Poetry, publishing, and visual culture from late modernism to the twenty-first century: fugitive pieces
This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms....
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford
Oxford University Press
2020
|
Ausgabe: | First edition |
Schlagworte: | |
Zusammenfassung: | This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the0underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. 0The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | x, 320 Seiten 18 Illustrationen 24 cm |
ISBN: | 9780198852605 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV046877687 | ||
003 | DE-604 | ||
005 | 20210302 | ||
007 | t | ||
008 | 200901s2020 xxka||| |||| 00||| eng d | ||
020 | |a 9780198852605 |c hardcover |9 978-0-19-885260-5 | ||
035 | |a (OCoLC)1196264130 | ||
035 | |a (DE-599)BVBBV046877687 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a xxk |c XA-GB | ||
049 | |a DE-255 |a DE-12 |a DE-824 | ||
050 | 0 | |a PR601 | |
082 | 0 | |a 821.9109 | |
100 | 1 | |a Pollard, Natalie |e Verfasser |0 (DE-588)1214894674 |4 aut | |
245 | 1 | 0 | |a Poetry, publishing, and visual culture from late modernism to the twenty-first century |b fugitive pieces |c Natalie Pollard |
250 | |a First edition | ||
264 | 1 | |a Oxford |b Oxford University Press |c 2020 | |
300 | |a x, 320 Seiten |b 18 Illustrationen |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references and index | ||
520 | 3 | |a This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the0underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. 0The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role | |
600 | 1 | 7 | |a Muldoon, Paul |d 1951- |0 (DE-588)119049872 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Jones, David |d 1895-1974 |0 (DE-588)118776355 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Hughes, Ted |d 1930-1998 |0 (DE-588)11855459X |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Baskin, Leonard |d 1922-2000 |0 (DE-588)119237601 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Riley, Denise |d 1948- |0 (DE-588)128987081 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Barnes, Djuna |d 1892-1982 |0 (DE-588)118657283 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Prince, Frank T. |d 1912-2003 |0 (DE-588)118793373 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
653 | 0 | |a English poetry / 20th century / History and criticism | |
689 | 0 | 0 | |a Barnes, Djuna |d 1892-1982 |0 (DE-588)118657283 |D p |
689 | 0 | 1 | |a Jones, David |d 1895-1974 |0 (DE-588)118776355 |D p |
689 | 0 | 2 | |a Prince, Frank T. |d 1912-2003 |0 (DE-588)118793373 |D p |
689 | 0 | 3 | |a Hughes, Ted |d 1930-1998 |0 (DE-588)11855459X |D p |
689 | 0 | 4 | |a Baskin, Leonard |d 1922-2000 |0 (DE-588)119237601 |D p |
689 | 0 | 5 | |a Riley, Denise |d 1948- |0 (DE-588)128987081 |D p |
689 | 0 | 6 | |a Muldoon, Paul |d 1951- |0 (DE-588)119049872 |D p |
689 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 0 | 8 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk |z 978-0-19-259397-9 |w (DE-604)BV046858249 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032287746 |
Datensatz im Suchindex
_version_ | 1811071210002317312 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Pollard, Natalie |
author_GND | (DE-588)1214894674 |
author_facet | Pollard, Natalie |
author_role | aut |
author_sort | Pollard, Natalie |
author_variant | n p np |
building | Verbundindex |
bvnumber | BV046877687 |
callnumber-first | P - Language and Literature |
callnumber-label | PR601 |
callnumber-raw | PR601 |
callnumber-search | PR601 |
callnumber-sort | PR 3601 |
callnumber-subject | PR - English Literature |
ctrlnum | (OCoLC)1196264130 (DE-599)BVBBV046877687 |
dewey-full | 821.9109 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 821 - English poetry |
dewey-raw | 821.9109 |
dewey-search | 821.9109 |
dewey-sort | 3821.9109 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
edition | First edition |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV046877687</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210302</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200901s2020 xxka||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780198852605</subfield><subfield code="c">hardcover</subfield><subfield code="9">978-0-19-885260-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1196264130</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046877687</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-824</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PR601</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">821.9109</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Pollard, Natalie</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1214894674</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Poetry, publishing, and visual culture from late modernism to the twenty-first century</subfield><subfield code="b">fugitive pieces</subfield><subfield code="c">Natalie Pollard</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 320 Seiten</subfield><subfield code="b">18 Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the0underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. 0The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Muldoon, Paul</subfield><subfield code="d">1951-</subfield><subfield code="0">(DE-588)119049872</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Jones, David</subfield><subfield code="d">1895-1974</subfield><subfield code="0">(DE-588)118776355</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Hughes, Ted</subfield><subfield code="d">1930-1998</subfield><subfield code="0">(DE-588)11855459X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Baskin, Leonard</subfield><subfield code="d">1922-2000</subfield><subfield code="0">(DE-588)119237601</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Riley, Denise</subfield><subfield code="d">1948-</subfield><subfield code="0">(DE-588)128987081</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Barnes, Djuna</subfield><subfield code="d">1892-1982</subfield><subfield code="0">(DE-588)118657283</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Prince, Frank T.