Critical Rhythm: The Poetics of a Literary Life Form
This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’...
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| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Fordham University Press
[2019]
|
| Schriftenreihe: | Verbal Arts: Studies in Poetics
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm "is," the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (288 pages) 9 |
| ISBN: | 9780823282067 |
| DOI: | 10.1515/9780823282067 |
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| 520 | |a This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm "is," the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy | ||
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:08:33Z |
| indexdate | 2024-07-10T08:55:26Z |
| institution | BVB |
| isbn | 9780823282067 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032254914 |
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| record_format | marc |
| series2 | Verbal Arts: Studies in Poetics |
| spelling | Critical Rhythm The Poetics of a Literary Life Form Ben Glaser, Jonathan Culler New York, NY Fordham University Press [2019] © 2019 1 online resource (288 pages) 9 txt rdacontent c rdamedia cr rdacarrier Verbal Arts: Studies in Poetics Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm "is," the essays ask what it means to think rhythm.Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts.Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy In English History of Criticism Lyric Meter Modernism Poetics Prosody Rhythm Romantic Poetry Scansion Victorian Poetry LITERARY CRITICISM / Poetry bisacsh Poetics History 19th century Poetics History 20th century Rhythm in literature Attridge, Derek 1945- Sonstige (DE-588)129566837 oth Cable, Tom Sonstige oth Culler, Jonathan D. 1944- Sonstige (DE-588)118155180 oth Culler, Jonathan edt Gerber, Natalie Sonstige oth Glaser, Ben edt Jackson, Virginia Sonstige oth Jarvis, Simon Sonstige oth Jones, Ewan Sonstige oth Kappeler, Erin Sonstige oth Martin, Meredith Sonstige oth Nowell Smith, David Sonstige oth Prins, Yopie Sonstige oth Saussy, Haun Sonstige oth https://doi.org/10.1515/9780823282067 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Critical Rhythm The Poetics of a Literary Life Form History of Criticism Lyric Meter Modernism Poetics Prosody Rhythm Romantic Poetry Scansion Victorian Poetry LITERARY CRITICISM / Poetry bisacsh Poetics History 19th century Poetics History 20th century Rhythm in literature |
| title | Critical Rhythm The Poetics of a Literary Life Form |
| title_auth | Critical Rhythm The Poetics of a Literary Life Form |
| title_exact_search | Critical Rhythm The Poetics of a Literary Life Form |
| title_exact_search_txtP | Critical Rhythm The Poetics of a Literary Life Form |
| title_full | Critical Rhythm The Poetics of a Literary Life Form Ben Glaser, Jonathan Culler |
| title_fullStr | Critical Rhythm The Poetics of a Literary Life Form Ben Glaser, Jonathan Culler |
| title_full_unstemmed | Critical Rhythm The Poetics of a Literary Life Form Ben Glaser, Jonathan Culler |
| title_short | Critical Rhythm |
| title_sort | critical rhythm the poetics of a literary life form |
| title_sub | The Poetics of a Literary Life Form |
| topic | History of Criticism Lyric Meter Modernism Poetics Prosody Rhythm Romantic Poetry Scansion Victorian Poetry LITERARY CRITICISM / Poetry bisacsh Poetics History 19th century Poetics History 20th century Rhythm in literature |
| topic_facet | History of Criticism Lyric Meter Modernism Poetics Prosody Rhythm Romantic Poetry Scansion Victorian Poetry LITERARY CRITICISM / Poetry Poetics History 19th century Poetics History 20th century Rhythm in literature |
| url | https://doi.org/10.1515/9780823282067 |
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