Surveillance Cinema:
In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent onl...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York, NY
New York University Press
[2015]
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Schriftenreihe: | Postmillennial Pop
2 |
Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
Zusammenfassung: | In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
Beschreibung: | 1 online resource |
ISBN: | 9781479876853 |
Internformat
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Zimmer, Catherine 1969- |
author_GND | (DE-588)1072081695 |
author_facet | Zimmer, Catherine 1969- |
author_role | aut |
author_sort | Zimmer, Catherine 1969- |
author_variant | c z cz |
building | Verbundindex |
bvnumber | BV046846287 |
collection | ZDB-23-DGG |
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dewey-full | 791.43656 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43656 |
dewey-search | 791.43656 |
dewey-sort | 3791.43656 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
format | Electronic eBook |
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indexdate | 2024-07-10T08:55:26Z |
institution | BVB |
isbn | 9781479876853 |
language | English |
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publishDate | 2015 |
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publisher | New York University Press |
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series2 | Postmillennial Pop |
spelling | Zimmer, Catherine 1969- Verfasser (DE-588)1072081695 aut Surveillance Cinema Catherine Zimmer New York, NY New York University Press [2015] © 2015 1 online resource txt rdacontent c rdamedia cr rdacarrier Postmillennial Pop 2 Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance In English SOCIAL SCIENCE / Media Studies bisacsh Electronic surveillance in motion pictures https://www.degruyter.com/isbn/9781479876853 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Zimmer, Catherine 1969- Surveillance Cinema SOCIAL SCIENCE / Media Studies bisacsh Electronic surveillance in motion pictures |
title | Surveillance Cinema |
title_auth | Surveillance Cinema |
title_exact_search | Surveillance Cinema |
title_exact_search_txtP | Surveillance Cinema |
title_full | Surveillance Cinema Catherine Zimmer |
title_fullStr | Surveillance Cinema Catherine Zimmer |
title_full_unstemmed | Surveillance Cinema Catherine Zimmer |
title_short | Surveillance Cinema |
title_sort | surveillance cinema |
topic | SOCIAL SCIENCE / Media Studies bisacsh Electronic surveillance in motion pictures |
topic_facet | SOCIAL SCIENCE / Media Studies Electronic surveillance in motion pictures |
url | https://www.degruyter.com/isbn/9781479876853 |
work_keys_str_mv | AT zimmercatherine surveillancecinema |