The Naked Communist: Cold War Modernism and the Politics of Popular Culture
The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the "world" names the totality that functioned as the ultimate horizon of modern political imagination, th...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Fordham University Press
[2012]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the "world" names the totality that functioned as the ultimate horizon of modern political imagination, the three other figures define the necessary limits of this totality by reflecting on the limits of representation.The book highlights the enduring presence of these figures in the modern imagination through detailed analysis of a concrete historical example: American anti-Communist politics of the 1950s. Its primary objective is to describe the internal mechanisms of what we could call an anti- Communist "aesthetic ideology." The book thus traces the way anti-Communist popular culture emerged in the discourse of Cold War liberalism as a political symptom of modernism. Based on a discursive analysis of American anti-Communist politics, the book presents parallel readings of modernism and popular fiction from the 1950s (nuclear holocaust novels, spy novels, and popular political novels) in order to show that, despite the radical separation of the two cultural fields, they both participated in a common ideological program |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (256 pages) |
| ISBN: | 9780823245598 |
| DOI: | 10.1515/9780823245598 |
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| spelling | Végső, Roland Verfasser aut The Naked Communist Cold War Modernism and the Politics of Popular Culture Roland Végső New York, NY Fordham University Press [2012] © 2012 1 online resource (256 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the "world" names the totality that functioned as the ultimate horizon of modern political imagination, the three other figures define the necessary limits of this totality by reflecting on the limits of representation.The book highlights the enduring presence of these figures in the modern imagination through detailed analysis of a concrete historical example: American anti-Communist politics of the 1950s. Its primary objective is to describe the internal mechanisms of what we could call an anti- Communist "aesthetic ideology." The book thus traces the way anti-Communist popular culture emerged in the discourse of Cold War liberalism as a political symptom of modernism. Based on a discursive analysis of American anti-Communist politics, the book presents parallel readings of modernism and popular fiction from the 1950s (nuclear holocaust novels, spy novels, and popular political novels) in order to show that, despite the radical separation of the two cultural fields, they both participated in a common ideological program In English Aesthetic Ideology Anti-Communism Catastrophe Cold War Enemy Modernism Popular fiction Secrecy LITERARY CRITICISM / Semiotics & Theory bisacsh Aesthetics Political aspects United States History 20th century American literature 20th century History and criticism Anti-communist movements in literature Anti-communist movements United States History 20th century Anti-communist movements United States Philosophy Atomic bomb in literature Cold War in literature Cold War Political aspects United States Modernism (Literature) United States Nineteen fifties Political fiction, American History and criticism Politics and literature United States History 20th century Popular culture Political aspects United States History 20th century Propaganda, Anti-communist United States History 20th century Spy stories, American History and criticism https://doi.org/10.1515/9780823245598 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Végső, Roland The Naked Communist Cold War Modernism and the Politics of Popular Culture Aesthetic Ideology Anti-Communism Catastrophe Cold War Enemy Modernism Popular fiction Secrecy LITERARY CRITICISM / Semiotics & Theory bisacsh Aesthetics Political aspects United States History 20th century American literature 20th century History and criticism Anti-communist movements in literature Anti-communist movements United States History 20th century Anti-communist movements United States Philosophy Atomic bomb in literature Cold War in literature Cold War Political aspects United States Modernism (Literature) United States Nineteen fifties Political fiction, American History and criticism Politics and literature United States History 20th century Popular culture Political aspects United States History 20th century Propaganda, Anti-communist United States History 20th century Spy stories, American History and criticism |
| title | The Naked Communist Cold War Modernism and the Politics of Popular Culture |
| title_auth | The Naked Communist Cold War Modernism and the Politics of Popular Culture |
| title_exact_search | The Naked Communist Cold War Modernism and the Politics of Popular Culture |
| title_exact_search_txtP | The Naked Communist Cold War Modernism and the Politics of Popular Culture |
| title_full | The Naked Communist Cold War Modernism and the Politics of Popular Culture Roland Végső |
| title_fullStr | The Naked Communist Cold War Modernism and the Politics of Popular Culture Roland Végső |
| title_full_unstemmed | The Naked Communist Cold War Modernism and the Politics of Popular Culture Roland Végső |
| title_short | The Naked Communist |
| title_sort | the naked communist cold war modernism and the politics of popular culture |
| title_sub | Cold War Modernism and the Politics of Popular Culture |
| topic | Aesthetic Ideology Anti-Communism Catastrophe Cold War Enemy Modernism Popular fiction Secrecy LITERARY CRITICISM / Semiotics & Theory bisacsh Aesthetics Political aspects United States History 20th century American literature 20th century History and criticism Anti-communist movements in literature Anti-communist movements United States History 20th century Anti-communist movements United States Philosophy Atomic bomb in literature Cold War in literature Cold War Political aspects United States Modernism (Literature) United States Nineteen fifties Political fiction, American History and criticism Politics and literature United States History 20th century Popular culture Political aspects United States History 20th century Propaganda, Anti-communist United States History 20th century Spy stories, American History and criticism |
| topic_facet | Aesthetic Ideology Anti-Communism Catastrophe Cold War Enemy Modernism Popular fiction Secrecy LITERARY CRITICISM / Semiotics & Theory Aesthetics Political aspects United States History 20th century American literature 20th century History and criticism Anti-communist movements in literature Anti-communist movements United States History 20th century Anti-communist movements United States Philosophy Atomic bomb in literature Cold War in literature Cold War Political aspects United States Modernism (Literature) United States Nineteen fifties Political fiction, American History and criticism Politics and literature United States History 20th century Popular culture Political aspects United States History 20th century Propaganda, Anti-communist United States History 20th century Spy stories, American History and criticism |
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