Credit culture: the politics of money in the American Novel of the 1970s
This book offers a new reading of the relationship between money, culture and literature in America in the 1970s. The gold standard ended at the start of this decade, a moment which is routinely treated as a catalyst for the era of postmodern abstraction. This book provides an alternative narrative,...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2020
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Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | This book offers a new reading of the relationship between money, culture and literature in America in the 1970s. The gold standard ended at the start of this decade, a moment which is routinely treated as a catalyst for the era of postmodern abstraction. This book provides an alternative narrative, one that traces the racialized and gendered histories of credit offered by the intertextual narratives of writers such as E.L Doctorow, Toni Morrison, Marilyn French, William Gaddis, Thomas Pynchon and Don De Lillo. It argues that money in the 1970s is better read through a narrative of political consolidation than formal rupture as these histories foreground the closing down, rather than opening up, of serious debates about what American money should be and who it should serve. These novels and this moment remain important because they alert us to imagine the alternative histories of credit that were imaginatively proposed but never realized |
Beschreibung: | Title from publisher's bibliographic system (viewed on 29 Jun 2020) Introduction : Money in the Disciplines ; Postmodern Times: E.L Doctorow's Ragtime -- Chapter 1. No Place Like Home: The Cultures of American Credit -- Chapter 2. Don DeLillo and American Credit -- Chapter 3. William Gaddis and Corporate Credit -- Chapter 4. When Women Counted: Feminism, Fiction and the Money Economy -- Chapter 5. Toni Morrison and The Promise to Pay -- Chapter 6. Dorothy's Endless Return: Sacrifice and Gender in the novels of Thomas Pynchon |
Beschreibung: | 1 Online-Ressource (x, 209 Seiten) |
ISBN: | 9781108871211 |
DOI: | 10.1017/9781108871211 |
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520 | |a This book offers a new reading of the relationship between money, culture and literature in America in the 1970s. The gold standard ended at the start of this decade, a moment which is routinely treated as a catalyst for the era of postmodern abstraction. This book provides an alternative narrative, one that traces the racialized and gendered histories of credit offered by the intertextual narratives of writers such as E.L Doctorow, Toni Morrison, Marilyn French, William Gaddis, Thomas Pynchon and Don De Lillo. It argues that money in the 1970s is better read through a narrative of political consolidation than formal rupture as these histories foreground the closing down, rather than opening up, of serious debates about what American money should be and who it should serve. These novels and this moment remain important because they alert us to imagine the alternative histories of credit that were imaginatively proposed but never realized | ||
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author | Marsh, Nicky 1972- |
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dewey-search | 813/.54093553 |
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dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
doi_str_mv | 10.1017/9781108871211 |
format | Electronic eBook |
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illustrated | Not Illustrated |
index_date | 2024-07-03T15:02:06Z |
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institution | BVB |
isbn | 9781108871211 |
language | English |
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oclc_num | 1190917633 |
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physical | 1 Online-Ressource (x, 209 Seiten) |
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publishDate | 2020 |
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publisher | Cambridge University Press |
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spelling | Marsh, Nicky 1972- (DE-588)1214397913 aut Credit culture the politics of money in the American Novel of the 1970s Nicky Marsh Cambridge Cambridge University Press 2020 1 Online-Ressource (x, 209 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 29 Jun 2020) Introduction : Money in the Disciplines ; Postmodern Times: E.L Doctorow's Ragtime -- Chapter 1. No Place Like Home: The Cultures of American Credit -- Chapter 2. Don DeLillo and American Credit -- Chapter 3. William Gaddis and Corporate Credit -- Chapter 4. When Women Counted: Feminism, Fiction and the Money Economy -- Chapter 5. Toni Morrison and The Promise to Pay -- Chapter 6. Dorothy's Endless Return: Sacrifice and Gender in the novels of Thomas Pynchon This book offers a new reading of the relationship between money, culture and literature in America in the 1970s. The gold standard ended at the start of this decade, a moment which is routinely treated as a catalyst for the era of postmodern abstraction. This book provides an alternative narrative, one that traces the racialized and gendered histories of credit offered by the intertextual narratives of writers such as E.L Doctorow, Toni Morrison, Marilyn French, William Gaddis, Thomas Pynchon and Don De Lillo. It argues that money in the 1970s is better read through a narrative of political consolidation than formal rupture as these histories foreground the closing down, rather than opening up, of serious debates about what American money should be and who it should serve. These novels and this moment remain important because they alert us to imagine the alternative histories of credit that were imaginatively proposed but never realized American fiction / 20th century / History and criticism Money in literature Finance in literature Politics in literature Economics and literature / United States / History / 20th century Politics and literature / United States / History / 20th century Erscheint auch als Druck-Ausgabe 978-1-108-83647-0 https://doi.org/10.1017/9781108871211 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Marsh, Nicky 1972- Credit culture the politics of money in the American Novel of the 1970s American fiction / 20th century / History and criticism Money in literature Finance in literature Politics in literature Economics and literature / United States / History / 20th century Politics and literature / United States / History / 20th century |
title | Credit culture the politics of money in the American Novel of the 1970s |
title_auth | Credit culture the politics of money in the American Novel of the 1970s |
title_exact_search | Credit culture the politics of money in the American Novel of the 1970s |
title_exact_search_txtP | Credit culture the politics of money in the American Novel of the 1970s |
title_full | Credit culture the politics of money in the American Novel of the 1970s Nicky Marsh |
title_fullStr | Credit culture the politics of money in the American Novel of the 1970s Nicky Marsh |
title_full_unstemmed | Credit culture the politics of money in the American Novel of the 1970s Nicky Marsh |
title_short | Credit culture |
title_sort | credit culture the politics of money in the american novel of the 1970s |
title_sub | the politics of money in the American Novel of the 1970s |
topic | American fiction / 20th century / History and criticism Money in literature Finance in literature Politics in literature Economics and literature / United States / History / 20th century Politics and literature / United States / History / 20th century |
topic_facet | American fiction / 20th century / History and criticism Money in literature Finance in literature Politics in literature Economics and literature / United States / History / 20th century Politics and literature / United States / History / 20th century |
url | https://doi.org/10.1017/9781108871211 |
work_keys_str_mv | AT marshnicky creditculturethepoliticsofmoneyintheamericannovelofthe1970s |