Harrying: Skills of Offense in Shakespeare's Henriad
Harrying considers Richard III and the four plays of Shakespeare’s Henriad—Richard II, Henry IV Part 1, Henry IV Part 2, and Henry V. Berger combines close reading with cultural analysis to show how the language characters speak always says more than the speakers mean to say. Shakespeare’s speakers...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Fordham University Press
[2015]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 Volltext |
| Zusammenfassung: | Harrying considers Richard III and the four plays of Shakespeare’s Henriad—Richard II, Henry IV Part 1, Henry IV Part 2, and Henry V. Berger combines close reading with cultural analysis to show how the language characters speak always says more than the speakers mean to say. Shakespeare’s speakers try to say one thing. Their language says other things that often question the speakers’ motives or intentions. Harrying explores the effect of this linguistic mischief on the representation of all the Henriad’s major figures.It centers attention on the portrayal of Falstaff and on the bad faith that darkens the language and performance of Harry, the Prince of Wales who becomes King Henry V. |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (232 pages) |
| ISBN: | 9780823256662 |
| DOI: | 10.1515/9780823256662 |
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| spelling | Berger, Harry Verfasser aut Harrying Skills of Offense in Shakespeare's Henriad Harry Berger New York, NY Fordham University Press [2015] © 2015 1 online resource (232 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) Harrying considers Richard III and the four plays of Shakespeare’s Henriad—Richard II, Henry IV Part 1, Henry IV Part 2, and Henry V. Berger combines close reading with cultural analysis to show how the language characters speak always says more than the speakers mean to say. Shakespeare’s speakers try to say one thing. Their language says other things that often question the speakers’ motives or intentions. Harrying explores the effect of this linguistic mischief on the representation of all the Henriad’s major figures.It centers attention on the portrayal of Falstaff and on the bad faith that darkens the language and performance of Harry, the Prince of Wales who becomes King Henry V. In English Harry's Question Harrying Misanthropolgy Rhizome Tetralogical echo chamber despair LITERARY CRITICISM / Shakespeare bisacsh https://doi.org/10.1515/9780823256662 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Berger, Harry Harrying Skills of Offense in Shakespeare's Henriad Harry's Question Harrying Misanthropolgy Rhizome Tetralogical echo chamber despair LITERARY CRITICISM / Shakespeare bisacsh |
| title | Harrying Skills of Offense in Shakespeare's Henriad |
| title_auth | Harrying Skills of Offense in Shakespeare's Henriad |
| title_exact_search | Harrying Skills of Offense in Shakespeare's Henriad |
| title_exact_search_txtP | Harrying Skills of Offense in Shakespeare's Henriad |
| title_full | Harrying Skills of Offense in Shakespeare's Henriad Harry Berger |
| title_fullStr | Harrying Skills of Offense in Shakespeare's Henriad Harry Berger |
| title_full_unstemmed | Harrying Skills of Offense in Shakespeare's Henriad Harry Berger |
| title_short | Harrying |
| title_sort | harrying skills of offense in shakespeare s henriad |
| title_sub | Skills of Offense in Shakespeare's Henriad |
| topic | Harry's Question Harrying Misanthropolgy Rhizome Tetralogical echo chamber despair LITERARY CRITICISM / Shakespeare bisacsh |
| topic_facet | Harry's Question Harrying Misanthropolgy Rhizome Tetralogical echo chamber despair LITERARY CRITICISM / Shakespeare |
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