Acting out: cabinet cards and the making of modern photography
"Cabinet cards were America's main format for photographic portraiture through last three decades of the nineteenth century. Standardized at 6 1/2-by-4 1/4-inches, they were just large enough to reveal extensive detail, leading to the incorporation of elaborate poses, backdrops, and props....
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland
University of California Press
[2020]
Fort Worth Amon Carter Museum of American Art |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Cabinet cards were America's main format for photographic portraiture through last three decades of the nineteenth century. Standardized at 6 1/2-by-4 1/4-inches, they were just large enough to reveal extensive detail, leading to the incorporation of elaborate poses, backdrops, and props. Inexpensive and sold by the dozen, they transformed getting one's portrait made from a formal event taken up once or twice in a lifetime into a commonplace practice shared with friends. The cards reinforced middle class Americans' sense of family. They allowed people to show off their material achievements and comforts, and the best cards projected an informal immediacy that encouraged viewers feel emotionally connected with those portrayed. The phenomenon even led sitters to act out before the camera. By making photographs an easygoing fact of life, the cards set the root for the snapshot and even today's photo sharing. This first-ever in-depth examination of the cabinet card phenomena, assembled by Dr. John Rohrbach, senior curator of photographs at the Amon Carter Museum of American Art, takes the form of a major travelling exhibition and book. The project finds its roots in the work of New York City photography Napoleon Sarony who, starting in the 1860s, made cabinet cards his central tool for marketing the stars of the day. The project reveals how in reaction to the cards' ubiquity, photographers across the United States worked assiduously to set their businesses apart through use of elaborate, often incongruous, backdrops, overlays, and promotional advertising printed on both sides of the cards. It highlights how the cards transformed photography from a formal event into an avenue for personal expression where sitters took full advantage of photography's realism while openly playing with the medium's believability. In short, cabinet cards made photography modern. Essays by Rohrbach, Salvesen, and Pauwels address how cabinet cards reflected and encouraged the wide embrace of photography (Rohrbach), an in-depth essay on California photographer R. J. Arnold, who built a successful small-town business on the cabinet card (Salvesen), and an essay on New York City photographer Napoleon Sarony's innovative efforts using his patented Posing Apparatus"-- |
| Beschreibung: | Aus dem Impressum: "Published on the occasion of the exhibition 'Acting Out: Cabinet Cards and the Making of Modern Photography', organized and presented by the Amon Carter Museum of American Art, Fort Worth, Texas. Exhibition dates: Amon Carter Museum of American Art, June 27 - September 20, 2020; Los Angeles County Museum of Art, November 1 - April 18, 2021". - (Ausstellungsdaten aus aktuellem Anlass geändert) |
| Beschreibung: | 231 Seiten 29 cm |
| ISBN: | 9780520306684 |
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| 500 | |a Aus dem Impressum: "Published on the occasion of the exhibition 'Acting Out: Cabinet Cards and the Making of Modern Photography', organized and presented by the Amon Carter Museum of American Art, Fort Worth, Texas. Exhibition dates: Amon Carter Museum of American Art, June 27 - September 20, 2020; Los Angeles County Museum of Art, November 1 - April 18, 2021". - (Ausstellungsdaten aus aktuellem Anlass geändert) | ||
| 505 | 8 | |a Introduction : making photography modern / John Rohrbach -- The art of not posing : Napoleon Sarony and the cultivation of pictorial effect in American cabinet cards / Erin Pauwels -- Second-class operators, first-class work : the business of cabinet card photography / Britt Salvesen -- Acting out / John Rohrbach -- Technical remarks on photographic materials used for cabinet card portraiture / Fernanda Valverde | |
| 520 | 3 | |a "Cabinet cards were America's main format for photographic portraiture through last three decades of the nineteenth century. Standardized at 6 1/2-by-4 1/4-inches, they were just large enough to reveal extensive detail, leading to the incorporation of elaborate poses, backdrops, and props. Inexpensive and sold by the dozen, they transformed getting one's portrait made from a formal event taken up once or twice in a lifetime into a commonplace practice shared with friends. The cards reinforced middle class Americans' sense of family. They allowed people to show off their material achievements and comforts, and the best cards projected an informal immediacy that encouraged viewers feel emotionally connected with those portrayed. The phenomenon even led sitters to act out before the camera. By making photographs an easygoing fact of life, the cards set the root for the snapshot and even today's photo sharing. | |
| 520 | 3 | |a This first-ever in-depth examination of the cabinet card phenomena, assembled by Dr. John Rohrbach, senior curator of photographs at the Amon Carter Museum of American Art, takes the form of a major travelling exhibition and book. The project finds its roots in the work of New York City photography Napoleon Sarony who, starting in the 1860s, made cabinet cards his central tool for marketing the stars of the day. The project reveals how in reaction to the cards' ubiquity, photographers across the United States worked assiduously to set their businesses apart through use of elaborate, often incongruous, backdrops, overlays, and promotional advertising printed on both sides of the cards. It highlights how the cards transformed photography from a formal event into an avenue for personal expression where sitters took full advantage of photography's realism while openly playing with the medium's believability. In short, cabinet cards made photography modern. | |
| 520 | 3 | |a Essays by Rohrbach, Salvesen, and Pauwels address how cabinet cards reflected and encouraged the wide embrace of photography (Rohrbach), an in-depth essay on California photographer R. J. Arnold, who built a successful small-town business on the cabinet card (Salvesen), and an essay on New York City photographer Napoleon Sarony's innovative efforts using his patented Posing Apparatus"-- | |
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Datensatz im Suchindex
| _version_ | 1804181650540593152 |
|---|---|
| adam_text | CONTENTS
LENDER
S
TO
THE E
X
HIBITION
8
AC
K
NOWL
E
DGMENTS
9
F
ORE
WORD
ANDREW J
.
