Architectural sculpture in the Byzantine Negev: characterization and meaning
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin
De Gruyter
[2020]
|
| Ausgabe: | [1. Auflage] |
| Schriftenreihe: | Archaeology of the biblical worlds
volume 3 |
| Schlagworte: | |
| Online-Zugang: | http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110628029&searchTitles=true Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | XXI, 684 Seiten Illustrationen, Karten 24 cm |
| ISBN: | 9783110628029 3110628023 |
Internformat
MARC
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|---|---|---|---|
| 001 | BV046831093 | ||
| 003 | DE-604 | ||
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| 008 | 200730s2020 gw a||| |||| 00||| eng d | ||
| 015 | |a 19,N15 |2 dnb | ||
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| 020 | |a 9783110628029 |c Festeinband : EUR 138.95 (DE) (freier Preis), EUR 138.95 (AT) (freier Preis) |9 978-3-11-062802-9 | ||
| 020 | |a 3110628023 |9 3-11-062802-3 | ||
| 024 | 3 | |a 9783110628029 | |
| 035 | |a (OCoLC)1152519230 | ||
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| 100 | 1 | |a Golan, Ḳarni |d 1979- |e Verfasser |0 (DE-588)1214650546 |4 aut | |
| 245 | 1 | 0 | |a Architectural sculpture in the Byzantine Negev |b characterization and meaning |c Karni Golan |
| 250 | |a [1. Auflage] | ||
| 264 | 1 | |a Berlin |b De Gruyter |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a XXI, 684 Seiten |b Illustrationen, Karten |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Archaeology of the biblical worlds |v volume 3 | |
| 648 | 7 | |a Geschichte 300-750 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Baudekoration |0 (DE-588)4732517-3 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Negev |z Süd |0 (DE-588)4457688-2 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Negev |z Süd |0 (DE-588)4457688-2 |D g |
| 689 | 0 | 1 | |a Baudekoration |0 (DE-588)4732517-3 |D s |
| 689 | 0 | 2 | |a Geschichte 300-750 |A z |
| 689 | 0 | |5 DE-604 | |
| 710 | 2 | |a Walter de Gruyter GmbH & Co. KG |0 (DE-588)10095502-2 |4 pbl | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9783110631760 |w (DE-604)BV046698824 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9783110628807 |
| 830 | 0 | |a Archaeology of the biblical worlds |v volume 3 |w (DE-604)BV046213134 |9 3 | |
| 856 | 4 | 2 | |m X:MVB |u http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110628029&searchTitles=true |
| 856 | 4 | 2 | |m B:DE-101 |q application/pdf |u https://d-nb.info/1182482309/04 |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032240257&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032240257 | ||
Datensatz im Suchindex
| _version_ | 1804181652428029952 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGMENTS
*
VII
LIST
OF
ILLUSTRATIONS
*
XIX
LIST
OF
TABLES
-----
XXIII
LIST
OF
CHARTS
AND
GRAPHS
*
XXV
LIST
OF
PLATES
*
XXVII
LIST
OF
PLANS
*
XXIX
1
THE
FOUNDATION:
INTRODUCTION
*
1
1.1
INTRODUCTION
*
1
1.2
THE
METHODOLOGY
AND
OBJECTIVES
OF
THE
STUDY
*
3
1.3
HISTORY
OF
RESEARCH
OF
THE
NEGEV
-----
7
1.4
HISTORY
OF
RESEARCH
OF
STONE
ARCHITECTURAL
DECORATIONS
IN
ISRAEL
AND
THE
NEGEV
DESERT
*
9
2
THE
BUILDING
BLOCKS:
A
CATALOGUE
*
13
2.1
BACKGROUND
*
13
2.2
SHIVTA
*
17
2.2.1
INTRODUCTION
-----
17
2.2.2
BASES
AND
PODIA
*
18
2.2.2.1
MINIMALISTIC
COMPOSITION
*
18
2
2.2.2
COMPLEX
COMPOSITION
*
19
2
2.2.3
COLUMN
BASES
-----
22
2.2.2.4
PODIA
-----
23
2.2.3
DOORJAMBS
*
24
2.2.3.1 PLAIN
MOLDINGS
*
24
2.2.3
2
ORNATE
RELIEFS
*
25
2.23.3
VARIA
*
26
2.2.4
LINTELS
-----
26
2.2.4.1
CROSSES
*
27
2.2.4.2
WHEEL-SPOKE
ROSETTES
AND
WHIRLING
WHEELS
*
30
2.2.4
3
ROSETTES
WITH
PETALS
*
33
2.2.4.4
VARIA
*
35
2.2.5
CAPITALS
*
38
2.2.5.1
MINIMALISTIC
RELIEF
COMPOSITIONS
*
39
2.2.5
2
COMPLEX
RELIEF
COMPOSITIONS
*
39
X
*
*
CONTENTS
2.1.53
ENGRAVED
COMPOSITION
*
43
