What Was Shakespeare?: Renaissance Plays and Changing Critical Practice
What was Shakespeare? For Edward Pechter, the question does not concern the time-worn mystery of identity—whether the Bard was the glover's son from Stratford or the Earl of Oxford or any of the other pretenders. Instead, Pechter examines how our talk about the plays of Shakespeare and his cont...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-859 DE-860 DE-739 DE-473 DE-858 URL des Erstveröffentlichers |
| Zusammenfassung: | What was Shakespeare? For Edward Pechter, the question does not concern the time-worn mystery of identity—whether the Bard was the glover's son from Stratford or the Earl of Oxford or any of the other pretenders. Instead, Pechter examines how our talk about the plays of Shakespeare and his contemporaries has changed since the 1960s. Viewing today's critical scene with affectionate humor and dauntless penetration, Pechter assesses the problems, the disagreements, the disruptions, and the continuities that have accompanied the reign of poststructuralism |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (216 pages) |
| ISBN: | 9781501738883 |
| DOI: | 10.7591/9781501738883 |
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| spelling | Pechter, Edward Verfasser aut What Was Shakespeare? Renaissance Plays and Changing Critical Practice Edward Pechter Ithaca, NY Cornell University Press [2019] © 1995 1 online resource (216 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) What was Shakespeare? For Edward Pechter, the question does not concern the time-worn mystery of identity—whether the Bard was the glover's son from Stratford or the Earl of Oxford or any of the other pretenders. Instead, Pechter examines how our talk about the plays of Shakespeare and his contemporaries has changed since the 1960s. Viewing today's critical scene with affectionate humor and dauntless penetration, Pechter assesses the problems, the disagreements, the disruptions, and the continuities that have accompanied the reign of poststructuralism In English Medieval & Renaissance Studies Performing Arts & Drama LITERARY CRITICISM / Shakespeare bisacsh https://doi.org/10.7591/9781501738883 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Pechter, Edward What Was Shakespeare? Renaissance Plays and Changing Critical Practice Medieval & Renaissance Studies Performing Arts & Drama LITERARY CRITICISM / Shakespeare bisacsh |
| title | What Was Shakespeare? Renaissance Plays and Changing Critical Practice |
| title_auth | What Was Shakespeare? Renaissance Plays and Changing Critical Practice |
| title_exact_search | What Was Shakespeare? Renaissance Plays and Changing Critical Practice |
| title_exact_search_txtP | What Was Shakespeare? Renaissance Plays and Changing Critical Practice |
| title_full | What Was Shakespeare? Renaissance Plays and Changing Critical Practice Edward Pechter |
| title_fullStr | What Was Shakespeare? Renaissance Plays and Changing Critical Practice Edward Pechter |
| title_full_unstemmed | What Was Shakespeare? Renaissance Plays and Changing Critical Practice Edward Pechter |
| title_short | What Was Shakespeare? |
| title_sort | what was shakespeare renaissance plays and changing critical practice |
| title_sub | Renaissance Plays and Changing Critical Practice |
| topic | Medieval & Renaissance Studies Performing Arts & Drama LITERARY CRITICISM / Shakespeare bisacsh |
| topic_facet | Medieval & Renaissance Studies Performing Arts & Drama LITERARY CRITICISM / Shakespeare |
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