Somaesthetic experience and the viewer in Medicean Florence: renaissance art and political persuasion, 1459-1580
Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2020]
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| Schriftenreihe: | Visual and material culture, 1300-1700
22 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetic experience. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound them to others. By investigating the framework and practice of somaesthetic viewing of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth-century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance. |
| Beschreibung: | 296 Seiten, 16 ungezählte Seiten Tafeln 22 Tafeln, 86 Illustrationen |
| ISBN: | 9789463722216 |
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| 520 | 3 | |a Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetic experience. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound them to others. By investigating the framework and practice of somaesthetic viewing of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth-century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance. | |
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Datensatz im Suchindex
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| adam_text | TABLE OF CONTENTS
LIST OF ILLUSTRATIONS 7
ACKNOWLEDGEMENTS 15
I. ACTIVATING THE RENAISSANCE VIEWER: ART AND SOMAESTHETIC EXPERIENCE 19
SOMAESTHETICS AND POLITICAL PERSUASION 3
PATRONAGE AND THE CONSTRUCTION OF THE VIEWER IN MEDICEAN FLORENCE 40
MOBILIZING VISITORS: POLITICAL PERSUASION AND THE SOMAESTHETICS OF
BELONGING IN THE CHAPEL OF THE MAGI 53
SENSORY ACTIVATION AND THE SIGNALING OF THE PATRON 59
SOMAESTHETIC EMPLACEMENT IN IMMERSIVE ARTISTIC PROGRAMS 81
STAGING BELONGING IN BETHLEHEM 95
STAGING GENDERED AUTHORITY: DONATELLO S/MCTO/I, LUCREZIA
TORNABUONI DE MEDICI S SACRA STORIA, AND THE SOMAESTHETICS OF JUSTICE
115
MEDICI GARDEN AS THEATER IN THE ROUND 122
SOMAESTHETIC CULTIVATION OF AUDIENCE AND NARRATOR 138
COLLECTIVE WITNESSING AT THE SCAFFOLDS 145
PERFORMING VIRTUAL PILGRIMAGE: SOMAESTHETICS AND HOLY LAND
DEVOTION AT SAN VIVALDO 161
MATERIALIZING THE HOLY LAND EXPERIENCE 171
SOMAESTHETIC FASHIONING AND AFFECTIVE DEVOTION 178
POSSESSING THE NEW JERUSALEM 201
PLAYING THE PRINTED PIAZZA: GIOVANNI DE BARDI S DISCORSO SOPRA IL
GIUOCO DELCALCIOFIORENTINO AND SOMAESTHETIC DISCIPLINE IN GRAND-
DUCAL FLORENCE 217
THE FLORENTINE PIAZZA AS PRACTICED SPACE OF CALCLO 223
ANTIQUITY AND HISTORICAL REALISM IN BARDI S DISCORSO 232
BATTLE TACTICS, VEDUTE, AND SOMAESTHETIC DOMINION 239
RITUAL DISPLAY AND RESTRAINT IN THE NOBLE GAME OF CALCIO 253
6. EPILOGUE: RENAISSANCE SOMAESTHETICS IN A DIGITAL WORLD 273
ABOUT THE AUTHOR 291
INDEX 293
|
| adam_txt |
TABLE OF CONTENTS
LIST OF ILLUSTRATIONS 7
ACKNOWLEDGEMENTS 15
I. ACTIVATING THE RENAISSANCE VIEWER: ART AND SOMAESTHETIC EXPERIENCE 19
SOMAESTHETICS AND POLITICAL PERSUASION 3
PATRONAGE AND THE CONSTRUCTION OF THE VIEWER IN MEDICEAN FLORENCE 40
MOBILIZING VISITORS: POLITICAL PERSUASION AND THE SOMAESTHETICS OF
BELONGING IN THE CHAPEL OF THE MAGI 53
SENSORY ACTIVATION AND THE SIGNALING OF THE PATRON 59
SOMAESTHETIC EMPLACEMENT IN IMMERSIVE ARTISTIC PROGRAMS 81
STAGING BELONGING IN BETHLEHEM 95
STAGING GENDERED AUTHORITY: DONATELLO'S/MCTO/I, LUCREZIA
TORNABUONI DE'MEDICI'S SACRA STORIA, AND THE SOMAESTHETICS OF JUSTICE
115
MEDICI GARDEN AS THEATER IN THE ROUND 122
SOMAESTHETIC CULTIVATION OF AUDIENCE AND NARRATOR 138
COLLECTIVE WITNESSING AT THE SCAFFOLDS 145
PERFORMING VIRTUAL PILGRIMAGE: SOMAESTHETICS AND HOLY LAND
DEVOTION AT SAN VIVALDO 161
MATERIALIZING THE HOLY LAND EXPERIENCE 171
SOMAESTHETIC FASHIONING AND AFFECTIVE DEVOTION 178
