Fugitive Testimony: On the Visual Logic of Slave Narratives
Fugitive Testimony traces the long arc of the African American slave narrative from the eighteenth century to the present in order to rethink the epistemological limits of the form and to theorize the complicated interplay between the visual and the literary throughout its history. Gathering an arch...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Fordham University Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 Volltext |
| Zusammenfassung: | Fugitive Testimony traces the long arc of the African American slave narrative from the eighteenth century to the present in order to rethink the epistemological limits of the form and to theorize the complicated interplay between the visual and the literary throughout its history. Gathering an archive of ante- and postbellum literary slave narratives as well as contemporary visual art, Janet Neary brings visual and performance theory to bear on the genre’s central problematic: that the ex-slave narrator must be both object and subject of his or her own testimony.Taking works by current-day visual artists, including Glenn Ligon, Kara Walker, and Ellen Driscoll, Neary employs their representational strategies to decode the visual work performed in nineteenth-century literary narratives by Elizabeth Keckley, Solomon Northup, William Craft, Henry Box Brown, and others. She focuses on the textual visuality of these narratives to illustrate how their authors use the logic of the slave narrative against itself as a way to undermine the epistemology of the genre and to offer a model of visuality as intersubjective recognition rather than objective division |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (232 pages) |
| ISBN: | 9780823272921 |
| DOI: | 10.1515/9780823272921 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV046845870 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 200810s2016 |||| o||u| ||||||eng d | ||
| 020 | |a 9780823272921 |9 978-0-8232-7292-1 | ||
| 024 | 7 | |a 10.1515/9780823272921 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780823272921 | ||
| 035 | |a (OCoLC)1193298565 | ||
| 035 | |a (DE-599)BVBBV046845870 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 | ||
| 082 | 0 | |a 306.3/62092 |2 23 | |
| 100 | 1 | |a Neary, Janet |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Fugitive Testimony |b On the Visual Logic of Slave Narratives |c Janet Neary |
| 264 | 1 | |a New York, NY |b Fordham University Press |c [2016] | |
| 264 | 4 | |c © 2016 | |
| 300 | |a 1 online resource (232 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) | ||
| 520 | |a Fugitive Testimony traces the long arc of the African American slave narrative from the eighteenth century to the present in order to rethink the epistemological limits of the form and to theorize the complicated interplay between the visual and the literary throughout its history. Gathering an archive of ante- and postbellum literary slave narratives as well as contemporary visual art, Janet Neary brings visual and performance theory to bear on the genre’s central problematic: that the ex-slave narrator must be both object and subject of his or her own testimony.Taking works by current-day visual artists, including Glenn Ligon, Kara Walker, and Ellen Driscoll, Neary employs their representational strategies to decode the visual work performed in nineteenth-century literary narratives by Elizabeth Keckley, Solomon Northup, William Craft, Henry Box Brown, and others. She focuses on the textual visuality of these narratives to illustrate how their authors use the logic of the slave narrative against itself as a way to undermine the epistemology of the genre and to offer a model of visuality as intersubjective recognition rather than objective division | ||
| 546 | |a In English | ||
| 650 | 4 | |a African American literature | |
| 650 | 4 | |a Elizabeth Keckley | |
| 650 | 4 | |a Henry Box Brown | |
| 650 | 4 | |a Slave narratives | |
| 650 | 4 | |a Solomon Northup | |
| 650 | 4 | |a William Craft | |
| 650 | 4 | |a fugitivity | |
| 650 | 4 | |a visual culture | |
| 650 | 4 | |a visuality | |
| 650 | 7 | |a SOCIAL SCIENCE / Ethnic Studies / African American Studies |2 bisacsh | |
| 650 | 4 | |a Art, Modern |y 20th century |x Themes, motives | |
| 650 | 4 | |a Semiotics and the arts | |
| 650 | 4 | |a Slave narratives |z United States |x History and criticism | |
| 650 | 4 | |a Slavery in art | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780823272921 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032254777 | ||
| 966 | e | |u https://doi.org/10.1515/9780823272921 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780823272921 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780823272921 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780823272921 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780823272921 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780823272921 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780823272921 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780823272921 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804181675243995136 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Neary, Janet |
| author_facet | Neary, Janet |
| author_role | aut |
| author_sort | Neary, Janet |
| author_variant | j n jn |
| building | Verbundindex |
| bvnumber | BV046845870 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780823272921 (OCoLC)1193298565 (DE-599)BVBBV046845870 |
| dewey-full | 306.3/62092 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.3/62092 |
| dewey-search | 306.3/62092 |
| dewey-sort | 3306.3 562092 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| discipline_str_mv | Soziologie |
| doi_str_mv | 10.1515/9780823272921 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03836nmm a2200625zc 4500</leader><controlfield tag="001">BV046845870</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">200810s2016 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780823272921</subfield><subfield code="9">978-0-8232-7292-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780823272921</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780823272921</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1193298565</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046845870</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">306.3/62092</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Neary, Janet</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Fugitive Testimony</subfield><subfield code="b">On the Visual Logic of Slave Narratives</subfield><subfield code="c">Janet Neary</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Fordham University Press</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (232 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Fugitive Testimony traces the long arc of the African American slave narrative from the eighteenth century to the present in order to rethink the epistemological limits of the form and to theorize the complicated interplay between the visual and the