The Sense of Semblance: Philosophical Analyses of Holocaust Art
The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust. The book’s principal aim is to move beyond the familiar debates surrounding postmodernism by demonstrating the usefulness of...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Fordham University Press
[2012]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 Volltext |
| Zusammenfassung: | The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust. The book’s principal aim is to move beyond the familiar debates surrounding postmodernism by demonstrating the usefulness of alternative theories of meaning and understanding from the Anglophone analytic tradition. The book takes as its starting point the claim that Holocaust artworks must fulfill at least two specific yet potentially reciprocally countervailing desiderata: they must meet aesthetic criteria (lest they be, say, merely historical documents) and they must meet historical criteria (they must accurately represent the Holocaust, lest they be merely artworks). I locate this problematic within the tradition of philosophical aesthetics, as a version of the conflict between aesthetic autonomy and aesthetic heteronomy, and claim that Theodor W. Adorno’s "dialectic of aesthetic semblance" describes the normative demand that a successful artwork maintain a dynamic tension between these dual desiderata. While working within a framework inspired by Adorno, the book further claims that certain concepts and lines of reasoning from contemporary philosophy best explicate how individual artworks fulfill these dual desiderata, including the causal theory of names, the philosophy of tacit knowledge, analytic philosophy of "ation, Sartre’s theory of the imaginary, work in the epistemology of testimony, and Walter Benjamin’s theory of dialectical images. Individual chapters provide close readings of lyric poetry by Paul Celan (including a critique of Derridean deconstruction), Holocaust memorials in Berlin, texts by the Austrian "ational artist Heimrad Bäcker, Claude Lanzmann’s film Shoah and Art Spiegelman’s graphic novel Maus. The result is a set of interpretations of Holocaust artworks that, in their precision, specificity and clarity, inaugurate a dialogue between contemporary analytic philosophy and contemporary art |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Beschreibung: | 1 online resource (296 pages) |
| ISBN: | 9780823245437 |
| DOI: | 10.1515/9780823245437 |
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| 520 | |a The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust. The book’s principal aim is to move beyond the familiar debates surrounding postmodernism by demonstrating the usefulness of alternative theories of meaning and understanding from the Anglophone analytic tradition. The book takes as its starting point the claim that Holocaust artworks must fulfill at least two specific yet potentially reciprocally countervailing desiderata: they must meet aesthetic criteria (lest they be, say, merely historical documents) and they must meet historical criteria (they must accurately represent the Holocaust, lest they be merely artworks). I locate this problematic within the tradition of philosophical aesthetics, as a version of the conflict between aesthetic autonomy and aesthetic heteronomy, and claim that Theodor W. | ||
| 520 | |a Adorno’s "dialectic of aesthetic semblance" describes the normative demand that a successful artwork maintain a dynamic tension between these dual desiderata. While working within a framework inspired by Adorno, the book further claims that certain concepts and lines of reasoning from contemporary philosophy best explicate how individual artworks fulfill these dual desiderata, including the causal theory of names, the philosophy of tacit knowledge, analytic philosophy of "ation, Sartre’s theory of the imaginary, work in the epistemology of testimony, and Walter Benjamin’s theory of dialectical images. Individual chapters provide close readings of lyric poetry by Paul Celan (including a critique of Derridean deconstruction), Holocaust memorials in Berlin, texts by the Austrian "ational artist Heimrad Bäcker, Claude Lanzmann’s film Shoah and Art Spiegelman’s graphic novel Maus. | ||
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| spelling | Pickford, Henry W. Verfasser aut The Sense of Semblance Philosophical Analyses of Holocaust Art Henry W. Pickford New York, NY Fordham University Press [2012] © 2012 1 online resource (296 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust. The book’s principal aim is to move beyond the familiar debates surrounding postmodernism by demonstrating the usefulness of alternative theories of meaning and understanding from the Anglophone analytic tradition. The book takes as its starting point the claim that Holocaust artworks must fulfill at least two specific yet potentially reciprocally countervailing desiderata: they must meet aesthetic criteria (lest they be, say, merely historical documents) and they must meet historical criteria (they must accurately represent the Holocaust, lest they be merely artworks). I locate this problematic within the tradition of philosophical aesthetics, as a version of the conflict between aesthetic autonomy and aesthetic heteronomy, and claim that Theodor W. Adorno’s "dialectic of aesthetic semblance" describes the normative demand that a successful artwork maintain a dynamic tension between these dual desiderata. While working within a framework inspired by Adorno, the book further claims that certain concepts and lines of reasoning from contemporary philosophy best explicate how individual artworks fulfill these dual desiderata, including the causal theory of names, the philosophy of tacit knowledge, analytic philosophy of "ation, Sartre’s theory of the imaginary, work in the epistemology of testimony, and Walter Benjamin’s theory of dialectical images. Individual chapters provide close readings of lyric poetry by Paul Celan (including a critique of Derridean deconstruction), Holocaust memorials in Berlin, texts by the Austrian "ational artist Heimrad Bäcker, Claude Lanzmann’s film Shoah and Art Spiegelman’s graphic novel Maus. The result is a set of interpretations of Holocaust artworks that, in their precision, specificity and clarity, inaugurate a dialogue between contemporary analytic philosophy and contemporary art In English Adorno Bäcker Celan German/Austrian literature Holocaust Lanzmann Spiegelman aesthetics film graphic novel memorials LITERARY CRITICISM / Jewish bisacsh Holocaust, Jewish (1939-1945), and the arts https://doi.org/10.1515/9780823245437 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Pickford, Henry W. The Sense of Semblance Philosophical Analyses of Holocaust Art Adorno Bäcker Celan German/Austrian literature Holocaust Lanzmann Spiegelman aesthetics film graphic novel memorials LITERARY CRITICISM / Jewish bisacsh Holocaust, Jewish (1939-1945), and the arts |
| title | The Sense of Semblance Philosophical Analyses of Holocaust Art |
| title_auth | The Sense of Semblance Philosophical Analyses of Holocaust Art |
| title_exact_search | The Sense of Semblance Philosophical Analyses of Holocaust Art |
| title_exact_search_txtP | The Sense of Semblance Philosophical Analyses of Holocaust Art |
| title_full | The Sense of Semblance Philosophical Analyses of Holocaust Art Henry W. Pickford |
| title_fullStr | The Sense of Semblance Philosophical Analyses of Holocaust Art Henry W. Pickford |
| title_full_unstemmed | The Sense of Semblance Philosophical Analyses of Holocaust Art Henry W. Pickford |
| title_short | The Sense of Semblance |
| title_sort | the sense of semblance philosophical analyses of holocaust art |
| title_sub | Philosophical Analyses of Holocaust Art |
| topic | Adorno Bäcker Celan German/Austrian literature Holocaust Lanzmann Spiegelman aesthetics film graphic novel memorials LITERARY CRITICISM / Jewish bisacsh Holocaust, Jewish (1939-1945), and the arts |
| topic_facet | Adorno Bäcker Celan German/Austrian literature Holocaust Lanzmann Spiegelman aesthetics film graphic novel memorials LITERARY CRITICISM / Jewish Holocaust, Jewish (1939-1945), and the arts |
| url | https://doi.org/10.1515/9780823245437 |
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