Hearing faith: music as theology in the Spanish empire
Listening for Faith. Villancicos as Musical Theology ; Making Faith Appeal to Hearing ; Listening for Unhearable Music. Christ as Singer and Song (Puebla, 1657) ; Heavenly Dissonance (Montserrat, 1660s) ; Offering and Imitation (Zaragoza, 1650-1700)
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2020]
|
| Schriftenreihe: | Studies in the history of Christian traditions
volume 194 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | Listening for Faith. Villancicos as Musical Theology ; Making Faith Appeal to Hearing ; Listening for Unhearable Music. Christ as Singer and Song (Puebla, 1657) ; Heavenly Dissonance (Montserrat, 1660s) ; Offering and Imitation (Zaragoza, 1650-1700) "Hearing Faith explores the ways Roman Catholics in the seventeenth-century Spanish Empire used music to connect faith and hearing. From the Royal Chapel in Madrid to Puebla Cathedral in colonial Mexico, communities celebrated Christmas and other feasts with villancicos, a widespread genre of vernacular poetry and devotional music. A large proportion of villancico texts directly address the nature of hearing and the power of music to connect people to God. By interpreting complex and fascinating examples of "music about music" in the context of contemporary theological writing, the book shows how Spanish Catholics embodied their beliefs about music, through music itself. Listening closely to these previously undiscovered and overlooked archival sources reveals how Spanish subjects listened and why"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVI, 244 Seiten Illustrationen, 3 Diagramme, 2 Karten, Notenbeispiele |
| ISBN: | 9789004414976 |
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| 520 | 3 | |a Listening for Faith. Villancicos as Musical Theology ; Making Faith Appeal to Hearing ; Listening for Unhearable Music. Christ as Singer and Song (Puebla, 1657) ; Heavenly Dissonance (Montserrat, 1660s) ; Offering and Imitation (Zaragoza, 1650-1700) | |
| 520 | 3 | |a "Hearing Faith explores the ways Roman Catholics in the seventeenth-century Spanish Empire used music to connect faith and hearing. From the Royal Chapel in Madrid to Puebla Cathedral in colonial Mexico, communities celebrated Christmas and other feasts with villancicos, a widespread genre of vernacular poetry and devotional music. A large proportion of villancico texts directly address the nature of hearing and the power of music to connect people to God. By interpreting complex and fascinating examples of "music about music" in the context of contemporary theological writing, the book shows how Spanish Catholics embodied their beliefs about music, through music itself. Listening closely to these previously undiscovered and overlooked archival sources reveals how Spanish subjects listened and why"-- | |
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| adam_text |
HEARING FAITH EXPLORES THE WAYS ROMAN CATHOLICS IN THE
SEVENTEENTH-CENTURY SPANISH EMPIRE USED MUSIC TO CONNECT
FAITH
AND HEARING. FROM THE ROYAL CHAPEL IN MADRID TO
PUEBLA CATHEDRAL IN COLONIAL MEXICO, COMMUNITIES CELEBRATED
CHRISTMAS AND OTHER
FEASTS
WITH
VILLANCICOS, A WIDESPREAD
GENRE
OF
VERNACULAR POETRY AND DEVOTIONAL MUSIC. A LARGE PROPORTION
OF
VILLANCICO TEXTS DIRECTLY ADDRESS THE NATURE OF HEARING AND
THE POWER OF MUSIC TO CONNECT
PEOPLE
TO GOD. BY INTERPRETING
COMPLEX AND FASCINATING EXAMPLES OF "MUSIC ABOUT MUSIC" IN THE
CONTEXT OF CONTEMPORARY THEOLOGICAL WRITING, THE
BOOK
SHOWS
HOW SPANISH CATHOLICS EMBODIED THEIR BELIEFS ABOUT MUSIC,
THROUGH MUSIC ITSELF. LISTENING CLOSELY TO THESE PREVIOUSLY
UNDISCOVERED AND OVERLOOKED ARCHIVAL SOURCES REVEALS HOW
SPANISH SUBJECTS LISTENED AND WHY.
ANDREW
A. CASHNER, PH.D.
(2015,
UNIVERSITY OF CHICAGO), IS
AN
ASSISTANT
PROFESSOR
OF MUSIC AT THE UNIVERSITY OF ROCHESTER.