WALKER
12
INTRODUCTION
:
MAKING PHOTOGRAPHY
MOD
E
RN
JOHN ROHRBACH
14
TH
E
ART
OF
NOT
POSING
:
NAPOLEON SARONY AND THE POPULARIZATION
OF
PICTORIA
L
PHOTOGRAPHY
E
R
IN
PA
U
WE
L
S
20
PLATES
S
E
C
TIO
N
ONE
I
C
AU
G
HT
IN
THE A
C
T
39
SECOND
-
CLA
S
S
OP
E
RATOR
S,
FIR
S
T
-
CLAS
S
WORK:
TH
E
BU
S
IN
ESS
OF
CABIN
E
T
-
CARD
PHOTOGRAPHY
BRITT SALVESEN
52
PLATES
S
ECTION
TWO
I
THE TRADE
63
ACTING
OUT
JO
H
N
RO
H
RBACH
1
32
PLATES
S
E
C
TION THREE
I
SHARING LIFE: FAM
I
L
Y
AND FRIEND
S
1
4
3
T
E
CHNICAL NOT
ES
FERNANDA VALVERDE 2
1
4
SELE
C
TED BIBLIO
G
RAPHY
223
PLATE CREDITS
227
IND
EX
228
|
| adam_txt |
CONTENTS
LENDER
S
TO
THE E
X
HIBITION
8
AC
K
NOWL
E
DGMENTS
9
F
ORE
WORD
ANDREW J
.
WALKER
12
INTRODUCTION
:
MAKING PHOTOGRAPHY
MOD
E
RN
JOHN ROHRBACH
14
TH
E
ART
OF
NOT
POSING
:
NAPOLEON SARONY AND THE POPULARIZATION
OF
PICTORIA
L
PHOTOGRAPHY
E
R
IN
PA
U
WE
L
S
20
PLATES
S
E
C
TIO
N
ONE
I
C
AU
G
HT
IN
THE A
C
T
39
SECOND
-
CLA
S
S
OP
E
RATOR
S,
FIR
S
T
-
CLAS
S
WORK:
TH
E
BU
S
IN
ESS
OF
CABIN
E
T
-
CARD
PHOTOGRAPHY
BRITT SALVESEN
52
PLATES
S
ECTION
TWO
I
THE TRADE
63
ACTING
OUT
JO
H
N
RO
H
RBACH
1
32
PLATES
S
E
C
TION THREE
I
SHARING LIFE: FAM
I
L
Y
AND FRIEND
S
1
4
3
T
E
CHNICAL NOT
ES
FERNANDA VALVERDE 2
1
4
SELE
C
TED BIBLIO
G
RAPHY
223
PLATE CREDITS
227
IND
EX
228 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Rohrbach, John 19XX- |
| author2_role | edt |
| author2_variant | j r jr |
| author_GND | (DE-588)133840662 (DE-588)1219220450 (DE-588)1046292544 |
| author_facet | Rohrbach, John 19XX- |
| building | Verbundindex |
| bvnumber | BV046830086 |
| classification_rvk | AP 95740 AP 99083 |
| contents | Introduction : making photography modern / John Rohrbach -- The art of not posing : Napoleon Sarony and the cultivation of pictorial effect in American cabinet cards / Erin Pauwels -- Second-class operators, first-class work : the business of cabinet card photography / Britt Salvesen -- Acting out / John Rohrbach -- Technical remarks on photographic materials used for cabinet card portraiture / Fernanda Valverde |
| ctrlnum | (OCoLC)1193280874 (DE-599)BVBBV046830086 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1870-1900 gnd |
| era_facet | Geschichte 1870-1900 |
| format | Book |
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| genre | (DE-588)4135467-9 Ausstellungskatalog Amon Carter Museum of Western Art 15.08.2020-01.11.2020 Fort Worth, Tex. gnd-content (DE-588)4135467-9 Ausstellungskatalog Los Angeles County Museum of Art 08.08.2021-07.11.2021 Los Angeles, Calif. gnd-content (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Ausstellungskatalog Amon Carter Museum of Western Art 15.08.2020-01.11.2020 Fort Worth, Tex. Ausstellungskatalog Los Angeles County Museum of Art 08.08.2021-07.11.2021 Los Angeles, Calif. Bildband |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV046830086 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:04:35Z |
| indexdate | 2024-07-10T08:55:02Z |
| institution | BVB |
| institution_GND | (DE-588)1016831-X (DE-588)1018986-5 |
| isbn | 9780520306684 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032239265 |
| oclc_num | 1193280874 |
| open_access_boolean | |
| owner | DE-20 DE-19 DE-BY-UBM DE-Y3 DE-255 DE-11 DE-188 |
| owner_facet | DE-20 DE-19 DE-BY-UBM DE-Y3 DE-255 DE-11 DE-188 |
| physical | 231 Seiten 29 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University of California Press Amon Carter Museum of American Art |
| record_format | marc |
