The conservation of medieval polychrome wood sculpture: history, theory, practice
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Los Angeles
Getty Conservation Institute
[2020]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XVI, 278 Seiten Illustrationen, Diagramme |
ISBN: | 9781606066553 |
Internformat
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100 | 1 | |a Marincola, Michele D. |e Verfasser |0 (DE-588)1219082198 |4 aut | |
245 | 1 | 0 | |a The conservation of medieval polychrome wood sculpture |b history, theory, practice |c Michele D. Marincola, Lucretia Kargère |
264 | 1 | |a Los Angeles |b Getty Conservation Institute |c [2020] | |
300 | |a XVI, 278 Seiten |b Illustrationen, Diagramme | ||
336 | |b txt |2 rdacontent | ||
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337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references and index | ||
505 | 8 | |a Introduction to Medieval polychrome wood sculpture -- Examination, documentation, and condition assessment. Material identification of the wooden support -- Material identification of the polychromy -- Deterioration and change -- Treatment. Designing a course of action -- Preventive care -- Consolidation -- Adhesion -- Cleaning -- Loss compensation -- Conclusion -- Case studies -- Examination checklist. | |
650 | 0 | 7 | |a Polychromie |0 (DE-588)4175135-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Holzplastik |0 (DE-588)4072608-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Fassmalerei |0 (DE-588)4153775-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Restaurierung |0 (DE-588)4049600-4 |2 gnd |9 rswk-swf |
653 | 0 | |a Wood sculpture, Medieval / Conservation and restoration | |
653 | 0 | |a Polychromy / Conservation and restoration | |
689 | 0 | 0 | |a Holzplastik |0 (DE-588)4072608-3 |D s |
689 | 0 | 1 | |a Polychromie |0 (DE-588)4175135-8 |D s |
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Datensatz im Suchindex
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adam_text |
THE
CONSERVATION
OF
MEDIEVAL
POLYCHROME
WOOD
SCULPTURE
HISTORY,
THEORY,
PRACTICE
MICHELE
D.
MARINCOLA
LUCRETIA
KARGERE
GETTY
CONSERVATION
INSTITUTE,
LOS
ANGELES
IX
XI
XV
1
25
CONTENTS
FOREWORD
PREFACE
ACKNOWLEDGMENTS
CHAPTER
1
AN
INTRODUCTION
TO
MEDIEVAL
POLYCHROME WOOD SCULPTURE
2
CONTEXT, FUNCTIONS, PRACTICE
15
STYLES AND TECHNIQUES
20
OVERPAINTING
PART
I
EXAMINATION,
DOCUMENTATION,
AND
CONDITION
ASSESSMENT
CHAPTER
2
MATERIAL IDENTIFICATION
OF
THE
WOODEN SUPPORT
25
A SCULPTURE'S DIMENSIONS
25
WOOD SPECIES
30 FROM TREE TO SCULPTURE
33
JOINING TECHNIQUES AND APPENDAGES
34 TOOL MARKS
36 EVIDENCE
OF
THE CARVER'S BENCH
37
DENDROCHRONOLOGY AND CARBON
14
CHAPTER
3
41
MATERIAL IDENTIFICATION
OF
THE
POLYCHROMY
41
MATERIALS
OF
MEDIEVAL POLYCHROMY
51
HISTORY
OF
EXAMINATION
OF
PAINT LAYERS
54 HISTORY
OF
DOCUMENTATION
57
CURRENT EXAMINATION PRACTICES
62
CURRENT DOCUMENTATION PRACTICES
64 SCIENCE AND CONSERVATION
CHAPTER
4
67
DETERIORATION
AND
CHANGE
89
67 RELATIVE HUMIDITY AND TEMPERATURE
75
LIGHT: VISIBLE LIGHT, ULTRAVIOLET
RADIATION, AND INFRARED RADIATION
78 BIODETERIORATION
OF
THE WOODEN
SUPPORT AND POLYCHROMY
82
DAMAGE FROM POLLUTION
PARTII
TREATMENT
CHAPTER
5
DESIGNING A COURSE
OF
ACTION
89
STEPS
93
ASSESSING AND PRIORITIZING
VALUES
IN CONSERVATION
98
WHO MAKES THE DECISIONS?
