Boccaccio 2013: poetika Dekameronu a dva způsoby, jak být člověkem = Boccaccio 2013 : the poetics of the Decameron and two ways how to be a human being
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| Format: | Buch |
| Sprache: | Czech |
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Olomouc
Univerzita Palackého v Olomouci
2013
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| Ausgabe: | 1. vydání |
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| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Abstract |
| Beschreibung: | Literaturverzeichnis Seite [125]-136 |
| Beschreibung: | 139 Seiten 22 cm |
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| 246 | 1 | 3 | |a Poetika Dekameronu a dva způsoby, jak být člověkem |
| 246 | 1 | 1 | |a Boccaccio 2013 |
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| 650 | 7 | |a Italská próza / 14. stol |2 czenas | |
| 650 | 7 | |a Naratologie |2 czenas | |
| 650 | 7 | |a Poetika |2 czenas | |
| 650 | 7 | |a Interpretace a přijetí literárního díla |2 czenas | |
| 650 | 7 | |a Italian prose literature / 14th century |2 czenas | |
| 650 | 7 | |a Narratology |2 czenas | |
| 650 | 7 | |a Poetics |2 czenas | |
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Datensatz im Suchindex
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| adam_text | Obsah Úvodní slovo 9 Giovanni Boccaccio a jeho literárni kariéra 11 Poetika, struktura a významy Dekameronu 20 První den Dekameronu 37 Ser Ciappelletto: nejhorší člověk, jaký se kdy narodil 53 Ser Ciappelletto (Dekameron, 1.1) 61 Desátý den Dekameronu 75 Griselda: Boží duch z nebe snesený 99 Griselda {Dekameron, 10.10) 113 Bibliografie 125 English Summary 137
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126 Boccaccio, Giovanni. Griselda, ed. Jiří Špička a Lenka Kováčova. Praha: Vyšehrad, 2013. Boccaccio, Giovanni. Koš aneb Bludiště lásky, přel. Josef Bartoš. Praha: Sfinx, 1919. Boccaccio, Giovanni - Bruni d Arezzo. Nejstarší životopisy Dantovy, přel. Otto František Babler. Praha: SNKLHU, 1965. Ctnostné příběhy a taškářské povídačky, vybral a přel. Radovan Krátký. Praha: SNKLHU, 1953. Český knihtiskař Jan Šmerhovský a jeho tisk z r. 1519 „Velmi pěkná a nová kronika [...] . Praha: Čsl. Kompas, 1928. Démonovy povídky, přel. Oldřich Friš. Praha: SNKLHU, 1956. Feuchtwanger, Lion. Židovka z Toleda. Praha: SNKLU, 1965. Goldoni, Carlo. Paměti (Komedie, sv. 3). Praha: SNKLHU, 1957. Historie utěšené a kratochvilné člověku všelikého věku i stavu к čtení velmi užitečné. Výbor z české krásné prózy XVI. а XVII. století, ed. Bedřich Václavek. Praha: Družstevní práce, 1941. Italské renesanční novely, ed. Adolf Felix. Praha: Odeon, 1967. Kronika o té stále trpělivé a poctivé planně]. Kryzeldě. Olomouc: [Terezie Hirnleová], 1779. Kronika sedmi mudrců, vyd. Jaroslav Kolár. Praha: Odeon, 1985. Marie de France. Milostné příběhy ze staré Francie, přel. Jiří Konůpek a Otto František Babler. Praha: SNKLHU, 1958. Petrarca, Francesco. Le senili, ed. Elvira Nota a Ugo Dotti. Torino: Nino Aragno, 2007. Smích staré Francie. Výbor ze starofrancouzských povídek veršem, ed. Pavel Eisner. Praha: Odeon, 1975. Somádévá, Oceán příběhů, přel. Dušan Zbavitel. Praha: Odeon, 1981.