POSSESSING THE NEW JERUSALEM 201
PLAYING THE PRINTED PIAZZA: GIOVANNI DE' BARDI'S DISCORSO SOPRA IL
GIUOCO DELCALCIOFIORENTINO AND SOMAESTHETIC DISCIPLINE IN GRAND-
DUCAL FLORENCE 217
THE FLORENTINE PIAZZA AS PRACTICED SPACE OF CALCLO 223
ANTIQUITY AND HISTORICAL REALISM IN BARDI'S DISCORSO 232
BATTLE TACTICS, VEDUTE, AND SOMAESTHETIC DOMINION 239
RITUAL DISPLAY AND RESTRAINT IN THE NOBLE GAME OF CALCIO 253
6. EPILOGUE: RENAISSANCE SOMAESTHETICS IN A DIGITAL WORLD 273
ABOUT THE AUTHOR 291
INDEX 293 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Terry-Fritsch, Allie |
| author_GND | (DE-588)1036141365 |
| author_facet | Terry-Fritsch, Allie |
| author_role | aut |
| author_sort | Terry-Fritsch, Allie |
| author_variant | a t f atf |
| building | Verbundindex |
| bvnumber | BV046859246 |
| callnumber-first | D - World History |
| callnumber-label | D250 |
| callnumber-raw | D250 |
| callnumber-search | D250 |
| callnumber-sort | D 3250 |
| callnumber-subject | D - General History |
| ctrlnum | (OCoLC)1225881584 (DE-599)KXP1724627376 |
| dewey-full | 940.2 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 940 - History of Europe |
| dewey-raw | 940.2 |
| dewey-search | 940.2 |
| dewey-sort | 3940.2 |
| dewey-tens | 940 - History of Europe |
| discipline | Geschichte |
| discipline_str_mv | Geschichte |
| era | Geschichte 1459-1580 gnd |
| era_facet | Geschichte 1459-1580 |
| format | Book |
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| geographic | Florenz (DE-588)4017581-9 gnd Palazzo Medici-Riccardi Florenz (DE-588)4374577-5 gnd Sacro Monte di San Vivaldo Montaione (DE-588)1196055750 gnd |
| geographic_facet | Florenz Palazzo Medici-Riccardi Florenz Sacro Monte di San Vivaldo Montaione |
| id | DE-604.BV046859246 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:12:23Z |
| indexdate | 2024-07-10T08:55:48Z |
| institution | BVB |
| isbn | 9789463722216 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032267921 |
| oclc_num | 1225881584 |
| open_access_boolean | |
| owner | DE-Y2 DE-Y3 DE-255 DE-12 |
| owner_facet | DE-Y2 DE-Y3 DE-255 DE-12 |
| physical | 296 Seiten, 16 ungezählte Seiten Tafeln 22 Tafeln, 86 Illustrationen |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series | Visual and material culture, 1300-1700 |
| series2 | Visual and material culture, 1300-1700 |
| spelling | Terry-Fritsch, Allie Verfasser (DE-588)1036141365 aut Somaesthetic experience and the viewer in Medicean Florence renaissance art and political persuasion, 1459-1580 Allie Terry-Fritsch Amsterdam Amsterdam University Press [2020] © 2020 296 Seiten, 16 ungezählte Seiten Tafeln 22 Tafeln, 86 Illustrationen txt rdacontent n rdamedia nc rdacarrier Visual and material culture, 1300-1700 22 Viewers in the Middle Ages and Renaissance were encouraged to forge connections between their physical and affective states when they experienced works of art. They believed that their bodies served a critical function in coming to know and make sense of the world around them, and intimately engaged themselves with works of art and architecture on a daily basis. This book examines how viewers in Medicean Florence were self-consciously cultivated to enhance their sensory appreciation of works of art and creatively self-fashion through somaesthetic experience. Mobilized as a technology for the production of knowledge with and through their bodies, viewers contributed to the essential meaning of Renaissance art and, in the process, bound them to others. By investigating the framework and practice of somaesthetic viewing of works by Benozzo Gozzoli, Donatello, Benedetto Buglioni, Giorgio Vasari, and others in fifteenth- and