Landscape and subjectivity in the work of Patrick Keiller, W.G. Sebald, and Iain Sinclair:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford, United Kingdom
Oxford University Press
2020
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xvii, 293 Seiten Illustrationen, Karten |
| ISBN: | 9780198847199 |
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Datensatz im Suchindex
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| adam_text | Landscape and
Subjectivity in the Work
of Patrick Keiller,
W G Sebald, and Iain
Sinclair
DAVID ANDERSON
OXFORD
UNIVERSITY PRESS
Contents
List of Figures xv
Introduction: Landscape and Subjectivity—Imagining England
at the End of the Twentieth Century 1
1 The Camera-I: Patrick Keiller’s Early Short Films and Essays 19
Surrealism, the Situationists, and the Creative ‘Acquisition’ of Space 20
The Royal College of Art and the London Film-Makers’
Co-operative 26
‘Tape-Slide Assemblies’ and ‘Subjective Camera’ 30
A Bridge between Imagination and Reality: Stonebridge Park 33
‘Unemployed Reverie’: Norwood 40
The ‘Subjective Townscape’ and Spatial Critique 45
2 A Vagrant Sensibility: Patrick Keiller’s Robinson Films 50
‘A Fictional Journal about the Year 1992’: London 51
The ‘Problem’ of Cities 53
The Enigma of Robinson 56
‘Shipwreck and Protestant Isolation’ 59
The Redevelopment of Docklands 64
An Outmoded City: ‘Reflective Nostalgia’ 67
A Dissatisfying Success Story: Robinson in Space 70
‘Space’ and Spatial Theory 71
Deregulation and the ‘Derangement of the Senses’ 74
Appearance and Reality: ‘Material Flows’ 77
Heritage and Stately Homes 81
The Transformation of Space and the Fragments of an
Imagined Future 85
The Ur-Past as the Image of Hope 89
Domesticity and Decay in Robinson in Ruins 91
The ‘Problem of Nature’ 94
‘Dwelling’ and Heidegger’s ‘Simple Oneness’ 99
‘Picturesque Views’, Estrangement, and Expropriation 103
3WG Sebald’s Early Writing: ‘A European at the End of
European Civilization’ 109
Genre, Form, and Motion: Sebald’s Transgressive Essayism 114
‘An Elementary Poem’: After Nature 116
Sebald’s ‘Original Journey’ from Germany to England 118
‘A Steady Production of Dust’: Memory and Place in ‘Max Ferber’ 124
‘Bleston’ and Michel Butor’s Passing Time 128
Abyss to Abyss: Writing and ‘Translation’ after Auschwitz 132
4 An English Pilgrim: Sebald’s The Rings of Saturn and Austerlitz 137
A ‘Prose Book of an Indeterminate Sort’: The Rings of Saturn 137
The Structure of Space: Threads, Mazes, and Elective Affinities 139
Literacy, Topography, and Destruction 143
The Religion of a Doctor: Thomas Browne 144
East Anglia, Rambling Tours, and the Idea of Englishness 147
Social Documentaries: Akenfield and Lowestoft 153
Illumination, Enlightenment, and Combustion 157
The Contrasting Perspectives of Pedestrianism 161
The Fifth Emigrant: Austerlitz 165
The Uncanny Experiences of Belgium: Antwerp, Brussels,
and Breendonk 166
Sites of Memory and Myth: England and Wales 170
‘I am a Kind’: Liverpool Street Station and East London 175
Austerlitz’s ‘Research’ in Paris 181
Theresienstadt and Marienbad: the Dissimulation of Memory
and Identity 184
5 Iain Sinclair’s Early Writing: The Arcane Scholarship of Place 191
‘The Spiral We Are Pacing Out’: Low Experience and
Occult Speculation 192
Semiological Enthusiasm in Prehistoric London and Lud Heat 197
Suicide Bridge, Buried History, and the Mythology of Jack
the Ripper in White Chappell, Scarlet Tracings 204
Downriver and Sinclair’s Representation of the Thames Estuary 214
Exclusivity, Negativity, and the Narrator’s Fantasy of
Self-Effacement 219
6 Crosses, Circles, and Madness: Iain Sinclair’s Lights Out for the
Territory, London Orbital, and Edge of the Orison 225
Walking as Chaos and Curation in Sinclair’s Later Work 225
Essayistic Alchemy: The Paranoiac Curation of London in Lights
Out for the Territory 228
‘Spraying’, the Appropriation of Urban Space, and the City
as a Frontier 232
The London Psychogeographical Association 237
The Contentious Spaces of Image-Making 239
The Unofficial Countryside and London Orbital: Absence,
Fecundity, and Madness 243
The Millennium Dome as a Sublime Object 247
Spaces of Consumption and Crime: Bluewater and Carfax 250
The Eleanor Crosses and Freud’s ‘Unpractical Londoners’ 254
The ‘Idea of Landscape’ and John Clare’s Journey Out of Essex
in Edge of the Orison 258
Sinclair’s Elective Affinities: A Landscape of Duplicates 262
CONTENTS Xlii
