The Bloomsbury handbook of rock music research:
"The Bloomsbury Handbook of Rock is the first comprehensive academic survey of the field of rock music as it stands today. More than 50 years into its life and we still ask - what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws t...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2020
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| Schlagworte: | |
| Online-Zugang: | Klappentext |
| Zusammenfassung: | "The Bloomsbury Handbook of Rock is the first comprehensive academic survey of the field of rock music as it stands today. More than 50 years into its life and we still ask - what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together 37 of the leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice of rock (analysis, performance, and recording); theories; business of rock; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research and suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something which has had such a pervasive influence on the lives of millions"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xvii, 636 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781501330452 |
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| 520 | 3 | |a "The Bloomsbury Handbook of Rock is the first comprehensive academic survey of the field of rock music as it stands today. More than 50 years into its life and we still ask - what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together 37 of the leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice of rock (analysis, performance, and recording); theories; business of rock; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research and suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something which has had such a pervasive influence on the lives of millions"-- | |
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| adam_text | The Bloomsbury Handbook of Rock Music Research is the first comprehensive academic survey of the field of rock music as it stands today. More than fifty years into its life and we still ask—what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together thirty-five of the world s leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice, analysis, and recording; rock theories; rock environments; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research, suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something that has had such a pervasive influence on the lives of millions. ALLAN MOORE is Professor Emeritus of Popular Music and former Head of the Department of Music and Sound Recording at the University of Surrey, UK. He is series editor of the Ashgate Library of Essays in Popular Music, and author and editor of several books including Analyzing Popular Musici2009), Rock: The Primary Text, Third Edition (2018) and Jethro Tull s Aqualung (2004, part of Bloomsbury s 33 1/3 series). PAUL CARR is Professor in Popular Music Analysis at the University of South Wales, UK. He is the editor of Frank Zappa and the And [2013) and author of Sting: From Northern Skies to Fields of Gold (2017). His research interests focus on the areas of
musicology, widening access, the live music industry, and pedagogical frameworks for music-related education. He is also an experienced performing musician, having toured and recorded with artists as diverse as the James Taylor Quartet and ex-Miles Davis saxophonist Bob Berg.
What is rock? If there Is such a thing, is It now dead? If so, why should we care? This book assembles a range of accomplished scholars from across disciplines that offer an impressive insight Into the ways in which we might care, detailing how՜ rock has been manifested and understood, attesting to the fact that its academic study, at least, is vety much alive. Here, then, is a repertoire of ideas and fools thai will be of use to established scholars while accessible to a wider readership. Readers, like this one, will find much with which to work or productively disagree, suggesting that this is far from an attempt at a definitive repository of knowledge but one seeking to prompt fut ther thinking and research about the cultural importance of its object. Is rock dead then? Well, as this book reminds us, it is more complicated than that. PAUL LONG. DIRECTOR, MASTER OP CULTURAL AND CREATIVE INDUSTRIES. MONASH UNIVERSITY, AUSTRALIA Over the last forty years or so, rock scholarship has (like rock itself) diversified enormously, incorporating historiography, musicology, creativity studies, sociology, song analysis, production techniques, the music industry and music pedagogy. Here, fo the first time, researchers and music students can read contributions from some of the world s finest writers in all of these fields, collected in a single volume. The book serves both as an introduction to rock music studies, and as a resource for current and future researchers. JOE BENNETT, RESIDENT SCHOLAR, BERKLEE COLLEGE OF MUSIC, USA
|
| adam_txt |
The Bloomsbury Handbook of Rock Music Research is the first comprehensive academic survey of the field of rock music as it stands today. More than fifty years into its life and we still ask—what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together thirty-five of the world's leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice, analysis, and recording; rock theories; rock environments; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research, suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something that has had such a pervasive influence on the lives of millions. ALLAN MOORE is Professor Emeritus of Popular Music and former Head of the Department of Music and Sound Recording at the University of Surrey, UK. He is series editor of the Ashgate Library of Essays in Popular Music, and author and editor of several books including Analyzing Popular Musici2009), Rock: The Primary Text, Third Edition (2018) and Jethro Tull's Aqualung (2004, part of Bloomsbury's 33 1/3 series). PAUL CARR is Professor in Popular Music Analysis at the University of South Wales, UK. He is the editor of Frank Zappa and the And [2013) and author of Sting: From Northern Skies to Fields of Gold (2017). His research interests focus on the areas of
musicology, widening access, the live music industry, and pedagogical frameworks for music-related education. He is also an experienced performing musician, having toured and recorded with artists as diverse as the James Taylor Quartet and ex-Miles Davis saxophonist Bob Berg.
"What is rock? If there Is such a thing, is It now dead? If so, why should we care? This book assembles a range of accomplished scholars from across disciplines that offer an impressive insight Into the ways in which we might care, detailing how՜ rock has been manifested and understood, attesting to the fact that its academic study, at least, is vety much alive. Here, then, is a repertoire of ideas and fools thai will be of use to established scholars while accessible to a wider readership. Readers, like this one, will find much with which to work or productively disagree, suggesting that this is far from an attempt at a definitive repository of knowledge but one seeking to prompt fut ther thinking and research about the cultural importance of its object. Is rock dead then? Well, as this book reminds us, it is more complicated than that." PAUL LONG. DIRECTOR, MASTER OP CULTURAL AND CREATIVE INDUSTRIES. MONASH UNIVERSITY, AUSTRALIA 'Over the last forty years or so, rock scholarship has (like rock itself) diversified enormously, incorporating historiography, musicology, creativity studies, sociology, song analysis, production techniques, the music industry and music pedagogy. Here, fo' the first time, researchers and music students can read contributions from some of the world's finest writers in all of these fields, collected in a single volume. The book serves both as an introduction to rock music studies, and as a resource for current and future researchers." JOE BENNETT, RESIDENT SCHOLAR, BERKLEE COLLEGE OF MUSIC, USA |
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| spelling | The Bloomsbury handbook of rock music research edited by Allan Moore and Paul Carr New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2020 xvii, 636 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "The Bloomsbury Handbook of Rock is the first comprehensive academic survey of the field of rock music as it stands today. More than 50 years into its life and we still ask - what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together 37 of the leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice of rock (analysis, performance, and recording); theories; business of rock; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research and suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something which has had such a pervasive influence on the lives of millions"-- Rockmusik (DE-588)4115774-6 gnd rswk-swf Forschung (DE-588)4017894-8 gnd rswk-swf Rock music / History and criticism Rock music / Social aspects (DE-588)4143413-4 Aufsatzsammlung gnd-content Rockmusik (DE-588)4115774-6 s Forschung (DE-588)4017894-8 s DE-604 Moore, Allan F. (DE-588)128408138 edt win Carr, Paul 1959- (DE-588)1032937491 edt win aut Erscheint auch als Online-Ausgabe, PDF 978-1-5013-3046-9 Erscheint auch als Online-Ausgabe 978-1-5013-3047-6 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032269987&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | The Bloomsbury handbook of rock music research |
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| title_exact_search | The Bloomsbury handbook of rock music research |
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| title_full | The Bloomsbury handbook of rock music research edited by Allan Moore and Paul Carr |
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