Romantic Theatricality: Gender, Poetry, and Spectatorship
In a significant reinterpretation of early Romanticism, Judith Pascoe shows how English literary culture in the 1790s came to be shaped by the theater and by the public's fascination with theater. Pascoe focuses on a number of intriguing historical occurrences of the late eighteenth and early n...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 Volltext |
| Zusammenfassung: | In a significant reinterpretation of early Romanticism, Judith Pascoe shows how English literary culture in the 1790s came to be shaped by the theater and by the public's fascination with theater. Pascoe focuses on a number of intriguing historical occurrences of the late eighteenth and early nineteenth centuries, emphasizing how writers in all areas of public life relied upon theatrical modes of self-representation. Pascoe adduces as evidence the theatrical posturing of the Della Cruscan poets, the staginess of the Marie Antoinette depicted in women's poetry, and the histrionic maneuverings of participants in the 1794 treason trials. Such public events as the treason trials also linked the newly powerful role of female theatrical spectator to that of political spectator. New forms of self representation and dramatization arose from that synthesis.In their uniting of theatrical and literary realms, Pascoe maintains, women writers were inspired by the most famous actress of the era, Sarah Siddons. Siddons's shrewd deployment of her private life in the construction of her public persona serves as a model for such disparate poets as Charlotte Smith and Mary Robinson |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (272 pages) 23 halftones |
| ISBN: | 9781501737428 |
| DOI: | 10.7591/9781501737428 |
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| spelling | Pascoe, Judith Verfasser aut Romantic Theatricality Gender, Poetry, and Spectatorship Judith Pascoe Ithaca, NY Cornell University Press [2019] © 1997 1 online resource (272 pages) 23 halftones txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) In a significant reinterpretation of early Romanticism, Judith Pascoe shows how English literary culture in the 1790s came to be shaped by the theater and by the public's fascination with theater. Pascoe focuses on a number of intriguing historical occurrences of the late eighteenth and early nineteenth centuries, emphasizing how writers in all areas of public life relied upon theatrical modes of self-representation. Pascoe adduces as evidence the theatrical posturing of the Della Cruscan poets, the staginess of the Marie Antoinette depicted in women's poetry, and the histrionic maneuverings of participants in the 1794 treason trials. Such public events as the treason trials also linked the newly powerful role of female theatrical spectator to that of political spectator. New forms of self representation and dramatization arose from that synthesis.In their uniting of theatrical and literary realms, Pascoe maintains, women writers were inspired by the most famous actress of the era, Sarah Siddons. Siddons's shrewd deployment of her private life in the construction of her public persona serves as a model for such disparate poets as Charlotte Smith and Mary Robinson In English Gender Studies Performing Arts & Drama LITERARY CRITICISM / Gothic & Romance bisacsh https://doi.org/10.7591/9781501737428 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Pascoe, Judith Romantic Theatricality Gender, Poetry, and Spectatorship Gender Studies Performing Arts & Drama LITERARY CRITICISM / Gothic & Romance bisacsh |
| title | Romantic Theatricality Gender, Poetry, and Spectatorship |
| title_auth | Romantic Theatricality Gender, Poetry, and Spectatorship |
| title_exact_search | Romantic Theatricality Gender, Poetry, and Spectatorship |
| title_exact_search_txtP | Romantic Theatricality Gender, Poetry, and Spectatorship |
| title_full | Romantic Theatricality Gender, Poetry, and Spectatorship Judith Pascoe |
| title_fullStr | Romantic Theatricality Gender, Poetry, and Spectatorship Judith Pascoe |
| title_full_unstemmed | Romantic Theatricality Gender, Poetry, and Spectatorship Judith Pascoe |
| title_short | Romantic Theatricality |
| title_sort | romantic theatricality gender poetry and spectatorship |
| title_sub | Gender, Poetry, and Spectatorship |
| topic | Gender Studies Performing Arts & Drama LITERARY CRITICISM / Gothic & Romance bisacsh |
| topic_facet | Gender Studies Performing Arts & Drama LITERARY CRITICISM / Gothic & Romance |
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