Evidence:
"My father-in-law's disappearance was part of a larger story of political struggle in Libya. After the 2011 revolution, I wanted to photograph specific locations where atrocities had taken place under the Gaddafi regime. Libyans knew and spoke of the events that occurred at these sites, bu...
Gespeichert in:
Weitere Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Schilt Publishing
[© 2014]
|
Ausgabe: | [Limited edition] |
Schlagworte: | |
Zusammenfassung: | "My father-in-law's disappearance was part of a larger story of political struggle in Libya. After the 2011 revolution, I wanted to photograph specific locations where atrocities had taken place under the Gaddafi regime. Libyans knew and spoke of the events that occurred at these sites, but almost all of the evidence had been destroyed. Each of the images in this body of work document a building or place where an atrocity has taken place. It has not been an accident that I have pointed my camera towards architecture and the physical places where human rights abuses occurred. The buildings are some of the few lasting symbols that relate to the crimes, and their existance stands in as a kind of imperfect evidence to events that went undocumented under the regime."--Author's website |
Beschreibung: | Photographic artist's book. - Some images exhibited at Tate Modern, Nov. 27, 2014 - April 14, 2015 |
Beschreibung: | 180 Seiten Illustrationen |
Internformat
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500 | |a Photographic artist's book. - Some images exhibited at Tate Modern, Nov. 27, 2014 - April 14, 2015 | ||
520 | |a "My father-in-law's disappearance was part of a larger story of political struggle in Libya. After the 2011 revolution, I wanted to photograph specific locations where atrocities had taken place under the Gaddafi regime. Libyans knew and spoke of the events that occurred at these sites, but almost all of the evidence had been destroyed. Each of the images in this body of work document a building or place where an atrocity has taken place. It has not been an accident that I have pointed my camera towards architecture and the physical places where human rights abuses occurred. The buildings are some of the few lasting symbols that relate to the crimes, and their existance stands in as a kind of imperfect evidence to events that went undocumented under the regime."--Author's website | ||
600 | 1 | 4 | |a Matar, Diana |
650 | 4 | |a Disappeared persons / Libya | |
650 | 4 | |a Documentary photography / Libya | |
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651 | 4 | |a Libya / Pictorial works | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
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author2 | Matar, Diana 1962- |
author2_role | pht |
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author_GND | (DE-588)1065636164 |
author_facet | Matar, Diana 1962- |
building | Verbundindex |
bvnumber | BV046825787 |
ctrlnum | (DE-599)BVBBV046825787 |
edition | [Limited edition] |
format | Book |
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geographic | Libya / Pictorial works Libya fast |
geographic_facet | Libya / Pictorial works Libya |
id | DE-604.BV046825787 |
illustrated | Illustrated |
index_date | 2024-07-03T15:03:32Z |
indexdate | 2024-07-10T08:54:54Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032234027 |
open_access_boolean | |
owner | DE-M508 |
owner_facet | DE-M508 |
physical | 180 Seiten Illustrationen |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Schilt Publishing |
record_format | marc |
spelling | Matar, Diana 1962- (DE-588)1065636164 pht Evidence Diana Matar [Limited edition] London Schilt Publishing [© 2014] 180 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Photographic artist's book. - Some images exhibited at Tate Modern, Nov. 27, 2014 - April 14, 2015 "My father-in-law's disappearance was part of a larger story of political struggle in Libya. After the 2011 revolution, I wanted to photograph specific locations where atrocities had taken place under the Gaddafi regime. Libyans knew and spoke of the events that occurred at these sites, but almost all of the evidence had been destroyed. Each of the images in this body of work document a building or place where an atrocity has taken place. It has not been an accident that I have pointed my camera towards architecture and the physical places where human rights abuses occurred. The buildings are some of the few lasting symbols that relate to the crimes, and their existance stands in as a kind of imperfect evidence to events that went undocumented under the regime."--Author's website Matar, Diana Disappeared persons / Libya Documentary photography / Libya Documentary photography fast Disappeared persons fast Libya / Pictorial works Libya fast |
spellingShingle | Evidence Matar, Diana Disappeared persons / Libya Documentary photography / Libya Documentary photography fast Disappeared persons fast |
title | Evidence |
title_auth | Evidence |
title_exact_search | Evidence |
title_exact_search_txtP | Evidence |
title_full | Evidence Diana Matar |
title_fullStr | Evidence Diana Matar |
title_full_unstemmed | Evidence Diana Matar |
title_short | Evidence |
title_sort | evidence |
topic | Matar, Diana Disappeared persons / Libya Documentary photography / Libya Documentary photography fast Disappeared persons fast |
topic_facet | Matar, Diana Disappeared persons / Libya Documentary photography / Libya Documentary photography Disappeared persons Libya / Pictorial works Libya |
work_keys_str_mv | AT matardiana evidence |