Deafening Modernism: Embodied Language and Visual Poetics in American Literature
Deafening Modernism tells the story of modernism from the perspective of Deaf critical insight. Working to develop a critical Deaf theory independent of identity-based discourse, Rebecca Sanchez excavates the intersections between Deaf and modernist studies. She traces the ways that Deaf culture, hi...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
New York University Press
[2015]
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| Schriftenreihe: | Cultural Front
15 |
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 Volltext |
| Zusammenfassung: | Deafening Modernism tells the story of modernism from the perspective of Deaf critical insight. Working to develop a critical Deaf theory independent of identity-based discourse, Rebecca Sanchez excavates the intersections between Deaf and modernist studies. She traces the ways that Deaf culture, history, linguistics, and literature provide a vital and largely untapped resource for understanding the history of American language politics and the impact that history has had on modernist aesthetic production.Discussing Deaf and disability studies in these unexpected contexts highlights the contributions the field can make to broader discussions of the intersections between images, bodies, and text. Drawing on a range of methodological approaches, including literary analysis and history, linguistics, ethics, and queer, cultural, and film studies, Sanchez sheds new light on texts by T.S. Eliot, Ezra Pound, Gertrude Stein, William Carlos Williams, Charlie Chaplin, and many others. By approaching modernism through the perspective of Deaf and disability studies, Deafening Modernism reconceptualizes deafness as a critical modality enabling us to freshly engage topics we thought we knew. Deafening Modernism tells the story of modernism from the perspective of Deaf critical insight. Working to develop a critical Deaf theory independent of identity-based discourse, Rebecca Sanchez excavates the intersections between Deaf and modernist studies. She traces the ways that Deaf culture, history, linguistics, and literature provide a vital and largely untapped resource for understanding the history of American language politics and the impact that history has had on modernist aesthetic production.Discussing Deaf and disability studies in these unexpected contexts highlights the contributions the field can make to broader discussions of the intersections between images, bodies, and text. Drawing on a range of methodological approaches, including literary analysis and history, linguistics, ethics, and queer, cultural, and film studies, Sanchez sheds new light on texts by T.S. Eliot, Ezra Pound, Gertrude Stein, William Carlos Williams, Charlie Chaplin, and many others. By approaching modernism through the perspective of Deaf and disability studies, Deafening Modernism reconceptualizes deafness as a critical modality enabling us to freshly engage topics we thought we knew |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource 2 black and white illustrations |
| ISBN: | 9781479810628 |
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| 520 | |a Deafening Modernism tells the story of modernism from the perspective of Deaf critical insight. Working to develop a critical Deaf theory independent of identity-based discourse, Rebecca Sanchez excavates the intersections between Deaf and modernist studies. She traces the ways that Deaf culture, history, linguistics, and literature provide a vital and largely untapped resource for understanding the history of American language politics and the impact that history has had on modernist aesthetic production.Discussing Deaf and disability studies in these unexpected contexts highlights the contributions the field can make to broader discussions of the intersections between images, bodies, and text. Drawing on a range of methodological approaches, including literary analysis and history, linguistics, ethics, and queer, cultural, and film studies, Sanchez sheds new light on texts by T.S. Eliot, Ezra Pound, Gertrude Stein, William Carlos Williams, Charlie Chaplin, and many others. | ||
| 520 | |a By approaching modernism through the perspective of Deaf and disability studies, Deafening Modernism reconceptualizes deafness as a critical modality enabling us to freshly engage topics we thought we knew. Deafening Modernism tells the story of modernism from the perspective of Deaf critical insight. Working to develop a critical Deaf theory independent of identity-based discourse, Rebecca Sanchez excavates the intersections between Deaf and modernist studies. She traces the ways that Deaf culture, history, linguistics, and literature provide a vital and largely untapped resource for understanding the history of American language politics and the impact that history has had on modernist aesthetic production.Discussing Deaf and disability studies in these unexpected contexts highlights the contributions the field can make to broader discussions of the intersections between images, bodies, and text. | ||
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Datensatz im Suchindex
