Stealing from the Saracens: how Islamic architecture shaped Europe
Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some o...
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Format: | Buch |
Sprache: | English |
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London
Hurst & Company
2020
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Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange |
Beschreibung: | Literaturverzeichnis Seite 443-449 |
Beschreibung: | viii, 474 Seiten Illustrationen |
ISBN: | 9781787383050 |
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520 | 3 | |a Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange | |
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adam_text | CONTENTS vii Preface Introduction 1 1. ChristopherWren: The Arch-Synthesiser 9 2. Gothic Architecture:‘The Saracen Style’ 31 3. The Pre-Islamic Inheritance: Pagan and Early Christian Architecture 61 in Syria 4. The First Islamic Empire: The Umayyads in Syria (661—750) 5. Andalusia:The Umayyads in Spain (756—1492) 6. The Abbasid and Fatimid Caliphates (750—1258) 7. Gateways to Europe (800—1400) 8. The Seljuks, the Ottomansand Sinan (1075—1924) 97 155 197 225 277 9. The Revivals: Neo-Gothic, Neo-Saracenic, Neo-Moorish (1717-2026) 309 10. Iconic Buildings of Europe: A Gallery of Images with Key Influences 341 Conclusion 381 Acknowledgements 391 Glossary 395 Notes 403 List of Illustrations and Figures 425 Bibliography 443 Index 451 v
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adam_txt |
CONTENTS vii Preface Introduction 1 1. ChristopherWren: The Arch-Synthesiser 9 2. Gothic Architecture:‘The Saracen Style’ 31 3. The Pre-Islamic Inheritance: Pagan and Early Christian Architecture 61 in Syria 4. The First Islamic Empire: The Umayyads in Syria (661—750) 5. Andalusia:The Umayyads in Spain (756—1492) 6. The Abbasid and Fatimid Caliphates (750—1258) 7. Gateways to Europe (800—1400) 8. The Seljuks, the Ottomansand Sinan (1075—1924) 97 155 197 225 277 9. The Revivals: Neo-Gothic, Neo-Saracenic, Neo-Moorish (1717-2026) 309 10. Iconic Buildings of Europe: A Gallery of Images with Key Influences 341 Conclusion 381 Acknowledgements 391 Glossary 395 Notes 403 List of Illustrations and Figures 425 Bibliography 443 Index 451 v |
any_adam_object | 1 |
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author | Darke, Diana 1956- |
author_GND | (DE-588)1218612673 |
author_facet | Darke, Diana 1956- |
author_role | aut |
author_sort | Darke, Diana 1956- |
author_variant | d d dd |
building | Verbundindex |
bvnumber | BV046877113 |
classification_rvk | LH 67160 |
ctrlnum | (OCoLC)1197079954 (DE-599)BVBBV046877113 |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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spelling | Darke, Diana 1956- Verfasser (DE-588)1218612673 aut Stealing from the Saracens how Islamic architecture shaped Europe Diana Darke London Hurst & Company 2020 viii, 474 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite 443-449 Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange Geschichte gnd rswk-swf Neugotik (DE-588)4171559-7 gnd rswk-swf Gotik (DE-588)4021656-1 gnd rswk-swf Mudéjarstil (DE-588)4170640-7 gnd rswk-swf Orientalismus Kunst (DE-588)4252308-4 gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf Islam (DE-588)4027743-4 gnd rswk-swf Kulturaustausch (DE-588)4165964-8 gnd rswk-swf Islamische Architektur (DE-588)4362670-1 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Naher Osten (DE-588)4068878-1 gnd rswk-swf Naher Osten (DE-588)4068878-1 g Architektur (DE-588)4002851-3 s Rezeption (DE-588)4049716-1 s Europa (DE-588)4015701-5 g DE-604 Islamische Architektur (DE-588)4362670-1 s Mudéjarstil (DE-588)4170640-7 s Gotik (DE-588)4021656-1 s Neugotik (DE-588)4171559-7 s Orientalismus Kunst (DE-588)4252308-4 s Islam (DE-588)4027743-4 s Kulturaustausch (DE-588)4165964-8 s Geschichte z Erscheint auch als Online-Ausgabe 978-1-78738-510-8 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032287184&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Darke, Diana 1956- Stealing from the Saracens how Islamic architecture shaped Europe Neugotik (DE-588)4171559-7 gnd Gotik (DE-588)4021656-1 gnd Mudéjarstil (DE-588)4170640-7 gnd Orientalismus Kunst (DE-588)4252308-4 gnd Architektur (DE-588)4002851-3 gnd Islam (DE-588)4027743-4 gnd Kulturaustausch (DE-588)4165964-8 gnd Islamische Architektur (DE-588)4362670-1 gnd Rezeption (DE-588)4049716-1 gnd |
subject_GND | (DE-588)4171559-7 (DE-588)4021656-1 (DE-588)4170640-7 (DE-588)4252308-4 (DE-588)4002851-3 (DE-588)4027743-4 (DE-588)4165964-8 (DE-588)4362670-1 (DE-588)4049716-1 (DE-588)4015701-5 (DE-588)4068878-1 |
title | Stealing from the Saracens how Islamic architecture shaped Europe |
title_auth | Stealing from the Saracens how Islamic architecture shaped Europe |
title_exact_search | Stealing from the Saracens how Islamic architecture shaped Europe |
title_exact_search_txtP | Stealing from the Saracens how Islamic architecture shaped Europe |
title_full | Stealing from the Saracens how Islamic architecture shaped Europe Diana Darke |
title_fullStr | Stealing from the Saracens how Islamic architecture shaped Europe Diana Darke |
title_full_unstemmed | Stealing from the Saracens how Islamic architecture shaped Europe Diana Darke |
title_short | Stealing from the Saracens |
title_sort | stealing from the saracens how islamic architecture shaped europe |
title_sub | how Islamic architecture shaped Europe |
topic | Neugotik (DE-588)4171559-7 gnd Gotik (DE-588)4021656-1 gnd Mudéjarstil (DE-588)4170640-7 gnd Orientalismus Kunst (DE-588)4252308-4 gnd Architektur (DE-588)4002851-3 gnd Islam (DE-588)4027743-4 gnd Kulturaustausch (DE-588)4165964-8 gnd Islamische Architektur (DE-588)4362670-1 gnd Rezeption (DE-588)4049716-1 gnd |
topic_facet | Neugotik Gotik Mudéjarstil Orientalismus Kunst Architektur Islam Kulturaustausch Islamische Architektur Rezeption Europa Naher Osten |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032287184&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT darkediana stealingfromthesaracenshowislamicarchitectureshapedeurope |