The Reinvention of Religious Music: Olivier Messiaen's Breakthrough Toward the Beyond
On the basis of a careful analysis of Olivier Messiaen's work, this book argues for a renewal of our thinking about religious music. Addressing his notion of a "hyper-religious" music of sounds and colors, it aims to show that Messiaen has broken new ground. His reinvention of religio...
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Format: | Elektronisch E-Book |
Sprache: | English |
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New York, NY
Fordham University Press
[2012]
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Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FCO01 URL des Erstveröffentlichers |
Zusammenfassung: | On the basis of a careful analysis of Olivier Messiaen's work, this book argues for a renewal of our thinking about religious music. Addressing his notion of a "hyper-religious" music of sounds and colors, it aims to show that Messiaen has broken new ground. His reinvention of religious music makes us again aware of the fact that religious music, if taken in its proper radical sense, belongs to the foremost of musical adventures.The work of Olivier Messiaen is well known for its inclusion of religious themes and gestures. These alone, however, do not seem enough to account for the religious status of the work. Arguing for a "breakthrough toward the beyond" on the basis of the synaesthetic experience of music, Messiaen invites a confrontation with contemporary theologians and post-secular thinkers. How to account for a religious breakthrough that is produced by a work of art?Starting from an analysis of his 1960s oratorio La Transfiguration de Notre-Seigneur Jésus-Christ, this book arranges a moderated dialogue between Messiaen and the music theology of Hans Urs von Balthasar, the phenomenology of revelation of Jean-Luc Marion, the rethinking of religion and technics in Jacques Derrida and Bernard Stiegler, and the Augustinian ruminations of Søren Kierkegaard and Jean-François Lyotard. Ultimately, this confrontation underscores the challenging yet deeply affirmative nature of Messiaen's music |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
Beschreibung: | 1 online resource (242 pages) |
ISBN: | 9780823238576 |
DOI: | 10.1515/9780823238576 |
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spelling | Maas, Sander van Verfasser aut The Reinvention of Religious Music Olivier Messiaen's Breakthrough Toward the Beyond Sander van Maas New York, NY Fordham University Press [2012] © 2012 1 online resource (242 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) On the basis of a careful analysis of Olivier Messiaen's work, this book argues for a renewal of our thinking about religious music. Addressing his notion of a "hyper-religious" music of sounds and colors, it aims to show that Messiaen has broken new ground. His reinvention of religious music makes us again aware of the fact that religious music, if taken in its proper radical sense, belongs to the foremost of musical adventures.The work of Olivier Messiaen is well known for its inclusion of religious themes and gestures. These alone, however, do not seem enough to account for the religious status of the work. Arguing for a "breakthrough toward the beyond" on the basis of the synaesthetic experience of music, Messiaen invites a confrontation with contemporary theologians and post-secular thinkers. How to account for a religious breakthrough that is produced by a work of art?Starting from an analysis of his 1960s oratorio La Transfiguration de Notre-Seigneur Jésus-Christ, this book arranges a moderated dialogue between Messiaen and the music theology of Hans Urs von Balthasar, the phenomenology of revelation of Jean-Luc Marion, the rethinking of religion and technics in Jacques Derrida and Bernard Stiegler, and the Augustinian ruminations of Søren Kierkegaard and Jean-François Lyotard. Ultimately, this confrontation underscores the challenging yet deeply affirmative nature of Messiaen's music In English PHILOSOPHY / Aesthetics bisacsh Music Religious aspects https://doi.org/10.1515/9780823238576 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Maas, Sander van The Reinvention of Religious Music Olivier Messiaen's Breakthrough Toward the Beyond PHILOSOPHY / Aesthetics bisacsh Music Religious aspects |
title | The Reinvention of Religious Music Olivier Messiaen's Breakthrough Toward the Beyond |
title_auth | The Reinvention of Religious Music Olivier Messiaen's Breakthrough Toward the Beyond |
title_exact_search | The Reinvention of Religious Music Olivier Messiaen's Breakthrough Toward the Beyond |
title_exact_search_txtP | The Reinvention of Religious Music Olivier Messiaen's Breakthrough Toward the Beyond |
title_full | The Reinvention of Religious Music Olivier Messiaen's Breakthrough Toward the Beyond Sander van Maas |
title_fullStr | The Reinvention of Religious Music Olivier Messiaen's Breakthrough Toward the Beyond Sander van Maas |
title_full_unstemmed | The Reinvention of Religious Music Olivier Messiaen's Breakthrough Toward the Beyond Sander van Maas |
title_short | The Reinvention of Religious Music |
title_sort | the reinvention of religious music olivier messiaen s breakthrough toward the beyond |
title_sub | Olivier Messiaen's Breakthrough Toward the Beyond |
topic | PHILOSOPHY / Aesthetics bisacsh Music Religious aspects |
topic_facet | PHILOSOPHY / Aesthetics Music Religious aspects |
url | https://doi.org/10.1515/9780823238576 |
work_keys_str_mv | AT maassandervan thereinventionofreligiousmusicoliviermessiaensbreakthroughtowardthebeyond |