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| dewey-search | 810.9112 |
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| discipline | Anglistik / Amerikanistik |
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| isbn | 9781479810628 |
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| spelling | Sanchez, Rebecca Verfasser aut Deafening Modernism Embodied Language and Visual Poetics in American Literature Rebecca Sanchez New York, NY New York University Press [2015] © 2015 1 online resource 2 black and white illustrations txt rdacontent c rdamedia cr rdacarrier Cultural Front 15 Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) Deafening Modernism tells the story of modernism from the perspective of Deaf critical insight. Working to develop a critical Deaf theory independent of identity-based discourse, Rebecca Sanchez excavates the intersections between Deaf and modernist studies. She traces the ways that Deaf culture, history, linguistics, and literature provide a vital and largely untapped resource for understanding the history of American language politics and the impact that history has had on modernist aesthetic production.Discussing Deaf and disability studies in these unexpected contexts highlights the contributions the field can make to broader discussions of the intersections between images, bodies, and text. Drawing on a range of methodological approaches, including literary analysis and history, linguistics, ethics, and queer, cultural, and film studies, Sanchez sheds new light on texts by T.S. Eliot, Ezra Pound, Gertrude Stein, William Carlos Williams, Charlie Chaplin, and many others. By approaching modernism through the perspective of Deaf and disability studies, Deafening Modernism reconceptualizes deafness as a critical modality enabling us to freshly engage topics we thought we knew. Deafening Modernism tells the story of modernism from the perspective of Deaf critical insight. Working to develop a critical Deaf theory independent of identity-based discourse, Rebecca Sanchez excavates the intersections between Deaf and modernist studies. She traces the ways that Deaf culture, history, linguistics, and literature provide a vital and largely untapped resource for understanding the history of American language politics and the impact that history has had on modernist aesthetic production.Discussing Deaf and disability studies in these unexpected contexts highlights the contributions the field can make to broader discussions of the intersections between images, bodies, and text. Drawing on a range of methodological approaches, including literary analysis and history, linguistics, ethics, and queer, cultural, and film studies, Sanchez sheds new light on texts by T.S. Eliot, Ezra Pound, Gertrude Stein, William Carlos Williams, Charlie Chaplin, and many others. By approaching modernism through the perspective of Deaf and disability studies, Deafening Modernism reconceptualizes deafness as a critical modality enabling us to freshly engage topics we thought we knew In English SOCIAL SCIENCE / Sociology / General bisacsh Language and languages in literature Modernism (Literature) United States United States Modernism (Literature) United States Visual poetry, American History and criticism https://www.degruyter.com/isbn/9781479810628 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sanchez, Rebecca Deafening Modernism Embodied Language and Visual Poetics in American Literature SOCIAL SCIENCE / Sociology / General bisacsh Language and languages in literature Modernism (Literature) United States United States Modernism (Literature) United States Visual poetry, American History and criticism |
| title | Deafening Modernism Embodied Language and Visual Poetics in American Literature |
| title_auth | Deafening Modernism Embodied Language and Visual Poetics in American Literature |
| title_exact_search | Deafening Modernism Embodied Language and Visual Poetics in American Literature |
| title_exact_search_txtP | Deafening Modernism Embodied Language and Visual Poetics in American Literature |
| title_full | Deafening Modernism Embodied Language and Visual Poetics in American Literature Rebecca Sanchez |
| title_fullStr | Deafening Modernism Embodied Language and Visual Poetics in American Literature Rebecca Sanchez |
| title_full_unstemmed | Deafening Modernism Embodied Language and Visual Poetics in American Literature Rebecca Sanchez |
| title_short | Deafening Modernism |
| title_sort | deafening modernism embodied language and visual poetics in american literature |
| title_sub | Embodied Language and Visual Poetics in American Literature |
| topic | SOCIAL SCIENCE / Sociology / General bisacsh Language and languages in literature Modernism (Literature) United States United States Modernism (Literature) United States Visual poetry, American History and criticism |
| topic_facet | SOCIAL SCIENCE / Sociology / General Language and languages in literature Modernism (Literature) United States United States Modernism (Literature) United States Visual poetry, American History and criticism |
| url | https://www.degruyter.com/isbn/9781479810628 |
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