Stages of loss: the English comedians and their reception
"Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travellin...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2020
|
| Ausgabe: | First edition |
| Online-Zugang: | FUBA1 |
| Zusammenfassung: | "Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them to the development of a European theatre institution have long been neglected. They are here introduced in their proper contexts for the first time. Stages of Loss explores connections real and perceived between diminishments of national value and the material wealth transported by itinerant players; representations of loss, waste, and profligacy within the drama they performed; and the extent to which theatrical practice and the process of canonization have led to archival and interpretive losses in theatre history. Situating the English Comedians in a variety of economic, social, religious, and political contexts, it explores trends and continuities in the reception of their itinerant theatre, showing how their incorporation into modern theatre history has been shaped by derogatory assessments of travelling theatre and itinerant people in the seventeenth and eighteenth centuries. Stages of Loss reveals that the Western theatre institution took shape partly as a means of accommodating, controlling, evaluating, and concealing the work of migrant strangers"-- |
| Beschreibung: | 1 Online-Ressource (xviii, 318 Seiten) Illustrationen |
| ISBN: | 9780192602442 |
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| 520 | 3 | |a "Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them to the development of a European theatre institution have long been neglected. They are here introduced in their proper contexts for the first time. Stages of Loss explores connections real and perceived between diminishments of national value and the material wealth transported by itinerant players; representations of loss, waste, and profligacy within the drama they performed; and the extent to which theatrical practice and the process of canonization have led to archival and interpretive losses in theatre history. Situating the English Comedians in a variety of economic, social, religious, and political contexts, it explores trends and continuities in the reception of their itinerant theatre, showing how their incorporation into modern theatre history has been shaped by derogatory assessments of travelling theatre and itinerant people in the seventeenth and eighteenth centuries. Stages of Loss reveals that the Western theatre institution took shape partly as a means of accommodating, controlling, evaluating, and concealing the work of migrant strangers"-- | |
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Datensatz im Suchindex
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| id | DE-604.BV046862965 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:13:28Z |
| indexdate | 2024-07-10T08:55:54Z |
| institution | BVB |
| isbn | 9780192602442 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032271584 |
| oclc_num | 1193285692 |
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| physical | 1 Online-Ressource (xviii, 318 Seiten) Illustrationen |
| psigel | ZDB-30-PQE |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Oppitz-Trotman, George Verfasser (DE-588)1124616950 aut Stages of loss the English comedians and their reception George Oppitz-Trotman First edition Oxford Oxford University Press 2020 1 Online-Ressource (xviii, 318 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier "Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them to the development of a European theatre institution have long been neglected. They are here introduced in their proper contexts for the first time. Stages of Loss explores connections real and perceived between diminishments of national value and the material wealth transported by itinerant players; representations of loss, waste, and profligacy within the drama they performed; and the extent to which theatrical practice and the process of canonization have led to archival and interpretive losses in theatre history. Situating the English Comedians in a variety of economic, social, religious, and political contexts, it explores trends and continuities in the reception of their itinerant theatre, showing how their incorporation into modern theatre history has been shaped by derogatory assessments of travelling theatre and itinerant people in the seventeenth and eighteenth centuries. Stages of Loss reveals that the Western theatre institution took shape partly as a means of accommodating, controlling, evaluating, and concealing the work of migrant strangers"-- Erscheint auch als Druck-Ausgabe 9780198858805 (DE-604)BV046858007 |
| spellingShingle | Oppitz-Trotman, George Stages of loss the English comedians and their reception |
| title | Stages of loss the English comedians and their reception |
| title_auth | Stages of loss the English comedians and their reception |
| title_exact_search | Stages of loss the English comedians and their reception |
| title_exact_search_txtP | Stages of loss the English comedians and their reception |
| title_full | Stages of loss the English comedians and their reception George Oppitz-Trotman |
| title_fullStr | Stages of loss the English comedians and their reception George Oppitz-Trotman |
| title_full_unstemmed | Stages of loss the English comedians and their reception George Oppitz-Trotman |
| title_short | Stages of loss |
| title_sort | stages of loss the english comedians and their reception |
| title_sub | the English comedians and their reception |
| work_keys_str_mv | AT oppitztrotmangeorge stagesoflosstheenglishcomediansandtheirreception |