</subfield><subfield code="d">1912-2003</subfield><subfield code="0">(DE-588)118793373</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">English poetry / 20th century / History and criticism</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Barnes, Djuna</subfield><subfield code="d">1892-1982</subfield><subfield code="0">(DE-588)118657283</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Jones, David</subfield><subfield code="d">1895-1974</subfield><subfield code="0">(DE-588)118776355</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Prince, Frank T.</subfield><subfield code="d">1912-2003</subfield><subfield code="0">(DE-588)118793373</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Hughes, Ted</subfield><subfield code="d">1930-1998</subfield><subfield code="0">(DE-588)11855459X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Baskin, Leonard</subfield><subfield code="d">1922-2000</subfield><subfield code="0">(DE-588)119237601</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Riley, Denise</subfield><subfield code="d">1948-</subfield><subfield code="0">(DE-588)128987081</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Muldoon, Paul</subfield><subfield code="d">1951-</subfield><subfield code="0">(DE-588)119049872</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="8"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ebk</subfield><subfield code="z">978-0-19-259397-9</subfield><subfield code="w">(DE-604)BV046858249</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032287746</subfield></datafield></record></collection> |
id | DE-604.BV046877687 |
illustrated | Illustrated |
index_date | 2024-07-03T15:16:38Z |
indexdate | 2024-09-24T10:01:38Z |
institution | BVB |
isbn | 9780198852605 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032287746 |
oclc_num | 1196264130 |
open_access_boolean | |
owner | DE-255 DE-12 DE-824 |
owner_facet | DE-255 DE-12 DE-824 |
physical | x, 320 Seiten 18 Illustrationen 24 cm |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Oxford University Press |
record_format | marc |
spelling | Pollard, Natalie Verfasser (DE-588)1214894674 aut Poetry, publishing, and visual culture from late modernism to the twenty-first century fugitive pieces Natalie Pollard First edition Oxford Oxford University Press 2020 x, 320 Seiten 18 Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the0underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. 0The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role Muldoon, Paul 1951- (DE-588)119049872 gnd rswk-swf Jones, David 1895-1974 (DE-588)118776355 gnd rswk-swf Hughes, Ted 1930-1998 (DE-588)11855459X gnd rswk-swf Baskin, Leonard 1922-2000 (DE-588)119237601 gnd rswk-swf Riley, Denise 1948- (DE-588)128987081 gnd rswk-swf Barnes, Djuna 1892-1982 (DE-588)118657283 gnd rswk-swf Prince, Frank T. 1912-2003 (DE-588)118793373 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf English poetry / 20th century / History and criticism Barnes, Djuna 1892-1982 (DE-588)118657283 p Jones, David 1895-1974 (DE-588)118776355 p Prince, Frank T. 1912-2003 (DE-588)118793373 p Hughes, Ted 1930-1998 (DE-588)11855459X p Baskin, Leonard 1922-2000 (DE-588)119237601 p Riley, Denise 1948- (DE-588)128987081 p Muldoon, Paul 1951- (DE-588)119049872 p Literatur (DE-588)4035964-5 s Kunst (DE-588)4114333-4 s DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-19-259397-9 (DE-604)BV046858249 |
spellingShingle | Pollard, Natalie Poetry, publishing, and visual culture from late modernism to the twenty-first century fugitive pieces Muldoon, Paul 1951- (DE-588)119049872 gnd Jones, David 1895-1974 (DE-588)118776355 gnd Hughes, Ted 1930-1998 (DE-588)11855459X gnd Baskin, Leonard 1922-2000 (DE-588)119237601 gnd Riley, Denise 1948- (DE-588)128987081 gnd Barnes, Djuna 1892-1982 (DE-588)118657283 gnd Prince, Frank T. 1912-2003 (DE-588)118793373 gnd Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)119049872 (DE-588)118776355 (DE-588)11855459X (DE-588)119237601 (DE-588)128987081 (DE-588)118657283 (DE-588)118793373 (DE-588)4035964-5 (DE-588)4114333-4 |
title | Poetry, publishing, and visual culture from late modernism to the twenty-first century fugitive pieces |
title_auth | Poetry, publishing, and visual culture from late modernism to the twenty-first century fugitive pieces |
title_exact_search | Poetry, publishing, and visual culture from late modernism to the twenty-first century fugitive pieces |
title_exact_search_txtP | Poetry, publishing, and visual culture from late modernism to the twenty-first century fugitive pieces |
title_full | Poetry, publishing, and visual culture from late modernism to the twenty-first century fugitive pieces Natalie Pollard |
title_fullStr | Poetry, publishing, and visual culture from late modernism to the twenty-first century fugitive pieces Natalie Pollard |
title_full_unstemmed | Poetry, publishing, and visual culture from late modernism to the twenty-first century fugitive pieces Natalie Pollard |
title_short | Poetry, publishing, and visual culture from late modernism to the twenty-first century |
title_sort | poetry publishing and visual culture from late modernism to the twenty first century fugitive pieces |
title_sub | fugitive pieces |
topic | Muldoon, Paul 1951- (DE-588)119049872 gnd Jones, David 1895-1974 (DE-588)118776355 gnd Hughes, Ted 1930-1998 (DE-588)11855459X gnd Baskin, Leonard 1922-2000 (DE-588)119237601 gnd Riley, Denise 1948- (DE-588)128987081 gnd Barnes, Djuna 1892-1982 (DE-588)118657283 gnd Prince, Frank T. 1912-2003 (DE-588)118793373 gnd Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Muldoon, Paul 1951- Jones, David 1895-1974 Hughes, Ted 1930-1998 Baskin, Leonard 1922-2000 Riley, Denise 1948- Barnes, Djuna 1892-1982 Prince, Frank T. 1912-2003 Literatur Kunst |
work_keys_str_mv | AT pollardnatalie poetrypublishingandvisualculturefromlatemodernismtothetwentyfirstcenturyfugitivepieces |