Subversive Spanish cinema: the politics of performance
"A camp lipsynched routine by three air stewards distracts unsuspecting passengers from the fact that their plane is to make a crash landing. Performance functions as a diversion from unsavoury realities. In this way, Pedro Almodóvar's 2013 film I'm So Excited adopts a strategy of su...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Bloomsbury Academic
2020
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-355 DE-703 URL des Erstveröffentlichers |
| Zusammenfassung: | "A camp lipsynched routine by three air stewards distracts unsuspecting passengers from the fact that their plane is to make a crash landing. Performance functions as a diversion from unsavoury realities. In this way, Pedro Almodóvar's 2013 film I'm So Excited adopts a strategy of subversive anti-establishment censor-evading filmmaking practices under Franco. Contemporary cinematic performance in Spain intersects with politics to provide a platform for views and voices that do not conform to the dominant political narrative. An essential text for scholars, students and aficionados of Spanish cinema, Subversive Spanish Cinema: The Politics of Performance is the first single-authored monograph to focus on performance in this context. The book analyses interactions between performance and politics in technical and conceptual terms considering, for example, performance styles, the narrative role of performance and political interventions by actors such as Javier Bardem and Juan Diego Botto. Ultimately, Subversive Spanish Cinema: The Politics of Performance posits performance, within the specific context of contemporary Spanish cinema, as a politically-potent device and proposes that it is precisely for this reason that the arts have borne the brunt of aggressive austerity measures enforced by Spain's conservative government in recent years." |
| Beschreibung: | 1 Online-Ressource (xii, 223 Seiten) |
| ISBN: | 9781350152458 9781350152472 9781350152465 |
| DOI: | 10.5040/9781350152458 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046852177 | ||
| 003 | DE-604 | ||
| 005 | 20211006 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 200813s2020 |||| o||u| ||||||eng d | ||
| 020 | |a 9781350152458 |c Online |9 978-1-3501-5245-8 | ||
| 020 | |a 9781350152472 |c PDF |9 978-1-3501-5247-2 | ||
| 020 | |a 9781350152465 |c EPUB |9 978-1-3501-5246-5 | ||
| 024 | 7 | |a 10.5040/9781350152458 |2 doi | |
| 035 | |a (ZDB-162-BFM)9781350152458 | ||
| 035 | |a (OCoLC)1193284374 | ||
| 035 | |a (DE-599)BVBBV046852177 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-703 |a DE-355 |a DE-11 |a DE-Po75 | ||
| 082 | 0 | |a 791.430946/0904 | |
| 084 | |a MD 8480 |0 (DE-625)122560: |2 rvk | ||
| 084 | |a AP 44937 |0 (DE-625)7516:696 |2 rvk | ||
| 100 | 1 | |a Noble, Fiona |d 1985- |e Verfasser |0 (DE-588)1102537233 |4 aut | |
| 245 | 1 | 0 | |a Subversive Spanish cinema |b the politics of performance |c Fiona Noble |
| 264 | 1 | |a London ; New York |b Bloomsbury Academic |c 2020 | |
| 300 | |a 1 Online-Ressource (xii, 223 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 505 | 8 | |a Performing pastness -- Performing identities -- Metaperformances -- Performance as catharsis and therapy | |
| 520 | |a "A camp lipsynched routine by three air stewards distracts unsuspecting passengers from the fact that their plane is to make a crash landing. Performance functions as a diversion from unsavoury realities. In this way, Pedro Almodóvar's 2013 film I'm So Excited adopts a strategy of subversive anti-establishment censor-evading filmmaking practices under Franco. Contemporary cinematic performance in Spain intersects with politics to provide a platform for views and voices that do not conform to the dominant political narrative. An essential text for scholars, students and aficionados of Spanish cinema, Subversive Spanish Cinema: The Politics of Performance is the first single-authored monograph to focus on performance in this context. The book analyses interactions between performance and politics in technical and conceptual terms considering, for example, performance styles, the narrative role of performance and political interventions by actors such as Javier Bardem and Juan Diego Botto. Ultimately, Subversive Spanish Cinema: The Politics of Performance posits performance, within the specific context of contemporary Spanish cinema, as a politically-potent device and proposes that it is precisely for this reason that the arts have borne the brunt of aggressive austerity measures enforced by Spain's conservative government in recent years." | ||
| 650 | 4 | |a Films, cinema / bicssc | |
| 650 | 4 | |a Motion pictures / Spain / History / 20th century | |
| 650 | 4 | |a Motion pictures / Political aspects / Spain / History / 20th century | |
| 650 | 4 | |a Motion picture acting | |
| 650 | 4 | |a Government, Resistance to / Spain / History / 20th century | |
| 650 | 0 | 7 | |a Subversion |g Motiv |0 (DE-588)4305587-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Performance |g Künste |0 (DE-588)4173750-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Spanien |0 (DE-588)4055964-6 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Spanien |0 (DE-588)4055964-6 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Subversion |g Motiv |0 (DE-588)4305587-4 |D s |
| 689 | 0 | 3 | |a Performance |g Künste |0 (DE-588)4173750-7 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-7883-1009-3 |
| 856 | 4 | 0 | |u https://doi.org/10.5040/9781350152458 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-162-BFM | ||
