In Stravinsky's orbit: responses to Modernism in Russian Paris
"The Bolsheviks' 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, prerevolutionary Russian culture migrated West, transforming itself as it interacted with Western cultures and clashed with exported Soviet trends. In this book, Klá...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, CA
University of California Press
2020
|
| Schriftenreihe: | California studies in 20th-century music
26 |
| Schlagworte: | |
| Zusammenfassung: | "The Bolsheviks' 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, prerevolutionary Russian culture migrated West, transforming itself as it interacted with Western cultures and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The Bolsheviks' and the emigrants' contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products, providing emigrants with an irritant against which they had to measure their cultural aspirations. Russian composers in Paris also had to reckon with Stravinsky's disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky's neoclassicism provided a more neutral space, it was also marked by the exilic experience. The author offers this unexplored context for Stravinsky's neoclassicism, shedding new light on this infinitely elusive term." |
| Beschreibung: | xiv, 290 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780520344426 |
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| 505 | 8 | |a Introduction -- Double narratives, or, Dukelsky's The end of St. Petersburg -- Soviet "méchanique," or, The Bolshevik temptation -- Neoclassicism à la russe 1, or, Reclaiming the Eighteenth Century in Nabokov's Ode -- Neoclassicism à la russe 2, or, Stravinsky's version of Similia similibus curentur -- 1937, or, Pushkin divided -- Feast in time of plague -- Epilogue, or, Firebird to Phoenix | |
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Datensatz im Suchindex
| _version_ | 1805072991694880768 |
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| adam_text | |
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| author | Móricz, Klára 1962- |
| author_GND | (DE-588)134183495 |
| author_facet | Móricz, Klára 1962- |
| author_role | aut |
| author_sort | Móricz, Klára 1962- |
| author_variant | k m km |
| building | Verbundindex |
| bvnumber | BV046867358 |
| classification_rvk | LP 94882 |
| contents | Introduction -- Double narratives, or, Dukelsky's The end of St. Petersburg -- Soviet "méchanique," or, The Bolshevik temptation -- Neoclassicism à la russe 1, or, Reclaiming the Eighteenth Century in Nabokov's Ode -- Neoclassicism à la russe 2, or, Stravinsky's version of Similia similibus curentur -- 1937, or, Pushkin divided -- Feast in time of plague -- Epilogue, or, Firebird to Phoenix |
| ctrlnum | (OCoLC)1197708552 (DE-599)BVBBV046867358 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1917-1933 gnd |
| era_facet | Geschichte 1917-1933 |
| format | Book |
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| index_date | 2024-07-03T15:14:38Z |
| indexdate | 2024-07-20T05:02:31Z |
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| isbn | 9780520344426 |
| language | English |
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| owner | DE-Re13 DE-BY-UBR DE-12 DE-11 |
| owner_facet | DE-Re13 DE-BY-UBR DE-12 DE-11 |
| physical | xiv, 290 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20201019 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of California Press |
| record_format | marc |
| series | California studies in 20th-century music |
| series2 | California studies in 20th-century music |