2.2.5.4
CYLINDRICAL
COLUMN
CAPITALS
*
45
2.2.6
CORNICES
*
46
2.2.6.1
MINIMALISTIC
COMPOSITION
WITH
A
SINGLE
FILLET
*
47
2.2.6.2
MINIMALISTIC
COMPOSITION
WITH
MULTIPLE
SUNK
FILLETS
*
47
2.2.6.Z
MINIMALISTIC
COMPOSITION
WITH
*
ZIGZAG
PATTERN
*
*
47
2.2.6.4
COMPLEX
COMPOSITION
WITH
*
ZIGZAG
PATTERN
*
*
48
2.2.6.5
VARIA
------
49
2.2.7
ARCHES
*
50
2.2.7.1 OVOLO
MOLDING
-----
51
1.1.1.1
ZIGZAG
PATTERN
*
51
2.2.7.3
STAR-LIKE
SHAPES
IN
FRAMES
*
52
2.2.7.4
VARIA
*
53
2.2.8
ARCHITECTURAL
ELEMENTS
WITH
UNDEFINED
ARCHITECTURAL
CONTEXT
*
55
2.3
OBODA
*
56
2.3.1
INTRODUCTION
*
56
2.3.2
FLOOR
TILES
*
57
2.3.3
BASES
*
58
2.3.3.1
DOORJAMB
BASES
*
58
2.3.3.2
COLUM
BASES
*
59
2.3.4
LINTELS
*
60
2.3.4.1
GEOMETRIC
COMPOSITIONS
*
60
2.3.4.2
FAUNAL
COMPOSITIONS
*
61
2.3.5 COLUMN
DRUMS
*
63
2.3.6
CAPITALS
*
65
2.3.6.1
GEOMETRIC
COMPOSITIONS
*
66
2.3.6.1.1
FILLET
MOLDINGS
*
66
2.3.6.1.2
FISHBONE
PATTERN
*
66
2.3.6.1.3
STAR-LIKE
SHAPES
IN
FRAMES
*
66
2.3.6.2
FLORAL
COMPOSITIONS
*
67
2.3.6.3
FAUNAL
COMPOSITIONS
*
68
2.3.7
CORNICES
*
68
2.3.7.1
SINGLE
SUNK
FILLET
-----
68
2.3.Z.2
DOUBLE
SUNK
FILLETS
*
69
2.3.8
ARCHES
*
70
2.3.8.1
RECTANGULAR
FRAMES
AND
X
*
S
IN
RECTANGULAR
FRAMES
*
70
2.3.8.2
ZIGZAG
PATTERN
*
70
2.3.5.3
DENTILS,
ROPE
PATTERN
AND
ZIGZAG
PATTERN
*
71
CONTENTS
*
XI
2.3.9
DECORATED
ELEMENTS
FROM
UNDEFINED
ARCHITECTURAL
CONTEXT
*
71
2.3.9.1
GEOMETRIC
COMPOSITIONS
*
72
2.3.9.1.1
ENGRAVED
*
X
*
S
*
72
2.3.9.1.2
CROSS
IN
RELIEF
-----
72
2.3.9.2
ROSETTE
COMPOSITIONS
*
72
2.4
MAMPSIS
-----
74
2.4.1
INTRODUCTION
*
74
2.4.2
BASES
AND
PODIA
*
74
2.4.2.1
DOORJAMB
BASES
*
75
2.4.2.2
COLUMN
BASE
*
76
2.4.3
DOORJAMBS
-----
76
2.4.3.1
ENGRAVED
COMPOSITIONS
*
76
2.4.3.2
RELIEF
COMPOSITIONS
*
77
2.4.4
LINTELS
*
77
2.4.4.1
CROSSES
*
78
2.4.4.2
WHEEL-SPOKE
ROSETTES,
SOLAR
DISKS
AND
CROSSES
*
78
2.4.4.3
VARIA
-----
79
2.4.5
COLUMNS
----
80
2.4.6
CAPITALS
-----
80
2.4.6.1
GEOMETRIC
COMPOSITIONS
*
81
2.4.6.1.1
UPRIGHT
BANDS
AND
SUNKEN
FILLETS
*
81
2.4.6.1.2
UPRIGHT
BAND,
SUNKEN
FILLET
AND
CYLINDRICAL
MOLDING
*
81
2.4.6.1.3
CROSSES
*
82
2.4.6.1.4
SEQUENCES
OF
MOLDINGS
*
82
2.4.6.2
FLORAL
COMPOSITION
*
83
2.4.63
VARIA
-----
84
2.4.7
CORNICES
*
84
2.4.8
ARCHES
-----
85
2.4.9
DECORATED
ELEMENTS
FROM
AN
UNDEFINED
ARCHITECTURAL
CONTEXT
*
86
2.4.9.1
POSSIBLE
LINTELS
*
86
2.4.9.2
POSSIBLE
ARCH
SEGMENTS
*
86
2.4.93
RECTANGULAR
ASHLARS
OF
UNDEFINED
ARCHITECTURAL
CONTEXT
*
87
2.5
NESSANA
*
88
2.5.1
INTRODUCTION
-----
88
2.5.2
BASES
*
90
2.5.2.1
COMPOSITION
OF
AMPHORA
WITH
TREFOIL
LEAVES
*
90
2.5.2.2
COMPOSITION
OF
AMPHORA
WITH
HALF-PALMETTES
*
91
XII
CONTENTS
2.5.3
COLUMNS
----
92
2.5.4
CAPITALS
-----
94
2.5.4.1
GEOMETRIC
COMPOSITIONS
WITH
A
ZIGZAG
PATTERN
*
94
2.5.4.2
CROSS
AND
PALMETTE
COMPOSITIONS
*
96
2.5.43
VARIA
-----
98
2.5.5
CORNICES
-----
99
2.5.6
DECORATED
ELEMENTS
OF
UNDEFINED
ARCHITECTURAL
CONTEXT
*
99
2.6
BE
*
ER
SHEVA
*
102
2.6.1
INTRODUCTION
-----
102
2.6.2
CAPITALS
*
103
2.6.2.1
DOORJAMB
CAPITALS
*
104
2.6.2.2
COLUMN
CAPITALS
-----
105
2.6.3
CORNICES
*
107
2.6.4
LINTELS
-----
108
2.7
REHOVOT-IN-THE-NEGEV
*
109
2.7.1
INTRODUCTION
-----
109
2.7.2
LINTELS
-----
109
2.7.3
CAPITALS
*
110
2.7.3.1
STAR-LIKE
SHAPES
IN
FRAMES
*
110
2.73.2
PALMETTES
*
111
2.7.4
CORNICES
*
112
2.7.5
ARCHES
-----
114
2.7.6
DECORATED
ELEMENT
FROM
AN
UNDEFINED
ARCHITECTURAL
CONTEXT
*
114
2.8
SA
*
ADON
*
115
2.8.1
INTRODUCTION
*
115
2.8.2
DOORJAMBS
-----
115
2.8.3
CORNICES
*
116
2.8.4
ARCHES
-----
116
2.9
ELUSA
*
116
2.9.1
INTRODUCTION
-----
116
2.9.2
LINTELS
-----
117
2.9.3
CAPITALS
-----
118
2.10
DECORATED
ARCHITECTURAL
ELEMENTS
FROM
UNKNOWN
SITES
*
119
2.10.1
INTRODUCTION
*
119
2.10.2
BASES
-----
120
2.10.3
LINTELS
*
121
2.10.3.1
CROSS
-----
121
2.10.3.2
SIX-PETALED
ROSETTES
*
122
2.10.3.3
SIX-PETALED
ROSETTES
AND
WHEEL-SPOKE
ROSETTES
*
123
2.10.3.4
WHIRLING-WHEELS
-----
125
CONTENTS
*
XIII
2.10.4
CAPITALS
*
126
2.10.4.1
MOLDING
