN
SECTION 3: PERCEPTION
16. UNCANNY MONSTERS AND TELLING ABSENCES: WAYS OF READING THE MEIGLE
RECUMBENTS 161
VICTORIA THOMPSON WHITWORTH
17. WHAT HAS SIGURD TO DO WITH CHRIST? REASSESSING THE NATURE OF
ANGLO-SCANDINAVIAN SCULPTURE
IN THE NORTH OF ENGLAND 167
AMANDA DOVIAK
18. CROSSING BORDERS: RE-ASSESSING THE NEED TO GROUP THE HIGH CROSSES
IN IRELAND 179
MEGAN HENVEY
19. RESILIENCE, RESTORATION AND REVIVAL: INSULAR ART IN LATER MEDIEVAL
IRELAND 189
RACHEL MOSS
20. STONE, PAPER, SCISSORS: VISUALIZING THE ANGLO-SAXON HIGH CROSS 197
JANE HAWKES
21. SHOW AND TELL: RE-ARTICULATING THE MONUMENTALITY OF POWER, OR PICTS
IN THE MUSEUM 207
MARK A. HALL
|
| adam_txt |
CONTENTS
PREFACE V
SECTION 1: PRACTICE
1. RED-HANDED IN THE BARBERINI GOSPELS: THE RUBRICATOR DID IT 3
CAROL A. FARR
2. TURNING THE TABLES: AN ALTERNATIVE APPROACH TO UNDERSTANDING THE
CANON TABLES
INTHEBOOKOFKELLS
13
DONNCHA MACGABHANN
3. MAKING KEY PATTERN IN INSULAR ART: THE HARLEY GOLDEN GOSPELS AND
KILMARTIN CROSS 23
CYNTHIA THICKPENNY
4. COINCIDENCES, OR COMMON CONCEITS, IN THE LARGE ROGART AND ARDAGH
BROOCHES? 33
MICHAEL N. BRENNAN
5. MANUFACTURING THE THIN, OPENWORK PANELS ON THE CROSS OF CONG 47
STEPHEN WALKER
6. VIKING INFLUENCE IN INSULAR ART: CONSIDERING IDENTITY IN EARLY
MEDIEVAL IRELAND 51
GRIFFIN MURRAY
7. LIONS ON IONA
5
^
SUSAN YOUNGS
8. ARTISTIC AND CULTURAL TRANSMISSION ACROSS THE IRISH SEA: THE
'MARIGOLD' STONES OF WEXFORD AND THEIR
WELSH CONNECTIONS "~' " 71
KATE COLBERT
SECTION 2: PERFORMANCE
9. POWER-DRESSING IN THE IRISH SEA AREA: AN INTERESTING GROUP OF
HIBERNO-SCANDINAVIAN STRAP-FITTINGS 87
CAROLINE PATERSON & CRAIG STANFORD
10. TOUCHING THE PAST: THE BREADALBANE BROOCH AND ITS BEARERS 99
SUE BRUNNING
11. WAS THE STAFFORDSHIRE HOARD A TROPHY HOARD? SOME EVIDENCE FROM
IRELAND 107
NIAMH WHITFIELD
12. CONNECTING PLACES: INSIGHTS ON PICTISH SCULPTURE FROM SWEDISH RUNE
STONES 115
ANOUK BUSSET
13. PATTERNS IN MONUMENTALITY: CHARACTERIZING SCULPTURAL ASSEMBLAGES AT
EARLY MEDIEVAL MONASTIC SITES
IN NORTHERN BRITAIN . 127
DAVID PETTS
14. THE HACKNESS CROSS: LANDSCAPE, PATRONAGE, AND INTERNATIONAL
INFLUENCES 141
KELLY KILPATRICK
*
IV . CONTENTS
15. 'THE CORRECT PATH TO HEAVEN': MOTHERHOOD AND MOTHERING IN ENGLISH
MANUSCRIPT ART, C. 970 TO 1030 151
STEPHENIE MCGUCKEN
SECTION 3: PERCEPTION
16. UNCANNY MONSTERS AND TELLING ABSENCES: WAYS OF READING THE MEIGLE
RECUMBENTS 161
VICTORIA THOMPSON WHITWORTH
17. WHAT HAS SIGURD TO DO WITH CHRIST? REASSESSING THE NATURE OF
ANGLO-SCANDINAVIAN SCULPTURE
IN THE NORTH OF ENGLAND 167
AMANDA DOVIAK
18. CROSSING BORDERS: RE-ASSESSING THE 'NEED TO GROUP' THE HIGH CROSSES
IN IRELAND 179
MEGAN HENVEY
19. RESILIENCE, RESTORATION AND REVIVAL: INSULAR ART IN LATER MEDIEVAL
IRELAND 189
RACHEL MOSS
20. STONE, PAPER, SCISSORS: VISUALIZING THE ANGLO-SAXON HIGH CROSS 197
JANE HAWKES '
21. SHOW AND TELL: RE-ARTICULATING THE MONUMENTALITY OF POWER, OR PICTS
IN THE MUSEUM 207
MARK A. HALL
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| id | DE-604.BV046885135 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:19:18Z |
| indexdate | 2024-07-10T08:56:32Z |
| institution | BVB |
| institution_GND | (DE-588)1216965595 |
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| physical | viii, 213 Seiten, 24 ungezählte Seiten Bildtafeln Illustrationen, Karten 28 cm |
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| publisher | Oxbow Books |
| record_format | marc |
| spelling | International Conference on Insular Art 8. 2017 Glasgow Verfasser (DE-588)1216965595 aut Peopling insular art practice, performance, perception : proceedings of the eighth International Conference on Insular Art, Glasgow 2017 edited by Cynthia Thickpenny, Katherine Forsyth, Jane Geddes and Kate Mathis Oxford ; Philadelphia Oxbow Books 2020 viii, 213 Seiten, 24 ungezählte Seiten Bildtafeln Illustrationen, Karten 28 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index The International Conference on Insular Art (IIAC) is the leading forum for scholars of the visual and material culture of early medieval Ireland and Britain, including manuscript illumination, sculpture, metalwork, and