Deutsche Börse Photography Prize 2020: Mohamed Bourouissa, Anton Kusters, Mark Neville, Clare Strand
Mohamed Bourouissa: Comprising a survey of Bourouissa's work over the past 15 years, the exhibition includes works from Nous Sommes Halles (2003-2005 in collaboration with Anoush Kashoot), Périphérique (2005-2008), Temps Mort (2009), Shoplifters (2014-2015) and his augmented-reality piece revea...
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| Format: | Buch |
| Sprache: | English |
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London
Photographers Gallery
[2020]
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Mohamed Bourouissa: Comprising a survey of Bourouissa's work over the past 15 years, the exhibition includes works from Nous Sommes Halles (2003-2005 in collaboration with Anoush Kashoot), Périphérique (2005-2008), Temps Mort (2009), Shoplifters (2014-2015) and his augmented-reality piece revealing the invisible Army of the Unemployed. Anton Kusters: Questioning the act of commemoration and its potentially limited means of representing grief and suffering, Kusters proposes other ways of seeing and dealing with such history. The installation also features a 13 year-long generative audio piece by sound artist, composer and songwriter, Ruben Samama, which represents, in both sound and duration, the period between 1933 and 1945 when the camps were active, and further signifies the human loss at each of the sites. Mark Neville: Neville began taking photographs in Guingamp, Brittany ("little Britain") in 2016 and over three years, produced a complex, multi-layered portrait of this tight-knit provincial farming region. Connecting art and social documentary practices, he further photographed different agribusinesses in the community - from small holdings to large industries. The resulting photobook, now accompanied by a publication of essays by Brittany farmers articulating the need for a sustainable, humane, even ecotopian type of agriculture, was sent out to UK and European ministries of agriculture and food. Clare Strand: Strand was Inspired by George H. Eckhardt's publication Electronic Television (1936) and adopts this methodology as a way of exploring the process of transmission and reception, recreating existing photographic images into paintings via encoded messages by telephone. The project features photographs (information sources) and paintings (information destinations) also reflecting the competitive and often problematic relationship between the two media |
| Beschreibung: | 127 Seiten 3 Beilagen |
| ISBN: | 9781916348707 191634870X |
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| 520 | 3 | |a Mohamed Bourouissa: Comprising a survey of Bourouissa's work over the past 15 years, the exhibition includes works from Nous Sommes Halles (2003-2005 in collaboration with Anoush Kashoot), Périphérique (2005-2008), Temps Mort (2009), Shoplifters (2014-2015) and his augmented-reality piece revealing the invisible Army of the Unemployed. Anton Kusters: Questioning the act of commemoration and its potentially limited means of representing grief and suffering, Kusters proposes other ways of seeing and dealing with such history. The installation also features a 13 year-long generative audio piece by sound artist, composer and songwriter, Ruben Samama, which represents, in both sound and duration, the period between 1933 and 1945 when the camps were active, and further signifies the human loss at each of the sites. Mark Neville: Neville began taking photographs in Guingamp, Brittany ("little Britain") in 2016 and over three years, produced a complex, multi-layered portrait of this tight-knit provincial farming region. Connecting art and social documentary practices, he further photographed different agribusinesses in the community - from small holdings to large industries. The resulting photobook, now accompanied by a publication of essays by Brittany farmers articulating the need for a sustainable, humane, even ecotopian type of agriculture, was sent out to UK and European ministries of agriculture and food. Clare Strand: Strand was Inspired by George H. Eckhardt's publication Electronic Television (1936) and adopts this methodology as a way of exploring the process of transmission and reception, recreating existing photographic images into paintings via encoded messages by telephone. The project features photographs (information sources) and paintings (information destinations) also reflecting the competitive and often problematic relationship between the two media | |