| spelling | Acting out cabinet cards and the making of modern photography edited by John Rohrbach ; with contributions by Erin Pauwels, Britt Salvesen, and Fernanda Valverde Oakland University of California Press [2020] Fort Worth Amon Carter Museum of American Art © 2020 231 Seiten 29 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Aus dem Impressum: "Published on the occasion of the exhibition 'Acting Out: Cabinet Cards and the Making of Modern Photography', organized and presented by the Amon Carter Museum of American Art, Fort Worth, Texas. Exhibition dates: Amon Carter Museum of American Art, June 27 - September 20, 2020; Los Angeles County Museum of Art, November 1 - April 18, 2021". - (Ausstellungsdaten aus aktuellem Anlass geändert) Introduction : making photography modern / John Rohrbach -- The art of not posing : Napoleon Sarony and the cultivation of pictorial effect in American cabinet cards / Erin Pauwels -- Second-class operators, first-class work : the business of cabinet card photography / Britt Salvesen -- Acting out / John Rohrbach -- Technical remarks on photographic materials used for cabinet card portraiture / Fernanda Valverde "Cabinet cards were America's main format for photographic portraiture through last three decades of the nineteenth century. Standardized at 6 1/2-by-4 1/4-inches, they were just large enough to reveal extensive detail, leading to the incorporation of elaborate poses, backdrops, and props. Inexpensive and sold by the dozen, they transformed getting one's portrait made from a formal event taken up once or twice in a lifetime into a commonplace practice shared with friends. The cards reinforced middle class Americans' sense of family. They allowed people to show off their material achievements and comforts, and the best cards projected an informal immediacy that encouraged viewers feel emotionally connected with those portrayed. The phenomenon even led sitters to act out before the camera. By making photographs an easygoing fact of life, the cards set the root for the snapshot and even today's photo sharing. This first-ever in-depth examination of the cabinet card phenomena, assembled by Dr. John Rohrbach, senior curator of photographs at the Amon Carter Museum of American Art, takes the form of a major travelling exhibition and book. The project finds its roots in the work of New York City photography Napoleon Sarony who, starting in the 1860s, made cabinet cards his central tool for marketing the stars of the day. The project reveals how in reaction to the cards' ubiquity, photographers across the United States worked assiduously to set their businesses apart through use of elaborate, often incongruous, backdrops, overlays, and promotional advertising printed on both sides of the cards. It highlights how the cards transformed photography from a formal event into an avenue for personal expression where sitters took full advantage of photography's realism while openly playing with the medium's believability. In short, cabinet cards made photography modern. Essays by Rohrbach, Salvesen, and Pauwels address how cabinet cards reflected and encouraged the wide embrace of photography (Rohrbach), an in-depth essay on California photographer R. J. Arnold, who built a successful small-town business on the cabinet card (Salvesen), and an essay on New York City photographer Napoleon Sarony's innovative efforts using his patented Posing Apparatus"-- Sarony, Napoleon 1821-1896 (DE-588)174267274 gnd rswk-swf Geschichte 1870-1900 gnd rswk-swf Familienfotografie (DE-588)7601172-0 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Porträtfotografie (DE-588)4046840-9 gnd rswk-swf Abzug Fotografie (DE-588)4141215-1 gnd rswk-swf Rezeptionsästhetik (DE-588)4129895-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Cabinet photographs / United States / Exhibitions Sarony, Napoleon / 1821-1896 / Exhibitions Photography / History / 19th century / Exhibitions PHOTOGRAPHY / History Sarony, Napoleon / 1821-1896 