The Routledge handbook of music signification:
The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject. Examinations of music signification have been an essentia...
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Format: | Buch |
Sprache: | English |
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London ; New York
Routledge
2020
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Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject. Examinations of music signification have been an essential component in thinking about music for millennia, but it is only in the last few decades that music signification has been established as an independent area of study. During this time, the field has grown exponentially, incorporating a vast array of methodologies that seek to ground how music means and to explore what it may mean. Research in music signification typically embraces concepts and practices imported from semiotics, literary criticism, linguistics, the visual arts, philosophy, sociology, history, and psychology, among others. By bringing together such approaches in transparent groupings that reflect the various contexts in which music is created and experienced, and by encouraging critical dialogues, this volume provides an authoritative survey of the discipline and a significant advance in inquiries into music signification. This book addresses a wide array of readers, from scholars who specialize in this and related areas, to the general reader who is curious to learn more about the ways in which music makes sense |
Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
Beschreibung: | XIX, 406 Seiten Diagramme, Notenbeispiele |
ISBN: | 9781032172798 9780815376453 |
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adam_text | CONTENTS List offigures List of tables List of musical examples List of contributors Acknowledgments ix xi xii xiv xviii 1 Introduction Esti Sheinberg and William P. Dougherty PARTÍ 11 Music signification and philosophy 1 “Musik ist das nicht”: On Romantic incomprehensibility in Chopin Jamie Liddle 2 From semio-ethics to a semiotics of speech in music and musicology: Theoretical (and Utopian) projections Christine Esclapez 3 Music and reality Ben Curry 13 24 33 4 From Ursatz to Urzemic: Avenues for theories and analyses of music signification Eero Tarasti v 44
Contents PART II Music signification and semiotics 55 5 The musical signifier Lawrence Kramer 57 6 Barthes’s “The Grain of the Voice” revisited Anne Kauppala 67 s neoclassical operas: Signs, signification, and 78 subjectivity Nicholas P. McKay 8 Fundamental concepts for the semiotic interpretation of musical meaning: A personal journey Robert S. Hatten 89 PART III Music signification and topic theory 99 9 Patterns and topics as elements of signification in late eighteenth-century music 101 Lauri Suurpää 10 “Mad day” and the “march of Bacchus”: Figaro in Mahler’s Third Symphony Lóránt Péteri 115 11 Topics and stylistic register in Russian opera, 1775-1800 Johanna Frymoyer 12 She spins and she sighs: The spinning-wheel topic and the lamentation of the romantic female Chia-Yi Wu 13 Charles Griffes’s Xanadu: A musical garden of opposites Taylor A. Greer 127 142 154 PART IV Music signification and narrative 165 14 Music narrative: Theory, context, subjectivity Byron Almén 167 15 Motivic linkage and actantial pairing in Britten’s operas Michael Baker 177 vi
Contents 16 The narrative rhetoric ofBeethoven’s Fifth Symphony Anatole Leikin 186 17 From music signification to musical narrativity: Concepts and analyses Márta Grabócz 197 PARTV Music signification and society 207 18 Musical vernaculars and their signifying transformations Marina Ritzarev 209 19 Multimodal reinforcement and worlds of sense: A political approach to musical emotions Oscar Hernandez Salgar 223 20 Reading meaning in and out of music from Theresienstadt: The case of Pavel Haas Martin Čurda 232 21 FKA twigs and popular music signification: The challenge of fluid clarity William Echará 244 22 Lost innocence: Signifying East, signifying West Edward Campbell 254 PART VI Music signification and emotion, cognition, and embodiment 265 23 Four flavors of pre-modern emotion Michael Spitzer 267 24 Music as experience: Musical sense-making between step-by-step processing and synoptic overview Mark Reybrouck 25 Melody as representation David Lidov 277 285 PART VII Music signification and education 297 26 Musical semiosis as a process of learning and growth Juha Ojala 299 vii