98
ETHICALLY INFORMED TREATMENT
DECISIONS
100
MINIMAL
OR
NO INTERVENTION
101
DECISION-MAKING MODELS
103
CODA: MAKING MISTAKES
CHAPTER
6
CHAPTER
11
107
PREVENTIVE CONSERVATION
213
CONCLUSION
107
HISTORICAL PERSPECTIVES
114
PREVENTIVE CONSERVATION IN PRACTICE
APPENDIX
1
CHAPTER
7
217
CASE STUDIES
129
CONSOLIDATION
218
CASE
STUDY
1
129
OVERVIEW
DECISION MAKING:
THE
HE-DE-FRANCE
134
HISTORICAL PRACTICE: MATERIALS
SEATED VIRGIN
AND
CHILD
AND
METHODS
224
CASE
STUDY2
138
CURRENT PRACTICE: MATERIALS
MAKING MISTAKES:
THE
CLOISTERS'
AND METHODS
STANDING BISHOP
226
CASESTUDY3
CHAPTER
8
TREATING
MONOCHROME SCULPTURE:
147
ADHESION
THE
SEATED BISHOP
BY
RIEMENSCHNEIDER
147
THE
NEED FOR STRUCTURAL REPAIR
AND
230
CASE
STUDY
4
THE CAUSES
OF
JOINT FAILURE
THE
THREE
KINGS FROM
148
CHOOSING THE RIGHT ADHESIVE
KLOSTER LICHTENTHAL
155
CURRENT PRACTICE: METHODS
OF
JOINING
AND ADHERING
APPENDIX
2
236
EXAMINATION CHECKLIST
CHAPTER
9
161
CLEANING
162
OVERPAINT REMOVAL
239
NOTES
169
SURFACE CLEANING
243
BIBLIOGRAPHY
METHODS
271
ILLUSTRATION
CREDITS
172
272
INDEX
CHAPTER
10
185
LOSS COMPENSATION
185
DEFINITIONS
186
HISTORICAL OVERVIEW
OF
PHILOSOPHICAL ISSUES
195
CURRENT PRACTICE |
adam_txt |
THE
CONSERVATION
OF
MEDIEVAL
POLYCHROME
WOOD
SCULPTURE
HISTORY,
THEORY,
PRACTICE
MICHELE
D.
MARINCOLA
LUCRETIA
KARGERE
GETTY
CONSERVATION
INSTITUTE,
LOS
ANGELES
IX
XI
XV
1
25
CONTENTS
FOREWORD
PREFACE
ACKNOWLEDGMENTS
CHAPTER
1
AN
INTRODUCTION
TO
MEDIEVAL
POLYCHROME WOOD SCULPTURE
2
CONTEXT, FUNCTIONS, PRACTICE
15
STYLES AND TECHNIQUES
20
OVERPAINTING
PART
I
EXAMINATION,
DOCUMENTATION,
AND
CONDITION
ASSESSMENT
CHAPTER
2
MATERIAL IDENTIFICATION
OF
THE
WOODEN SUPPORT
25
A SCULPTURE'S DIMENSIONS
25
WOOD SPECIES
30 FROM TREE TO SCULPTURE
33
JOINING TECHNIQUES AND APPENDAGES
34 TOOL MARKS
36 EVIDENCE
OF
THE CARVER'S BENCH
37
DENDROCHRONOLOGY AND CARBON
14
CHAPTER
3
41
MATERIAL IDENTIFICATION
OF
THE
POLYCHROMY
41
MATERIALS
OF
MEDIEVAL POLYCHROMY
51
HISTORY
OF
EXAMINATION
OF
PAINT LAYERS
54 HISTORY
OF
DOCUMENTATION
57
CURRENT EXAMINATION PRACTICES
62
CURRENT DOCUMENTATION PRACTICES
64 SCIENCE AND CONSERVATION
CHAPTER
4
67
DETERIORATION
AND
CHANGE
89
67 RELATIVE HUMIDITY AND TEMPERATURE
75
LIGHT: VISIBLE LIGHT, ULTRAVIOLET
RADIATION, AND INFRARED RADIATION
78 BIODETERIORATION
OF
THE WOODEN
SUPPORT AND POLYCHROMY
82
DAMAGE FROM POLLUTION
PARTII
TREATMENT
CHAPTER
5
DESIGNING A COURSE
OF
ACTION
89
STEPS
93
ASSESSING AND PRIORITIZING
VALUES
IN CONSERVATION
98
WHO MAKES THE DECISIONS?
