Watermarks: Leonardo da Vinci and the mastery of nature
"An exploration of depictions and use of water within Renaissance Italy, and especially in the work of polymath Leonardo da Vinci. Both a practical necessity and a powerful symbol, water presents one of the most challenging problems in visual art due to its formlessness, clarity, and mutability...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2020]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "An exploration of depictions and use of water within Renaissance Italy, and especially in the work of polymath Leonardo da Vinci. Both a practical necessity and a powerful symbol, water presents one of the most challenging problems in visual art due to its formlessness, clarity, and mutability. In Renaissance Italy, it was a nearly inexhaustible subject of inquiry for artists, engineers, and architects alike: it represented an element to be productively harnessed and a force of untamed nature. Watermarks places the depiction and use of water within an intellectual history of early modern Italy, examining the parallel technological and aesthetic challenges of mastering water and the scientific and artistic practices that emerged in response to them. Focusing primarily on the wide-ranging work of Leonardo da Vinci (1452-1519)-at once an artist, scientist, and inventor-Leslie Geddes shows how the deployment of artistic media, such as ink and watercolor, closely correlated with the engineering challenges of controlling water in the natural world. For da Vinci and his peers, she argues, drawing was an essential form of visual thinking. Geddes analyses a wide range of da Vinci's subject matter, including machine drawings, water management schemes, and depictions of the natural landscape, and demonstrates how drawing-as an intellectual practice, a form of scientific investigation, and a visual representation-constituted a distinct mode of problem solving integral to his understanding of the natural environment. Throughout, Geddes draws important connections between works by da Vinci that have long been overlooked, the artistic and engineering practices of his day, and critical questions about the nature of seeing and depicting the almost unseeable during the early modern period"-- |
Beschreibung: | Revision of the author's thesis (Ph. D.)--Princeton University, 2014, under the title:" Leonardo da Vinci and the art of water". - Includes bibliographical references and index |
Beschreibung: | 244 Seiten 138 Illustrationen 27 cm |
ISBN: | 9780691192697 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV046882845 | ||
003 | DE-604 | ||
005 | 20220221 | ||
007 | t | ||
008 | 200903s2020 xxua||| m||| 00||| eng d | ||
020 | |a 9780691192697 |c hardback |9 978-0-691-19269-7 | ||
035 | |a (OCoLC)1220879234 | ||
035 | |a (DE-599)KXP1688628037 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a xxu |c XD-US | ||
049 | |a DE-Y3 |a DE-12 |a DE-Y2 |a DE-210 |a DE-11 |a DE-188 |a DE-20 |a DE-255 |a DE-19 | ||
050 | 0 | |a N6923.L33 | |
082 | 0 | |a 709.2 | |
084 | |a HIST |q DE-210 |2 fid | ||
084 | |a LI 53253 |0 (DE-625)96489:13208 |2 rvk | ||
100 | 1 | |a Geddes, Leslie A. |0 (DE-588)121504187X |4 aut | |
240 | 1 | 0 | |a Leonardo da Vinci and the art of water |
245 | 1 | 0 | |a Watermarks |b Leonardo da Vinci and the mastery of nature |c Leslie A. Geddes |
264 | 1 | |a Princeton ; Oxford |b Princeton University Press |c [2020] | |
300 | |a 244 Seiten |b 138 Illustrationen |c 27 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Revision of the author's thesis (Ph. D.)--Princeton University, 2014, under the title:" Leonardo da Vinci and the art of water". - Includes bibliographical references and index | ||
502 | |b Dissertation |c Princeton University |d 2014 | ||