Contents 27 A pragmatic map of music signification for music analysis courses Joan Grimait 310 PART ѴІП Music signification and intermediality 321 28 The operatic principle: Negotiating contradictory demands of signification Bálint Veres 323 29 Pianto as a topical signifier of grief in contemporary operas by John Adams, Thomas Adės, and Kaija Saariaho 333 Yayoi Uno Everett 30 Musical ekphrasis: The evolution of the concept and the breadth of its application Siglind Bruhn 345 Bibliography Index of names Index of terms and concepts 359 388 395 viii
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CONTENTS List offigures List of tables List of musical examples List of contributors Acknowledgments ix xi xii xiv xviii 1 Introduction Esti Sheinberg and William P. Dougherty PARTÍ 11 Music signification and philosophy 1 “Musik ist das nicht”: On Romantic incomprehensibility in Chopin Jamie Liddle 2 From semio-ethics to a semiotics of speech in music and musicology: Theoretical (and Utopian) projections Christine Esclapez 3 Music and reality Ben Curry 13 24 33 4 From Ursatz to Urzemic: Avenues for theories and analyses of music signification Eero Tarasti v 44
Contents PART II Music signification and semiotics 55 5 The musical signifier Lawrence Kramer 57 6 Barthes’s “The Grain of the Voice” revisited Anne Kauppala 67 s neoclassical operas: Signs, signification, and 78 subjectivity Nicholas P. McKay 8 Fundamental concepts for the semiotic interpretation of musical meaning: A personal journey Robert S. Hatten 89 PART III Music signification and topic theory 99 9 Patterns and topics as elements of signification in late eighteenth-century music 101 Lauri Suurpää 10 “Mad day” and the “march of Bacchus”: Figaro in Mahler’s Third Symphony Lóránt Péteri 115 11 Topics and stylistic register in Russian opera, 1775-1800 Johanna Frymoyer 12 She spins and she sighs: The spinning-wheel topic and the lamentation of the romantic female Chia-Yi Wu 13 Charles Griffes’s Xanadu: A musical garden of opposites Taylor A. Greer 127 142 154 PART IV Music signification and narrative 165 14 Music narrative: Theory, context, subjectivity Byron Almén 167 15 Motivic linkage and actantial pairing in Britten’s operas Michael Baker 177 vi
Contents 16 The narrative rhetoric ofBeethoven’s Fifth Symphony Anatole Leikin 186 17 From music signification to musical narrativity: Concepts and analyses Márta Grabócz 197 PARTV Music signification and society 207 18 Musical vernaculars and their signifying transformations Marina Ritzarev 209 19 Multimodal reinforcement and worlds of sense: A political approach to musical emotions Oscar Hernandez Salgar 223 20 Reading meaning in and out of music from Theresienstadt: The case of Pavel Haas Martin Čurda 232 21 FKA twigs and popular music signification: The challenge of fluid clarity William Echará 244 22 Lost innocence: Signifying East, signifying West Edward Campbell 254 PART VI Music signification and emotion, cognition, and embodiment 265 23 Four flavors of pre-modern emotion Michael Spitzer 267 24 Music as experience: Musical sense-making between step-by-step processing and synoptic overview Mark Reybrouck 25 Melody as representation David Lidov 277 285 PART VII Music signification and education 297 26 Musical semiosis as a process of learning and growth Juha Ojala 299 vii
Contents 27 A pragmatic map of music signification for music analysis courses Joan Grimait 310 PART ѴІП Music signification and intermediality 321 28 The operatic principle: Negotiating contradictory demands of signification Bálint Veres 323 29 Pianto as a topical signifier of grief in contemporary operas by John Adams, Thomas Adės, and Kaija Saariaho 333 Yayoi Uno Everett 30 Musical ekphrasis: The evolution of the concept and the breadth of its application Siglind Bruhn 345 Bibliography Index of names Index of terms and concepts 359 388 395 viii |
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