SEQUENCE
COMPOSITIONS
*
126
2.10.4.2
ZIGZAG
PATTERN
-----
128
2.10.4.3
STAR-LIKE
SHAPES
IN
FRAMES
*
129
2.10.4.4
SCHEMATIC
PALMETTES
-----
132
2.10.4.5
ORNATE
PALMETTES
*
135
2.10.4.6
VARIA
*
137
2.10.5
CORNICES
*
137
2.10.6
ARCHES
-----
138
2.10.7
DECORATED
STONES
OF
UNDEFINED
ARCHITECTURAL
CONTEXT
*
139
2.10.7.1
MOLDING
SEQUENCE
-----
140
2.10.7.2
ENGRAVED
CROSSES
*
140
2.10.7.3
SIX-PETALED
ROSETTES
*
141
3
THE
TRIM:
A
CATALOGUE
OF
MOTIFS
-----
143
3.1
INTRODUCTION
*
143
3.2
GEOMETRIC
MOTIFS
*
144
3.2.1
LATHE-MADE
ENGRAVINGS
*
145
3.2.2
UPRIGHT
BAND
-----
146
3.2.3
FILLET
-----
146
3.2.4
SUNKEN
FILLET
-----
147
3.2.5
SLIGHTLY
CONCAVE
BAND
*
148
3.2.6
SLIGHTLY
CONVEX
BAND
------
148
3.2.7
VERTICAL,
SLIGHTLY
CONVEX
BAND
*
149
3.2.8
VERTICAL
TRIANGULAR
BAND
*
149
3.2.9
SCOTIA
MOLDING
----
150
3.2.10
TORUS
MOLDING
----
150
3.2.11
OVOLO
MOLDING
----
151
3.2.12
ROPE-PATTERN
BAND
*
151
3.2.13
DENTILS
-----
152
3.2.14
ZIGZAG
PATTERN
*
152
3.2.15
FISHBONE
PATTERN
*
153
3.2.16
STAR-LIKE
SHAPES
IN
FRAMES
*
154
3.2.16.1
FOUR-POINTED
STAR-LIKE
SHAPES
IN
FRAMES
*
155
3.2.16.2
EIGHT-POINTED
STAR-LIKE
SHAPES
IN
FRAMES
*
155
3.2.17
SQUARE
AND
RHOMBUS
FRAME
*
156
3.2.18
SOLAR
DISK
-----
157
3.2.19
BAND
OF
OVALS
-----
157
3.2.20
BEAD-AND-REEL
BAND
*
158
3.2.21
CROSSES
-----
158
3.2.21.1
GREEK
CROSSES
WITH
STRAIGHT
ARMS
*
159
3.2.21.2
GREEK
CROSSES
WITH
FLARED
ARMS
*
159
XIV
CONTENTS
3.2.22
MEDALLIONS
---
160
3.2.22.1
SINGLE-BAND
ENGRAVED
MEDALLION
*
160
3.2.22.2
MEDALLION
IN
BAS
RELIEF
*
161
3.2.22.3
SUNKEN
RELIEF
DISK
MEDALLION
*
161
3.2.22.4
SUNKEN
RELIEF
BAND
MEDALLION
*
161
3.2.22.5
BAS
RELIEF
BAND
MEDALLION
*
162
3.2.22.6
DOUBLE
BAS
RELIEF
BANDS
MEDALLION
*
162
3.2.22.7
ROPE
PATTERN
BAND
MEDALLION
*
163
3.2.22.8
DENTILS
BAND
MEDALLION
*
163
3.2.22.9
ORNATE
BAND
MEDALLION
*
164
3.3
ROSETTES
*
164
3.3.1
SIMPLE
WHEEL-SPOKE
ROSETTES
*
165
3.3.2
PETALED
WHEEL-SPOKE
ROSETTES
*
165
3.3.3
WHIRLING-WHEEL
ROSETTE
*
166
3.3.4
SIX-PETALED
ROSETTE
*
166
3.3.5
SIX-PETALED
ROSETTE
-
FRAMED
BY
SEGMENTS
*
167
3.3.6
FOUR-PETALED
ROSETTE
*
167
3.4
FLORAL
MOTIFS
*
168
3.4.1
PALMETTES
*
168
3.4.2
ENGRAVED
HALF-PALMETTES
*
169
3.4.3
CARVED
HALF-PALMETTES
*
169
3.4.4
ENGRAVED
WHOLE
PALMETTES
*
170
3.4.5
CARVED
WHOLE
PALMETTES
*
170
3.4.6
TREFOIL
LEAF
*
171
3.4.7
VINE
SCROLLS
AND
GRAPE
CLUSTERS
*
171
3.5
FAUNAL
MOTIFS
*
172
3.5.1
DOVES,
PIGEONS
OR
QUAILS
*
172
3.5.2
EAGLE
WITH
OUTSTRETCHED
WINGS
*
173
3.5.3
UNIDENTIFIABLE
BIRD
*
173
3.5.4
IBEXES
OR
GOATS
-----
174
3.5.5
OXEN
OR
BULLS
-----
174
3.5.6
LEOPARDS
-----
175
3.5.7
LIONS
-----
176
3.5.8
FISH
-----
177
3.6
ARCHITECTURAL
MOTIFS
*
178
3.6.1
COLUMNS
*
179
3.6.1.1
PLAIN
COLUMNS
*
179
3.6.1.2
SPIRAL
COLUMNS
*
179
3.6.2
NICHES
*
180
3.6.3
ARCADES
*
181
3.7 OBJECT-TYPE
MOTIF
*
182
3.8
FIGURATIVE
-----
182
CONTENTS
*
XV
3.9
DISTRIBUTION
OF
MOTIFS
*
183
3.9.1
A
COMPARISON
OF
THE
DISTRIBUTION
OF
MOTIFS
WITHIN
THE
ENTIRE
ASSEMBLAGE
*
184
3.9.2
A
COMPARISON
OF
THE
DISTRIBUTION
OF
MOTIFS
WITHIN
EACH
CATEGORY
*
187
3.9.3
GEOMETRIC
MOTIFS
*
187
3.9.4
ROSETTES
-----
190
3.9.5
FLORAL
MOTIFS
*
192
3.9.6
FAUNAL
MOTIFS
*
193
3.9.7
ARCHITECTURAL
MOTIFS
*
195
3.9.8
OBJECT
TYPE
MOTIF
*
197
3.10
A
COMPARATIVE
STUDY
OF
THE
*
ZIGZAG
PATTERN
*
-----
197
3.11
SUMMARY
*
205
4
FINE-TUNING:
THE
DECORATIONAL
COMPOSITIONS
AND
THE
TECHNICAL
ASPECTS
OF
THE
ORNAMENTATION
*
207
4.1
INTRODUCTION
*
207
4.2
COMPOSITIONS
OF
A
SINGLE
TYPE
OF
MOTIF
*
208
4.2.1
COMPOSITIONS
OF
A
FAUNAL
MOTIF
*
208
4.2.2
COMPOSITIONS
OF
ROSETTES
-----
209
4.2.3
COMPOSITIONS
OF
GEOMETRIC
MOTIFS
*
209
4.3
HYBRID
COMPOSITIONS
*
210
4.4
THE
LOCATION
OF
THE
DECORATION
*
212
4.5
TECHNICAL
ASPECTS
OF
THE
DECORATION
*
216
4.6
SUMMARY
*
234
5
INSULATION:
THE
SYMBOLIC
MEANING
OF
THE
DECORATION
*
237
5.1
INTRODUCTION
*
237
5.2
THE
SEMIOTICS
OF
THE
MOTIFS
-----
239
5.2.1
GEOMETRIC
MOTIFS
*
239
5.2.1.1
THE
ZIGZAG
PATTERN
(NO.