520 | 3 | |a "An exploration of depictions and use of water within Renaissance Italy, and especially in the work of polymath Leonardo da Vinci. Both a practical necessity and a powerful symbol, water presents one of the most challenging problems in visual art due to its formlessness, clarity, and mutability. In Renaissance Italy, it was a nearly inexhaustible subject of inquiry for artists, engineers, and architects alike: it represented an element to be productively harnessed and a force of untamed nature. Watermarks places the depiction and use of water within an intellectual history of early modern Italy, examining the parallel technological and aesthetic challenges of mastering water and the scientific and artistic practices that emerged in response to them. Focusing primarily on the wide-ranging work of Leonardo da Vinci (1452-1519)-at once an artist, scientist, and inventor-Leslie Geddes shows how the deployment of artistic media, such as ink and watercolor, closely correlated with the engineering challenges of controlling water in the natural world. For da Vinci and his peers, she argues, drawing was an essential form of visual thinking. Geddes analyses a wide range of da Vinci's subject matter, including machine drawings, water management schemes, and depictions of the natural landscape, and demonstrates how drawing-as an intellectual practice, a form of scientific investigation, and a visual representation-constituted a distinct mode of problem solving integral to his understanding of the natural environment. Throughout, Geddes draws important connections between works by da Vinci that have long been overlooked, the artistic and engineering practices of his day, and critical questions about the nature of seeing and depicting the almost unseeable during the early modern period"-- | |
600 | 0 | 7 | |a Leonardo |c da Vinci |d 1452-1519 |0 (DE-588)118640445 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kanalbau |0 (DE-588)4029462-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Wasserbau |0 (DE-588)4064700-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Brückenbau |0 (DE-588)4008415-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Materialität |0 (DE-588)4512697-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Wasser |0 (DE-588)4064689-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Zeichnung |0 (DE-588)4127900-1 |2 gnd |9 rswk-swf |
653 | 1 | |a Leonardo / da Vinci / 1452-1519 / Criticism and interpretation | |
653 | 0 | |a Water in art | |
653 | 0 | |a Drawing, Psychology of | |
653 | 0 | |a Art and technology / Italy / History | |
653 | 0 | |a Renaissance / Italy | |
655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
689 | 0 | 0 | |a Leonardo |c da Vinci |d 1452-1519 |0 (DE-588)118640445 |D p |
689 | 0 | 1 | |a Zeichnung |0 (DE-588)4127900-1 |D s |
689 | 0 | 2 | |a Wasser |0 (DE-588)4064689-0 |D s |
689 | 0 | 3 | |a Wasserbau |0 (DE-588)4064700-6 |D s |
689 | 0 | 4 | |a Brückenbau |0 (DE-588)4008415-2 |D s |
689 | 0 | 5 | |a Kanalbau |0 (DE-588)4029462-6 |D s |
689 | 0 | 6 | |a Materialität |0 (DE-588)4512697-5 |D s |
689 | 0 | |5 DE-604 | |
751 | |a Princeton, NJ |0 (DE-588)4103300-0 |2 gnd |4 uvp | ||
856 | 4 | 2 | |m Digitalisierung Deutsches Museum |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032292816&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-032292816 |
Datensatz im Suchindex
_version_ | 1804181741349371904 |
---|---|
adam_text | CONTENTS
1
17
55
97
U9
149
171
INTRODUCTION
PART
I
WATER TAMED
CHAPTER 1.
THE MACHINE DRAWINGS
CHAPTER 2.
TRAVERSING
WATER
PART
II
WATER UNLEASHED
CHAPTER 3.
FLOW
AND
FLUX
CHAPTER 4.
WATER
IN
LANDSCAPES
CHAPTER S.
PAINTING
AND
MAPPING
CHAPTER
6.
WATER,
EARTH,
AIR, FIRE
196
EPILOGUE
199
ACKNOWLEDGMENTS
202
NOTES
229
BIBLIOGRAPHY
239
INDEX
244
IMAGE
CREDITS
Y,
IBLIOTHEK
DEUTSCHES
MUSEUM
4 1UENCHEO
|
adam_txt |
CONTENTS
1
17
55
97
U9
149
171
INTRODUCTION
PART
I
WATER TAMED
CHAPTER 1.