literary throughout its history. Gathering an archive of ante- and postbellum literary slave narratives as well as contemporary visual art, Janet Neary brings visual and performance theory to bear on the genre’s central problematic: that the ex-slave narrator must be both object and subject of his or her own testimony.Taking works by current-day visual artists, including Glenn Ligon, Kara Walker, and Ellen Driscoll, Neary employs their representational strategies to decode the visual work performed in nineteenth-century literary narratives by Elizabeth Keckley, Solomon Northup, William Craft, Henry Box Brown, and others. She focuses on the textual visuality of these narratives to illustrate how their authors use the logic of the slave narrative against itself as a way to undermine the epistemology of the genre and to offer a model of visuality as intersubjective recognition rather than objective division</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">African American literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Elizabeth Keckley</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Henry Box Brown</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Slave narratives</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Solomon Northup</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">William Craft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">fugitivity</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">visual culture</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">visuality</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Ethnic Studies / African American Studies</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art, Modern</subfield><subfield code="y">20th century</subfield><subfield code="x">Themes, motives</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Semiotics and the arts</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Slave narratives</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Slavery in art</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780823272921</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032254777</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823272921</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823272921</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823272921</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823272921</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823272921</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823272921</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823272921</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780823272921</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV046845870 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:08:33Z |
| indexdate | 2024-07-10T08:55:25Z |
| institution | BVB |
| isbn | 9780823272921 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032254777 |
| oclc_num | 1193298565 |
| open_access_boolean | |
| owner | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| owner_facet | DE-1046 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| physical | 1 online resource (232 pages) |
| psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Fordham University Press |
| record_format | marc |
| spelling | Neary, Janet Verfasser aut Fugitive Testimony On the Visual Logic of Slave Narratives Janet Neary New York, NY Fordham University Press [2016] © 2016 1 online resource (232 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) Fugitive Testimony traces the long arc of the African American slave narrative from the eighteenth century to the present in order to rethink the epistemological limits of the form and to theorize the complicated interplay between the visual and the literary throughout its history. Gathering an archive of ante- and postbellum literary slave narratives as well as contemporary visual art, Janet Neary brings visual and performance theory to bear on the genre’s central problematic: that the ex-slave narrator must be both object and subject of his or her own testimony.Taking works by current-day visual artists, including Glenn Ligon, Kara Walker, and Ellen Driscoll, Neary employs their representational strategies to decode the visual work performed in nineteenth-century literary narratives by Elizabeth Keckley, Solomon Northup, William Craft, Henry Box Brown, and others. She focuses on the textual visuality of these narratives to illustrate how their authors use the logic of the slave narrative against itself as a way to undermine the epistemology of the genre and to offer a model of visuality as intersubjective recognition rather than objective division In English African American literature Elizabeth Keckley Henry Box Brown Slave narratives Solomon Northup William Craft fugitivity visual culture visuality SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh Art, Modern 20th century Themes, motives Semiotics and the arts Slave narratives United States History and criticism Slavery in art https://doi.org/10.1515/9780823272921 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Neary, Janet Fugitive Testimony On the Visual Logic of Slave Narratives African American literature Elizabeth Keckley Henry Box Brown Slave narratives Solomon Northup William Craft fugitivity visual culture visuality SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh Art, Modern 20th century Themes, motives Semiotics and the arts Slave narratives United States History and criticism Slavery in art |
| title | Fugitive Testimony On the Visual Logic of Slave Narratives |
| title_auth | Fugitive Testimony On the Visual Logic of Slave Narratives |
| title_exact_search | Fugitive Testimony On the Visual Logic of Slave Narratives |
| title_exact_search_txtP | Fugitive Testimony On the Visual Logic of Slave Narratives |
| title_full | Fugitive Testimony On the Visual Logic of Slave Narratives Janet Neary |
| title_fullStr | Fugitive Testimony On the Visual Logic of Slave Narratives Janet Neary |
| title_full_unstemmed | Fugitive Testimony On the Visual Logic of Slave Narratives Janet Neary |
| title_short | Fugitive Testimony |
| title_sort | fugitive testimony on the visual logic of slave narratives |
| title_sub | On the Visual Logic of Slave Narratives |
| topic | African American literature Elizabeth Keckley Henry Box Brown Slave narratives Solomon Northup William Craft fugitivity visual culture visuality SOCIAL SCIENCE / Ethnic Studies / African American Studies bisacsh Art, Modern 20th century Themes, motives Semiotics and the arts Slave narratives United States History and criticism Slavery in art |
| topic_facet | African American literature Elizabeth Keckley Henry Box Brown Slave narratives Solomon Northup William Craft fugitivity visual culture visuality SOCIAL SCIENCE / Ethnic Studies / African American Studies Art, Modern 20th century Themes, motives Semiotics and the arts Slave narratives United States History and criticism Slavery in art |
| url | https://doi.org/10.1515/9780823272921 |
| work_keys_str_mv | AT nearyjanet fugitivetestimonyonthevisuallogicofslavenarratives |