14)
*
239
5.2.1.2
STAR-LIKE
SHAPES
IN
FRAMES
(NO.
16)
*
240
5.2.1.3
THE
SQUARE
AND
RHOMBUS
FRAME
(NO.
17)
AND
THE
MEDALLIONS
(NO.
22)
*
242
5.2.1.4
THE
SOLAR
DISK
(NO.
18)
*
242
5.2.1.5
CROSSES
(NO.
21)
-----
244
5.2.2
ROSETTES
-----
245
5.2.2.1
WHEEL-SPOKE
ROSETTES
(NO.
23),
WHIRLING
WHEELS
(NO.
24)
AND
SIX-PETALED
ROSETTES
(NO.
25)
*
245
5.2.2.2
FOUR-PETALED
ROSETTES
(NO.
26)
------
248
5.2.3 FLORAL
MOTIFS
-----
249
5.2.3.1
PALMETTES
(NO.
27)
-----
249
XVI
*
CONTENTS
5.23.2
TREFOIL
LEAVES
(NO.
28)
-----
251
5.23.3
VINE
SCROLLS
AND
GRAPE
CLUSTERS
(NO.
29)
*
251
5.2.4
FAUNAL
MOTIFS
-----
252
5.2.4.1
THE
EAGLE
(NO.
30B
AND
POSSIBLY
30C)
*
252
5.2.5
ARCHITECTURAL
-----
253
5.2.5.1
A
COLUMN
(NO.
36)
-----
253
5.2.6
OBJECTS
*
254
5.2.6.1
THE
AMPHORA
(NO.
39)
-----
254
5.3
DISCUSSION
AND
CONCLUSIONS
*
254
6
THE
NEIGHBORHOOD:
COMPARISONS
TO
ARCHITECTURAL
DECORATIONS
IN
SURROUNDING
REGIONS
*
263
6.1
INTRODUCTION
-----
263
6.2
SYRIA
-----
263
6.3
JORDAN
*
266
6.4
EGYPT
-----
269
6.5
SUMMARY
*
271
7
FINISHING
TOUCHES:
SYNTHESIS
AND
CONCLUSIONS
*
273
7.1
INTRODUCTION
*
273
7.2
THE
CHARACTERISTICS
OF
THE
STONE
ARCHITECTURAL
DECORATIONS
OF
THE
BYZANTINE
NEGEV
*
273
7.2.1
THE
SIMILARITIES
IN
THE
SHAPES
AND
PROFILES
OF
THE
ARCHITECTURAL
ELEMENTS
-----
273
7.2.2
THE
SIMILARITIES
IN
THE
SUBJECT
MATTER
OF
THE
DECORATION
*
275
7.2.3
THE
DIFFERENCES
IN
THE
DECORATIVE
COMPOSITIONS
*
276
7.2.4
THE
EXISTENCE
OF
PATTERN
BOOKS
*
276
7.2.5
THE
TECHNICAL ASPECTS
OF
THE
ORNAMENTATION
AND
THE
PAINTED
DECORATION
*
279
7.3
CHRONOLOGY
AND
DEVELOPMENT
OF
THE
DECORATION
*
282
7.4
FUTURE
RESEARCH
*
282
ABBREVIATIONS
*
285
REFERENCES
*
287
PLATES
-----
293
SHIVTA
-----
293
OBODA
*
411
MAMPSIS
*
480
NESSANA
*
537
BE
*
ER-SHEVA
*
564
CONTENTS
*
XVII
REHOVOT-IN-THE-NEGEV
*
578
SA
*
ADON
*
590
ELUSA
-----
594
DECORATED
ARCHITECTURAL
ELEMENTS
FROM
UNKNOWN
SITES
*
597
PLANS
*
653
SHIVTA
-----
653
OBODA
*
663
MAMPSIS
*
669
NESSANA
*
675
REHOVOT-IN-THE-NEGEV
*
676
SA
*
ADON
*
677
ELUSA
-----
678
APPENDIX
-----
679
REHOVOT-IN-THE-NEGEV
*
679
|
| adam_txt |
CONTENTS
ACKNOWLEDGMENTS
*
VII
LIST
OF
ILLUSTRATIONS
*
XIX
LIST
OF
TABLES
-----
XXIII
LIST
OF
CHARTS
AND
GRAPHS
*
XXV
LIST
OF
PLATES
*
XXVII
LIST
OF
PLANS
*
XXIX
1
THE
FOUNDATION:
INTRODUCTION
*
1
1.1
INTRODUCTION
*
1
1.2
THE
METHODOLOGY
AND
OBJECTIVES
OF
THE
STUDY
*
3
1.3
HISTORY
OF
RESEARCH
OF
THE
NEGEV
-----
7
1.4
HISTORY
OF
RESEARCH
OF
STONE
ARCHITECTURAL
DECORATIONS
IN
ISRAEL
AND
THE
NEGEV
DESERT
*
9
2
THE
BUILDING
BLOCKS:
A
CATALOGUE
*
13
2.1
BACKGROUND
*
13
2.2
SHIVTA
*
17
2.2.1
INTRODUCTION
-----
17
2.2.2
BASES
AND
PODIA
*
18
2.2.2.1
MINIMALISTIC
COMPOSITION
*
18
2
2.2.2
COMPLEX
COMPOSITION
*
19
2
2.2.3
COLUMN
BASES
-----
22
2.2.2.4
PODIA
-----
23
2.2.3
DOORJAMBS
*
24
2.2.3.1 PLAIN
MOLDINGS
*
24
2.2.3
2
ORNATE
RELIEFS
*
25
2.23.3
VARIA
*
26
2.2.4
LINTELS
-----
26
2.2.4.1
CROSSES
*
27
2.2.4.2
WHEEL-SPOKE
ROSETTES
AND
WHIRLING