textiles, and encompassing the work of Anglo-Saxon-, Celtic- and Norse-speaking artists. The present volume contains a selection of papers presented at the eighth IIAC, which took place in Glasgow 11-14 July 2017. The theme of IIAC8 - 'Peopling Insular Art: Practice, Performance, Perception' - was intended to focus attention on those who commissioned, created, and engaged with Insular art objects, and how they conceptualised, fashioned, and experienced them (with 'engagement' covering not only contemporary audiences, but later medieval and modern ones too). The twenty-one articles gathered here reflect the diverse ways in which this theme has been interpreted. They demonstrate the intellectual vibrancy of Insular art studies, its international outlook, its interdiscplinarity, and its openness to innovative technologies and approaches, while at the same time demonstrating the strength and enduring value of established methodologies and research practices. The studies collected here focus not only on made objects, but on the creative processes and intellectual decisions which informed their making. This volume brings Insular makers - the illuminators, pattern-makers, rubricators, carvers, and casters - to the fore. Geschichte 700-1200 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Britische Inseln (DE-588)4090131-2 gnd rswk-swf Art, Irish / Congresses Art, Medieval / Ireland / Congresses Art, Medieval / Great Britain / Congresses (DE-588)1071861417 Konferenzschrift 2017 Glasgow gnd-content Britische Inseln (DE-588)4090131-2 g Kunst (DE-588)4114333-4 s Geschichte 700-1200 z DE-604 Thickpenny, Cynthia (DE-588)1218696753 edt Forsyth, Katherine (DE-588)1218696869 edt Geddes, Jane (DE-588)130597643 edt Mathis, Kate (DE-588)1218697121 edt Erscheint auch als Online-Ausgabe, EPUB 978-1-78925-455-6 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032295065&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Peopling insular art practice, performance, perception : proceedings of the eighth International Conference on Insular Art, Glasgow 2017 Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4090131-2 (DE-588)1071861417 |
| title | Peopling insular art practice, performance, perception : proceedings of the eighth International Conference on Insular Art, Glasgow 2017 |
| title_auth | Peopling insular art practice, performance, perception : proceedings of the eighth International Conference on Insular Art, Glasgow 2017 |
| title_exact_search | Peopling insular art practice, performance, perception : proceedings of the eighth International Conference on Insular Art, Glasgow 2017 |
| title_exact_search_txtP | Peopling insular art practice, performance, perception : proceedings of the eighth International Conference on Insular Art, Glasgow 2017 |
| title_full | Peopling insular art practice, performance, perception : proceedings of the eighth International Conference on Insular Art, Glasgow 2017 edited by Cynthia Thickpenny, Katherine Forsyth, Jane Geddes and Kate Mathis |
| title_fullStr | Peopling insular art practice, performance, perception : proceedings of the eighth International Conference on Insular Art, Glasgow 2017 edited by Cynthia Thickpenny, Katherine Forsyth, Jane Geddes and Kate Mathis |
| title_full_unstemmed | Peopling insular art practice, performance, perception : proceedings of the eighth International Conference on Insular Art, Glasgow 2017 edited by Cynthia Thickpenny, Katherine Forsyth, Jane Geddes and Kate Mathis |
| title_short | Peopling insular art |
| title_sort | peopling insular art practice performance perception proceedings of the eighth international conference on insular art glasgow 2017 |
| title_sub | practice, performance, perception : proceedings of the eighth International Conference on Insular Art, Glasgow 2017 |
| topic | Kunst (DE-588)4114333-4 gnd |
| topic_facet | Kunst Britische Inseln Konferenzschrift 2017 Glasgow |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032295065&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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