127 Velmi pěkná nová kronika aneb historia όο veliké milosti kniežete a krále Floria a jeho milé panie Biancefloře [...]. Praha: Jan Šmerhovský, 1519. Velmi pěkná nová kronika o vysoké milosti knížete a krále Fioria z Hyspanské země a jeho milé panně Biancefloře [...]. Praha: Jiří Nigrin, 1600. Vivaldi, Antonio. La Griselda, ed. Renato Fasano. Palermo: Enchiridion, 1985. Výbor z české literatury doby husitské, ed. Bohuslav Havránek et al. Praha: ČSAV, 1964, sv. 2. Odborná literatura Allen, Shirley S. „The Griselda Tale and the Portrayal of Women in the Decameron , Philological Quarterly, 56,1977, s. 1-13. Alloatti Boiler, Sara. „L ultima novella del Decameron e la decima giornata , in Luciano Rossi et al. (vyd.), La circulation des nouvelles au Moyen Age. Alessandria: Edizioni dell Orso, 2005, s. 187-192. Almansi, Guido. The Writer as Liar. Narrative Technique in the „Decameron . London: Routledge Kegan Paul, 1975. Auerbach, Erich. Mimesis. Zobrazení skutečnosti v západoevropských literaturách. Praha: Mladá fronta, 1998. Baratto, Mario. Realtà e stile nel „Decameron . Roma: Editori riuniti, 1984. Barberi Squarotti, Giorgio. Il potere della parola. Studi sul „Decameron . Napoli: Federico Ardia, 1989. Barbiellini Amidéi, Beatrice. „Una fonte per l ultima novella del Decameron e la polisemia della scrittura , Per leggere, 18, 2010, s. 65-80.
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Braumüller, 1972.
136 Tomek, Václav Vladivoj. Dějepis města Prahy. Praha: Řivnáč, 1871, sv. 2. Venga, Daniela. „Le tre Griselda , Misure critiche, 1-2/2004, s. 20-26. Weaver, Elissa B. (vyd.). The Decameron First Day in perspective. Toronto-Buffalo-London: University of Toronto Press, 2004. Zancan, Marina. „La donna , in Letteratura italiana, vol. 5 (Le questioni). Torino: Einaudi, 1986, s. 765-825.
English Summary Boccaccio 2013: The Poetics of the Decameron and Two Ways How to Be a Human Being The goal of this book is to offer a collection of essays at the occasion of seven hundredth anniversary of Boccaccio s birth. It is meant to provide the Czech reader some of the main criti cal questions concerning the Decameron. Its contents are divi ded into three sections: an introduction to Boccaccio s work and an overall analysis of compositional principles of the Decame ron and its poetics; an analysis of the first day and the first tale story; and an analysis of the tenth day and the last tale story. The first chapter briefly deals with Boccaccio s entire literary work and elaborates about the specific features of the Decameron: the flexibility of the novella form which can encompass characte ristics of different genres; the possibilities which the intertextuality between individual tales derives from the frame story; the description of the Black Death in Florence and the contrasting effort on the part of the narrators to build a perfect civilization; the question of women s readership and the consoling function of the Decameron; its poetics based on realism and relativism. In the chapter about the first day in the Decameron, we consi der a way to classify its narrative material. As far as the charac ters are concerned, we divide them into different social groups, using also the well-known division of medieval society into bellatores, oratores and laboratores. At the same time, however, we argue that Boccaccio did not comply with any abstract pattern but instead
tried as accurately as possible to capture the current
138 social divisions. Thematically the theme of a well thought-out speech act (a lie, a defence, a joke, etc.) and its effect is the most dominant one. The Tale of Ser Ciappelletto can be understood as an expres sion of the poetics of subversion and parody, which affects pre dominantly the form of confession and the genre of hagiogra phy. Ciappelletto is described as the worst person ever to be born, who has committed evil throughout his entire life. As his life is nearing the end, though, he resorts to an outrageous sin of false confession, which paradoxically results in the victory of piety. His lies render his remains an object of folk worship; therefore, in the end the tale can be interpreted as the victory of God s plan and an example of God s benignity. The tenth day of the Decameron brings stories about people who have performed any magnanimous or generous action for love or for other honourable thing. It is an atypical series of ta les wherein Boccaccio withdraws from the real world and mo ves away from his empirical morality. His goal is to depict the highest virtues embodied by characters too virtuous to walk the streets of Florence. Thus he sets the plot in remote places and indefinite times. Stylistically we likewise enter an entirely diffe rent world: here we encounter mostly long stories, delivered in polished language, flowing with a steady rhythm and made of carefully constructed long sentences and soulful dialogues. In these chapters we provide and critically assess the exis ting research in the subject, including the recent trends which see the
tenth day as an ironic palinode of the Decameron, whe rein Boccaccio allegedly demonstrates the absurdity of the exemplary tales. We do not, however, share this position and continue in the line of Vittore Branca s ascension interpretative model and in the light of Aristotle s Ethics and Thomas Aqui nas s commentaries on it.