WHEELS
*
30
2.2.4
3
ROSETTES
WITH
PETALS
*
33
2.2.4.4
VARIA
*
35
2.2.5
CAPITALS
*
38
2.2.5.1
MINIMALISTIC
RELIEF
COMPOSITIONS
*
39
2.2.5
2
COMPLEX
RELIEF
COMPOSITIONS
*
39
X
*
*
CONTENTS
2.1.53
ENGRAVED
COMPOSITION
*
43
2.2.5.4
CYLINDRICAL
COLUMN
CAPITALS
*
45
2.2.6
CORNICES
*
46
2.2.6.1
MINIMALISTIC
COMPOSITION
WITH
A
SINGLE
FILLET
*
47
2.2.6.2
MINIMALISTIC
COMPOSITION
WITH
MULTIPLE
SUNK
FILLETS
*
47
2.2.6.Z
MINIMALISTIC
COMPOSITION
WITH
*
ZIGZAG
PATTERN
*
*
47
2.2.6.4
COMPLEX
COMPOSITION
WITH
*
ZIGZAG
PATTERN
*
*
48
2.2.6.5
VARIA
------
49
2.2.7
ARCHES
*
50
2.2.7.1 OVOLO
MOLDING
-----
51
1.1.1.1
ZIGZAG
PATTERN
*
51
2.2.7.3
STAR-LIKE
SHAPES
IN
FRAMES
*
52
2.2.7.4
VARIA
*
53
2.2.8
ARCHITECTURAL
ELEMENTS
WITH
UNDEFINED
ARCHITECTURAL
CONTEXT
*
55
2.3
OBODA
*
56
2.3.1
INTRODUCTION
*
56
2.3.2
FLOOR
TILES
*
57
2.3.3
BASES
*
58
2.3.3.1
DOORJAMB
BASES
*
58
2.3.3.2
COLUM
BASES
*
59
2.3.4
LINTELS
*
60
2.3.4.1
GEOMETRIC
COMPOSITIONS
*
60
2.3.4.2
FAUNAL
COMPOSITIONS
*
61
2.3.5 COLUMN
DRUMS
*
63
2.3.6
CAPITALS
*
65
2.3.6.1
GEOMETRIC
COMPOSITIONS
*
66
2.3.6.1.1
FILLET
MOLDINGS
*
66
2.3.6.1.2
FISHBONE
PATTERN
*
66
2.3.6.1.3
STAR-LIKE
SHAPES
IN
FRAMES
*
66
2.3.6.2
FLORAL
COMPOSITIONS
*
67
2.3.6.3
FAUNAL
COMPOSITIONS
*
68
2.3.7
CORNICES
*
68
2.3.7.1
SINGLE
SUNK
FILLET
-----
68
2.3.Z.2
DOUBLE
SUNK
FILLETS
*
69
2.3.8
ARCHES
*
70
2.3.8.1
RECTANGULAR
FRAMES
AND
X
*
S
IN
RECTANGULAR
FRAMES
*
70
2.3.8.2
ZIGZAG
PATTERN
*
70
2.3.5.3
DENTILS,
ROPE
PATTERN
AND
ZIGZAG
PATTERN
*
71
CONTENTS
*
XI
2.3.9
DECORATED
ELEMENTS
FROM
UNDEFINED
ARCHITECTURAL
CONTEXT
*
71
2.3.9.1
GEOMETRIC
COMPOSITIONS
*
72
2.3.9.1.1
ENGRAVED
*
X
*
S
*
72
2.3.9.1.2
CROSS
IN
RELIEF
-----
72
2.3.9.2
ROSETTE
COMPOSITIONS
*
72
2.4
MAMPSIS
-----
74
2.4.1
INTRODUCTION
*
74
2.4.2
BASES
AND
PODIA
*
74
2.4.2.1
DOORJAMB
BASES
*
75
2.4.2.2
COLUMN
BASE
*
76
2.4.3
DOORJAMBS
-----
76
2.4.3.1
ENGRAVED
COMPOSITIONS
*
76
2.4.3.2
RELIEF
COMPOSITIONS
*
77
2.4.4
LINTELS
*
77
2.4.4.1
CROSSES
*
78
2.4.4.2
WHEEL-SPOKE
ROSETTES,
SOLAR
DISKS
AND
CROSSES
*
78
2.4.4.3
VARIA
-----
79
2.4.5
COLUMNS
----
80
2.4.6
CAPITALS
-----
80
2.4.6.1
GEOMETRIC
COMPOSITIONS
*
81
2.4.6.1.1
UPRIGHT
BANDS
AND
SUNKEN
FILLETS
*
81
2.4.6.1.2
UPRIGHT
BAND,
SUNKEN
FILLET
AND
CYLINDRICAL
MOLDING
*
81
2.4.6.1.3
CROSSES
*
82
2.4.6.1.4
SEQUENCES
OF
MOLDINGS
*
82
2.4.6.2
FLORAL
COMPOSITION
*
83
2.4.63
VARIA
-----
84
2.4.7
CORNICES
*
84
2.4.8
ARCHES
-----
85
2.4.9
DECORATED
ELEMENTS
FROM
AN
UNDEFINED
ARCHITECTURAL
CONTEXT
*
86
2.4.9.1
POSSIBLE
LINTELS
*
86
2.4.9.2
POSSIBLE
ARCH
SEGMENTS
*
86
2.4.93
RECTANGULAR
ASHLARS
OF
UNDEFINED
ARCHITECTURAL
CONTEXT
*
87
2.5
NESSANA
*
88
2.5.1
INTRODUCTION
-----
88
2.5.2
BASES
*
90
2.5.2.1
COMPOSITION
OF
AMPHORA
WITH
TREFOIL
LEAVES
*
90
2.5.2.2
COMPOSITION
OF
AMPHORA
WITH
HALF-PALMETTES
*
91
XII
CONTENTS
2.5.3
COLUMNS
----
92
2.5.4
CAPITALS
-----
94
2.5.4.1
GEOMETRIC
COMPOSITIONS
WITH
A
ZIGZAG
PATTERN
*
94