98
ETHICALLY INFORMED TREATMENT
DECISIONS
100
MINIMAL
OR
NO INTERVENTION
101
DECISION-MAKING MODELS
103
CODA: MAKING MISTAKES
CHAPTER
6
CHAPTER
11
107
PREVENTIVE CONSERVATION
213
CONCLUSION
107
HISTORICAL PERSPECTIVES
114
PREVENTIVE CONSERVATION IN PRACTICE
APPENDIX
1
CHAPTER
7
217
CASE STUDIES
129
CONSOLIDATION
218
CASE
STUDY
1
129
OVERVIEW
DECISION MAKING:
THE
HE-DE-FRANCE
134
HISTORICAL PRACTICE: MATERIALS
SEATED VIRGIN
AND
CHILD
AND
METHODS
224
CASE
STUDY2
138
CURRENT PRACTICE: MATERIALS
MAKING MISTAKES:
THE
CLOISTERS'
AND METHODS
STANDING BISHOP
226
CASESTUDY3
CHAPTER
8
TREATING
MONOCHROME SCULPTURE:
147
ADHESION
THE
SEATED BISHOP
BY
RIEMENSCHNEIDER
147
THE
NEED FOR STRUCTURAL REPAIR
AND
230
CASE
STUDY
4
THE CAUSES
OF
JOINT FAILURE
THE
THREE
KINGS FROM
148
CHOOSING THE RIGHT ADHESIVE
KLOSTER LICHTENTHAL
155
CURRENT PRACTICE: METHODS
OF
JOINING
AND ADHERING
APPENDIX
2
236
EXAMINATION CHECKLIST
CHAPTER
9
161
CLEANING
162
OVERPAINT REMOVAL
239
NOTES
169
SURFACE CLEANING
243
BIBLIOGRAPHY
METHODS
271
ILLUSTRATION
CREDITS
172
272
INDEX
CHAPTER
10
185
LOSS COMPENSATION
185
DEFINITIONS
186
HISTORICAL OVERVIEW
OF
PHILOSOPHICAL ISSUES
195
CURRENT PRACTICE |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Marincola, Michele D. Kargère, Lucretia |
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callnumber-subject | NB - Sculpture |
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contents | Introduction to Medieval polychrome wood sculpture -- Examination, documentation, and condition assessment. Material identification of the wooden support -- Material identification of the polychromy -- Deterioration and change -- Treatment. Designing a course of action -- Preventive care -- Consolidation -- Adhesion -- Cleaning -- Loss compensation -- Conclusion -- Case studies -- Examination checklist. |
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index_date | 2024-07-03T15:16:30Z |
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institution | BVB |
institution_GND | (DE-588)236121-8 |
isbn | 9781606066553 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032287217 |
oclc_num | 1196381704 |
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physical | XVI, 278 Seiten Illustrationen, Diagramme |
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spelling | Marincola, Michele D. Verfasser (DE-588)1219082198 aut The conservation of medieval polychrome wood sculpture history, theory, practice Michele D. Marincola, Lucretia Kargère Los Angeles Getty Conservation Institute [2020] XVI, 278 Seiten Illustrationen, Diagramme txt rdacontent sti rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Introduction to Medieval polychrome wood sculpture -- Examination, documentation, and condition assessment. Material identification of the wooden support -- Material identification of the polychromy -- Deterioration and change -- Treatment. Designing a course of action -- Preventive care -- Consolidation -- Adhesion -- Cleaning -- Loss compensation -- Conclusion -- Case studies -- Examination checklist. Polychromie (DE-588)4175135-8 gnd rswk-swf Holzplastik (DE-588)4072608-3 gnd rswk-swf Fassmalerei (DE-588)4153775-0 gnd rswk-swf Restaurierung (DE-588)4049600-4 gnd rswk-swf Wood sculpture, Medieval / Conservation and restoration Polychromy / Conservation and restoration Holzplastik (DE-588)4072608-3 s Polychromie (DE-588)4175135-8 s Restaurierung (DE-588)4049600-4 s Fassmalerei (DE-588)4153775-0 s DE-604 Kargère, Lucretia Verfasser (DE-588)1216899118 aut The Getty Conservation Institute (DE-588)236121-8 isb V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032287217&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Marincola, Michele D. Kargère, Lucretia The conservation of medieval polychrome wood sculpture history, theory, practice Introduction to Medieval polychrome wood sculpture -- Examination, documentation, and condition assessment. Material identification of the wooden support -- Material identification of the polychromy -- Deterioration and change -- Treatment. Designing a course of action -- Preventive care -- Consolidation -- Adhesion -- Cleaning -- Loss compensation -- Conclusion -- Case studies -- Examination checklist. Polychromie (DE-588)4175135-8 gnd Holzplastik (DE-588)4072608-3 gnd Fassmalerei (DE-588)4153775-0 gnd Restaurierung (DE-588)4049600-4 gnd |
subject_GND | (DE-588)4175135-8 (DE-588)4072608-3 (DE-588)4153775-0 (DE-588)4049600-4 |
title | The conservation of medieval polychrome wood sculpture history, theory, practice |
title_auth | The conservation of medieval polychrome wood sculpture history, theory, practice |
title_exact_search | The conservation of medieval polychrome wood sculpture history, theory, practice |
title_exact_search_txtP | The conservation of medieval polychrome wood sculpture history, theory, practice |
title_full | The conservation of medieval polychrome wood sculpture history, theory, practice Michele D. Marincola, Lucretia Kargère |
title_fullStr | The conservation of medieval polychrome wood sculpture history, theory, practice Michele D. Marincola, Lucretia Kargère |
title_full_unstemmed | The conservation of medieval polychrome wood sculpture history, theory, practice Michele D. Marincola, Lucretia Kargère |
title_short | The conservation of medieval polychrome wood sculpture |
title_sort | the conservation of medieval polychrome wood sculpture history theory practice |
title_sub | history, theory, practice |
topic | Polychromie (DE-588)4175135-8 gnd Holzplastik (DE-588)4072608-3 gnd Fassmalerei (DE-588)4153775-0 gnd Restaurierung (DE-588)4049600-4 gnd |
topic_facet | Polychromie Holzplastik Fassmalerei Restaurierung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032287217&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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