139 The climax of the tenth day is the Griselda story, which has become the subject of very contradictory interpretations. We briefly gloss over the most interesting ways of reading this story and subscribe to its now largely rejected interpretation as an exemplary story with mariological and christological connota tions. We believe it is possible to read the story as the highest example of both virtue as well as humility, the latter also re flecting one s relationship to God, as it is later explicitly shown by Petrarch in his version of the story of Griselda.
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Obsah Úvodní slovo 9 Giovanni Boccaccio a jeho literárni kariéra 11 Poetika, struktura a významy Dekameronu 20 První den Dekameronu 37 Ser Ciappelletto: nejhorší člověk, jaký se kdy narodil 53 Ser Ciappelletto (Dekameron, 1.1) 61 Desátý den Dekameronu 75 Griselda: Boží duch z nebe snesený 99 Griselda {Dekameron, 10.10) 113 Bibliografie 125 English Summary 137
Bibliografie Prameny Alighieri, Dante. Božská komedie, přel. Otto František Babler [a Jan Zahradníček]. Praha: SNKLHU, 1958. Alighieri, Dante. Nový život, přel. Emil Janovský [=Pavel Eisner]. Praha: Jaroslav Podroužek, 1945. Aristoteles. Etika Níkomachova, přel. Antonín Kříž. Praha: Rezek, 1996. Boccaccio, Giovanni. Il "Decameron". 49 novelle commentate da Attilio Momigliano. Milano: Vallardi, 1924. Boccaccio, Giovanni. Decameron, ed. Antonio Enzo Quaglio. Milano: Garzanti, 1979 (1. vyd. 1974). Boccaccio, Giovanni. The Decameron, ed. Mark Musa a Peter Bondanella. New York: Norton, 1977. Boccaccio, Giovanni. Decameron, ed. Vittore Branca. Milano: Arnoldo Mondadori, 1998. Boccaccio, Giovanni. Dekameron, přel. Radovan Krátký. Praha: SNKLHU, 1959. Boccaccio, Giovanni. Fiametta, přel. Josef Bartoš. Královské Vinohrady: Sfinx 1919. Boccaccio, Giovanni. Fiesolské nymfy, přel. Olga Hostovská. Praha: Odeon, 1984. Boccaccio, Giovanni. Genealogie deorum gentilium, ed. Vittorio Zaccaria. Milano: Mondadori, 1998.
126 Boccaccio, Giovanni. Griselda, ed. Jiří Špička a Lenka Kováčova. Praha: Vyšehrad, 2013. Boccaccio, Giovanni. Koš aneb Bludiště lásky, přel. Josef Bartoš. Praha: Sfinx, 1919. Boccaccio, Giovanni - Bruni d'Arezzo. Nejstarší životopisy Dantovy, přel. Otto František Babler. Praha: SNKLHU, 1965. Ctnostné příběhy a taškářské povídačky, vybral a přel. Radovan Krátký. Praha: SNKLHU, 1953. Český knihtiskař Jan Šmerhovský a jeho tisk z r. 1519 „Velmi pěkná a nová kronika [.]". Praha: Čsl. Kompas, 1928. Démonovy povídky, přel. Oldřich Friš. Praha: SNKLHU, 1956. Feuchtwanger, Lion. Židovka z Toleda. Praha: SNKLU, 1965. Goldoni, Carlo. Paměti (Komedie, sv. 3). Praha: SNKLHU, 1957. Historie utěšené a kratochvilné člověku všelikého věku i stavu к čtení velmi užitečné. Výbor z české krásné prózy XVI. а XVII. století, ed. Bedřich Václavek. Praha: Družstevní práce, 1941. Italské renesanční novely, ed. Adolf Felix. Praha: Odeon, 1967. Kronika o té stále trpělivé a poctivé planně]. Kryzeldě. Olomouc: [Terezie Hirnleová], 1779. Kronika sedmi mudrců, vyd. Jaroslav Kolár. Praha: Odeon, 1985. Marie de France. Milostné příběhy ze staré Francie, přel. Jiří Konůpek a Otto František Babler. Praha: SNKLHU, 1958. Petrarca, Francesco. Le senili, ed. Elvira Nota a Ugo Dotti. Torino: Nino Aragno, 2007. Smích staré Francie. Výbor ze starofrancouzských povídek veršem, ed. Pavel Eisner. Praha: Odeon, 1975. Somádévá, Oceán příběhů, přel. Dušan Zbavitel. Praha: Odeon, 1981.
