The Venice Biennale at its turning points: 1948 and the aftermath of 1968
Italian art historian Giulio Carlo Argan summarises the almost decade-long debate in a 1955 Casabella-Continuita article. In 1947, Giovanni Ponti as the Commissario straordinario of the Venice Biennale called the first post-war meeting of the commission to organise the art exhibition for the followi...
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2020
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Schlagworte: | |
Zusammenfassung: | Italian art historian Giulio Carlo Argan summarises the almost decade-long debate in a 1955 Casabella-Continuita article. In 1947, Giovanni Ponti as the Commissario straordinario of the Venice Biennale called the first post-war meeting of the commission to organise the art exhibition for the following year. In 1968 the Venice Biennale embodied all the contradictions that were being targeted by the protests of that year and became the symbol of the cultural struggle for a democratic reform of all Italian public institutions of culture still governed by statutes decided by the fascist regime in the ’30s. In 1968 the Venice Biennale had been challenged for its structural backwardness and disconnection from the life of the city in which it was located. In 1968 Venice was a city in a profound functional crisis. Its interests were focused towards tourism and environmental exploitation, while the city was depopulating, preferring the mainland. |
ISBN: | 978-0-8153-9379-5 |
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520 | 3 | |a Italian art historian Giulio Carlo Argan summarises the almost decade-long debate in a 1955 Casabella-Continuita article. In 1947, Giovanni Ponti as the Commissario straordinario of the Venice Biennale called the first post-war meeting of the commission to organise the art exhibition for the following year. In 1968 the Venice Biennale embodied all the contradictions that were being targeted by the protests of that year and became the symbol of the cultural struggle for a democratic reform of all Italian public institutions of culture still governed by statutes decided by the fascist regime in the ’30s. In 1968 the Venice Biennale had been challenged for its structural backwardness and disconnection from the life of the city in which it was located. In 1968 Venice was a city in a profound functional crisis. Its interests were focused towards tourism and environmental exploitation, while the city was depopulating, preferring the mainland. | |
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author | Collicelli Cagol, Stefano Martini, Vittoria |
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spelling | Collicelli Cagol, Stefano Verfasser aut The Venice Biennale at its turning points 1948 and the aftermath of 1968 Stefano Collicelli Cagol and Vittoria Martini 2020 txt rdacontent n rdamedia nc rdacarrier Italian art historian Giulio Carlo Argan summarises the almost decade-long debate in a 1955 Casabella-Continuita article. In 1947, Giovanni Ponti as the Commissario straordinario of the Venice Biennale called the first post-war meeting of the commission to organise the art exhibition for the following year. In 1968 the Venice Biennale embodied all the contradictions that were being targeted by the protests of that year and became the symbol of the cultural struggle for a democratic reform of all Italian public institutions of culture still governed by statutes decided by the fascist regime in the ’30s. In 1968 the Venice Biennale had been challenged for its structural backwardness and disconnection from the life of the city in which it was located. In 1968 Venice was a city in a profound functional crisis. Its interests were focused towards tourism and environmental exploitation, while the city was depopulating, preferring the mainland. Biennale di Venezia 24. 1948 Venedig (DE-588)5506848-0 gnd rswk-swf Biennale di Venezia (DE-588)1019502-6 gnd rswk-swf Biennale di Venezia 34. 1968 Venedig (DE-588)5261958-8 gnd rswk-swf Geschichte 1928-1976 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Biennale di Venezia (DE-588)1019502-6 f Politik (DE-588)4046514-7 s Gesellschaft (DE-588)4020588-5 s Geschichte 1928-1976 z DE-604 Biennale di Venezia 24. 1948 Venedig (DE-588)5506848-0 f Biennale di Venezia 34. 1968 Venedig (DE-588)5261958-8 f Martini, Vittoria Verfasser aut pages:83-100 Making art history in Europe after 1945 / edited by Noemi de Haro Garciá, Patricia Mayayo and Jesús Carrillo New York ; London, 2020 Seite [83]-100 Studies in art historiography (DE-604)BV045425609 978-0-8153-9379-5 |
spellingShingle | Collicelli Cagol, Stefano Martini, Vittoria The Venice Biennale at its turning points 1948 and the aftermath of 1968 Biennale di Venezia 24. 1948 Venedig (DE-588)5506848-0 gnd Biennale di Venezia (DE-588)1019502-6 gnd Biennale di Venezia 34. 1968 Venedig (DE-588)5261958-8 gnd Politik (DE-588)4046514-7 gnd Gesellschaft (DE-588)4020588-5 gnd |
subject_GND | (DE-588)5506848-0 (DE-588)1019502-6 (DE-588)5261958-8 (DE-588)4046514-7 (DE-588)4020588-5 |
title | The Venice Biennale at its turning points 1948 and the aftermath of 1968 |
title_auth | The Venice Biennale at its turning points 1948 and the aftermath of 1968 |
title_exact_search | The Venice Biennale at its turning points 1948 and the aftermath of 1968 |
title_exact_search_txtP | The Venice Biennale at its turning points 1948 and the aftermath of 1968 |
title_full | The Venice Biennale at its turning points 1948 and the aftermath of 1968 Stefano Collicelli Cagol and Vittoria Martini |
title_fullStr | The Venice Biennale at its turning points 1948 and the aftermath of 1968 Stefano Collicelli Cagol and Vittoria Martini |
title_full_unstemmed | The Venice Biennale at its turning points 1948 and the aftermath of 1968 Stefano Collicelli Cagol and Vittoria Martini |
title_short | The Venice Biennale at its turning points |
title_sort | the venice biennale at its turning points 1948 and the aftermath of 1968 |
title_sub | 1948 and the aftermath of 1968 |
topic | Biennale di Venezia 24. 1948 Venedig (DE-588)5506848-0 gnd Biennale di Venezia (DE-588)1019502-6 gnd Biennale di Venezia 34. 1968 Venedig (DE-588)5261958-8 gnd Politik (DE-588)4046514-7 gnd Gesellschaft (DE-588)4020588-5 gnd |
topic_facet | Biennale di Venezia 24. 1948 Venedig Biennale di Venezia Biennale di Venezia 34. 1968 Venedig Politik Gesellschaft |
work_keys_str_mv | AT collicellicagolstefano thevenicebiennaleatitsturningpoints1948andtheaftermathof1968 AT martinivittoria thevenicebiennaleatitsturningpoints1948andtheaftermathof1968 |