The Ethnography of Rhythm: Orality and Its Technologies
Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all pioneered in the shadow of oral lite...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Fordham University Press
[2016]
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| Schriftenreihe: | Verbal Arts: Studies in Poetics
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian "techniques of the body" as belonging to the domain of Derridean "arche-writing," Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (274 pages) |
| ISBN: | 9780823270491 |
| DOI: | 10.1515/9780823270491 |
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| index_date | 2024-07-03T15:08:33Z |
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| isbn | 9780823270491 |
| language | English |
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| spelling | Saussy, Haun Verfasser aut The Ethnography of Rhythm Orality and Its Technologies Haun Saussy New York, NY Fordham University Press [2016] © 2016 1 online resource (274 pages) txt rdacontent c rdamedia cr rdacarrier Verbal Arts: Studies in Poetics Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian "techniques of the body" as belonging to the domain of Derridean "arche-writing," Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices In English Derrida Homer Jacques MacLuhan Marshall Milman Parry embodiment literacy media memory oral tradition theory of literature Technology & Engineering / Social Aspects bisacsh Folk literature History and criticism Oral tradition Orality in literature Poetics Storytelling https://doi.org/10.1515/9780823270491 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Saussy, Haun The Ethnography of Rhythm Orality and Its Technologies Derrida Homer Jacques MacLuhan Marshall Milman Parry embodiment literacy media memory oral tradition theory of literature Technology & Engineering / Social Aspects bisacsh Folk literature History and criticism Oral tradition Orality in literature Poetics Storytelling |
| title | The Ethnography of Rhythm Orality and Its Technologies |
| title_auth | The Ethnography of Rhythm Orality and Its Technologies |
| title_exact_search | The Ethnography of Rhythm Orality and Its Technologies |
| title_exact_search_txtP | The Ethnography of Rhythm Orality and Its Technologies |
| title_full | The Ethnography of Rhythm Orality and Its Technologies Haun Saussy |
| title_fullStr | The Ethnography of Rhythm Orality and Its Technologies Haun Saussy |
| title_full_unstemmed | The Ethnography of Rhythm Orality and Its Technologies Haun Saussy |
| title_short | The Ethnography of Rhythm |
| title_sort | the ethnography of rhythm orality and its technologies |
| title_sub | Orality and Its Technologies |
| topic | Derrida Homer Jacques MacLuhan Marshall Milman Parry embodiment literacy media memory oral tradition theory of literature Technology & Engineering / Social Aspects bisacsh Folk literature History and criticism Oral tradition Orality in literature Poetics Storytelling |
| topic_facet | Derrida Homer Jacques MacLuhan Marshall Milman Parry embodiment literacy media memory oral tradition theory of literature Technology & Engineering / Social Aspects Folk literature History and criticism Oral tradition Orality in literature Poetics Storytelling |
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