127 Velmi pěkná nová kronika aneb historia όο veliké milosti kniežete a krále Floria a jeho milé panie Biancefloře [.]. Praha: Jan Šmerhovský, 1519. Velmi pěkná nová kronika o vysoké milosti knížete a krále Fioria z Hyspanské země a jeho milé panně Biancefloře [.]. Praha: Jiří Nigrin, 1600. Vivaldi, Antonio. La Griselda, ed. Renato Fasano. Palermo: Enchiridion, 1985. Výbor z české literatury doby husitské, ed. Bohuslav Havránek et al. Praha: ČSAV, 1964, sv. 2. Odborná literatura Allen, Shirley S. „The Griselda Tale and the Portrayal of Women in the Decameron", Philological Quarterly, 56,1977, s. 1-13. Alloatti Boiler, Sara. „L'ultima novella del Decameron e la decima giornata", in Luciano Rossi et al. (vyd.), La circulation des nouvelles au Moyen Age. Alessandria: Edizioni dell'Orso, 2005, s. 187-192. Almansi, Guido. The Writer as Liar. Narrative Technique in the „Decameron". London: Routledge Kegan Paul, 1975. Auerbach, Erich. Mimesis. Zobrazení skutečnosti v západoevropských literaturách. Praha: Mladá fronta, 1998. Baratto, Mario. Realtà e stile nel „Decameron". Roma: Editori riuniti, 1984. Barberi Squarotti, Giorgio. Il potere della parola. Studi sul „Decameron". Napoli: Federico Ardia, 1989. Barbiellini Amidéi, Beatrice. „Una fonte per l'ultima novella del Decameron e la polisemia della scrittura", Per leggere, 18, 2010, s. 65-80.
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131 Getto, Giovanni. Vita di forme e forme di vita nel Decameron. Torino: Petrini, 1966. Greiner, Thorsten. „Una matta bestialità? Zur Deutung von Boccaccios Griselda-Novelle, Zeitschrift für romanische Philologie, 111,1995, s. 503-522. Griffith, Dudley D. The Origin of the Griselda Story. Seattle: University of Washington Press, 1931. Grimaldi, Emma. Il privilegio di Dioneo. L'eccezione e la regola nel sistema „Decameron". Napoli: ESI, 1987. Guglielminetti, Marziano. „II circolo novellistico. La cornice e і modelli sociali" in E. Malato (vyd.), La novella italiana. Roma: Salerno Editrice, 1989, sv. 1, s. 83-102. Haines, Charles. „Patient Griselda and matta bestialitade", Quaderni d’italianistica, 6, 2/1985, s. 233-240. Hauvette, Henri. La „morte vivante". Etude de littérature comparée. Paris: Boivin, 1933. lorio, A. M. „La diffusione settecentesca della Griselda italiana", in Raffaele Morabito (vyd.), La circolazione dei temi e degli intrecci narrativi: il caso Griselda. Roma-L'Aquila, 1988, s. 57-66. Jubb, Margaret A. The Legend of Sahdin in Western Literature and Historiography. Lewiston N.Y., etc.: Edwin Mellen Press, 2000. Kelly, Samantha. The New Solomon. Robert of Naples (1309-1343) and Fourteenth-Century Kingship. Lieden-Boston: Brill, 2003. Kirkham, Victoria. „The Tale of Guglielmo Borsiere (1.8)", in Elissa В. Weaver (vyd.), The "Decameron" First Day in Perspective. TorontoBuffalo-London: University of Toronto Press, 2004, s. 179-206. Kirkham, Victoria. The Sign of Reason in Boccaccio's Fiction. Firenze: Olschki, 1993.
