America's impressionism: echoes of a revolution
From the late 19th century to the Second World War, American painters adapted Impressionism to their own ends, shaping one of the most enduring, complex, and contradictory styles of art ever produced in the United States. This comprehensive book presents an original and nuanced history of the Americ...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Chadds Ford, Pa.
Brandywine River Museum
[2020]
Memphis, Tenn. Dixon Gallery and Gardens San Antonio, Tex. San Antonio Museum of Art |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | From the late 19th century to the Second World War, American painters adapted Impressionism to their own ends, shaping one of the most enduring, complex, and contradictory styles of art ever produced in the United States. This comprehensive book presents an original and nuanced history of the American engagement with the French style, one that was both richer and more ambivalent than mere imitation. Showcasing key works from public and private collections across the United States, this expansive catalogue contextualizes celebrated figures, such as Claude Monet (1840-1926) and William Merritt Chase (1849-1916), among their unduly overlooked-and often female-counterparts, such as Lilla Cabot Perry (1848-1933), Emma Richardson Cherry (1859-1954), and Evelyn McCormick (1862-1948). Essays from leading scholars of the movement expand upon the geography and chronology of Impressionism in America, investigating regional variants and new avenues opened by the experiment. Beautifully illustrated, this volume is a landmark event in the understanding of an important era in American art. Exhibition: San Antonio Museum of Art, San Antonio, USA (11.06-05.09.2020), Brandywine River Museum of Art, Chadds Ford, USA (17.10.2020-10.01.2021) / Dixon Gallery and Gardens, Memphis, USA (23.01-11.04.2021) |
| Beschreibung: | 208 Seiten |
| ISBN: | 9780300247701 |
Internformat
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| 520 | 3 | |a From the late 19th century to the Second World War, American painters adapted Impressionism to their own ends, shaping one of the most enduring, complex, and contradictory styles of art ever produced in the United States. This comprehensive book presents an original and nuanced history of the American engagement with the French style, one that was both richer and more ambivalent than mere imitation. Showcasing key works from public and private collections across the United States, this expansive catalogue contextualizes celebrated figures, such as Claude Monet (1840-1926) and William Merritt Chase (1849-1916), among their unduly overlooked-and often female-counterparts, such as Lilla Cabot Perry (1848-1933), Emma Richardson Cherry (1859-1954), and Evelyn McCormick (1862-1948). Essays from leading scholars of the movement expand upon the geography and chronology of Impressionism in America, investigating regional variants and new avenues opened by the experiment. Beautifully illustrated, this volume is a landmark event in the understanding of an important era in American art. Exhibition: San Antonio Museum of Art, San Antonio, USA (11.06-05.09.2020), Brandywine River Museum of Art, Chadds Ford, USA (17.10.2020-10.01.2021) / Dixon Gallery and Gardens, Memphis, USA (23.01-11.04.2021) | |
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| spelling | America's impressionism echoes of a revolution Amanda C. Burdan ; with contributions by Emily C. Burns, Ross King, William Keyse Rudolph, Kevin Sharp, and Scott A. Shields Chadds Ford, Pa. Brandywine River Museum [2020] Memphis, Tenn. Dixon Gallery and Gardens San Antonio, Tex. San Antonio Museum of Art New Haven ; London Yale University Press 208 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier From the late 19th century to the Second World War, American painters adapted Impressionism to their own ends, shaping one of the most enduring, complex, and contradictory styles of art ever produced in the United States. This comprehensive book presents