sixteenth-century Florence, the book approaches the viewer as a powerful tool that was used by patrons to shape identity and power in the Renaissance. Donatello 1386-1466 Judith mit dem Haupt des Holofernes (DE-588)4233122-5 gnd rswk-swf Geschichte 1459-1580 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Kapelle (DE-588)4029551-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Calcio fiorentino (DE-588)4328728-1 gnd rswk-swf Florenz (DE-588)4017581-9 gnd rswk-swf Palazzo Medici-Riccardi Florenz (DE-588)4374577-5 gnd rswk-swf Sacro Monte di San Vivaldo Montaione (DE-588)1196055750 gnd rswk-swf Florenz (DE-588)4017581-9 g Kunst (DE-588)4114333-4 s Rezeption (DE-588)4049716-1 s Geschichte 1459-1580 z DE-604 Palazzo Medici-Riccardi Florenz (DE-588)4374577-5 g Kapelle (DE-588)4029551-5 s Donatello 1386-1466 Judith mit dem Haupt des Holofernes (DE-588)4233122-5 u Sacro Monte di San Vivaldo Montaione (DE-588)1196055750 g Calcio fiorentino (DE-588)4328728-1 s Erscheint auch als Online-Ausgabe 978-90-4854-424-0 Visual and material culture, 1300-1700 22 (DE-604)BV044602980 22 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032267921&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Terry-Fritsch, Allie Somaesthetic experience and the viewer in Medicean Florence renaissance art and political persuasion, 1459-1580 Visual and material culture, 1300-1700 Donatello 1386-1466 Judith mit dem Haupt des Holofernes (DE-588)4233122-5 gnd Rezeption (DE-588)4049716-1 gnd Kapelle (DE-588)4029551-5 gnd Kunst (DE-588)4114333-4 gnd Calcio fiorentino (DE-588)4328728-1 gnd |
| subject_GND | (DE-588)4233122-5 (DE-588)4049716-1 (DE-588)4029551-5 (DE-588)4114333-4 (DE-588)4328728-1 (DE-588)4017581-9 (DE-588)4374577-5 (DE-588)1196055750 |
| title | Somaesthetic experience and the viewer in Medicean Florence renaissance art and political persuasion, 1459-1580 |
| title_auth | Somaesthetic experience and the viewer in Medicean Florence renaissance art and political persuasion, 1459-1580 |
| title_exact_search | Somaesthetic experience and the viewer in Medicean Florence renaissance art and political persuasion, 1459-1580 |
| title_exact_search_txtP | Somaesthetic experience and the viewer in Medicean Florence renaissance art and political persuasion, 1459-1580 |
| title_full | Somaesthetic experience and the viewer in Medicean Florence renaissance art and political persuasion, 1459-1580 Allie Terry-Fritsch |
| title_fullStr | Somaesthetic experience and the viewer in Medicean Florence renaissance art and political persuasion, 1459-1580 Allie Terry-Fritsch |
| title_full_unstemmed | Somaesthetic experience and the viewer in Medicean Florence renaissance art and political persuasion, 1459-1580 Allie Terry-Fritsch |
| title_short | Somaesthetic experience and the viewer in Medicean Florence |
| title_sort | somaesthetic experience and the viewer in medicean florence renaissance art and political persuasion 1459 1580 |
| title_sub | renaissance art and political persuasion, 1459-1580 |
| topic | Donatello 1386-1466 Judith mit dem Haupt des Holofernes (DE-588)4233122-5 gnd Rezeption (DE-588)4049716-1 gnd Kapelle (DE-588)4029551-5 gnd Kunst (DE-588)4114333-4 gnd Calcio fiorentino (DE-588)4328728-1 gnd |
| topic_facet | Donatello 1386-1466 Judith mit dem Haupt des Holofernes Rezeption Kapelle Kunst Calcio fiorentino Florenz Palazzo Medici-Riccardi Florenz Sacro Monte di San Vivaldo Montaione |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032267921&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV044602980 |
| work_keys_str_mv | AT terryfritschallie somaestheticexperienceandtheviewerinmediceanflorencerenaissanceartandpoliticalpersuasion14591580 |