THE MACHINE DRAWINGS
CHAPTER 2.
TRAVERSING
WATER
PART
II
WATER UNLEASHED
CHAPTER 3.
FLOW
AND
FLUX
CHAPTER 4.
WATER
IN
LANDSCAPES
CHAPTER S.
PAINTING
AND
MAPPING
CHAPTER
6.
WATER,
EARTH,
AIR, FIRE
196
EPILOGUE
199
ACKNOWLEDGMENTS
202
NOTES
229
BIBLIOGRAPHY
239
INDEX
244
IMAGE
CREDITS
Y,
IBLIOTHEK
DEUTSCHES
MUSEUM
4'1UENCHEO |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Geddes, Leslie A. |
author_GND | (DE-588)121504187X |
author_facet | Geddes, Leslie A. |
author_role | aut |
author_sort | Geddes, Leslie A. |
author_variant | l a g la lag |
building | Verbundindex |
bvnumber | BV046882845 |
callnumber-first | N - Fine Arts |
callnumber-label | N6923 |
callnumber-raw | N6923.L33 |
callnumber-search | N6923.L33 |
callnumber-sort | N 46923 L33 |
callnumber-subject | N - Visual Arts |
classification_rvk | LI 53253 |
ctrlnum | (OCoLC)1220879234 (DE-599)KXP1688628037 |
dewey-full | 709.2 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.2 |
dewey-search | 709.2 |
dewey-sort | 3709.2 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
format | Thesis Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04577nam a2200637 c 4500</leader><controlfield tag="001">BV046882845</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220221 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200903s2020 xxua||| m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691192697</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-691-19269-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1220879234</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1688628037</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-210</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">N6923.L33</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">709.2</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HIST</subfield><subfield code="q">DE-210</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 53253</subfield><subfield code="0">(DE-625)96489:13208</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Geddes, Leslie A.</subfield><subfield code="0">(DE-588)121504187X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Leonardo da Vinci and the art of water</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Watermarks</subfield><subfield code="b">Leonardo da Vinci and the mastery of nature</subfield><subfield code="c">Leslie A. Geddes</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton ; Oxford</subfield><subfield code="b">Princeton University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">244 Seiten</subfield><subfield code="b">138 Illustrationen</subfield><subfield code="c">27 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Revision of the author's thesis (Ph. D.)--Princeton University, 2014, under the title:" Leonardo da Vinci and the art of water". - Includes bibliographical references and index</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">Princeton University</subfield><subfield code="d">2014</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"An exploration of depictions and use of water within Renaissance Italy, and especially in the work of polymath Leonardo da Vinci. Both a practical necessity and a powerful symbol, water presents one of the most challenging problems in visual art due to its formlessness, clarity, and mutability. In Renaissance Italy, it was a nearly inexhaustible subject of inquiry for artists, engineers, and architects alike: it represented an element to be productively harnessed and a force of untamed nature. Watermarks places the depiction and use of water within an intellectual history of early modern Italy, examining the parallel technological and aesthetic challenges of mastering water and the scientific and artistic practices that emerged in response to them. Focusing primarily on the wide-ranging work of Leonardo da Vinci (1452-1519)-at once an artist, scientist, and inventor-Leslie Geddes shows how the deployment of artistic media, such as ink and watercolor, closely correlated with the engineering challenges of controlling water in the natural world. For da Vinci and his peers, she argues, drawing was an essential form of visual thinking. Geddes analyses a wide range of da Vinci's subject matter, including machine drawings, water management schemes, and depictions of the natural landscape, and demonstrates how drawing-as