2.5.4.2
CROSS
AND
PALMETTE
COMPOSITIONS
*
96
2.5.43
VARIA
-----
98
2.5.5
CORNICES
-----
99
2.5.6
DECORATED
ELEMENTS
OF
UNDEFINED
ARCHITECTURAL
CONTEXT
*
99
2.6
BE
*
ER
SHEVA
*
102
2.6.1
INTRODUCTION
-----
102
2.6.2
CAPITALS
*
103
2.6.2.1
DOORJAMB
CAPITALS
*
104
2.6.2.2
COLUMN
CAPITALS
-----
105
2.6.3
CORNICES
*
107
2.6.4
LINTELS
-----
108
2.7
REHOVOT-IN-THE-NEGEV
*
109
2.7.1
INTRODUCTION
-----
109
2.7.2
LINTELS
-----
109
2.7.3
CAPITALS
*
110
2.7.3.1
STAR-LIKE
SHAPES
IN
FRAMES
*
110
2.73.2
PALMETTES
*
111
2.7.4
CORNICES
*
112
2.7.5
ARCHES
-----
114
2.7.6
DECORATED
ELEMENT
FROM
AN
UNDEFINED
ARCHITECTURAL
CONTEXT
*
114
2.8
SA
*
ADON
*
115
2.8.1
INTRODUCTION
*
115
2.8.2
DOORJAMBS
-----
115
2.8.3
CORNICES
*
116
2.8.4
ARCHES
-----
116
2.9
ELUSA
*
116
2.9.1
INTRODUCTION
-----
116
2.9.2
LINTELS
-----
117
2.9.3
CAPITALS
-----
118
2.10
DECORATED
ARCHITECTURAL
ELEMENTS
FROM
UNKNOWN
SITES
*
119
2.10.1
INTRODUCTION
*
119
2.10.2
BASES
-----
120
2.10.3
LINTELS
*
121
2.10.3.1
CROSS
-----
121
2.10.3.2
SIX-PETALED
ROSETTES
*
122
2.10.3.3
SIX-PETALED
ROSETTES
AND
WHEEL-SPOKE
ROSETTES
*
123
2.10.3.4
WHIRLING-WHEELS
-----
125
CONTENTS
*
XIII
2.10.4
CAPITALS
*
126
2.10.4.1
MOLDING
SEQUENCE
COMPOSITIONS
*
126
2.10.4.2
ZIGZAG
PATTERN
-----
128
2.10.4.3
STAR-LIKE
SHAPES
IN
FRAMES
*
129
2.10.4.4
SCHEMATIC
PALMETTES
-----
132
2.10.4.5
ORNATE
PALMETTES
*
135
2.10.4.6
VARIA
*
137
2.10.5
CORNICES
*
137
2.10.6
ARCHES
-----
138
2.10.7
DECORATED
STONES
OF
UNDEFINED
ARCHITECTURAL
CONTEXT
*
139
2.10.7.1
MOLDING
SEQUENCE
-----
140
2.10.7.2
ENGRAVED
CROSSES
*
140
2.10.7.3
SIX-PETALED
ROSETTES
*
141
3
THE
TRIM:
A
CATALOGUE
OF
MOTIFS
-----
143
3.1
INTRODUCTION
*
143
3.2
GEOMETRIC
MOTIFS
*
144
3.2.1
LATHE-MADE
ENGRAVINGS
*
145
3.2.2
UPRIGHT
BAND
-----
146
3.2.3
FILLET
-----
146
3.2.4
SUNKEN
FILLET
-----
147
3.2.5
SLIGHTLY
CONCAVE
BAND
*
148
3.2.6
SLIGHTLY
CONVEX
BAND
------
148
3.2.7
VERTICAL,
SLIGHTLY
CONVEX
BAND
*
149
3.2.8
VERTICAL
TRIANGULAR
BAND
*
149
3.2.9
SCOTIA
MOLDING
----
150
3.2.10
TORUS
MOLDING
----
150
3.2.11
OVOLO
MOLDING
----
151
3.2.12
ROPE-PATTERN
BAND
*
151
3.2.13
DENTILS
-----
152
3.2.14
ZIGZAG
PATTERN
*
152
3.2.15
FISHBONE
PATTERN
*
153
3.2.16
STAR-LIKE
SHAPES
IN
FRAMES
*
154
3.2.16.1
FOUR-POINTED
STAR-LIKE
SHAPES
IN
FRAMES
*
155
3.2.16.2
EIGHT-POINTED
STAR-LIKE
SHAPES
IN
FRAMES
*
155
3.2.17
SQUARE
AND
RHOMBUS
FRAME
*
156
3.2.18
SOLAR
DISK
-----
157
3.2.19
BAND
OF
OVALS
-----
157
3.2.20
BEAD-AND-REEL
BAND
*
158
3.2.21
CROSSES
-----
158
3.2.21.1
GREEK
CROSSES
WITH
STRAIGHT
ARMS
*
159
3.2.21.2
GREEK
CROSSES
WITH
FLARED
ARMS
*
159
XIV
CONTENTS
3.2.22
MEDALLIONS
---
160
3.2.22.1
SINGLE-BAND
ENGRAVED
MEDALLION
*
160
3.2.22.2
MEDALLION
IN
BAS
RELIEF
*
161
3.2.22.3
SUNKEN
RELIEF
DISK
MEDALLION
*
161
3.2.22.4
SUNKEN
RELIEF
BAND
MEDALLION
*
161
3.2.22.5
BAS
RELIEF
BAND
MEDALLION
*
162
3.2.22.6
DOUBLE
BAS
RELIEF
BANDS
MEDALLION
*
162
3.2.22.7
ROPE
PATTERN
BAND
MEDALLION
*
