Punctuations: how the arts think the political
In Punctuations Michael J. Shapiro examines how punctuation—conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility—opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet,...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham ; London
Duke University Press
2019
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Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | In Punctuations Michael J. Shapiro examines how punctuation—conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility—opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization |
Beschreibung: | 1 Online-Ressource (213 Seiten) Illustrationen |
ISBN: | 9781478007265 |
DOI: | 10.1215/9781478007265 |
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520 | 3 | |a In Punctuations Michael J. Shapiro examines how punctuation—conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility—opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization | |
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Datensatz im Suchindex
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author | Shapiro, Michael J. 1940- |
author_GND | (DE-588)133152995 |
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author_role | aut |
author_sort | Shapiro, Michael J. 1940- |
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bvnumber | BV046855472 |
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dewey-raw | 418.2/3 |
dewey-search | 418.2/3 |
dewey-sort | 3418.2 13 |
dewey-tens | 410 - Linguistics |
discipline | Kunstgeschichte Sprachwissenschaft Politologie |
discipline_str_mv | Kunstgeschichte Sprachwissenschaft Politologie |
doi_str_mv | 10.1215/9781478007265 |
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illustrated | Not Illustrated |
index_date | 2024-07-03T15:11:10Z |
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institution | BVB |
isbn | 9781478007265 |
language | English |
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spelling | Shapiro, Michael J. 1940- Verfasser (DE-588)133152995 aut Punctuations how the arts think the political Michael J. Shapiro Durham ; London Duke University Press 2019 1 Online-Ressource (213 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier In Punctuations Michael J. Shapiro examines how punctuation—conceived not as a series of marks but as a metaphor for the ways in which artists engage with intelligibility—opens pathways for thinking through the possibilities for oppositional politics. Drawing on Theodor Adorno, Alain Robbe-Grillet, and Roland Barthes, Shapiro demonstrates how punctuation's capacity to create unexpected rhythmic pacing makes it an ideal tool for writers, musicians, filmmakers, and artists to challenge structures of power. In works ranging from film scores and jazz compositions to literature, architecture, and photography, Shapiro shows how the use of punctuation reveals the contestability of dominant narratives in ways that prompt readers, viewers, and listeners to reflect on their acceptance of those narratives. Such uses of punctuation, he theorizes, offer models for disrupting structures of authority, thereby fostering the creation of alternative communities of sense from which to base political mobilization Das Politische (DE-588)4136977-4 gnd rswk-swf Opposition (DE-588)4043649-4 gnd rswk-swf Kulturkritik (DE-588)4033572-0 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Politik Motiv (DE-588)4202544-8 gnd rswk-swf Zeichensetzung (DE-588)4079477-5 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Punctuation Punctuation / Philosophy Punctuation / Social aspects Punctuation / Political aspects Punctuation / In literature Punctuation / In art Künste (DE-588)4033422-3 s Das Politische (DE-588)4136977-4 s Opposition (DE-588)4043649-4 s Kulturkritik (DE-588)4033572-0 s DE-604 Zeichensetzung (DE-588)4079477-5 s Politik (DE-588)4046514-7 s Politik Motiv (DE-588)4202544-8 s Erscheint auch als Druck-Ausgabe, Hardcover 9781478005889 Erscheint auch als 9781478006565 Druck-Ausgabe, Paperback https://doi.org/10.1215/9781478007265 Resolving-System Lizenzpflichtig Volltext |
spellingShingle | Shapiro, Michael J. 1940- Punctuations how the arts think the political Das Politische (DE-588)4136977-4 gnd Opposition (DE-588)4043649-4 gnd Kulturkritik (DE-588)4033572-0 gnd Künste (DE-588)4033422-3 gnd Politik Motiv (DE-588)4202544-8 gnd Zeichensetzung (DE-588)4079477-5 gnd Politik (DE-588)4046514-7 gnd |
subject_GND | (DE-588)4136977-4 (DE-588)4043649-4 (DE-588)4033572-0 (DE-588)4033422-3 (DE-588)4202544-8 (DE-588)4079477-5 (DE-588)4046514-7 |
title | Punctuations how the arts think the political |
title_auth | Punctuations how the arts think the political |
title_exact_search | Punctuations how the arts think the political |
title_exact_search_txtP | Punctuations how the arts think the political |
title_full | Punctuations how the arts think the political Michael J. Shapiro |
title_fullStr | Punctuations how the arts think the political Michael J. Shapiro |
title_full_unstemmed | Punctuations how the arts think the political Michael J. Shapiro |
title_short | Punctuations |
title_sort | punctuations how the arts think the political |
title_sub | how the arts think the political |
topic | Das Politische (DE-588)4136977-4 gnd Opposition (DE-588)4043649-4 gnd Kulturkritik (DE-588)4033572-0 gnd Künste (DE-588)4033422-3 gnd Politik Motiv (DE-588)4202544-8 gnd Zeichensetzung (DE-588)4079477-5 gnd Politik (DE-588)4046514-7 gnd |
topic_facet | Das Politische Opposition Kulturkritik Künste Politik Motiv Zeichensetzung Politik |
url | https://doi.org/10.1215/9781478007265 |
work_keys_str_mv | AT shapiromichaelj punctuationshowtheartsthinkthepolitical |