132 Klapisch-Zuberová, Christiane. „Ženy a rodina" in Jacques Le Goff (vyd.), Středověký člověk a jeho svět. Praha: Vyšehrad 1999, s. 241-262. Krautter, Konrad. Die Renaissance der Bukolik in der lateinischen Literatur des XIV. Jahrhunderts: von Dante bis Petrarca. München: Fink, 1983. Kysučan, Lubor „Hledání Arkadie", in Helena Krmíčková et al. (vyd.), Querite primům regnum Dei. Sborník příspěvků к poctě Jany Nechutové. Brno: Matice moravská 2006, s. 57-66. Larrington, Carolyne. Women and Writing in Medieval Europe. New York: Routledge, 1995. Malaguzzi, Francesco. „Le illustrazioni xilografiche della storia a stampa di Griselda", in Rinaldo Comba, Marco Piccai (vyd.), Griselda. Metamorfosi di un mito nella società europea. Cuneo: Società per gli studi storici, archeologici ed artistici della Provincia di Cuneo, 2011 (= Bollettino della Società per gli studi storici, archeologici ed artistici della Provincia di Cuneo, 144,2011), s. 241-262. Malato, Enrico. „La nascita della novella italiana: un'alternativa letteraria borghese alla tradizione cortese", in E. Malato (vyd.), La novella italiana. Roma: Salerno Editrice, 1989, sv. 1, s. 3-45. Marcus, Millicent. „The Tale of Maestro Alberto", in Elissa B. Weaver (vyd.), The "Decameron" First Day in Perspective. Toronto-BuffaloLondon: University of Toronto Press, 2004, s. 222-240. Martin, Marcel. „Počátky rozkvětu řeckých studií v kontextu italského raného humanismu: Barlaam ze Seminary, Francesco Petrarca, Leontios Pilatos, Giovanni Boccaccio", Historka Olomucensia, 43, 2012, s. 9-27. Martinez, Ronald. „The Tale of the Monk and
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133 Meconi, Riccardo. La Griselda, ed. Luigi Spagnolo. Pisa: Edizioni ETS, 2004. McGillivray Dawkins, Richard. „The Story of Griselda" Folklore, 60,4/1949, s. 363-374. Mitchell, Linda E. Family Life in the Middle Ages. Westport: Greenwood Press, 2007. Muscetta, Carlo. Boccaccio (Letteratura italiana Laterza, sv. 8). Roma-Bari: Laterza, 1992. Morabito, Raffaele. „La diffusione della storia di Griselda dal XIV al XX secolo", Studi sul Boccaccio, 17,1988, s. 237-285. Morabito, Raffaele. La storia di Griselda in Europa. L'Aquila: Japadre, 1990. Morabito, Raffaele. Una sacra rappresentazione profana. Fortune di Griselda nel Quattrocento italiano. Tübingen: Niemeyer Verlag, 1993. Muresu, Gabriele. „Goldoni e il melodramma: il rifacimento della „Griselda" di Apostolo Zeno", La rassegna della letteratura italiana, 85,1981, s. 475-500. Neuschäfer, Hans-Jörg. Boccaccio und der Beginn der Novelle. Strukturen der Kurzerzählung auf der Schwelle zwischen Mittelalter und Neuzeit. München: Fink, 1969. Ordine, Nuccio. Teorie della novella e teoria del riso nel Cinquecento. Napoli: Liguori, 2009. Otis-Cour, Leah. Rozkoš a láska. Dějiny partnerských vztahů ve středověku. Praha: Vyšehrad 2002. Padoan, Giorgio. Il Boccaccio, le Muse, il Parnaso e l'Arno. Firenze: Olschki, 1978. Padoan, Giorgio. „Mondo aristocratico e mondo comunale nell'ideologia e nell'arte di Giovanni Boccaccio", Studi sul Boccaccio, 2,1964, s. 81-216.
