Songs of sacrifice: chant, identity, and Christian formation in early medieval Iberia
"Songs of Sacrifice argues that liturgical music-both texts and melodies-played a central role in the cultural renewal of early Medieval Iberia. Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical rich...
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| Format: | Buch |
| Sprache: | English |
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New York, NY
Oxford University Press
[2020]
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| Schriftenreihe: | AMS studies in music series
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Songs of Sacrifice argues that liturgical music-both texts and melodies-played a central role in the cultural renewal of early Medieval Iberia. Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during the seventh century, as part of a cultural and educational program led Isidore of Seville and other bishops. After the conversion of the Visigothic rulers from Arian to Nicene Christianity at the end of the sixth century, the bishops aimed to create a society unified in the Nicene faith, built on twin pillars of church and kingdom. They initiated a project of clerical education, facilitated through a distinctive culture of textual production. The chant repertory was carefully designed to promote these aims. The creators of the chant texts reworked scripture in ways designed to teach biblical exegesis, linking both to the theological works of Isidore and others, and to Visigothic anti-Jewish discourse. The notation reveals an intricate melodic grammar that is closely tied to textual syntax and sound. Through musical rhetoric, the melodies shaped the delivery of the texts to underline words and phrases images of particular liturgical or doctrinal import. The chants thus worked toward the formation of individual Christian souls and a communal, Nicene identity. The final chapters turn to questions about the intersection between orality and writing and the relationships of the Old Hispanic chant to other Western plainsong traditions"-- |
| Beschreibung: | ix, 331 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780190071530 |
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| 505 | 8 | |a Introduction. Old Hispanic Chant and the Visigothic Context -- The Sacrificium -- Liturgy, Patristic Learning, and Christian Formation -- From Scripture to Chant : Biblical Exegesis and Communal Identity in the Sacrificia -- The Melodic Language -- Sounding Prophecy : Words and Music in the Sacrificia -- The Broader Old Hispanic Tradition: Aspects of Melodic Transmission -- Connections beyond Hispania | |
| 520 | 3 | |a "Songs of Sacrifice argues that liturgical music-both texts and melodies-played a central role in the cultural renewal of early Medieval Iberia. Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during the seventh century, as part of a cultural and educational program led Isidore of Seville and other bishops. After the conversion of the Visigothic rulers from Arian to Nicene Christianity at the end of the sixth century, the bishops aimed to create a society unified in the Nicene faith, built on twin pillars of church and kingdom. They initiated a project of clerical education, facilitated through a distinctive culture of textual production. The chant repertory was carefully designed to promote these aims. The creators of the chant texts reworked scripture in ways designed to teach biblical exegesis, linking both to the theological works of Isidore and others, and to Visigothic anti-Jewish discourse. The notation reveals an intricate melodic grammar that is closely tied to textual syntax and sound. Through musical rhetoric, the melodies shaped the delivery of the texts to underline words and phrases images of particular liturgical or doctrinal import. The chants thus worked toward the formation of individual Christian souls and a communal, Nicene identity. The final chapters turn to questions about the intersection between orality and writing and the relationships of the Old Hispanic chant to other Western plainsong traditions"-- | |
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Datensatz im Suchindex
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| adam_text | CONTENTS Acknowledgments About the Companion Website vii ix Introduction: Old Hispanic Chant and theVisigothicContext 1 The Sacrificium 2 Liturgy, Patristic Learning, and Christian Formation 3 From Scripture to Chant: Biblical Exegesis and Communal Identity in the Sacrificia 4 The Melodic Language 5 Sounding Prophecy: Words and Music in the Sacrificia 6 The Broader Old Hispanic Tradition: Aspects of Melodic Transmission 7 Connections beyond Hispánia Conclusion i 19 42 70 105 159 188 242 281 Appendix: Manuscripts with Sacrificia and Their Sigla Bibliography General Index Index of Chants 287 289 319 327 V
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| adam_txt |
CONTENTS Acknowledgments About the Companion Website vii ix Introduction: Old Hispanic Chant and theVisigothicContext 1 The Sacrificium 2 Liturgy, Patristic Learning, and Christian Formation 3 From Scripture to Chant: Biblical Exegesis and Communal Identity in the Sacrificia 4 The Melodic Language 5 Sounding Prophecy: Words and Music in the Sacrificia 6 The Broader Old Hispanic Tradition: Aspects of Melodic Transmission 7 Connections beyond Hispánia Conclusion i 19 42 70 105 159 188 242 281 Appendix: Manuscripts with Sacrificia and Their Sigla Bibliography General Index Index of Chants 287 289 319 327 V |
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| author | Maloy, Rebecca ca. 20./21. Jh |
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| author_facet | Maloy, Rebecca ca. 20./21. Jh |
| author_role | aut |
| author_sort | Maloy, Rebecca ca. 20./21. Jh |
| author_variant | r m rm |
| building | Verbundindex |
| bvnumber | BV046814157 |