RECIPIENT OF THE AMERICAN MUSICOLOGICAL SOCIETY'S
201S
ALFRED
EINSTEIN
AWARD, HE PUBLISHED A
CRITICAL
EDITION OF VILLANCICOS
ABOUT MUSK IN
2017.
CONTENTS
ACKNOWLEDGMENTS IX
LIST
OF ILLUSTRATIONS AND TABLES
XI
I
PART 1
LISTENING
FOR
FAITH
1
VILLANCICOS AS MUSICAL
THEOLOGY
3
1
SINGING
ABOUT
SINGING 6
2 PAYING ATTENTION TO VILLANCICOS 10
3
MUSIC
ABOUT
MUSIC IN THE VILLANCICO GENRE 15
3.1 IMITATIVE REFERENCES
TO
MUSIC: BIRDSONG, INSTRUMENTS, SONGS AND
DANCES 18
3.1.1 BECOMING CLARIONS 20
3.1.2 DANCE AND DIFFERENCE 24
3.1.3 VILLANCICOS
ABOUT
VILLANCICOS 29
3.2
ABSTRACT
REFERENCES
TO MUSIC AS CONCEPT OR SYMBOL 32
3.2.1 SOLMIZATION PUNS AND
THEOLOGY
OF VOICE ALONE 33
3.2.2 MUSIC ITSELF AS A CONCEIT 37
3.2.3 POINTING TO A HIGHER MUSIC: HEAVENLY AND ANGELIC
MUSIC 39
4 THEOLOGICAL LISTENING IN THE NEOPLATONIC TRADITION 44
4.1 HEARING THE BOOK
OF
NATURE
READ
ALOUD 46
4.2 VOICE AS EXPRESSION
OF
MAN,
THE MICROCOSM 48
2 MAKING
FAITH
APPEAL TO HEARING 53
1
"THE SENSE MOST EASILY DECEIVED" 56
2 WELL-TEMPERED HEARING 61
2.1
IRIZAR:
BATTLE
OF
THE SENSES 61
2.2
CARRION:
INTERNAL CONFLICT 66
2.3 SENSORY CONFUSION 67
2.4 THE TRIUMPH
OF HEARING
70
3
ACCOMMODATING AND TRAINING THE EAR 73
3.1 EXPERIENCING SPIRITUAL
TRUTH
THROUGH MUSIC 76
3.2
CULTURAL
IMPEDIMENTS
TO HEARING 81
VI
CONTENTS
4 IMPAIRED HEARERS, INCOMPETENT TEACHERS: "VILLANCICOS OF THE
DEAF" 84
4.1 LAUGHING AT THE DEAF
(GUTIERREZ
DE PADILLA, PUEBLA
CATHEDRAL)
84
4.2
LEARNING FROM
THE DEAF
(RUIZ,
MADRID ROYAL
CHAPEL) 88
5
FAILURES OF
FAITHFUL
HEARING 94
5.1 "MAKE A HEDGE AROUND
YOUR
EARS"
96
PART 2
LISTENINGFOR
UNHEARABLE
MUSIC
3
CHRIST AS SINGER AND
SONG
(PUEBLA, 1657) 101
1
"VOICES OF THE CHAPEL CHOIR" AND THE "UNSPEAKING WORD" 105
2 MUSIC
ABOUT
MUSIC IN THE VOICES OF PUEBLA'S CHAPEL CHOIR 111
2.1 PROJECTING THE WORDS 112
2.2 DEPICTING THE WORDS 114
2.3 EXPRESSION AND
MADRIGAL
STYLE 120
3
DEVOTION TO CHRIST AS SINGER AND
SONG
122
4 ESTABLISHING A
PEDIGREE
IN A LINEAGE OF METAMUSICAL
COMPOSITION 128
5 "ALL
WHO HEARD
IT
WERE AMAZED" 137
4 HEAVENLY DISSONANCE (MONTSERRAT, 1660S) 142
1
CEREROLS AND THE BOYS' SCHOOL CHOIR OF MONTSERRAT 143
2 THE "NEW CONSONANCE" 147
3
WORLDLY AND HEAVENLY MUSIC 150
3.1
LISTENING
FOR
THE
WORLD
BEYOND
155
3.2
DISSONANT
PLANETS 159
4
GENEALOGIES
OF HEAVENLY MUSIC 165
5
THE PROBLEM OF PERFECTION 173
5
OFFERING AND IMITATION (ZARAGOZA, 1650-1700) 176
1
"LET
VOICES ASCEND TO HEAVEN": FROM BRUNA TO AMBIELA 177
1.1 BRUNA: VOICES AS FLAMES
OF
SELF-OFFERING
177
1.2 AMBIELA: VOICES RISING IN INTERCESSION 183
1.2.1 OUTDOING AND OVERDOING 185
1.3 OFFERING HEARTS AND VOICES THROUGH MUSIC 190
CONTENTS
VII
2 CHRIST AS A VIHUELA
(CASEDA)
197
2.1 CHRIST AS A
MUSICAL INSTRUMENT
199
2.1.1 VIHUELA AND CITHARA 201
2.2 REPRESENTING THE VIHUELA, REPRESENTING CHRIST 208
2.3 FALSE MUSIC 211
3
CONCLUSIONS 217
BIBLIOGRAPHY 221
INDEX 238 |
| adam_txt |
HEARING FAITH EXPLORES THE WAYS ROMAN CATHOLICS IN THE
SEVENTEENTH-CENTURY SPANISH EMPIRE USED MUSIC TO CONNECT
FAITH
AND HEARING. FROM THE ROYAL CHAPEL IN MADRID TO