The Torpid Landscape of the Fens: Walt Disney and Walter
Benjamin 265
Opening and Closing the Loop: Sinclair’s Later Work 268
Conclusion 273
List of Works Cited 277
Index 287
|
| adam_txt |
Landscape and
Subjectivity in the Work
of Patrick Keiller,
W G Sebald, and Iain
Sinclair
DAVID ANDERSON
OXFORD
UNIVERSITY PRESS
Contents
List of Figures xv
Introduction: Landscape and Subjectivity—Imagining England
at the End of the Twentieth Century 1
1 The Camera-I: Patrick Keiller’s Early Short Films and Essays 19
Surrealism, the Situationists, and the Creative ‘Acquisition’ of Space 20
The Royal College of Art and the London Film-Makers’
Co-operative 26
‘Tape-Slide Assemblies’ and ‘Subjective Camera’ 30
A Bridge between Imagination and Reality: Stonebridge Park 33
‘Unemployed Reverie’: Norwood 40
The ‘Subjective Townscape’ and Spatial Critique 45
2 A Vagrant Sensibility: Patrick Keiller’s Robinson Films 50
‘A Fictional Journal about the Year 1992’: London 51
The ‘Problem’ of Cities 53
The Enigma of Robinson 56
‘Shipwreck and Protestant Isolation’ 59
The Redevelopment of Docklands 64
An Outmoded City: ‘Reflective Nostalgia’ 67
A Dissatisfying Success Story: Robinson in Space 70
‘Space’ and Spatial Theory 71
Deregulation and the ‘Derangement of the Senses’ 74
Appearance and Reality: ‘Material Flows’ 77
Heritage and Stately Homes 81
The Transformation of Space and the Fragments of an
Imagined Future 85
The Ur-Past as the Image of Hope 89
Domesticity and Decay in Robinson in Ruins 91
The ‘Problem of Nature’ 94
‘Dwelling’ and Heidegger’s ‘Simple Oneness’ 99
‘Picturesque Views’, Estrangement, and Expropriation 103
3WG Sebald’s Early Writing: ‘A European at the End of
European Civilization’ 109
Genre, Form, and Motion: Sebald’s Transgressive Essayism 114
‘An Elementary Poem’: After Nature 116
Sebald’s ‘Original Journey’ from Germany to England 118
‘A Steady Production of Dust’: Memory and Place in ‘Max Ferber’ 124
‘Bleston’ and Michel Butor’s Passing Time 128
Abyss to Abyss: Writing and ‘Translation’ after Auschwitz 132
4 An English Pilgrim: Sebald’s The Rings of Saturn and Austerlitz 137
A ‘Prose Book of an Indeterminate Sort’: The Rings of Saturn 137
The Structure of Space: Threads, Mazes, and Elective Affinities 139
Literacy, Topography, and Destruction 143
The Religion of a Doctor: Thomas Browne 144
East Anglia, Rambling Tours, and the Idea of Englishness 147
Social Documentaries: Akenfield and Lowestoft 153
Illumination, Enlightenment, and Combustion 157
The Contrasting Perspectives of Pedestrianism 161
The Fifth Emigrant: Austerlitz 165
The Uncanny Experiences of Belgium: Antwerp, Brussels,
and Breendonk 166
Sites of Memory and Myth: England and Wales 170
‘I am a Kind’: Liverpool Street Station and East London 175
Austerlitz’s ‘Research’ in Paris 181
Theresienstadt and Marienbad: the Dissimulation of Memory
and Identity 184
5 Iain Sinclair’s Early Writing: The Arcane Scholarship of Place 191
‘The Spiral We Are Pacing Out’: Low Experience and
Occult Speculation 192
Semiological Enthusiasm in Prehistoric London and Lud Heat 197
Suicide Bridge, Buried History, and the Mythology of Jack
the Ripper in White Chappell, Scarlet Tracings 204
Downriver and Sinclair’s Representation of the Thames Estuary 214
Exclusivity, Negativity, and the Narrator’s Fantasy of
Self-Effacement 219
6 Crosses, Circles, and Madness: Iain Sinclair’s Lights Out for the
Territory, London Orbital, and Edge of the Orison 225
Walking as Chaos and Curation in Sinclair’s Later Work 225
Essayistic Alchemy: The Paranoiac Curation of London in Lights
Out for the Territory 228
‘Spraying’, the Appropriation of Urban Space, and the City
as a Frontier 232
The London Psychogeographical Association 237
The Contentious Spaces of Image-Making 239
The Unofficial Countryside and London Orbital: Absence,
Fecundity, and Madness 243
The Millennium Dome as a Sublime Object 247
Spaces of Consumption and Crime: Bluewater and Carfax 250
The Eleanor Crosses and Freud’s ‘Unpractical Londoners’ 254
The ‘Idea of Landscape’ and John Clare’s Journey Out of Essex
in Edge of the Orison 258
Sinclair’s Elective Affinities: A Landscape of Duplicates 262
CONTENTS Xlii
The Torpid Landscape of the Fens: Walt Disney and Walter
Benjamin 265
Opening and Closing the Loop: Sinclair’s Later Work 268
Conclusion 273
List of Works Cited 277
Index 287 |
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| author | Anderson, David I. 1969- |
| author_GND | (DE-588)1062634853 |
