Semiotics by instinct: 'cult film' as signifying practice between audience and film
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
1992
|
Beschreibung: | Part III. Popular audiences and cultural quality |
ISBN: | 0-415-06385-X |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV046830867 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | t | ||
008 | 200730s1992 |||| 00||| eng d | ||
035 | |a (DE-599)BVBBV046830867 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-M472 | ||
100 | 1 | |a Jerslev, Anne |d 1952- |0 (DE-588)172977320 |4 aut | |
245 | 1 | 0 | |a Semiotics by instinct |b 'cult film' as signifying practice between audience and film |c Anne Jerslev |
264 | 1 | |c 1992 | |
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Part III. Popular audiences and cultural quality | ||
773 | 1 | 8 | |g pages:181-198 |
773 | 0 | 8 | |t Media cultures / ed. by Michael Skovmand ... |b 1. publ. |d London u.a., 1992 |g Seiten 181-198 |k Communication and society |w (DE-604)BV006399844 |z 0-415-06385-X |
999 | |a oai:aleph.bib-bvb.de:BVB01-032240034 | ||
941 | |s 181-198 |
Datensatz im Suchindex
_version_ | 1804181652025376768 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
article_link | (DE-604)BV006399844 |
author | Jerslev, Anne 1952- |
author_GND | (DE-588)172977320 |
author_facet | Jerslev, Anne 1952- |
author_role | aut |
author_sort | Jerslev, Anne 1952- |
author_variant | a j aj |
building | Verbundindex |
bvnumber | BV046830867 |
ctrlnum | (DE-599)BVBBV046830867 |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00909naa a2200265 c 4500</leader><controlfield tag="001">BV046830867</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200730s1992 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046830867</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Jerslev, Anne</subfield><subfield code="d">1952-</subfield><subfield code="0">(DE-588)172977320</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Semiotics by instinct</subfield><subfield code="b">'cult film' as signifying practice between audience and film</subfield><subfield code="c">Anne Jerslev</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">1992</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Part III. Popular audiences and cultural quality</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:181-198</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Media cultures / ed. by Michael Skovmand ...</subfield><subfield code="b">1. publ.</subfield><subfield code="d">London u.a., 1992</subfield><subfield code="g">Seiten 181-198</subfield><subfield code="k">Communication and society</subfield><subfield code="w">(DE-604)BV006399844</subfield><subfield code="z">0-415-06385-X</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032240034</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">181-198</subfield></datafield></record></collection> |
id | DE-604.BV046830867 |
illustrated | Not Illustrated |
index_date | 2024-07-03T15:04:45Z |
indexdate | 2024-07-10T08:55:03Z |
institution | BVB |
isbn | 0-415-06385-X |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032240034 |
open_access_boolean | |
owner | DE-M472 |
owner_facet | DE-M472 |
publishDate | 1992 |
publishDateSearch | 1992 |
publishDateSort | 1992 |
record_format | marc |
spelling | Jerslev, Anne 1952- (DE-588)172977320 aut Semiotics by instinct 'cult film' as signifying practice between audience and film Anne Jerslev 1992 txt rdacontent n rdamedia nc rdacarrier Part III. Popular audiences and cultural quality pages:181-198 Media cultures / ed. by Michael Skovmand ... 1. publ. London u.a., 1992 Seiten 181-198 Communication and society (DE-604)BV006399844 0-415-06385-X |
spellingShingle | Jerslev, Anne 1952- Semiotics by instinct 'cult film' as signifying practice between audience and film |
title | Semiotics by instinct 'cult film' as signifying practice between audience and film |
title_auth | Semiotics by instinct 'cult film' as signifying practice between audience and film |
title_exact_search | Semiotics by instinct 'cult film' as signifying practice between audience and film |
title_exact_search_txtP | Semiotics by instinct 'cult film' as signifying practice between audience and film |
title_full | Semiotics by instinct 'cult film' as signifying practice between audience and film Anne Jerslev |
title_fullStr | Semiotics by instinct 'cult film' as signifying practice between audience and film Anne Jerslev |
title_full_unstemmed | Semiotics by instinct 'cult film' as signifying practice between audience and film Anne Jerslev |
title_short | Semiotics by instinct |
title_sort | semiotics by instinct cult film as signifying practice between audience and film |
title_sub | 'cult film' as signifying practice between audience and film |
work_keys_str_mv | AT jerslevanne semioticsbyinstinctcultfilmassignifyingpracticebetweenaudienceandfilm |