PUEBLA CATHEDRAL IN COLONIAL MEXICO, COMMUNITIES CELEBRATED
CHRISTMAS AND OTHER
FEASTS
WITH
VILLANCICOS, A WIDESPREAD
GENRE
OF
VERNACULAR POETRY AND DEVOTIONAL MUSIC. A LARGE PROPORTION
OF
VILLANCICO TEXTS DIRECTLY ADDRESS THE NATURE OF HEARING AND
THE POWER OF MUSIC TO CONNECT
PEOPLE
TO GOD. BY INTERPRETING
COMPLEX AND FASCINATING EXAMPLES OF "MUSIC ABOUT MUSIC" IN THE
CONTEXT OF CONTEMPORARY THEOLOGICAL WRITING, THE
BOOK
SHOWS
HOW SPANISH CATHOLICS EMBODIED THEIR BELIEFS ABOUT MUSIC,
THROUGH MUSIC ITSELF. LISTENING CLOSELY TO THESE PREVIOUSLY
UNDISCOVERED AND OVERLOOKED ARCHIVAL SOURCES REVEALS HOW
SPANISH SUBJECTS LISTENED AND WHY.
ANDREW
A. CASHNER, PH.D.
(2015,
UNIVERSITY OF CHICAGO), IS
AN
ASSISTANT
PROFESSOR
OF MUSIC AT THE UNIVERSITY OF ROCHESTER.
RECIPIENT OF THE AMERICAN MUSICOLOGICAL SOCIETY'S
201S
ALFRED
EINSTEIN
AWARD, HE PUBLISHED A
CRITICAL
EDITION OF VILLANCICOS
ABOUT MUSK IN
2017.
CONTENTS
ACKNOWLEDGMENTS IX
LIST
OF ILLUSTRATIONS AND TABLES
XI
I
PART 1
LISTENING
FOR
FAITH
1
VILLANCICOS AS MUSICAL
THEOLOGY
3
1
SINGING
ABOUT
SINGING 6
2 PAYING ATTENTION TO VILLANCICOS 10
3
MUSIC
ABOUT
MUSIC IN THE VILLANCICO GENRE 15
3.1 IMITATIVE REFERENCES
TO
MUSIC: BIRDSONG, INSTRUMENTS, SONGS AND
DANCES 18
3.1.1 BECOMING CLARIONS 20
3.1.2 DANCE AND DIFFERENCE 24
3.1.3 VILLANCICOS
ABOUT
VILLANCICOS 29
3.2
ABSTRACT
REFERENCES
TO MUSIC AS CONCEPT OR SYMBOL 32
3.2.1 SOLMIZATION PUNS AND
THEOLOGY
OF VOICE ALONE 33
3.2.2 MUSIC ITSELF AS A CONCEIT 37
3.2.3 POINTING TO A HIGHER MUSIC: HEAVENLY AND ANGELIC
MUSIC 39
4 THEOLOGICAL LISTENING IN THE NEOPLATONIC TRADITION 44
4.1 HEARING THE BOOK
OF
NATURE
READ
ALOUD 46
4.2 VOICE AS EXPRESSION
OF
MAN,
THE MICROCOSM 48
2 MAKING
FAITH
APPEAL TO HEARING 53
1
"THE SENSE MOST EASILY DECEIVED" 56
2 WELL-TEMPERED HEARING 61
2.1
IRIZAR:
BATTLE
OF
THE SENSES 61
2.2
CARRION:
INTERNAL CONFLICT 66
2.3 SENSORY CONFUSION 67
2.4 THE TRIUMPH
OF HEARING
70
3
ACCOMMODATING AND TRAINING THE EAR 73
3.1 EXPERIENCING SPIRITUAL
TRUTH
THROUGH MUSIC 76
3.2
CULTURAL
IMPEDIMENTS
TO HEARING 81
VI
CONTENTS
4 IMPAIRED HEARERS, INCOMPETENT TEACHERS: "VILLANCICOS OF THE
DEAF" 84
4.1 LAUGHING AT THE DEAF
(GUTIERREZ
DE PADILLA, PUEBLA
CATHEDRAL)
84
4.2
LEARNING FROM
THE DEAF
(RUIZ,
MADRID ROYAL
CHAPEL) 88
5
FAILURES OF
FAITHFUL
HEARING 94
5.1 "MAKE A HEDGE AROUND
YOUR
EARS"
96
PART 2
LISTENINGFOR
UNHEARABLE
MUSIC
3
CHRIST AS SINGER AND
SONG
(PUEBLA, 1657) 101
1
"VOICES OF THE CHAPEL CHOIR" AND THE "UNSPEAKING WORD" 105
2 MUSIC
ABOUT
MUSIC IN THE VOICES OF PUEBLA'S CHAPEL CHOIR 111
2.1 PROJECTING THE WORDS 112
2.2 DEPICTING THE WORDS 114
2.3 EXPRESSION AND
MADRIGAL
STYLE 120
3
DEVOTION TO CHRIST AS SINGER AND
SONG
122
4 ESTABLISHING A
PEDIGREE
IN A LINEAGE OF METAMUSICAL
COMPOSITION 128
5 "ALL
WHO HEARD
IT
WERE AMAZED" 137
4 HEAVENLY DISSONANCE (MONTSERRAT, 1660S) 142
1
CEREROLS AND THE BOYS' SCHOOL CHOIR OF MONTSERRAT 143
2 THE "NEW CONSONANCE" 147
3
WORLDLY AND HEAVENLY MUSIC 150
3.1
LISTENING
FOR
THE
WORLD
BEYOND
155
3.2
DISSONANT
