Mourning Philology: Art and Religion at the Margins of the Ottoman Empire
"Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "p...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Fordham University Press
[2014]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art?Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (420 pages) |
| ISBN: | 9780823255269 |
| DOI: | 10.1515/9780823255269 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:08:33Z |
| indexdate | 2024-07-10T08:55:25Z |
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| isbn | 9780823255269 |
| language | English |
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| spelling | Nichanian, Marc Verfasser aut Mourning Philology Art and Religion at the Margins of the Ottoman Empire Marc Nichanian New York, NY Fordham University Press [2014] © 2014 1 online resource (420 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art?Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora In English Armenian literature Mythological religion Nationalism Orientalism Ottoman empire Philology Philosophy of art LITERARY CRITICISM / General bisacsh Armenian literature 20th century History and criticism Art and literature Armenia Religion and literature Goshgarian Religion and literature Armenia Fort, Jeff Sonstige oth Goshgarian, G. M. Sonstige oth https://doi.org/10.1515/9780823255269 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Nichanian, Marc Mourning Philology Art and Religion at the Margins of the Ottoman Empire Armenian literature Mythological religion Nationalism Orientalism Ottoman empire Philology Philosophy of art LITERARY CRITICISM / General bisacsh Armenian literature 20th century History and criticism Art and literature Armenia Religion and literature Goshgarian Religion and literature Armenia |
| title | Mourning Philology Art and Religion at the Margins of the Ottoman Empire |
| title_auth | Mourning Philology Art and Religion at the Margins of the Ottoman Empire |
| title_exact_search | Mourning Philology Art and Religion at the Margins of the Ottoman Empire |
| title_exact_search_txtP | Mourning Philology Art and Religion at the Margins of the Ottoman Empire |
| title_full | Mourning Philology Art and Religion at the Margins of the Ottoman Empire Marc Nichanian |
| title_fullStr | Mourning Philology Art and Religion at the Margins of the Ottoman Empire Marc Nichanian |
| title_full_unstemmed | Mourning Philology Art and Religion at the Margins of the Ottoman Empire Marc Nichanian |
| title_short | Mourning Philology |
| title_sort | mourning philology art and religion at the margins of the ottoman empire |
| title_sub | Art and Religion at the Margins of the Ottoman Empire |
| topic | Armenian literature Mythological religion Nationalism Orientalism Ottoman empire Philology Philosophy of art LITERARY CRITICISM / General bisacsh Armenian literature 20th century History and criticism Art and literature Armenia Religion and literature Goshgarian Religion and literature Armenia |
| topic_facet | Armenian literature Mythological religion Nationalism Orientalism Ottoman empire Philology Philosophy of art LITERARY CRITICISM / General Armenian literature 20th century History and criticism Art and literature Armenia Religion and literature Goshgarian Religion and literature Armenia |
| url | https://doi.org/10.1515/9780823255269 |
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