| 940 | 1 | |q ZDB-162-BFM20 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032260979 | |
| 966 | e | |u https://doi.org/10.5040/9781350152458 |l DE-12 |p ZDB-162-BFM |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.5040/9781350152458 |l DE-355 |p ZDB-162-BFM |q UBR Paketkauf 2020 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.5040/9781350152458 |l DE-703 |p ZDB-162-BFM |q ZDB-162-BFM20 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1808865866016620544 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Noble, Fiona 1985- |
| author_GND | (DE-588)1102537233 |
| author_facet | Noble, Fiona 1985- |
| author_role | aut |
| author_sort | Noble, Fiona 1985- |
| author_variant | f n fn |
| building | Verbundindex |
| bvnumber | BV046852177 |
| classification_rvk | MD 8480 AP 44937 |
| collection | ZDB-162-BFM |
| contents | Performing pastness -- Performing identities -- Metaperformances -- Performance as catharsis and therapy |
| ctrlnum | (ZDB-162-BFM)9781350152458 (OCoLC)1193284374 (DE-599)BVBBV046852177 |
| dewey-full | 791.430946/0904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430946/0904 |
| dewey-search | 791.430946/0904 |
| dewey-sort | 3791.430946 3904 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Politologie |
| discipline_str_mv | Allgemeines Politologie |
| doi_str_mv | 10.5040/9781350152458 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000 c 4500</leader><controlfield tag="001">BV046852177</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20211006</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200813s2020 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350152458</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-3501-5245-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350152472</subfield><subfield code="c">PDF</subfield><subfield code="9">978-1-3501-5247-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781350152465</subfield><subfield code="c">EPUB</subfield><subfield code="9">978-1-3501-5246-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9781350152458</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-162-BFM)9781350152458</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1193284374</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046852177</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.430946/0904</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MD 8480</subfield><subfield code="0">(DE-625)122560:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 44937</subfield><subfield code="0">(DE-625)7516:696</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Noble, Fiona</subfield><subfield code="d">1985-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1102537233</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Subversive Spanish cinema</subfield><subfield code="b">the politics of performance</subfield><subfield code="c">Fiona Noble</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xii, 223 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Performing pastness -- Performing identities -- Metaperformances -- Performance as catharsis and therapy</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"A camp lipsynched routine by three air stewards distracts unsuspecting passengers from the fact that their plane is to make a crash landing. Performance functions as a diversion from unsavoury realities. In this way, Pedro Almodóvar's 2013 film I'm So Excited adopts a strategy of subversive anti-establishment censor-evading filmmaking practices under Franco. Contemporary cinematic performance in Spain intersects with politics to provide a platform for views and voices that do not conform to the dominant political narrative. An essential text for scholars, students and aficionados of Spanish cinema, Subversive Spanish Cinema: The Politics of Performance is the first single-authored monograph to focus on performance in this context. The book analyses interactions between performance and politics in technical and conceptual terms considering, for example, performance styles, the narrative role of performance and political interventions by actors such as Javier Bardem and Juan Diego Botto. Ultimately, Subversive Spanish Cinema: The Politics of Performance posits performance, within the specific context of contemporary Spanish cinema, as a politically-potent device and proposes that it is precisely for this reason that the arts have borne the brunt of aggressive austerity measures enforced by Spain's conservative government in recent years."</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Films, cinema / bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Spain / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Political aspects / Spain / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture acting</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Government, Resistance to / Spain / History / 20th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Subversion</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4305587-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Spanien</subfield><subfield code="0">(DE-588)4055964-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Spanien</subfield><subfield code="0">(DE-588)4055964-6</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Subversion</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4305587-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Performance</subfield><subfield code="g">Künste</subfield><subfield code="0">(DE-588)4173750-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-7883-1009-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5040/9781350152458</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-BFM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-162-BFM20</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032260979</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781350152458</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781350152458</subfield><subfield code="l">DE-355</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">UBR Paketkauf 2020</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9781350152458</subfield><subfield code="l">DE-703</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM20</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Spanien (DE-588)4055964-6 gnd |