134 Pagnamenta, Roberta Bruno. Il Decameron. L'ambiguità come startegia narrativa. Ravenna: Longo 1999. Paris, Gaston. La Legende de Saladin. Paris: E. Bouillon, 1893. Papa, Elena. I nomi di persona in Italia. Dizionario storico ed etimologico. Torino: UTET 2005. Picone, Michelangelo. „The Tale of Bergamino (1.7)", in Elissa B. Weaver (vyd.), The "Decameron" First Day in Perspective. Toronto-Buffalo-London: University of Toronto Press, 2004, s. 160-178. Picone, Michelangelo. Boccaccio e la codificazione della novella. Letture del „Decameron". Ravenna: Longo, 2008. Picone, Michelangelo. „La prima giornata", in Michelangelo Picone, Margherita Mesirca (vyd.), Introduzione al Decameron. Firenze: Cesati, 2004, s. 57-78. Plaisance, Michel. „Funzione e tipologia della cornice", in E. Malato (vyd.), La novella italiana. Roma: Salerno Editrice, 1989, sv. 1, s. 103-118. Polívka, Jiří. Dvě povídky v české literatuře 15. století. Praha: vl. nákladem, 1889. Power, Eileen. Medieval Women. Cambridge University Press, 1975. New York-Cambridge: Raja, Maria Elisa. Le muse in giardino. Il paesaggio ameno nelle opere di Giovanni Boccaccio. Alessandria: Edizioni dell'Orso, 2003. Rajna, Pio. „L'episodio delle Questioni d'amore nel Filocolo di Boccaccio, Romania, 31,1901, s. 28-81. Romagnoli, Daniela. „Griselda e Prudenza: modelli muliebri tra etica e letteratura (XIII-XV secolo)", in Franca Magnani (vyd.), Studi in memoria di Paola Medioli Masotti. Napoli: Loffredo, 1995, s. 9-19.
135 Rossi, Luciano. „Ironia e parodia nel Decameron: da Ciappelletto a Griselda", in Enrico Malato (vyd.), La novella italiana. Roma: Salerno Editrice, 1989, sv. 1, s. 365-405. Rossi, Luciano. „La maschera della magnificenza amorosa: la decima giornata", in Michelangelo Picone, Margherita Mesirca (vyd.), Introduzione al Decameron. Firenze: Cesati, 2004, s. 267-289. Rota, Paolo. „Le coltella al cuor di Griselda", Studi e problemi di critica testuale, 48,1994, s. 87-92. Salinari, Carlo. „Prefazione alla decima giornata", in G. Boccaccio, Decameron, ed. Mirko Bevilacqua. Roma: Editori Riuniti, 1983, s. 799-804. Savelli, Giulio. „Struttura e valori nella novella di Griselda", Studi sul Boccaccio, 14,1983/1984, s. 278-301. Smarr, Janet Levarie. „The Tale of the Inquisitor (1.6)", in Elissa В. Weaver (vyd.), The "Decameron" First Day in Perspective. TorontoBuffalo-London: University of Toronto Press, 2004, s. 148-159. Špička, Jiří. „Návrat pastýřů. Počátky a tradice búkolského žánru v italské literatuře", in L. Daniel - J. Pelán - P. Salwa - O. Špilarová (vyd.), Italská renesance a baroko ve střední Evropě. Olomouc: Vydavatelství Univerzity Palackého, 2005, s. 21-32. Špička, Jiří. Petrarca: homo politicus. Praha: Argo 2010. Špička, Jiří. „Poslední příběh Dekameronu", in Giovanni Boccaccio, Griselda, ed. Jiří Špička a Lenka Kováčova. Praha: Vyšehrad, 2013, s. 37-121 Tateo, Francesco. Boccaccio. Roma-Bari: Laterza, 1998. Thompson, N. S. Chaucer, Boccaccio and the Debate of Love. Oxford: Clarendon Press, 1999. Thoss, Dagmar. Studien zum Locus amoenus im Mittelalter. WienStuttgart:
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136 Tomek, Václav Vladivoj. Dějepis města Prahy. Praha: Řivnáč, 1871, sv. 2. Venga, Daniela. „Le tre Griselda", Misure critiche, 1-2/2004, s. 20-26. Weaver, Elissa B. (vyd.). The "Decameron" First Day in perspective. Toronto-Buffalo-London: University of Toronto Press, 2004. Zancan, Marina. „La donna", in Letteratura italiana, vol. 5 (Le questioni). Torino: Einaudi, 1986, s. 765-825.
