A huge revolution of theatrical commerce: Walter Mocchi and the Italian musical theatre business in South America
In the first third of the twentieth century, South America became the most important market for many European theatrical companies. When Italy found itself in various theatrical crises, Walter Mocchi created a transoceanic theatrical empire, using his business acumen to craft viable solutions. While...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2020
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | In the first third of the twentieth century, South America became the most important market for many European theatrical companies. When Italy found itself in various theatrical crises, Walter Mocchi created a transoceanic theatrical empire, using his business acumen to craft viable solutions. While his efforts were most visible in the sphere of opera, he played an extremely significant role in the promotion and circulation of popular forms of musical theatre (such as operetta) and staged world premieres of works by Italian superstars in Argentina (such as Mascagni's Isabeau), thus offering an early example of what Stephen Greenblatt calls 'cultural mobility' |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 17 Jul 2020) |
| Beschreibung: | 1 Online-Ressource (80 Seiten) |
| ISBN: | 9781108855990 |
| DOI: | 10.1017/9781108855990 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV046855519 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 200817s2020 |||| o||u| ||||||eng d | ||
| 020 | |a 9781108855990 |c Online |9 978-1-108-85599-0 | ||
| 024 | 7 | |a 10.1017/9781108855990 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781108855990 | ||
| 035 | |a (OCoLC)1193300549 | ||
| 035 | |a (DE-599)BVBBV046855519 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 792.098 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Paoletti, Matteo |d 1984- |0 (DE-588)1042266786 |4 aut | |
| 245 | 1 | 0 | |a A huge revolution of theatrical commerce |b Walter Mocchi and the Italian musical theatre business in South America |c Matteo Paoletti |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2020 | |
| 300 | |a 1 Online-Ressource (80 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Title from publisher's bibliographic system (viewed on 17 Jul 2020) | ||
| 520 | |a In the first third of the twentieth century, South America became the most important market for many European theatrical companies. When Italy found itself in various theatrical crises, Walter Mocchi created a transoceanic theatrical empire, using his business acumen to craft viable solutions. While his efforts were most visible in the sphere of opera, he played an extremely significant role in the promotion and circulation of popular forms of musical theatre (such as operetta) and staged world premieres of works by Italian superstars in Argentina (such as Mascagni's Isabeau), thus offering an early example of what Stephen Greenblatt calls 'cultural mobility' | ||
| 650 | 4 | |a Theater / South America / History / 20th century / European influences | |
| 650 | 4 | |a Theater / Italy / History / 20th century | |
| 650 | 4 | |a Opera / South America / History / 20th century / European influences | |
| 650 | 4 | |a Opera / Italy / History / 20th century | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-108-79048-2 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781108855990 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032264268 | ||
| 966 | e | |u https://doi.org/10.1017/9781108855990 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781108855990 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804181692394504192 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Paoletti, Matteo 1984- |
| author_GND | (DE-588)1042266786 |
| author_facet | Paoletti, Matteo 1984- |
| author_role | aut |
| author_sort | Paoletti, Matteo 1984- |
| author_variant | m p mp |
| building | Verbundindex |
| bvnumber | BV046855519 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781108855990 (OCoLC)1193300549 (DE-599)BVBBV046855519 |
| dewey-full | 792.098 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.098 |
| dewey-search | 792.098 |
| dewey-sort | 3792.098 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1017/9781108855990 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02460nmm a2200433zc 4500</leader><controlfield tag="001">BV046855519</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200817s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108855990</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-108-85599-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781108855990</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781108855990</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1193300549</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046855519</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.098</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Paoletti, Matteo</subfield><subfield code="d">1984-</subfield><subfield code="0">(DE-588)1042266786</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A huge revolution of theatrical commerce</subfield><subfield code="b">Walter Mocchi and the Italian musical theatre business in South America</subfield><subfield code="c">Matteo Paoletti</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (80 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 17 Jul 