The Performance of Conviction: Plainness and Rhetoric in the Early English Renaissance
Belief or skepticism, obedience or resistance to authority, theatricality or stoic self-possession—Kenneth J. E. Graham explores these alternatives in the culture of early modern England. Focusing on plainness—a stylistic feature of much Renaissance writing-he surveys texts including Wyatt's an...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2019]
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Schriftenreihe: | Rhetoric and Society
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Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 Volltext |
Zusammenfassung: | Belief or skepticism, obedience or resistance to authority, theatricality or stoic self-possession—Kenneth J. E. Graham explores these alternatives in the culture of early modern England. Focusing on plainness—a stylistic feature of much Renaissance writing-he surveys texts including Wyatt's anti-courtly verse, the Puritan Admonition to Parliament, Ascham's Scholemaster, Greville's non-dramatic writings, and works of Shakespearean tragedy, revenge tragedy, and verse satire. Graham shows how plainness functions not only as a literary style, but also as a mode of political and religious rhetoric that reflects powerful historical currents.Plainness is a result of the claim to possess the plain truth-a self-evident, absolute truth. In the absence of rhetorical criteria for truth, however, plainness registers a conviction that is plain to those who share it but opaque to those who don't. The plain truth can denote either the truth proclaimed and enforced by a public authority, whether liberal or conservative, or the truth of private conviction. According to Graham, the pervasive ness of plainness in the sixteenth and early seventeenth centuries is evidence of a failure of consensus. The rhetoric of plainness, he asserts, reveals a profound opposition between the attitude of persuasion, a moderately skeptical and inclusive outlook characteristic of Erasmian humanism, and a stance of conviction, an absolutist and exclusive attitude more typical of Neostoicism and political and moral conservatism |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
Beschreibung: | 1 online resource (240 pages) |
ISBN: | 9781501738616 |
DOI: | 10.7591/9781501738616 |
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spelling | Graham, Kenneth J. E. Verfasser aut The Performance of Conviction Plainness and Rhetoric in the Early English Renaissance Kenneth J. E. Graham Ithaca, NY Cornell University Press [2019] © 1994 1 online resource (240 pages) txt rdacontent c rdamedia cr rdacarrier Rhetoric and Society Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) Belief or skepticism, obedience or resistance to authority, theatricality or stoic self-possession—Kenneth J. E. Graham explores these alternatives in the culture of early modern England. Focusing on plainness—a stylistic feature of much Renaissance writing-he surveys texts including Wyatt's anti-courtly verse, the Puritan Admonition to Parliament, Ascham's Scholemaster, Greville's non-dramatic writings, and works of Shakespearean tragedy, revenge tragedy, and verse satire. Graham shows how plainness functions not only as a literary style, but also as a mode of political and religious rhetoric that reflects powerful historical currents.Plainness is a result of the claim to possess the plain truth-a self-evident, absolute truth. In the absence of rhetorical criteria for truth, however, plainness registers a conviction that is plain to those who share it but opaque to those who don't. The plain truth can denote either the truth proclaimed and enforced by a public authority, whether liberal or conservative, or the truth of private conviction. According to Graham, the pervasive ness of plainness in the sixteenth and early seventeenth centuries is evidence of a failure of consensus. The rhetoric of plainness, he asserts, reveals a profound opposition between the attitude of persuasion, a moderately skeptical and inclusive outlook characteristic of Erasmian humanism, and a stance of conviction, an absolutist and exclusive attitude more typical of Neostoicism and political and moral conservatism In English LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh https://doi.org/10.7591/9781501738616 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Graham, Kenneth J. E. The Performance of Conviction Plainness and Rhetoric in the Early English Renaissance LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh |
title | The Performance of Conviction Plainness and Rhetoric in the Early English Renaissance |
title_auth | The Performance of Conviction Plainness and Rhetoric in the Early English Renaissance |
title_exact_search | The Performance of Conviction Plainness and Rhetoric in the Early English Renaissance |
title_exact_search_txtP | The Performance of Conviction Plainness and Rhetoric in the Early English Renaissance |
title_full | The Performance of Conviction Plainness and Rhetoric in the Early English Renaissance Kenneth J. E. Graham |
title_fullStr | The Performance of Conviction Plainness and Rhetoric in the Early English Renaissance Kenneth J. E. Graham |
title_full_unstemmed | The Performance of Conviction Plainness and Rhetoric in the Early English Renaissance Kenneth J. E. Graham |
title_short | The Performance of Conviction |
title_sort | the performance of conviction plainness and rhetoric in the early english renaissance |
title_sub | Plainness and Rhetoric in the Early English Renaissance |
topic | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh |
topic_facet | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh |
url | https://doi.org/10.7591/9781501738616 |
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