Ėto bylo navsegda: 68/85
Это было навсегда
Saved in:
| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | Russian |
| Published: |
Moskva
Gosudarstvennaja Tretʹjakovskaja galereja
2020
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Abstract |
| Item Description: | Rückseite Titelblatt: Izdanie podgotovleno k vystavke "Nenavsegda. 1968-1985". Novaja Tretʹjakovka, Moskva, 10 aprelja - 16 avgusta 2020 |
| Physical Description: | 487 Seiten |
| ISBN: | 9785895802809 |
Staff View
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Record in the Search Index
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| adam_text | СОДЕРЖАНИЕ ПРИВЕТСТВЕННОЕ^СЛОВО З.И. ТРЕГУЛОВОИ 9 О ПРОЕКТЕ ш КУЛЬТУРА ЭПОХИ ЗАСТОЯ И ПРОБЛЕМЫ ПОСТМОДЕРНА * ИНТЕЛЛЕКТУАЛЫ ЗАСТОЯ: МЕЖДУ ОФИЦИАЛЬНЫМ^КОЛЛЕКТИВИЗМОМ И ВЫСТРАДАННОЙ ЭЛИТАРНОСТЬЮ и СЕМИДЕСЯТЫЕ 24 АннаФлорковская РЕЛИГИОЗНОЕ, МЕТАФИЗИЧЕСКОЕ, ИРРАЦИОНАЛЬНОЕ В НЕОФИЦИАЛЬНОМ СОВЕТСКОМ ИСКУССТВЕ ЭПОХИ ЗАСТОЯ 32 ГРАФИКА,, 1970-1980-Х. ОТ «ТИХОН» ГРАФИКИ К «ИГРЕ СИМВОЛАМИ» 38 ГЕНДЕРНЫЙ ВЗГЛЯД НА ЖЕНСКОЕ ИСКУССТВО ЭПОХИ ЗАСТОЯ 48 СООБЩЕСТВА ЗАСТОЯ СТЯГИВАНИЕ БЕРЕГОВ 62 НАДЗИРАТЬ И„ПОКАЗЫВАТЬ. КАК „ „СОВЕТСКИЙ МИЛИЦЕИСКИИ „ДЕТЕКТИВ^СТАЛ ДИДАКТИЧЕСКОЙ ПЬЕСОЙ СЕРВАНТИКИ ЗАСТОЯ: О КРАСОТЕ И ПОЛЬЗЕ СОВЕТСКОГО ВЕЩИЗМА 75 ВРЕМЯ НАДРЫВА. ЗАМЕТКИ О КУЛЬТУРЕ 1970-Х *, ГЕТЕРОХРОНИЯ: ЗАСТОИ И БЕСКОНЕЧНОСТЬ„НА ГРАНИЦЕ СОВЕТСКОЙ ИСТОРИИ Кирилл Светляков Сергей Алымов Александр Боровский Наталия Адаскина Беседа Юлии Воротынцевой с Людмилой Бредихиной Виктор Мизиано * Анастасия Курляндцева Илья Будрайтскис 70 Сергей Ушакин Игорь Гулин Алексей Юрчак 94
РИТУАЛ И ВЛАСТЬ *» СОЦ-АРТ 136 „ РЕЛИГИОЗНЫЙ МИСТИЦИЗМ 18о ДЕРЕВНЯ 208 ДЕТСТВО .34 СООБЩЕСТВА 258 ИСТОРИЯ И ОСТАНОВЛЕННОЕ ВРЕМЯ ИСЧЕЗНОВЕНИЕ 358 ХРОНИКА. 1968-1985 «о УКАЗАТЕЛЬ ИМЕН 468 ПРИНЯТЫЕ СОКРАЩЕНИЯ 473 SUMMARY 474 CATALOGUE 476 LIST OF ILLUSTRATIONS 485 ОБ АВТОРАХ 486
SUMMARY The edition is prepared for the exhibition NotForever. 1968-1985, dedicated to the Soviet epoch of the 1970-19805. The catalogue, as well as the large-scale research exhibition, is the second part of the trilogy dedicated to the Soviet art of the postwar period. In 2017 the State Tretyakov Gallery launched the Thaw pro ject, and it marked the beginning of the exhibition triptych. The period which followed the Thaw epoch in 1968 and ended in 1985 was retrospectively called the ‘era of stagnation’ and is the focus of the current exhibition and the catalogue. In contrast to the Thaw (State Tretyakov Gallery, 2017) project, where primary attention was given to the stylistic trends and general ideas of the epoch, the exhibition involves psycholog ical analysis of both individual and collective conscience con ducted on the material of works of art; moreover, for the first time ever the art of the era of stagnation is regarded in the con text of global postmodernism problematics. Both the exhibition and the album are composed of eight sec tions in which the phenomena of the officially approved art seem to be presented in such a way as if they are reflected in the dis torting mirror where they correlate to the phenomena of under ground and alternative culture such as Ritual and Power, Sots Art, Religious Mysticism, Countryside, Childhood, Communities, History and Suspended Time, Disappearance. The topic of each section is revealed in a wide range of different interpretations and ways to cheat the clock, i.e. to transcend the time frame. The name of the edition
prepared for the exhibition refers to the book of Russo-American anthropologist Alexei Yurchak ‘Everything Was Forever, Until It Was No More: The Last Soviet Generation’ (Princeton: Princeton University Press, 2006; Mos cow: New Literary Observer, 2014). It is dedicated to the period of the so-called Tate socialism’ and offers a new point of view on the development of the Soviet system and its end — predict able and unexpected at the same time. Research articles published in the edition are dedicated to paint ing, graphics, design and cinematography of the era of stag nation as well as to social events and political aspects of life in the Soviet Union. The catalogue includes over 400 works
of art, which are exposed at the exhibition. The annotations describe various aspects of art practices and give a chance to have a new look on the history of the Soviet art. The edition is supplemented with the detailed chronicle of the events which took place in the period between 1968 and 1985. The book is addressed both to specialists and wide audience of readers, who are interested in art culture and history of the second half of the 20th century.
|
| adam_txt |
СОДЕРЖАНИЕ ПРИВЕТСТВЕННОЕ^СЛОВО З.И. ТРЕГУЛОВОИ 9 О ПРОЕКТЕ ш КУЛЬТУРА ЭПОХИ ЗАСТОЯ И ПРОБЛЕМЫ ПОСТМОДЕРНА * ИНТЕЛЛЕКТУАЛЫ ЗАСТОЯ: МЕЖДУ ОФИЦИАЛЬНЫМ^КОЛЛЕКТИВИЗМОМ И ВЫСТРАДАННОЙ ЭЛИТАРНОСТЬЮ и СЕМИДЕСЯТЫЕ 24 АннаФлорковская РЕЛИГИОЗНОЕ, МЕТАФИЗИЧЕСКОЕ, ИРРАЦИОНАЛЬНОЕ В НЕОФИЦИАЛЬНОМ СОВЕТСКОМ ИСКУССТВЕ ЭПОХИ ЗАСТОЯ 32 ГРАФИКА,, 1970-1980-Х. ОТ «ТИХОН» ГРАФИКИ К «ИГРЕ СИМВОЛАМИ» 38 ГЕНДЕРНЫЙ ВЗГЛЯД НА ЖЕНСКОЕ ИСКУССТВО ЭПОХИ ЗАСТОЯ 48 СООБЩЕСТВА ЗАСТОЯ СТЯГИВАНИЕ БЕРЕГОВ 62 НАДЗИРАТЬ И„ПОКАЗЫВАТЬ. КАК „ „СОВЕТСКИЙ МИЛИЦЕИСКИИ „ДЕТЕКТИВ^СТАЛ ДИДАКТИЧЕСКОЙ ПЬЕСОЙ СЕРВАНТИКИ ЗАСТОЯ: О КРАСОТЕ И ПОЛЬЗЕ СОВЕТСКОГО ВЕЩИЗМА 75 ВРЕМЯ НАДРЫВА. ЗАМЕТКИ О КУЛЬТУРЕ 1970-Х *, ГЕТЕРОХРОНИЯ: ЗАСТОИ И БЕСКОНЕЧНОСТЬ„НА ГРАНИЦЕ СОВЕТСКОЙ ИСТОРИИ Кирилл Светляков Сергей Алымов Александр Боровский Наталия Адаскина Беседа Юлии Воротынцевой с Людмилой Бредихиной Виктор Мизиано * Анастасия Курляндцева Илья Будрайтскис 70 Сергей Ушакин Игорь Гулин Алексей Юрчак 94
РИТУАЛ И ВЛАСТЬ *» СОЦ-АРТ 136 „ РЕЛИГИОЗНЫЙ МИСТИЦИЗМ 18о ДЕРЕВНЯ 208 ДЕТСТВО .34 СООБЩЕСТВА 258 ИСТОРИЯ И ОСТАНОВЛЕННОЕ ВРЕМЯ ИСЧЕЗНОВЕНИЕ 358 ХРОНИКА. 1968-1985 «о УКАЗАТЕЛЬ ИМЕН 468 ПРИНЯТЫЕ СОКРАЩЕНИЯ 473 SUMMARY 474 CATALOGUE 476 LIST OF ILLUSTRATIONS 485 ОБ АВТОРАХ 486
SUMMARY The edition is prepared for the exhibition NotForever. 1968-1985, dedicated to the Soviet epoch of the 1970-19805. The catalogue, as well as the large-scale research exhibition, is the second part of the trilogy dedicated to the Soviet art of the postwar period. In 2017 the State Tretyakov Gallery launched the Thaw pro ject, and it marked the beginning of the exhibition triptych. The period which followed the Thaw epoch in 1968 and ended in 1985 was retrospectively called the ‘era of stagnation’ and is the focus of the current exhibition and the catalogue. In contrast to the Thaw (State Tretyakov Gallery, 2017) project, where primary attention was given to the stylistic trends and general ideas of the epoch, the exhibition involves psycholog ical analysis of both individual and collective conscience con ducted on the material of works of art; moreover, for the first time ever the art of the era of stagnation is regarded in the con text of global postmodernism problematics. Both the exhibition and the album are composed of eight sec tions in which the phenomena of the officially approved art seem to be presented in such a way as if they are reflected in the dis torting mirror where they correlate to the phenomena of under ground and alternative culture such as Ritual and Power, Sots Art, Religious Mysticism, Countryside, Childhood, Communities, History and Suspended Time, Disappearance. The topic of each section is revealed in a wide range of different interpretations and ways to cheat the clock, i.e. to transcend the time frame. The name of the edition
prepared for the exhibition refers to the book of Russo-American anthropologist Alexei Yurchak ‘Everything Was Forever, Until It Was No More: The Last Soviet Generation’ (Princeton: Princeton University Press, 2006; Mos cow: New Literary Observer, 2014). It is dedicated to the period of the so-called Tate socialism’ and offers a new point of view on the development of the Soviet system and its end — predict able and unexpected at the same time. Research articles published in the edition are dedicated to paint ing, graphics, design and cinematography of the era of stag nation as well as to social events and political aspects of life in the Soviet Union. The catalogue includes over 400 works
of art, which are exposed at the exhibition. The annotations describe various aspects of art practices and give a chance to have a new look on the history of the Soviet art. The edition is supplemented with the detailed chronicle of the events which took place in the period between 1968 and 1985. The book is addressed both to specialists and wide audience of readers, who are interested in art culture and history of the second half of the 20th century. |
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| genre | (DE-588)4135467-9 Ausstellungskatalog Gosudarstvennaja Tretʹjakovskaja galereja 10.04.2020-16.08.2020 Moskva gnd-content (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Ausstellungskatalog Gosudarstvennaja Tretʹjakovskaja galereja 10.04.2020-16.08.2020 Moskva Bildband |
| geographic | Sowjetunion (DE-588)4077548-3 gnd |
| geographic_facet | Sowjetunion |
| id | DE-604.BV046854108 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:10:48Z |
| indexdate | 2024-07-10T08:55:39Z |
| institution | BVB |
| institution_GND | (DE-588)1035329-X |
| isbn | 9785895802809 |
| language | Russian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032262876 |
| oclc_num | 1199067651 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-188 DE-12 DE-255 |
| owner_facet | DE-19 DE-BY-UBM DE-188 DE-12 DE-255 |
| physical | 487 Seiten |
| psigel | BSB_NED_20210315 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Gosudarstvennaja Tretʹjakovskaja galereja |
| record_format | marc |