an original and nuanced history of the American engagement with the French style, one that was both richer and more ambivalent than mere imitation. Showcasing key works from public and private collections across the United States, this expansive catalogue contextualizes celebrated figures, such as Claude Monet (1840-1926) and William Merritt Chase (1849-1916), among their unduly overlooked-and often female-counterparts, such as Lilla Cabot Perry (1848-1933), Emma Richardson Cherry (1859-1954), and Evelyn McCormick (1862-1948). Essays from leading scholars of the movement expand upon the geography and chronology of Impressionism in America, investigating regional variants and new avenues opened by the experiment. Beautifully illustrated, this volume is a landmark event in the understanding of an important era in American art. Exhibition: San Antonio Museum of Art, San Antonio, USA (11.06-05.09.2020), Brandywine River Museum of Art, Chadds Ford, USA (17.10.2020-10.01.2021) / Dixon Gallery and Gardens, Memphis, USA (23.01-11.04.2021) Geschichte 1880-1930 gnd rswk-swf Impressionismus (DE-588)4026679-5 gnd rswk-swf Nachimpressionismus (DE-588)4220630-3 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Brandywine River Museum of Art 17.10.2020-10.01.2021 Chadds Ford, Pa. gnd-content (DE-588)4135467-9 Ausstellungskatalog Dixon Gallery and Gardens 23.01.2021.-11.04.2021 Memphis, Tenn. gnd-content (DE-588)4135467-9 Ausstellungskatalog San Antonio Museum of Art 11.06.2021-05.09.2021 San Antonio, Tex. gnd-content USA (DE-588)4078704-7 g Impressionismus (DE-588)4026679-5 s Nachimpressionismus (DE-588)4220630-3 s Malerei (DE-588)4037220-0 s Geschichte 1880-1930 z DE-188 Burdan, Amanda C. 1973- (DE-588)1122661509 wst Burns, Emily C. 1981- (DE-588)1160213895 wst King, Ross 1962- (DE-588)120462230 wst Rudolph, William Keyse (DE-588)135587654 wst Sharp, Kevin 1957- (DE-588)1137537914 wst Shields, Scott A. (DE-588)131987488 wst Brandywine River Museum of Art (DE-588)1309266263 isb Dixon Gallery and Gardens (Memphis, Tenn.) (DE-588)5113429-9 isb San Antonio Museum of Art (DE-588)5046728-1 isb V:DE-576;B:DE-16 application/pdf http://swbplus.bsz-bw.de/bsz1703738594inh.htm 20200718154043 Inhaltsverzeichnis |
| spellingShingle | America's impressionism echoes of a revolution Impressionismus (DE-588)4026679-5 gnd Nachimpressionismus (DE-588)4220630-3 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)4026679-5 (DE-588)4220630-3 (DE-588)4037220-0 (DE-588)4078704-7 (DE-588)4135467-9 |
| title | America's impressionism echoes of a revolution |
| title_auth | America's impressionism echoes of a revolution |
| title_exact_search | America's impressionism echoes of a revolution |
| title_exact_search_txtP | America's impressionism echoes of a revolution |
| title_full | America's impressionism echoes of a revolution Amanda C. Burdan ; with contributions by Emily C. Burns, Ross King, William Keyse Rudolph, Kevin Sharp, and Scott A. Shields |
| title_fullStr | America's impressionism echoes of a revolution Amanda C. Burdan ; with contributions by Emily C. Burns, Ross King, William Keyse Rudolph, Kevin Sharp, and Scott A. Shields |
| title_full_unstemmed | America's impressionism echoes of a revolution Amanda C. Burdan ; with contributions by Emily C. Burns, Ross King, William Keyse Rudolph, Kevin Sharp, and Scott A. Shields |
| title_short | America's impressionism |
| title_sort | america s impressionism echoes of a revolution |
| title_sub | echoes of a revolution |
| topic | Impressionismus (DE-588)4026679-5 gnd Nachimpressionismus (DE-588)4220630-3 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Impressionismus Nachimpressionismus Malerei USA Ausstellungskatalog Brandywine River Museum of Art 17.10.2020-10.01.2021 Chadds Ford, Pa. Ausstellungskatalog Dixon Gallery and Gardens 23.01.2021.-11.04.2021 Memphis, Tenn. Ausstellungskatalog San Antonio Museum of Art 11.06.2021-05.09.2021 San Antonio, Tex. |
| url | http://swbplus.bsz-bw.de/bsz1703738594inh.htm |
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