| geographic_facet | Spanien |
| id | DE-604.BV046852177 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:10:20Z |
| indexdate | 2024-08-31T01:48:38Z |
| institution | BVB |
| isbn | 9781350152458 9781350152472 9781350152465 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032260979 |
| oclc_num | 1193284374 |
| open_access_boolean | |
| owner | DE-12 DE-703 DE-355 DE-BY-UBR DE-11 DE-Po75 |
| owner_facet | DE-12 DE-703 DE-355 DE-BY-UBR DE-11 DE-Po75 |
| physical | 1 Online-Ressource (xii, 223 Seiten) |
| psigel | ZDB-162-BFM ZDB-162-BFM20 ZDB-162-BFM UBR Paketkauf 2020 ZDB-162-BFM ZDB-162-BFM20 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Noble, Fiona 1985- Verfasser (DE-588)1102537233 aut Subversive Spanish cinema the politics of performance Fiona Noble London ; New York Bloomsbury Academic 2020 1 Online-Ressource (xii, 223 Seiten) txt rdacontent c rdamedia cr rdacarrier Performing pastness -- Performing identities -- Metaperformances -- Performance as catharsis and therapy "A camp lipsynched routine by three air stewards distracts unsuspecting passengers from the fact that their plane is to make a crash landing. Performance functions as a diversion from unsavoury realities. In this way, Pedro Almodóvar's 2013 film I'm So Excited adopts a strategy of subversive anti-establishment censor-evading filmmaking practices under Franco. Contemporary cinematic performance in Spain intersects with politics to provide a platform for views and voices that do not conform to the dominant political narrative. An essential text for scholars, students and aficionados of Spanish cinema, Subversive Spanish Cinema: The Politics of Performance is the first single-authored monograph to focus on performance in this context. The book analyses interactions between performance and politics in technical and conceptual terms considering, for example, performance styles, the narrative role of performance and political interventions by actors such as Javier Bardem and Juan Diego Botto. Ultimately, Subversive Spanish Cinema: The Politics of Performance posits performance, within the specific context of contemporary Spanish cinema, as a politically-potent device and proposes that it is precisely for this reason that the arts have borne the brunt of aggressive austerity measures enforced by Spain's conservative government in recent years." Films, cinema / bicssc Motion pictures / Spain / History / 20th century Motion pictures / Political aspects / Spain / History / 20th century Motion picture acting Government, Resistance to / Spain / History / 20th century Subversion Motiv (DE-588)4305587-4 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf Spanien (DE-588)4055964-6 g Film (DE-588)4017102-4 s Subversion Motiv (DE-588)4305587-4 s Performance Künste (DE-588)4173750-7 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-7883-1009-3 https://doi.org/10.5040/9781350152458 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Noble, Fiona 1985- Subversive Spanish cinema the politics of performance Performing pastness -- Performing identities -- Metaperformances -- Performance as catharsis and therapy Films, cinema / bicssc Motion pictures / Spain / History / 20th century Motion pictures / Political aspects / Spain / History / 20th century Motion picture acting Government, Resistance to / Spain / History / 20th century Subversion Motiv (DE-588)4305587-4 gnd Performance Künste (DE-588)4173750-7 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4305587-4 (DE-588)4173750-7 (DE-588)4017102-4 (DE-588)4055964-6 |
| title | Subversive Spanish cinema the politics of performance |
| title_auth | Subversive Spanish cinema the politics of performance |
| title_exact_search | Subversive Spanish cinema the politics of performance |
| title_exact_search_txtP | Subversive Spanish cinema the politics of performance |
| title_full | Subversive Spanish cinema the politics of performance Fiona Noble |
| title_fullStr | Subversive Spanish cinema the politics of performance Fiona Noble |
| title_full_unstemmed | Subversive Spanish cinema the politics of performance Fiona Noble |
| title_short | Subversive Spanish cinema |
| title_sort | subversive spanish cinema the politics of performance |
| title_sub | the politics of performance |
| topic | Films, cinema / bicssc Motion pictures / Spain / History / 20th century Motion pictures / Political aspects / Spain / History / 20th century Motion picture acting Government, Resistance to / Spain / History / 20th century Subversion Motiv (DE-588)4305587-4 gnd Performance Künste (DE-588)4173750-7 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Films, cinema / bicssc Motion pictures / Spain / History / 20th century Motion pictures / Political aspects / Spain / History / 20th century Motion picture acting Government, Resistance to / Spain / History / 20th century Subversion Motiv Performance Künste Film Spanien |
| url | https://doi.org/10.5040/9781350152458 |
| work_keys_str_mv | AT noblefiona subversivespanishcinemathepoliticsofperformance |