English Summary Boccaccio 2013: The Poetics of the Decameron and Two Ways How to Be a Human Being The goal of this book is to offer a collection of essays at the occasion of seven hundredth anniversary of Boccaccio's birth. It is meant to provide the Czech reader some of the main criti cal questions concerning the Decameron. Its contents are divi ded into three sections: an introduction to Boccaccio's work and an overall analysis of compositional principles of the Decame ron and its poetics; an analysis of the first day and the first tale story; and an analysis of the tenth day and the last tale story. The first chapter briefly deals with Boccaccio's entire literary work and elaborates about the specific features of the Decameron: the flexibility of the novella form which can encompass characte ristics of different genres; the possibilities which the intertextuality between individual tales derives from the frame story; the description of the Black Death in Florence and the contrasting effort on the part of the narrators to build a perfect civilization; the question of women's readership and the consoling function of the Decameron; its poetics based on realism and relativism. In the chapter about the first day in the Decameron, we consi der a way to classify its narrative material. As far as the charac ters are concerned, we divide them into different social groups, using also the well-known division of medieval society into bellatores, oratores and laboratores. At the same time, however, we argue that Boccaccio did not comply with any abstract pattern but instead
tried as accurately as possible to capture the current
138 social divisions. Thematically the theme of a well thought-out speech act (a lie, a defence, a joke, etc.) and its effect is the most dominant one. The Tale of Ser Ciappelletto can be understood as an expres sion of the poetics of subversion and parody, which affects pre dominantly the form of confession and the genre of hagiogra phy. Ciappelletto is described as the worst person ever to be born, who has committed evil throughout his entire life. As his life is nearing the end, though, he resorts to an outrageous sin of false confession, which paradoxically results in the victory of piety. His lies render his remains an object of folk worship; therefore, in the end the tale can be interpreted as the victory of God's plan and an example of God's benignity. The tenth day of the Decameron brings stories about people who have performed any magnanimous or generous action for love or for other honourable thing. It is an atypical series of ta les wherein Boccaccio withdraws from the real world and mo ves away from his empirical morality. His goal is to depict the highest virtues embodied by characters too virtuous to walk the streets of Florence. Thus he sets the plot in remote places and indefinite times. Stylistically we likewise enter an entirely diffe rent world: here we encounter mostly long stories, delivered in polished language, flowing with a steady rhythm and made of carefully constructed long sentences and soulful dialogues. In these chapters we provide and critically assess the exis ting research in the subject, including the recent trends which see the
tenth day as an ironic palinode of the Decameron, whe rein Boccaccio allegedly demonstrates the absurdity of the exemplary tales. We do not, however, share this position and continue in the line of Vittore Branca's ascension interpretative model and in the light of Aristotle's Ethics and Thomas Aqui nas's commentaries on it.
139 The climax of the tenth day is the Griselda story, which has become the subject of very contradictory interpretations. We briefly gloss over the most interesting ways of reading this story and subscribe to its now largely rejected interpretation as an exemplary story with mariological and christological connota tions. We believe it is possible to read the story as the highest example of both virtue as well as humility, the latter also re flecting one's relationship to God, as it is later explicitly shown by Petrarch in his version of the story of Griselda. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Špička, Jiří 1941- |
| author_GND | (DE-588)127445358 (DE-588)114956816X |
| author_facet | Špička, Jiří 1941- |
| author_role | aut |
| author_sort | Špička, Jiří 1941- |
| author_variant | j š jš |
| building | Verbundindex |
| bvnumber | BV046819038 |
| ctrlnum | (OCoLC)1190907037 (DE-599)BVBBV046819038 |
| edition | 1. vydání |
| format | Book |
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| id | DE-604.BV046819038 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T15:01:21Z |
| indexdate | 2024-07-10T08:54:43Z |
| institution | BVB |
| institution_GND | (DE-588)1029776-5 |
| language | Czech |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032227446 |
| oclc_num | 1190907037 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 139 Seiten 22 cm |