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| spelling | Deutsche Börse Photography Prize 2020 Mohamed Bourouissa, Anton Kusters, Mark Neville, Clare Strand edited by Anna Dannemann London Photographers Gallery [2020] 127 Seiten 3 Beilagen sti rdacontent txt rdacontent n rdamedia nc rdacarrier Mohamed Bourouissa: Comprising a survey of Bourouissa's work over the past 15 years, the exhibition includes works from Nous Sommes Halles (2003-2005 in collaboration with Anoush Kashoot), Périphérique (2005-2008), Temps Mort (2009), Shoplifters (2014-2015) and his augmented-reality piece revealing the invisible Army of the Unemployed. Anton Kusters: Questioning the act of commemoration and its potentially limited means of representing grief and suffering, Kusters proposes other ways of seeing and dealing with such history. The installation also features a 13 year-long generative audio piece by sound artist, composer and songwriter, Ruben Samama, which represents, in both sound and duration, the period between 1933 and 1945 when the camps were active, and further signifies the human loss at each of the sites. Mark Neville: Neville began taking photographs in Guingamp, Brittany ("little Britain") in 2016 and over three years, produced a complex, multi-layered portrait of this tight-knit provincial farming region. Connecting art and social documentary practices, he further photographed different agribusinesses in the community - from small holdings to large industries. The resulting photobook, now accompanied by a publication of essays by Brittany farmers articulating the need for a sustainable, humane, even ecotopian type of agriculture, was sent out to UK and European ministries of agriculture and food. Clare Strand: Strand was Inspired by George H. Eckhardt's publication Electronic Television (1936) and adopts this methodology as a way of exploring the process of transmission and reception, recreating existing photographic images into paintings via encoded messages by telephone. The project features photographs (information sources) and paintings (information destinations) also reflecting the competitive and often problematic relationship between the two media Bourouissa, Mohamed 1979- (DE-588)137391382 gnd rswk-swf Kusters, Anton 1975- (DE-588)1038380308 gnd rswk-swf Neville, Mark 1969- (DE-588)1023790513 gnd rswk-swf Strand, Clare 1973- (DE-588)137149042 gnd rswk-swf Geschichte 2020 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Kunstpreis (DE-588)4136702-9 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Fotografie (DE-588)4045895-7 s Kunstpreis (DE-588)4136702-9 s Geschichte 2020 z DE-604 Bourouissa, Mohamed 1979- (DE-588)137391382 p Kusters, Anton 1975- (DE-588)1038380308 p Neville, Mark 1969- (DE-588)1023790513 p Strand, Clare 1973- (DE-588)137149042 p Dannemann, Anna 19XX- (DE-588)142925780 edt Deutsche Börse Photography Foundation (DE-588)1130665062 orm V:DE-576;B:DE-14 application/pdf http://swbplus.bsz-bw.de/bsz1702671399inh.htm 20200706153621 Inhaltsverzeichnis |
| spellingShingle | Deutsche Börse Photography Prize 2020 Mohamed Bourouissa, Anton Kusters, Mark Neville, Clare Strand Bourouissa, Mohamed 1979- (DE-588)137391382 gnd Kusters, Anton 1975- (DE-588)1038380308 gnd Neville, Mark 1969- (DE-588)1023790513 gnd Strand, Clare 1973- (DE-588)137149042 gnd Fotografie (DE-588)4045895-7 gnd Kunstpreis (DE-588)4136702-9 gnd |
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| title | Deutsche Börse Photography Prize 2020 Mohamed Bourouissa, Anton Kusters, Mark Neville, Clare Strand |
| title_auth | Deutsche Börse Photography Prize 2020 Mohamed Bourouissa, Anton Kusters, Mark Neville, Clare Strand |
| title_exact_search | Deutsche Börse Photography Prize 2020 Mohamed Bourouissa, Anton Kusters, Mark Neville, Clare Strand |
| title_exact_search_txtP | Deutsche Börse Photography Prize 2020 Mohamed Bourouissa, Anton Kusters, Mark Neville, Clare Strand |
| title_full | Deutsche Börse Photography Prize 2020 Mohamed Bourouissa, Anton Kusters, Mark Neville, Clare Strand edited by Anna Dannemann |
| title_fullStr | Deutsche Börse Photography Prize 2020 Mohamed Bourouissa, Anton Kusters, Mark Neville, Clare Strand edited by Anna Dannemann |
| title_full_unstemmed | Deutsche Börse Photography Prize 2020 Mohamed Bourouissa, Anton Kusters, Mark Neville, Clare Strand edited by Anna Dannemann |
| title_short | Deutsche Börse Photography Prize 2020 |
| title_sort | deutsche borse photography prize 2020 mohamed bourouissa anton kusters mark neville clare strand |
| title_sub | Mohamed Bourouissa, Anton Kusters, Mark Neville, Clare Strand |
| topic | Bourouissa, Mohamed 1979- (DE-588)137391382 gnd Kusters, Anton 1975- (DE-588)1038380308 gnd Neville, Mark 1969- (DE-588)1023790513 gnd Strand, Clare 1973- (DE-588)137149042 gnd Fotografie (DE-588)4045895-7 gnd Kunstpreis (DE-588)4136702-9 gnd |
| topic_facet | Bourouissa, Mohamed 1979- Kusters, Anton 1975- Neville, Mark 1969- Strand, Clare 1973- Fotografie Kunstpreis Bildband |
| url | http://swbplus.bsz-bw.de/bsz1702671399inh.htm |
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