| spelling | Móricz, Klára 1962- Verfasser (DE-588)134183495 aut In Stravinsky's orbit responses to Modernism in Russian Paris Klára Móricz Oakland, CA University of California Press 2020 © 2020 xiv, 290 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier California studies in 20th-century music 26 Introduction -- Double narratives, or, Dukelsky's The end of St. Petersburg -- Soviet "méchanique," or, The Bolshevik temptation -- Neoclassicism à la russe 1, or, Reclaiming the Eighteenth Century in Nabokov's Ode -- Neoclassicism à la russe 2, or, Stravinsky's version of Similia similibus curentur -- 1937, or, Pushkin divided -- Feast in time of plague -- Epilogue, or, Firebird to Phoenix "The Bolsheviks' 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, prerevolutionary Russian culture migrated West, transforming itself as it interacted with Western cultures and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The Bolsheviks' and the emigrants' contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products, providing emigrants with an irritant against which they had to measure their cultural aspirations. Russian composers in Paris also had to reckon with Stravinsky's disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky's neoclassicism provided a more neutral space, it was also marked by the exilic experience. The author offers this unexplored context for Stravinsky's neoclassicism, shedding new light on this infinitely elusive term." Geschichte 1917-1933 gnd rswk-swf Kulturkontakt (DE-588)4033569-0 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Komponist (DE-588)4032009-1 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Exil (DE-588)4015959-0 gnd rswk-swf Paris (DE-588)4044660-8 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Composers / Soviet Union Expatriate composers / France / Paris Music / France / Paris / 20th century / History and criticism Stravinsky, Igor / 1882-1971 Duke, Vernon / 1903-1969 Prokofiev, Sergey / 1891-1953 Nabokov, Nicolas / 1903-1978 Lourié, Arthur / 1892-1966 Composers Expatriate composers Music France / Paris Soviet Union 1900-1999 Criticism, interpretation, etc Paris (DE-588)4044660-8 g Russland (DE-588)4076899-5 g Komponist (DE-588)4032009-1 s Exil (DE-588)4015959-0 s Kulturkontakt (DE-588)4033569-0 s Komposition Musik (DE-588)4133320-2 s Moderne (DE-588)4039827-4 s Geschichte 1917-1933 z DE-604 Erscheint auch als Online-Ausgabe 978-0-520-97552-1 California studies in 20th-century music 26 (DE-604)BV013782377 26 |
| spellingShingle | Móricz, Klára 1962- In Stravinsky's orbit responses to Modernism in Russian Paris California studies in 20th-century music Introduction -- Double narratives, or, Dukelsky's The end of St. Petersburg -- Soviet "méchanique," or, The Bolshevik temptation -- Neoclassicism à la russe 1, or, Reclaiming the Eighteenth Century in Nabokov's Ode -- Neoclassicism à la russe 2, or, Stravinsky's version of Similia similibus curentur -- 1937, or, Pushkin divided -- Feast in time of plague -- Epilogue, or, Firebird to Phoenix Kulturkontakt (DE-588)4033569-0 gnd Moderne (DE-588)4039827-4 gnd Komponist (DE-588)4032009-1 gnd Komposition Musik (DE-588)4133320-2 gnd Exil (DE-588)4015959-0 gnd |
| subject_GND | (DE-588)4033569-0 (DE-588)4039827-4 (DE-588)4032009-1 (DE-588)4133320-2 (DE-588)4015959-0 (DE-588)4044660-8 (DE-588)4076899-5 |
| title | In Stravinsky's orbit responses to Modernism in Russian Paris |
| title_auth | In Stravinsky's orbit responses to Modernism in Russian Paris |
| title_exact_search | In Stravinsky's orbit responses to Modernism in Russian Paris |
| title_exact_search_txtP | In Stravinsky's orbit responses to Modernism in Russian Paris |
| title_full | In Stravinsky's orbit responses to Modernism in Russian Paris Klára Móricz |
| title_fullStr | In Stravinsky's orbit responses to Modernism in Russian Paris Klára Móricz |
| title_full_unstemmed | In Stravinsky's orbit responses to Modernism in Russian Paris Klára Móricz |
| title_short | In Stravinsky's orbit |
| title_sort | in stravinsky s orbit responses to modernism in russian paris |
| title_sub | responses to Modernism in Russian Paris |
| topic | Kulturkontakt (DE-588)4033569-0 gnd Moderne (DE-588)4039827-4 gnd Komponist (DE-588)4032009-1 gnd Komposition Musik (DE-588)4133320-2 gnd Exil (DE-588)4015959-0 gnd |
| topic_facet | Kulturkontakt Moderne Komponist Komposition Musik Exil Paris Russland |
| volume_link | (DE-604)BV013782377 |
| work_keys_str_mv | AT moriczklara instravinskysorbitresponsestomodernisminrussianparis |