Cabinet photographs Photography United States 1800-1899 Exhibition catalogs History (DE-588)4135467-9 Ausstellungskatalog Amon Carter Museum of Western Art 15.08.2020-01.11.2020 Fort Worth, Tex. gnd-content (DE-588)4135467-9 Ausstellungskatalog Los Angeles County Museum of Art 08.08.2021-07.11.2021 Los Angeles, Calif. gnd-content (DE-588)4145395-5 Bildband gnd-content USA (DE-588)4078704-7 g Porträtfotografie (DE-588)4046840-9 s Familienfotografie (DE-588)7601172-0 s Abzug Fotografie (DE-588)4141215-1 s Ästhetik (DE-588)4000626-8 s Rezeptionsästhetik (DE-588)4129895-0 s Geschichte 1870-1900 z DE-604 Sarony, Napoleon 1821-1896 (DE-588)174267274 p Rohrbach, John 19XX- (DE-588)133840662 edt Pauwels, Erin 2020- (DE-588)1219220450 wst Salvesen, Britt (DE-588)1046292544 wst Valverde, Fernanda wst Amon Carter Museum of Western Art (DE-588)1016831-X his isb Los Angeles County Museum of Art (DE-588)1018986-5 his V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032239265&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Acting out cabinet cards and the making of modern photography Introduction : making photography modern / John Rohrbach -- The art of not posing : Napoleon Sarony and the cultivation of pictorial effect in American cabinet cards / Erin Pauwels -- Second-class operators, first-class work : the business of cabinet card photography / Britt Salvesen -- Acting out / John Rohrbach -- Technical remarks on photographic materials used for cabinet card portraiture / Fernanda Valverde Sarony, Napoleon 1821-1896 (DE-588)174267274 gnd Familienfotografie (DE-588)7601172-0 gnd Ästhetik (DE-588)4000626-8 gnd Porträtfotografie (DE-588)4046840-9 gnd Abzug Fotografie (DE-588)4141215-1 gnd Rezeptionsästhetik (DE-588)4129895-0 gnd |
| subject_GND | (DE-588)174267274 (DE-588)7601172-0 (DE-588)4000626-8 (DE-588)4046840-9 (DE-588)4141215-1 (DE-588)4129895-0 (DE-588)4078704-7 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Acting out cabinet cards and the making of modern photography |
| title_auth | Acting out cabinet cards and the making of modern photography |
| title_exact_search | Acting out cabinet cards and the making of modern photography |
| title_exact_search_txtP | Acting out cabinet cards and the making of modern photography |
| title_full | Acting out cabinet cards and the making of modern photography edited by John Rohrbach ; with contributions by Erin Pauwels, Britt Salvesen, and Fernanda Valverde |
| title_fullStr | Acting out cabinet cards and the making of modern photography edited by John Rohrbach ; with contributions by Erin Pauwels, Britt Salvesen, and Fernanda Valverde |
| title_full_unstemmed | Acting out cabinet cards and the making of modern photography edited by John Rohrbach ; with contributions by Erin Pauwels, Britt Salvesen, and Fernanda Valverde |
| title_short | Acting out |
| title_sort | acting out cabinet cards and the making of modern photography |
| title_sub | cabinet cards and the making of modern photography |
| topic | Sarony, Napoleon 1821-1896 (DE-588)174267274 gnd Familienfotografie (DE-588)7601172-0 gnd Ästhetik (DE-588)4000626-8 gnd Porträtfotografie (DE-588)4046840-9 gnd Abzug Fotografie (DE-588)4141215-1 gnd Rezeptionsästhetik (DE-588)4129895-0 gnd |
| topic_facet | Sarony, Napoleon 1821-1896 Familienfotografie Ästhetik Porträtfotografie Abzug Fotografie Rezeptionsästhetik USA Ausstellungskatalog Amon Carter Museum of Western Art 15.08.2020-01.11.2020 Fort Worth, Tex. Ausstellungskatalog Los Angeles County Museum of Art 08.08.2021-07.11.2021 Los Angeles, Calif. Bildband |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032239265&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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