PLANETS 159
4
GENEALOGIES
OF HEAVENLY MUSIC 165
5
THE PROBLEM OF PERFECTION 173
5
OFFERING AND IMITATION (ZARAGOZA, 1650-1700) 176
1
"LET
VOICES ASCEND TO HEAVEN": FROM BRUNA TO AMBIELA 177
1.1 BRUNA: VOICES AS FLAMES
OF
SELF-OFFERING
177
1.2 AMBIELA: VOICES RISING IN INTERCESSION 183
1.2.1 OUTDOING AND OVERDOING 185
1.3 OFFERING HEARTS AND VOICES THROUGH MUSIC 190
CONTENTS
VII
2 CHRIST AS A VIHUELA
(CASEDA)
197
2.1 CHRIST AS A
MUSICAL INSTRUMENT
199
2.1.1 VIHUELA AND CITHARA 201
2.2 REPRESENTING THE VIHUELA, REPRESENTING CHRIST 208
2.3 FALSE MUSIC 211
3
CONCLUSIONS 217
BIBLIOGRAPHY 221
INDEX 238 |
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| callnumber-label | ML3047 |
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| callnumber-sort | ML 43047.2 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)1220878278 (DE-599)KXP170027998X |
| dewey-full | 781.71/2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
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| dewey-sort | 3781.71 12 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1657-1700 gnd |
| era_facet | Geschichte 1657-1700 |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Spanien (DE-588)4055964-6 gnd |
| geographic_facet | Spanien |
| id | DE-604.BV046875150 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:15:57Z |
| indexdate | 2024-08-31T01:48:38Z |
| institution | BVB |
| isbn | 9789004414976 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032285265 |
| oclc_num | 1220878278 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XVI, 244 Seiten Illustrationen, 3 Diagramme, 2 Karten, Notenbeispiele |
| psigel | BSB_NED_20201012 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Brill |
| record_format | marc |
| series | Studies in the history of Christian traditions |
| series2 | Studies in the history of Christian traditions |
| spelling | Cashner, Andrew A. Verfasser (DE-588)1215661177 aut Hearing faith music as theology in the Spanish empire by Andrew A. Cashner Leiden ; Boston Brill [2020] © 2020 XVI, 244 Seiten Illustrationen, 3 Diagramme, 2 Karten, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Studies in the history of Christian traditions volume 194 Includes bibliographical references and index Dissertation University of Chicago 2015 Listening for Faith. Villancicos as Musical Theology ; Making Faith Appeal to Hearing ; Listening for Unhearable Music. Christ as Singer and Song (Puebla, 1657) ; Heavenly Dissonance (Montserrat, 1660s) ; Offering and Imitation (Zaragoza, 1650-1700) "Hearing Faith explores the ways Roman Catholics in the seventeenth-century Spanish Empire used music to connect faith and hearing. From the Royal Chapel in Madrid to Puebla Cathedral in colonial Mexico, communities celebrated Christmas and other feasts with villancicos, a widespread genre of vernacular poetry and devotional music. A large proportion of villancico texts directly address the nature of hearing and the power of music to connect people to God. By interpreting