| psigel | BSB_NED_20200805 |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Univerzita Palackého v Olomouci |
| record_format | marc |
| spelling | Špička, Jiří 1941- Verfasser (DE-588)127445358 aut Boccaccio 2013 poetika Dekameronu a dva způsoby, jak být člověkem = Boccaccio 2013 : the poetics of the Decameron and two ways how to be a human being Jiří Špička, Marcello Bolpagni, Lenka Kováčová Poetika Dekameronu a dva způsoby, jak být člověkem Boccaccio 2013 1. vydání Olomouc Univerzita Palackého v Olomouci 2013 139 Seiten 22 cm txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite [125]-136 Zusammenfassung auf Englisch Teilweise aus dem Italienischen übersetzt Boccaccio, Giovanni / 1313-1375 / Decameron czenas Boccaccio, Giovanni 1313-1375 (DE-588)11851217X gnd rswk-swf Italská próza / 14. stol czenas Naratologie czenas Poetika czenas Interpretace a přijetí literárního díla czenas Italian prose literature / 14th century czenas Narratology czenas Poetics czenas Interpretation and reception of literature czenas Boccaccio, Giovanni 1313-1375 (DE-588)11851217X p DE-604 Bolpagni, Marcello 1987- Sonstige (DE-588)114956816X oth Kováčová, Lenka Sonstige oth Univerzita Palackého v Olomouci (DE-588)1029776-5 isb Boccaccio, Giovanni, 1313-1375 Digitalisierung BSB München 24 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032227446&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 24 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032227446&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München 24 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032227446&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Špička, Jiří 1941- Boccaccio 2013 poetika Dekameronu a dva způsoby, jak být člověkem = Boccaccio 2013 : the poetics of the Decameron and two ways how to be a human being Boccaccio, Giovanni / 1313-1375 / Decameron czenas Boccaccio, Giovanni 1313-1375 (DE-588)11851217X gnd Italská próza / 14. stol czenas Naratologie czenas Poetika czenas Interpretace a přijetí literárního díla czenas Italian prose literature / 14th century czenas Narratology czenas Poetics czenas Interpretation and reception of literature czenas |
| subject_GND | (DE-588)11851217X |
| title | Boccaccio 2013 poetika Dekameronu a dva způsoby, jak být člověkem = Boccaccio 2013 : the poetics of the Decameron and two ways how to be a human being |
| title_alt | Poetika Dekameronu a dva způsoby, jak být člověkem Boccaccio 2013 |
| title_auth | Boccaccio 2013 poetika Dekameronu a dva způsoby, jak být člověkem = Boccaccio 2013 : the poetics of the Decameron and two ways how to be a human being |
| title_exact_search | Boccaccio 2013 poetika Dekameronu a dva způsoby, jak být člověkem = Boccaccio 2013 : the poetics of the Decameron and two ways how to be a human being |
| title_exact_search_txtP | Boccaccio 2013 poetika Dekameronu a dva způsoby, jak být člověkem = Boccaccio 2013 : the poetics of the Decameron and two ways how to be a human being |
| title_full | Boccaccio 2013 poetika Dekameronu a dva způsoby, jak být člověkem = Boccaccio 2013 : the poetics of the Decameron and two ways how to be a human being Jiří Špička, Marcello Bolpagni, Lenka Kováčová |
| title_fullStr | Boccaccio 2013 poetika Dekameronu a dva způsoby, jak být člověkem = Boccaccio 2013 : the poetics of the Decameron and two ways how to be a human being Jiří Špička, Marcello Bolpagni, Lenka Kováčová |
| title_full_unstemmed | Boccaccio 2013 poetika Dekameronu a dva způsoby, jak být člověkem = Boccaccio 2013 : the poetics of the Decameron and two ways how to be a human being Jiří Špička, Marcello Bolpagni, Lenka Kováčová |
| title_short | Boccaccio 2013 |
| title_sort | boccaccio 2013 poetika dekameronu a dva zpusoby jak byt clovekem boccaccio 2013 the poetics of the decameron and two ways how to be a human being |
| title_sub | poetika Dekameronu a dva způsoby, jak být člověkem = Boccaccio 2013 : the poetics of the Decameron and two ways how to be a human being |
| topic | Boccaccio, Giovanni / 1313-1375 / Decameron czenas Boccaccio, Giovanni 1313-1375 (DE-588)11851217X gnd Italská próza / 14. stol czenas Naratologie czenas Poetika czenas Interpretace a přijetí literárního díla czenas Italian prose literature / 14th century czenas Narratology czenas Poetics czenas Interpretation and reception of literature czenas |
| topic_facet | Boccaccio, Giovanni / 1313-1375 / Decameron Boccaccio, Giovanni 1313-1375 Italská próza / 14. stol Naratologie Poetika Interpretace a přijetí literárního díla Italian prose literature / 14th century Narratology Poetics Interpretation and reception of literature |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032227446&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032227446&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032227446&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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