163
3.2.22.8
DENTILS
BAND
MEDALLION
*
163
3.2.22.9
ORNATE
BAND
MEDALLION
*
164
3.3
ROSETTES
*
164
3.3.1
SIMPLE
WHEEL-SPOKE
ROSETTES
*
165
3.3.2
PETALED
WHEEL-SPOKE
ROSETTES
*
165
3.3.3
WHIRLING-WHEEL
ROSETTE
*
166
3.3.4
SIX-PETALED
ROSETTE
*
166
3.3.5
SIX-PETALED
ROSETTE
-
FRAMED
BY
SEGMENTS
*
167
3.3.6
FOUR-PETALED
ROSETTE
*
167
3.4
FLORAL
MOTIFS
*
168
3.4.1
PALMETTES
*
168
3.4.2
ENGRAVED
HALF-PALMETTES
*
169
3.4.3
CARVED
HALF-PALMETTES
*
169
3.4.4
ENGRAVED
WHOLE
PALMETTES
*
170
3.4.5
CARVED
WHOLE
PALMETTES
*
170
3.4.6
TREFOIL
LEAF
*
171
3.4.7
VINE
SCROLLS
AND
GRAPE
CLUSTERS
*
171
3.5
FAUNAL
MOTIFS
*
172
3.5.1
DOVES,
PIGEONS
OR
QUAILS
*
172
3.5.2
EAGLE
WITH
OUTSTRETCHED
WINGS
*
173
3.5.3
UNIDENTIFIABLE
BIRD
*
173
3.5.4
IBEXES
OR
GOATS
-----
174
3.5.5
OXEN
OR
BULLS
-----
174
3.5.6
LEOPARDS
-----
175
3.5.7
LIONS
-----
176
3.5.8
FISH
-----
177
3.6
ARCHITECTURAL
MOTIFS
*
178
3.6.1
COLUMNS
*
179
3.6.1.1
PLAIN
COLUMNS
*
179
3.6.1.2
SPIRAL
COLUMNS
*
179
3.6.2
NICHES
*
180
3.6.3
ARCADES
*
181
3.7 OBJECT-TYPE
MOTIF
*
182
3.8
FIGURATIVE
-----
182
CONTENTS
*
XV
3.9
DISTRIBUTION
OF
MOTIFS
*
183
3.9.1
A
COMPARISON
OF
THE
DISTRIBUTION
OF
MOTIFS
WITHIN
THE
ENTIRE
ASSEMBLAGE
*
184
3.9.2
A
COMPARISON
OF
THE
DISTRIBUTION
OF
MOTIFS
WITHIN
EACH
CATEGORY
*
187
3.9.3
GEOMETRIC
MOTIFS
*
187
3.9.4
ROSETTES
-----
190
3.9.5
FLORAL
MOTIFS
*
192
3.9.6
FAUNAL
MOTIFS
*
193
3.9.7
ARCHITECTURAL
MOTIFS
*
195
3.9.8
OBJECT
TYPE
MOTIF
*
197
3.10
A
COMPARATIVE
STUDY
OF
THE
*
ZIGZAG
PATTERN
*
-----
197
3.11
SUMMARY
*
205
4
FINE-TUNING:
THE
DECORATIONAL
COMPOSITIONS
AND
THE
TECHNICAL
ASPECTS
OF
THE
ORNAMENTATION
*
207
4.1
INTRODUCTION
*
207
4.2
COMPOSITIONS
OF
A
SINGLE
TYPE
OF
MOTIF
*
208
4.2.1
COMPOSITIONS
OF
A
FAUNAL
MOTIF
*
208
4.2.2
COMPOSITIONS
OF
ROSETTES
-----
209
4.2.3
COMPOSITIONS
OF
GEOMETRIC
MOTIFS
*
209
4.3
HYBRID
COMPOSITIONS
*
210
4.4
THE
LOCATION
OF
THE
DECORATION
*
212
4.5
TECHNICAL
ASPECTS
OF
THE
DECORATION
*
216
4.6
SUMMARY
*
234
5
INSULATION:
THE
SYMBOLIC
MEANING
OF
THE
DECORATION
*
237
5.1
INTRODUCTION
*
237
5.2
THE
SEMIOTICS
OF
THE
MOTIFS
-----
239
5.2.1
GEOMETRIC
MOTIFS
*
239
5.2.1.1
THE
ZIGZAG
PATTERN
(NO.
14)
*
239
5.2.1.2
STAR-LIKE
SHAPES
IN
FRAMES
(NO.
16)
*
240
5.2.1.3
THE
SQUARE
AND
RHOMBUS
FRAME
(NO.
17)
AND
THE
MEDALLIONS
(NO.
22)
*
242
5.2.1.4
THE
SOLAR
DISK
(NO.
18)
*
242
5.2.1.5
CROSSES
(NO.
21)
-----
244
5.2.2
ROSETTES
-----
245
5.2.2.1
WHEEL-SPOKE
ROSETTES
(NO.
23),
WHIRLING
WHEELS
(NO.
24)
AND
SIX-PETALED
ROSETTES
(NO.
25)
*
245
5.2.2.2
FOUR-PETALED
ROSETTES
(NO.
26)
------
248
5.2.3 FLORAL
MOTIFS
-----
249
5.2.3.1
PALMETTES
(NO.
27)
-----
249
XVI
*
CONTENTS
5.23.2
TREFOIL
LEAVES
(NO.
28)
-----
251
5.23.3
VINE
SCROLLS
AND
GRAPE
CLUSTERS
(NO.
29)
*
251
5.2.4
FAUNAL
MOTIFS
-----
252
5.2.4.1
THE
EAGLE
(NO.
30B
AND
POSSIBLY
30C)
*
252
5.2.5
ARCHITECTURAL
-----
253
5.2.5.1
A
COLUMN
(NO.
36)
-----
253
5.2.6
OBJECTS
*
254
5.2.6.1
THE
AMPHORA
(NO.
