The Routledge Handbook to Music under German Occupation, 1938-1945: Propaganda, Myth and Reality
Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon
Routledge
2020
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations andforce them to submit tothe strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of eithercomplying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupationfor the musical environment in Europe. Music under German Occupation is written for allmusic-lovers, students, professionals and academics who haveparticular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II. |
| Beschreibung: | 1 Online-Ressource (691 Seiten) |
| ISBN: | 9781351862585 1351862588 9781315230610 1315230615 9781351862592 1351862596 9781351862578 135186257X |
| DOI: | 10.4324/9781315230610 |
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| 520 | |a Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations andforce them to submit tothe strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of eithercomplying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupationfor the musical environment in Europe. Music under German Occupation is written for allmusic-lovers, students, professionals and academics who haveparticular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II. | ||
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| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.4324/9781315230610 |
| format | Electronic eBook |
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| id | DE-604.BV046825086 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:03:20Z |
| indexdate | 2024-07-10T08:54:53Z |
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| isbn | 9781351862585 1351862588 9781315230610 1315230615 9781351862592 1351862596 9781351862578 135186257X |
| language | English |
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| spelling | The Routledge Handbook to Music under German Occupation, 1938-1945 Propaganda, Myth and Reality Edited by David Fanning and Erik Levi Abingdon, Oxon Routledge 2020 1 Online-Ressource (691 Seiten) txt rdacontent c rdamedia cr rdacarrier Following their entry into Austria and the Sudetenland in the late 1930s, the Germans attempted to impose a policy of cultural imperialism on the countries they went on to occupy during World War II. Almost all music institutions in the occupied lands came under direct German control or were subject to severe scrutiny and censorship, the prime objective being to change the musical fabric of these nations andforce them to submit tothe strictures of Nazi ideology. This pioneering collection of essays is the first in the English language to look in more detail at the musical consequences of German occupation during a dark period in European history. It embraces a wide range of issues, presenting case studies involving musical activity in a number of occupied European cities, as well as in countries that were part of the Axis or had established close diplomatic relations with Germany. The wartime careers and creative outputs of individual musicians who were faced with the dilemma of eithercomplying with or resisting the impositions of the occupiers are explored. In addition, there is some reflection on the post-war implications of German occupationfor the musical environment in Europe. Music under German Occupation is written for allmusic-lovers, students, professionals and academics who haveparticular interests in 20th-century music and/or the vicissitudes of European cultural life during World War II. MUSIC / General / bisacsh Music / Europe / 20th century / History and criticism Music / Political aspects / Europe / 20th century Levi, Erik 1949- (DE-588)114113270 edt Fanning, David 1955- (DE-588)135378281 edt https://doi.org/10.4324/9781315230610 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Routledge Handbook to Music under German Occupation, 1938-1945 Propaganda, Myth and Reality MUSIC / General / bisacsh Music / Europe / 20th century / History and criticism Music / Political aspects / Europe / 20th century |
| title | The Routledge Handbook to Music under German Occupation, 1938-1945 Propaganda, Myth and Reality |
| title_auth | The Routledge Handbook to Music under German Occupation, 1938-1945 Propaganda, Myth and Reality |
| title_exact_search | The Routledge Handbook to Music under German Occupation, 1938-1945 Propaganda, Myth and Reality |
| title_exact_search_txtP | The Routledge Handbook to Music under German Occupation, 1938-1945 Propaganda, Myth and Reality |
| title_full | The Routledge Handbook to Music under German Occupation, 1938-1945 Propaganda, Myth and Reality Edited by David Fanning and Erik Levi |
| title_fullStr | The Routledge Handbook to Music under German Occupation, 1938-1945 Propaganda, Myth and Reality Edited by David Fanning and Erik Levi |
| title_full_unstemmed | The Routledge Handbook to Music under German Occupation, 1938-1945 Propaganda, Myth and Reality Edited by David Fanning and Erik Levi |
| title_short | The Routledge Handbook to Music under German Occupation, 1938-1945 |
| title_sort | the routledge handbook to music under german occupation 1938 1945 propaganda myth and reality |
| title_sub | Propaganda, Myth and Reality |
| topic | MUSIC / General / bisacsh Music / Europe / 20th century / History and criticism Music / Political aspects / Europe / 20th century |
| topic_facet | MUSIC / General / bisacsh Music / Europe / 20th century / History and criticism Music / Political aspects / Europe / 20th century |
| url | https://doi.org/10.4324/9781315230610 |
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