an intellectual practice, a form of scientific investigation, and a visual representation-constituted a distinct mode of problem solving integral to his understanding of the natural environment. Throughout, Geddes draws important connections between works by da Vinci that have long been overlooked, the artistic and engineering practices of his day, and critical questions about the nature of seeing and depicting the almost unseeable during the early modern period"--</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Leonardo</subfield><subfield code="c">da Vinci</subfield><subfield code="d">1452-1519</subfield><subfield code="0">(DE-588)118640445</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kanalbau</subfield><subfield code="0">(DE-588)4029462-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Wasserbau</subfield><subfield code="0">(DE-588)4064700-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Brückenbau</subfield><subfield code="0">(DE-588)4008415-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Materialität</subfield><subfield code="0">(DE-588)4512697-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Wasser</subfield><subfield code="0">(DE-588)4064689-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zeichnung</subfield><subfield code="0">(DE-588)4127900-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Leonardo / da Vinci / 1452-1519 / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Water in art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Drawing, Psychology of</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and technology / Italy / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Renaissance / Italy</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Leonardo</subfield><subfield code="c">da Vinci</subfield><subfield code="d">1452-1519</subfield><subfield code="0">(DE-588)118640445</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Zeichnung</subfield><subfield code="0">(DE-588)4127900-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Wasser</subfield><subfield code="0">(DE-588)4064689-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Wasserbau</subfield><subfield code="0">(DE-588)4064700-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Brückenbau</subfield><subfield code="0">(DE-588)4008415-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Kanalbau</subfield><subfield code="0">(DE-588)4029462-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Materialität</subfield><subfield code="0">(DE-588)4512697-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="751" ind1=" " ind2=" "><subfield code="a">Princeton, NJ</subfield><subfield code="0">(DE-588)4103300-0</subfield><subfield code="2">gnd</subfield><subfield code="4">uvp</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung Deutsches Museum</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032292816&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032292816</subfield></datafield></record></collection> |
genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
id | DE-604.BV046882845 |
illustrated | Illustrated |
index_date | 2024-07-03T15:18:42Z |
indexdate | 2024-07-10T08:56:28Z |
institution | BVB |
isbn | 9780691192697 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032292816 |
oclc_num | 1220879234 |
open_access_boolean | |
owner | DE-Y3 DE-12 DE-Y2 DE-210 DE-11 DE-188 DE-20 DE-255 DE-19 DE-BY-UBM |
owner_facet | DE-Y3 DE-12 DE-Y2 DE-210 DE-11 DE-188 DE-20 DE-255 DE-19 DE-BY-UBM |
physical | 244 Seiten 138 Illustrationen 27 cm |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Princeton University Press |
record_format | marc |
spelling | Geddes, Leslie A. (DE-588)121504187X aut Leonardo da Vinci and the art of water Watermarks Leonardo da Vinci and the mastery of nature Leslie A. Geddes Princeton ; Oxford Princeton University Press [2020] 244 Seiten 138 Illustrationen 27 cm txt rdacontent n rdamedia nc rdacarrier Revision of the author's thesis (Ph. D.)