39)
-----
254
5.3
DISCUSSION
AND
CONCLUSIONS
*
254
6
THE
NEIGHBORHOOD:
COMPARISONS
TO
ARCHITECTURAL
DECORATIONS
IN
SURROUNDING
REGIONS
*
263
6.1
INTRODUCTION
-----
263
6.2
SYRIA
-----
263
6.3
JORDAN
*
266
6.4
EGYPT
-----
269
6.5
SUMMARY
*
271
7
FINISHING
TOUCHES:
SYNTHESIS
AND
CONCLUSIONS
*
273
7.1
INTRODUCTION
*
273
7.2
THE
CHARACTERISTICS
OF
THE
STONE
ARCHITECTURAL
DECORATIONS
OF
THE
BYZANTINE
NEGEV
*
273
7.2.1
THE
SIMILARITIES
IN
THE
SHAPES
AND
PROFILES
OF
THE
ARCHITECTURAL
ELEMENTS
-----
273
7.2.2
THE
SIMILARITIES
IN
THE
SUBJECT
MATTER
OF
THE
DECORATION
*
275
7.2.3
THE
DIFFERENCES
IN
THE
DECORATIVE
COMPOSITIONS
*
276
7.2.4
THE
EXISTENCE
OF
PATTERN
BOOKS
*
276
7.2.5
THE
TECHNICAL ASPECTS
OF
THE
ORNAMENTATION
AND
THE
PAINTED
DECORATION
*
279
7.3
CHRONOLOGY
AND
DEVELOPMENT
OF
THE
DECORATION
*
282
7.4
FUTURE
RESEARCH
*
282
ABBREVIATIONS
*
285
REFERENCES
*
287
PLATES
-----
293
SHIVTA
-----
293
OBODA
*
411
MAMPSIS
*
480
NESSANA
*
537
BE
*
ER-SHEVA
*
564
CONTENTS
*
XVII
REHOVOT-IN-THE-NEGEV
*
578
SA
*
ADON
*
590
ELUSA
-----
594
DECORATED
ARCHITECTURAL
ELEMENTS
FROM
UNKNOWN
SITES
*
597
PLANS
*
653
SHIVTA
-----
653
OBODA
*
663
MAMPSIS
*
669
NESSANA
*
675
REHOVOT-IN-THE-NEGEV
*
676
SA
*
ADON
*
677
ELUSA
-----
678
APPENDIX
-----
679
REHOVOT-IN-THE-NEGEV
*
679 |
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| any_adam_object_boolean | 1 |
| author | Golan, Ḳarni 1979- |
| author_GND | (DE-588)1214650546 |
| author_facet | Golan, Ḳarni 1979- |
| author_role | aut |
| author_sort | Golan, Ḳarni 1979- |
| author_variant | ḳ g ḳg |
| building | Verbundindex |
| bvnumber | BV046831093 |
| ctrlnum | (OCoLC)1152519230 (DE-599)DNB1182482309 |
| dewey-full | 729.5095694909015 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 729 - Design & decoration |
| dewey-raw | 729.5095694909015 |
| dewey-search | 729.5095694909015 |
| dewey-sort | 3729.5095694909015 |
| dewey-tens | 720 - Architecture |
| discipline | Architektur Geschichte |
| discipline_str_mv | Architektur Geschichte |
| edition | [1. Auflage] |
| era | Geschichte 300-750 gnd |
| era_facet | Geschichte 300-750 |
| format | Book |
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| geographic | Negev Süd (DE-588)4457688-2 gnd |
| geographic_facet | Negev Süd |
| id | DE-604.BV046831093 |
| illustrated | Illustrated |
| index_date | 2024-07-03T15:04:51Z |
| indexdate | 2024-07-10T08:55:04Z |
| institution | BVB |
| institution_GND | (DE-588)10095502-2 |
| isbn | 9783110628029 3110628023 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032240257 |
| oclc_num | 1152519230 |
| open_access_boolean | |
| owner | DE-11 DE-Y3 DE-Bb24 DE-BY-UBG DE-Y2 DE-19 DE-BY-UBM |
| owner_facet | DE-11 DE-Y3 DE-Bb24 DE-BY-UBG DE-Y2 DE-19 DE-BY-UBM |
| physical | XXI, 684 Seiten Illustrationen, Karten 24 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | De Gruyter |
| record_format | marc |
| series | Archaeology of the biblical worlds |
| series2 | Archaeology of the biblical worlds |
| spelling | Golan, Ḳarni 1979- Verfasser (DE-588)1214650546 aut Architectural sculpture in the Byzantine Negev characterization and meaning Karni Golan [1. Auflage] Berlin De Gruyter [2020] © 2020 XXI, 684 Seiten Illustrationen, Karten 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Archaeology of the biblical worlds volume 3 Geschichte 300-750 gnd rswk-swf Baudekoration (DE-588)4732517-3 gnd rswk-swf Negev Süd (DE-588)4457688-2 gnd rswk-swf Negev Süd (DE-588)4457688-2 g Baudekoration (DE-588)4732517-3 s Geschichte 300-750 z DE-604 Walter de Gruyter GmbH & Co. KG (DE-588)10095502-2 pbl Erscheint auch als Online-Ausgabe 9783110631760 (DE-604)BV046698824 Erscheint auch als Online-Ausgabe 9783110628807 Archaeology of the biblical worlds volume 3 (DE-604)BV046213134 3 X:MVB http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110628029&searchTitles=true B:DE-101 application/pdf https://d-nb.info/1182482309/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032240257&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Golan, Ḳarni 1979- Architectural sculpture in the Byzantine Negev characterization and meaning Archaeology of the biblical worlds Baudekoration (DE-588)4732517-3 gnd |
| subject_GND | (DE-588)4732517-3 (DE-588)4457688-2 |
| title | Architectural sculpture in the Byzantine Negev characterization and meaning |
| title_auth | Architectural sculpture in the Byzantine Negev characterization and meaning |
| title_exact_search | Architectural sculpture in the Byzantine Negev characterization and meaning |
| title_exact_search_txtP | Architectural sculpture in the Byzantine Negev characterization and meaning |
| title_full | Architectural sculpture in the Byzantine Negev characterization and meaning Karni Golan |
| title_fullStr | Architectural sculpture in the Byzantine Negev characterization and meaning Karni Golan |
| title_full_unstemmed | Architectural sculpture in the Byzantine Negev characterization and meaning Karni Golan |
| title_short | Architectural sculpture in the Byzantine Negev |
| title_sort | architectural sculpture in the byzantine negev characterization and meaning |
| title_sub | characterization and meaning |
| topic | Baudekoration (DE-588)4732517-3 gnd |
| topic_facet | Baudekoration Negev Süd |
| url | http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110628029&searchTitles=true https://d-nb.info/1182482309/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032240257&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV046213134 |
| work_keys_str_mv | AT golankarni architecturalsculptureinthebyzantinenegevcharacterizationandmeaning AT walterdegruytergmbhcokg architecturalsculptureinthebyzantinenegevcharacterizationandmeaning |
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