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| dewey-full | 809.9332 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.9332 |
| dewey-search | 809.9332 |
| dewey-sort | 3809.9332 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| discipline_str_mv | Anglistik / Amerikanistik Literaturwissenschaft |
| edition | First edition |
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| illustrated | Illustrated |
| index_date | 2024-07-03T15:11:59Z |
| indexdate | 2024-07-10T08:55:46Z |
| institution | BVB |
| isbn | 9780198847199 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032266993 |
| oclc_num | 1197708157 |
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| physical | xvii, 293 Seiten Illustrationen, Karten |
| publishDate | 2020 |
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| publishDateSort | 2020 |
| publisher | Oxford University Press |
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| spelling | Anderson, David I. 1969- Verfasser (DE-588)1062634853 aut Landscape and subjectivity in the work of Patrick Keiller, W.G. Sebald, and Iain Sinclair David Anderson First edition Oxford, United Kingdom Oxford University Press 2020 xvii, 293 Seiten Illustrationen, Karten txt rdacontent n rdamedia nc rdacarrier Sinclair, Iain 1943- (DE-588)132424932 gnd rswk-swf Keiller, Patrick 1950- (DE-588)1016161840 gnd rswk-swf Sebald, W. G. 1944-2001 (DE-588)119310007 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Geografie Motiv (DE-588)4447177-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Landschaft Motiv (DE-588)4114354-1 gnd rswk-swf Keiller, Patrick / Criticism and interpretation Sebald, W. G / (Winfried Georg) / 1944-2001 / Criticism and interpretation Sinclair, Iain / 1943- / Criticism and interpretation Landscapes in literature Landscapes in motion pictures Geography in literature Geography in motion pictures Keiller, Patrick 1950- (DE-588)1016161840 p Sebald, W. G. 1944-2001 (DE-588)119310007 p Sinclair, Iain 1943- (DE-588)132424932 p Literatur (DE-588)4035964-5 s Film (DE-588)4017102-4 s Landschaft Motiv (DE-588)4114354-1 s Geografie Motiv (DE-588)4447177-4 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032266993&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Anderson, David I. 1969- Landscape and subjectivity in the work of Patrick Keiller, W.G. Sebald, and Iain Sinclair Sinclair, Iain 1943- (DE-588)132424932 gnd Keiller, Patrick 1950- (DE-588)1016161840 gnd Sebald, W. G. 1944-2001 (DE-588)119310007 gnd Literatur (DE-588)4035964-5 gnd Geografie Motiv (DE-588)4447177-4 gnd Film (DE-588)4017102-4 gnd Landschaft Motiv (DE-588)4114354-1 gnd |
| subject_GND | (DE-588)132424932 (DE-588)1016161840 (DE-588)119310007 (DE-588)4035964-5 (DE-588)4447177-4 (DE-588)4017102-4 (DE-588)4114354-1 |
| title | Landscape and subjectivity in the work of Patrick Keiller, W.G. Sebald, and Iain Sinclair |
| title_auth | Landscape and subjectivity in the work of Patrick Keiller, W.G. Sebald, and Iain Sinclair |
| title_exact_search | Landscape and subjectivity in the work of Patrick Keiller, W.G. Sebald, and Iain Sinclair |
| title_exact_search_txtP | Landscape and subjectivity in the work of Patrick Keiller, W.G. Sebald, and Iain Sinclair |
| title_full | Landscape and subjectivity in the work of Patrick Keiller, W.G. Sebald, and Iain Sinclair David Anderson |
| title_fullStr | Landscape and subjectivity in the work of Patrick Keiller, W.G. Sebald, and Iain Sinclair David Anderson |
| title_full_unstemmed | Landscape and subjectivity in the work of Patrick Keiller, W.G. Sebald, and Iain Sinclair David Anderson |
| title_short | Landscape and subjectivity in the work of Patrick Keiller, W.G. Sebald, and Iain Sinclair |
| title_sort | landscape and subjectivity in the work of patrick keiller w g sebald and iain sinclair |
| topic | Sinclair, Iain 1943- (DE-588)132424932 gnd Keiller, Patrick 1950- (DE-588)1016161840 gnd Sebald, W. G. 1944-2001 (DE-588)119310007 gnd Literatur (DE-588)4035964-5 gnd Geografie Motiv (DE-588)4447177-4 gnd Film (DE-588)4017102-4 gnd Landschaft Motiv (DE-588)4114354-1 gnd |
| topic_facet | Sinclair, Iain 1943- Keiller, Patrick 1950- Sebald, W. G. 1944-2001 Literatur Geografie Motiv Film Landschaft Motiv |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032266993&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT andersondavidi landscapeandsubjectivityintheworkofpatrickkeillerwgsebaldandiainsinclair |