--Princeton University, 2014, under the title:" Leonardo da Vinci and the art of water". - Includes bibliographical references and index Dissertation Princeton University 2014 "An exploration of depictions and use of water within Renaissance Italy, and especially in the work of polymath Leonardo da Vinci. Both a practical necessity and a powerful symbol, water presents one of the most challenging problems in visual art due to its formlessness, clarity, and mutability. In Renaissance Italy, it was a nearly inexhaustible subject of inquiry for artists, engineers, and architects alike: it represented an element to be productively harnessed and a force of untamed nature. Watermarks places the depiction and use of water within an intellectual history of early modern Italy, examining the parallel technological and aesthetic challenges of mastering water and the scientific and artistic practices that emerged in response to them. Focusing primarily on the wide-ranging work of Leonardo da Vinci (1452-1519)-at once an artist, scientist, and inventor-Leslie Geddes shows how the deployment of artistic media, such as ink and watercolor, closely correlated with the engineering challenges of controlling water in the natural world. For da Vinci and his peers, she argues, drawing was an essential form of visual thinking. Geddes analyses a wide range of da Vinci's subject matter, including machine drawings, water management schemes, and depictions of the natural landscape, and demonstrates how drawing-as an intellectual practice, a form of scientific investigation, and a visual representation-constituted a distinct mode of problem solving integral to his understanding of the natural environment. Throughout, Geddes draws important connections between works by da Vinci that have long been overlooked, the artistic and engineering practices of his day, and critical questions about the nature of seeing and depicting the almost unseeable during the early modern period"-- Leonardo da Vinci 1452-1519 (DE-588)118640445 gnd rswk-swf Kanalbau (DE-588)4029462-6 gnd rswk-swf Wasserbau (DE-588)4064700-6 gnd rswk-swf Brückenbau (DE-588)4008415-2 gnd rswk-swf Materialität (DE-588)4512697-5 gnd rswk-swf Wasser (DE-588)4064689-0 gnd rswk-swf Zeichnung (DE-588)4127900-1 gnd rswk-swf Leonardo / da Vinci / 1452-1519 / Criticism and interpretation Water in art Drawing, Psychology of Art and technology / Italy / History Renaissance / Italy (DE-588)4113937-9 Hochschulschrift gnd-content Leonardo da Vinci 1452-1519 (DE-588)118640445 p Zeichnung (DE-588)4127900-1 s Wasser (DE-588)4064689-0 s Wasserbau (DE-588)4064700-6 s Brückenbau (DE-588)4008415-2 s Kanalbau (DE-588)4029462-6 s Materialität (DE-588)4512697-5 s DE-604 Princeton, NJ (DE-588)4103300-0 gnd uvp Digitalisierung Deutsches Museum application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032292816&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Geddes, Leslie A. Watermarks Leonardo da Vinci and the mastery of nature Leonardo da Vinci 1452-1519 (DE-588)118640445 gnd Kanalbau (DE-588)4029462-6 gnd Wasserbau (DE-588)4064700-6 gnd Brückenbau (DE-588)4008415-2 gnd Materialität (DE-588)4512697-5 gnd Wasser (DE-588)4064689-0 gnd Zeichnung (DE-588)4127900-1 gnd |
subject_GND | (DE-588)118640445 (DE-588)4029462-6 (DE-588)4064700-6 (DE-588)4008415-2 (DE-588)4512697-5 (DE-588)4064689-0 (DE-588)4127900-1 (DE-588)4113937-9 |
title | Watermarks Leonardo da Vinci and the mastery of nature |
title_alt | Leonardo da Vinci and the art of water |
title_auth | Watermarks Leonardo da Vinci and the mastery of nature |
title_exact_search | Watermarks Leonardo da Vinci and the mastery of nature |
title_exact_search_txtP | Watermarks Leonardo da Vinci and the mastery of nature |
title_full | Watermarks Leonardo da Vinci and the mastery of nature Leslie A. Geddes |
title_fullStr | Watermarks Leonardo da Vinci and the mastery of nature Leslie A. Geddes |
title_full_unstemmed | Watermarks Leonardo da Vinci and the mastery of nature Leslie A. Geddes |
title_short | Watermarks |
title_sort | watermarks leonardo da vinci and the mastery of nature |
title_sub | Leonardo da Vinci and the mastery of nature |
topic | Leonardo da Vinci 1452-1519 (DE-588)118640445 gnd Kanalbau (DE-588)4029462-6 gnd Wasserbau (DE-588)4064700-6 gnd Brückenbau (DE-588)4008415-2 gnd Materialität (DE-588)4512697-5 gnd Wasser (DE-588)4064689-0 gnd Zeichnung (DE-588)4127900-1 gnd |
topic_facet | Leonardo da Vinci 1452-1519 Kanalbau Wasserbau Brückenbau Materialität Wasser Zeichnung Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032292816&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT geddeslesliea leonardodavinciandtheartofwater AT geddeslesliea watermarksleonardodavinciandthemasteryofnature |