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In the first third of the twentieth century, South America became the most important market for many European theatrical companies. When Italy found itself in various theatrical crises, Walter Mocchi created a transoceanic theatrical empire, using his business acumen to craft viable solutions. While his efforts were most visible in the sphere of opera, he played an extremely significant role in the promotion and circulation of popular forms of musical theatre (such as operetta) and staged world premieres of works by Italian superstars in Argentina (such as Mascagni's Isabeau), thus offering an early example of what Stephen Greenblatt calls 'cultural mobility'</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater / South America / History / 20th century / European influences</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater / Italy / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera / South America / History / 20th century / European influences</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera / Italy / History / 20th century</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-108-79048-2</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781108855990</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032264268</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781108855990</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781108855990</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV046855519 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:11:11Z |
| indexdate | 2024-07-10T08:55:42Z |
| institution | BVB |
| isbn | 9781108855990 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032264268 |
| oclc_num | 1193300549 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (80 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Paoletti, Matteo 1984- (DE-588)1042266786 aut A huge revolution of theatrical commerce Walter Mocchi and the Italian musical theatre business in South America Matteo Paoletti Cambridge Cambridge University Press 2020 1 Online-Ressource (80 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 17 Jul 2020) In the first third of the twentieth century, South America became the most important market for many European theatrical companies. When Italy found itself in various theatrical crises, Walter Mocchi created a transoceanic theatrical empire, using his business acumen to craft viable solutions. While his efforts were most visible in the sphere of opera, he played an extremely significant role in the promotion and circulation of popular forms of musical theatre (such as operetta) and staged world premieres of works by Italian superstars in Argentina (such as Mascagni's Isabeau), thus offering an early example of what Stephen Greenblatt calls 'cultural mobility' Theater / South America / History / 20th century / European influences Theater / Italy / History / 20th century Opera / South America / History / 20th century / European influences Opera / Italy / History / 20th century Erscheint auch als Druck-Ausgabe 978-1-108-79048-2 https://doi.org/10.1017/9781108855990 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Paoletti, Matteo 1984- A huge revolution of theatrical commerce Walter Mocchi and the Italian musical theatre business in South America Theater / South America / History / 20th century / European influences Theater / Italy / History / 20th century Opera / South America / History / 20th century / European influences Opera / Italy / History / 20th century |
| title | A huge revolution of theatrical commerce Walter Mocchi and the Italian musical theatre business in South America |
| title_auth | A huge revolution of theatrical commerce Walter Mocchi and the Italian musical theatre business in South America |
| title_exact_search | A huge revolution of theatrical commerce Walter Mocchi and the Italian musical theatre business in South America |
| title_exact_search_txtP | A huge revolution of theatrical commerce Walter Mocchi and the Italian musical theatre business in South America |
| title_full | A huge revolution of theatrical commerce Walter Mocchi and the Italian musical theatre business in South America Matteo Paoletti |
| title_fullStr | A huge revolution of theatrical commerce Walter Mocchi and the Italian musical theatre business in South America Matteo Paoletti |
| title_full_unstemmed | A huge revolution of theatrical commerce Walter Mocchi and the Italian musical theatre business in South America Matteo Paoletti |
| title_short | A huge revolution of theatrical commerce |
| title_sort | a huge revolution of theatrical commerce walter mocchi and the italian musical theatre business in south america |
| title_sub | Walter Mocchi and the Italian musical theatre business in South America |
| topic | Theater / South America / History / 20th century / European influences Theater / Italy / History / 20th century Opera / South America / History / 20th century / European influences Opera / Italy / History / 20th century |
| topic_facet | Theater / South America / History / 20th century / European influences Theater / Italy / History / 20th century Opera / South America / History / 20th century / European influences Opera / Italy / History / 20th century |
| url | https://doi.org/10.1017/9781108855990 |
| work_keys_str_mv | AT paolettimatteo ahugerevolutionoftheatricalcommercewaltermocchiandtheitalianmusicaltheatrebusinessinsouthamerica |