complex and fascinating examples of "music about music" in the context of contemporary theological writing, the book shows how Spanish Catholics embodied their beliefs about music, through music itself. Listening closely to these previously undiscovered and overlooked archival sources reveals how Spanish subjects listened and why"-- Geschichte 1657-1700 gnd rswk-swf Villancico (DE-588)4333716-8 gnd rswk-swf Geistliche Musik (DE-588)4126228-1 gnd rswk-swf Katholische Theologie (DE-588)4030005-5 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf Villancicos (Music) / Spain / 17th century / History and criticism Church music / Spain / 17th century Church music / Catholic Church / 17th century (DE-588)4113937-9 Hochschulschrift gnd-content Spanien (DE-588)4055964-6 g Villancico (DE-588)4333716-8 s Geistliche Musik (DE-588)4126228-1 s Katholische Theologie (DE-588)4030005-5 s Geschichte 1657-1700 z DE-604 Erscheint auch als Online-Ausgabe 978-90-04-43199-7 Studies in the history of Christian traditions volume 194 (DE-604)BV037479819 194 V:DE-576;B:DE-21 application/pdf http://swbplus.bsz-bw.de/bsz170027998Xinh.htm 20200814153933 Inhaltsverzeichnis V:DE-576;B:DE-21 application/pdf http://swbplus.bsz-bw.de/bsz170027998Xkla.htm 20200814153933 Klappentext SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032285265&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032285265&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cashner, Andrew A. Hearing faith music as theology in the Spanish empire Studies in the history of Christian traditions Villancico (DE-588)4333716-8 gnd Geistliche Musik (DE-588)4126228-1 gnd Katholische Theologie (DE-588)4030005-5 gnd |
| subject_GND | (DE-588)4333716-8 (DE-588)4126228-1 (DE-588)4030005-5 (DE-588)4055964-6 (DE-588)4113937-9 |
| title | Hearing faith music as theology in the Spanish empire |
| title_auth | Hearing faith music as theology in the Spanish empire |
| title_exact_search | Hearing faith music as theology in the Spanish empire |
| title_exact_search_txtP | Hearing faith music as theology in the Spanish empire |
| title_full | Hearing faith music as theology in the Spanish empire by Andrew A. Cashner |
| title_fullStr | Hearing faith music as theology in the Spanish empire by Andrew A. Cashner |
| title_full_unstemmed | Hearing faith music as theology in the Spanish empire by Andrew A. Cashner |
| title_short | Hearing faith |
| title_sort | hearing faith music as theology in the spanish empire |
| title_sub | music as theology in the Spanish empire |
| topic | Villancico (DE-588)4333716-8 gnd Geistliche Musik (DE-588)4126228-1 gnd Katholische Theologie (DE-588)4030005-5 gnd |
| topic_facet | Villancico Geistliche Musik Katholische Theologie Spanien Hochschulschrift |
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| volume_link | (DE-604)BV037479819 |
| work_keys_str_mv | AT cashnerandrewa hearingfaithmusicastheologyinthespanishempire |
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