| contents | Introduction. Old Hispanic Chant and the Visigothic Context -- The Sacrificium -- Liturgy, Patristic Learning, and Christian Formation -- From Scripture to Chant : Biblical Exegesis and Communal Identity in the Sacrificia -- The Melodic Language -- Sounding Prophecy : Words and Music in the Sacrificia -- The Broader Old Hispanic Tradition: Aspects of Melodic Transmission -- Connections beyond Hispania |
| ctrlnum | (OCoLC)1190919273 (DE-599)BVBBV046814157 |
| era | Geschichte 600-1100 gnd |
| era_facet | Geschichte 600-1100 |
| format | Book |
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| geographic_facet | Iberische Halbinsel |
| id | DE-604.BV046814157 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:59:44Z |
| indexdate | 2024-07-10T08:54:35Z |
| institution | BVB |
| isbn | 9780190071530 |
| language | English |
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| physical | ix, 331 Seiten Illustrationen, Notenbeispiele |
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| publisher | Oxford University Press |
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| spelling | Maloy, Rebecca ca. 20./21. Jh. Verfasser (DE-588)1036862747 aut Songs of sacrifice chant, identity, and Christian formation in early medieval Iberia Rebecca Maloy New York, NY Oxford University Press [2020] © 2020 ix, 331 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier AMS studies in music series Introduction. Old Hispanic Chant and the Visigothic Context -- The Sacrificium -- Liturgy, Patristic Learning, and Christian Formation -- From Scripture to Chant : Biblical Exegesis and Communal Identity in the Sacrificia -- The Melodic Language -- Sounding Prophecy : Words and Music in the Sacrificia -- The Broader Old Hispanic Tradition: Aspects of Melodic Transmission -- Connections beyond Hispania "Songs of Sacrifice argues that liturgical music-both texts and melodies-played a central role in the cultural renewal of early Medieval Iberia. Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during the seventh century, as part of a cultural and educational program led Isidore of Seville and other bishops. After the conversion of the Visigothic rulers from Arian to Nicene Christianity at the end of the sixth century, the bishops aimed to create a society unified in the Nicene faith, built on twin pillars of church and kingdom. They initiated a project of clerical education, facilitated through a distinctive culture of textual production. The chant repertory was carefully designed to promote these aims. The creators of the chant texts reworked scripture in ways designed to teach biblical exegesis, linking both to the theological works of Isidore and others, and to Visigothic anti-Jewish discourse. The notation reveals an intricate melodic grammar that is closely tied to textual syntax and sound. Through musical rhetoric, the melodies shaped the delivery of the texts to underline words and phrases images of particular liturgical or doctrinal import. The chants thus worked toward the formation of individual Christian souls and a communal, Nicene identity. The final chapters turn to questions about the intersection between orality and writing and the relationships of the Old Hispanic chant to other Western plainsong traditions"-- Geschichte 600-1100 gnd rswk-swf Christentum (DE-588)4010074-1 gnd rswk-swf Mozarabischer Gesang (DE-588)4170623-7 gnd rswk-swf Kulturelle Entwicklung (DE-588)4165968-5 gnd rswk-swf Altspanische Liturgie (DE-588)4142096-2 gnd rswk-swf Iberische Halbinsel (DE-588)4047912-2 gnd rswk-swf Mozarabic chants / History and criticism Catholic Church / Mozarabic rite / Liturgy Sacred vocal music / Spain / 500-1400 / History and criticism Catholic Church Mozarabic chants Mozarabic rite (Catholic Church) / Liturgy Sacred vocal music Spain 500-1400 Criticism, interpretation, etc Iberische Halbinsel (DE-588)4047912-2 g Christentum (DE-588)4010074-1 s Altspanische Liturgie (DE-588)4142096-2 s Mozarabischer Gesang (DE-588)4170623-7 s Kulturelle Entwicklung (DE-588)4165968-5 s Geschichte 600-1100 z DE-604 Online version Maloy, Rebecca Songs of sacrifice New York : Oxford University Press, 2020 9780190071554 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032222648&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Maloy, Rebecca ca. 20./21. Jh Songs of sacrifice chant, identity, and Christian formation in early medieval Iberia Introduction. Old Hispanic Chant and the Visigothic Context -- The Sacrificium -- Liturgy, Patristic Learning, and Christian Formation -- From Scripture to Chant : Biblical Exegesis and Communal Identity in the Sacrificia -- The Melodic Language -- Sounding Prophecy : Words and Music in the Sacrificia -- The Broader Old Hispanic Tradition: Aspects of Melodic Transmission -- Connections beyond Hispania Christentum (DE-588)4010074-1 gnd Mozarabischer Gesang (DE-588)4170623-7 gnd Kulturelle Entwicklung (DE-588)4165968-5 gnd Altspanische Liturgie (DE-588)4142096-2 gnd |
| subject_GND | (DE-588)4010074-1 (DE-588)4170623-7 (DE-588)4165968-5 (DE-588)4142096-2 (DE-588)4047912-2 |
| title | Songs of sacrifice chant, identity, and Christian formation in early medieval Iberia |
| title_auth | Songs of sacrifice chant, identity, and Christian formation in early medieval Iberia |
| title_exact_search | Songs of sacrifice chant, identity, and Christian formation in early medieval Iberia |
| title_exact_search_txtP | Songs of sacrifice chant, identity, and Christian formation in early medieval Iberia |
| title_full | Songs of sacrifice chant, identity, and Christian formation in early medieval Iberia Rebecca Maloy |
| title_fullStr | Songs of sacrifice chant, identity, and Christian formation in early medieval Iberia Rebecca Maloy |
| title_full_unstemmed | Songs of sacrifice chant, identity, and Christian formation in early medieval Iberia Rebecca Maloy |
| title_short | Songs of sacrifice |
| title_sort | songs of sacrifice chant identity and christian formation in early medieval iberia |
| title_sub | chant, identity, and Christian formation in early medieval Iberia |
| topic | