Made in Germany: studies in popular music
"Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germa...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2021
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| Schriftenreihe: | Routledge global popular music series
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| Schlagworte: | |
| Online-Zugang: | rezensiert in: sehepunkte 22 (2022), Nr. 2 Inhaltsverzeichnis |
| Zusammenfassung: | "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"-- |
| Beschreibung: | xii, 236 Seiten Illustrationen |
| ISBN: | 9780815391784 9780815391777 |
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Datensatz im Suchindex
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| adam_text | Contents Notes on Contributors viii Introduction: DEUTSCHLAND! - Echt jetzt?: German Popular Music’s Complicated Relationship with German Identity 1 OLIVER SEIBT, MARTIN RINGSMUT, AND DAVID-EMIL WICKSTRÖM Rocking the Academy? Two Cold-War Careers and the Emergence of Popular Music Studies and Higher Popular Music Education in Germany: An Interview with Peter Wicke and Udo Dahmen 16 DAVID-EMIL WICKSTRÖM Part I: Historical Spotlights 27 1 Transnational Networks and Intermediai Interfaces in German Popular Music, 1900-1939 29 CAROLIN STAHRENBERG 2 Nazis and Quiet Sounds: Popular Music, Simulated Normality, and Cultural Niches in the Terror Regime, 1933-1945 39 JENS GERRIT PAPENBURG 3 Conflicting Identities: The Meaning and Significance of Popular Music in the GDR 48 MICHAEL RAUHUT 4 “Party on the Death Strip”: Reflections on a Historical Turning Point 58 SUSANNE BINAS-PREISENDÖRFER Partii: Globally German 69 5 The Krauts Are Coming: Electronic Music and Rock in the 1970s ULRICH ADELT v 71
vi · Contents 6 German Metal Attack: Power Metal in and from Germany 81 JAN-PETER HERBST 7 German Longings: A Dialogue about the Promises and Dangers of National Stereotypes 90 MELANIE SCHILLER AND JEROEN DE KLOET Part III: Also “Made in Germany” 8 Peepl Rock: Post-Soviet Popular Music in Germany 99 101 DAVID-EMIL WICKSTRÖM 9 Made in Almanya: The Birth of Turkish Rap 111 THOMAS SOLOMON 10 G.I. Blues and German Schlager. The Politics of Popular Music in Germany during the Cold War 122 BODO MROZEK Part IV: Explicitly German 133 11 Neue Deutsche Welle: Tactical Affirmation as a Strategy of Subversion 135 BARBARA HORNBERGER 12 “One Day You Will Wish Wed Only Played Music”: Some Remarks on Recent Developments of Germany’s RechtsRock Scene 145 THORSTEN HINDRICHS 13 Hallo Blumenau, bom dia Brasil! German Music beyond Germany 154 JULIO MENDÍVIL Part V: Reluctantly German 163 14 “Meine Lieder sind anders”: Hildegard Knef and the Idea(l) of German Chanson 165 RENÉ MICHAELSEN 15 How Munich and Frankfurt Brought (Electronic) Dance Music to the Top of the International Charts with Eurodisco and Eurodance ֊ and Why Germany Was Not Involved 175 HEIKO WANDLER 16 Japonisme 2.0: German Visual-Кеі Fans, Tokio Hotel, and the Popular Music Genre That Must Not Exist OLIVER SEIBT 184
Contents · vii Coda 195 17 The Germaican Connection: German Reggae Abroad 197 MARTIN RINGSMUT Standing up against Discrimination and Exclusion: An Interview with Kutlu Yurtseven (Microphone Mafia) 207 MONIKA E. SCHOOP Further Reading Index 216 223
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Contents Notes on Contributors viii Introduction: DEUTSCHLAND! - Echt jetzt?: German Popular Music’s Complicated Relationship with German Identity 1 OLIVER SEIBT, MARTIN RINGSMUT, AND DAVID-EMIL WICKSTRÖM Rocking the Academy? Two Cold-War Careers and the Emergence of Popular Music Studies and Higher Popular Music Education in Germany: An Interview with Peter Wicke and Udo Dahmen 16 DAVID-EMIL WICKSTRÖM Part I: Historical Spotlights 27 1 Transnational Networks and Intermediai Interfaces in German Popular Music, 1900-1939 29 CAROLIN STAHRENBERG 2 Nazis and Quiet Sounds: Popular Music, Simulated Normality, and Cultural Niches in the Terror Regime, 1933-1945 39 JENS GERRIT PAPENBURG 3 Conflicting Identities: The Meaning and Significance of Popular Music in the GDR 48 MICHAEL RAUHUT 4 “Party on the Death Strip”: Reflections on a Historical Turning Point 58 SUSANNE BINAS-PREISENDÖRFER Partii: Globally German 69 5 The Krauts Are Coming: Electronic Music and Rock in the 1970s ULRICH ADELT v 71
vi · Contents 6 German Metal Attack: Power Metal in and from Germany 81 JAN-PETER HERBST 7 German Longings: A Dialogue about the Promises and Dangers of National Stereotypes 90 MELANIE SCHILLER AND JEROEN DE KLOET Part III: Also “Made in Germany” 8 Peepl Rock: Post-Soviet Popular Music in Germany 99 101 DAVID-EMIL WICKSTRÖM 9 Made in Almanya: The Birth of Turkish Rap 111 THOMAS SOLOMON 10 G.I. Blues and German Schlager. The Politics of Popular Music in Germany during the Cold War 122 BODO MROZEK Part IV: Explicitly German 133 11 Neue Deutsche Welle: Tactical Affirmation as a Strategy of Subversion 135 BARBARA HORNBERGER 12 “One Day You Will Wish Wed Only Played Music”: Some Remarks on Recent Developments of Germany’s RechtsRock Scene 145 THORSTEN HINDRICHS 13 Hallo Blumenau, bom dia Brasil! German Music beyond Germany 154 JULIO MENDÍVIL Part V: Reluctantly German 163 14 “Meine Lieder sind anders”: Hildegard Knef and the Idea(l) of German Chanson 165 RENÉ MICHAELSEN 15 How Munich and Frankfurt Brought (Electronic) Dance Music to the Top of the International Charts with Eurodisco and Eurodance ֊ and Why Germany Was Not Involved 175 HEIKO WANDLER 16 Japonisme 2.0: German Visual-Кеі Fans, Tokio Hotel, and the Popular Music Genre That Must Not Exist OLIVER SEIBT 184
Contents · vii Coda 195 17 The Germaican Connection: German Reggae Abroad 197 MARTIN RINGSMUT Standing up against Discrimination and Exclusion: An Interview with Kutlu Yurtseven (Microphone Mafia) 207 MONIKA E. SCHOOP Further Reading Index 216 223 |
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| spelling | Made in Germany studies in popular music edited by Oliver Seibt, Martin Ringsmut, and David-Emil Wickström New York ; London Routledge, Taylor & Francis Group 2021 xii, 236 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge global popular music series "Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German"-- Geschichte gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Popular music / Germany / History and criticism Popular music / Social aspects / Germany / History Popular music / Political aspects / Germany / History Popular music Popular music / Political aspects Popular music / Social aspects Germany Criticism, interpretation, etc History (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutschland (DE-588)4011882-4 g Unterhaltungsmusik (DE-588)4061916-3 s Geschichte z DE-604 Seibt, Oliver (DE-588)1048463087 edt Ringsmut, Martin (DE-588)1223723313 edt Wickström, David-Emil 1978- (DE-588)1011645785 edt Erscheint auch als Online-Ausgabe, ebk. 978-1-351-20079-0 http://www.sehepunkte.de/2022/02/35987.html rezensiert in: sehepunkte 22 (2022), Nr. 2 Rezension Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032261550&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title_full | Made in Germany studies in popular music edited by Oliver Seibt, Martin Ringsmut, and David-Emil Wickström |
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