| spelling | 880-03 Ėto bylo navsegda 68/85 avtory statej: Natalija Adaskina, Sergej Alymov, Aleksandr Borovskij, Ilʹja Budrajtskis, Igorʹ Gulin, Anastasija Kurljandceva, Viktor Miziano, Kirill Svetljakov, Sergej Ušakin, Anna Florkovskaja, Aleksej Jurčak ; otvetstvennyj redaktor: Tatʹjana Karpova ; naučnyj redaktor: Kirill Svetljakov Nenavsegda : 1968-1985 880-04 Moskva Gosudarstvennaja Tretʹjakovskaja galereja 2020 487 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier Rückseite Titelblatt: Izdanie podgotovleno k vystavke "Nenavsegda. 1968-1985". Novaja Tretʹjakovka, Moskva, 10 aprelja - 16 avgusta 2020 Text russisch Kyrillisch Geschichte 1968-1985 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Gosudarstvennaja Tretʹjakovskaja galereja 10.04.2020-16.08.2020 Moskva gnd-content (DE-588)4145395-5 Bildband gnd-content Sowjetunion (DE-588)4077548-3 g Kunst (DE-588)4114333-4 s Geschichte 1968-1985 z DE-604 880-01 Karpova, Tatʹjana Lʹvovna 1960- (DE-588)105612301X edt 880-02 Adaskina, Natalija Lʹvovna 1940- Sonstige (DE-588)113986416 oth Gosudarstvennaja Tretʹjakovskaja galereja (DE-588)1035329-X isb Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032262876&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 25 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032262876&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract 700-01/(N Карпова, Татьяна Львовна edt 700-02/(N Адаскина, Наталʹя Л. th 245-03/(N Это было навсегда авторы статей: Наталия Адаскина ; ответственный редактор: Татьяна Карпова 264-04/(N Москва Государственная Третьяковская галерея 2020 |
| spellingShingle | Ėto bylo navsegda 68/85 Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4077548-3 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Ėto bylo navsegda 68/85 |
| title_alt | Nenavsegda : 1968-1985 |
| title_auth | Ėto bylo navsegda 68/85 |
| title_exact_search | Ėto bylo navsegda 68/85 |
| title_exact_search_txtP | Ėto bylo navsegda 68/85 |
| title_full | Ėto bylo navsegda 68/85 avtory statej: Natalija Adaskina, Sergej Alymov, Aleksandr Borovskij, Ilʹja Budrajtskis, Igorʹ Gulin, Anastasija Kurljandceva, Viktor Miziano, Kirill Svetljakov, Sergej Ušakin, Anna Florkovskaja, Aleksej Jurčak ; otvetstvennyj redaktor: Tatʹjana Karpova ; naučnyj redaktor: Kirill Svetljakov |
| title_fullStr | Ėto bylo navsegda 68/85 avtory statej: Natalija Adaskina, Sergej Alymov, Aleksandr Borovskij, Ilʹja Budrajtskis, Igorʹ Gulin, Anastasija Kurljandceva, Viktor Miziano, Kirill Svetljakov, Sergej Ušakin, Anna Florkovskaja, Aleksej Jurčak ; otvetstvennyj redaktor: Tatʹjana Karpova ; naučnyj redaktor: Kirill Svetljakov |
| title_full_unstemmed | Ėto bylo navsegda 68/85 avtory statej: Natalija Adaskina, Sergej Alymov, Aleksandr Borovskij, Ilʹja Budrajtskis, Igorʹ Gulin, Anastasija Kurljandceva, Viktor Miziano, Kirill Svetljakov, Sergej Ušakin, Anna Florkovskaja, Aleksej Jurčak ; otvetstvennyj redaktor: Tatʹjana Karpova ; naučnyj redaktor: Kirill Svetljakov |
| title_short | Ėto bylo navsegda |
| title_sort | eto bylo navsegda 68 85 |
| title_sub | 68/85 |
| topic | Kunst (DE-588)4114333-4 gnd |
| topic_facet | Kunst Sowjetunion Ausstellungskatalog Gosudarstvennaja Tretʹjakovskaja galereja 10.04.2020-16.08.2020 Moskva Bildband |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032262876&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032262876&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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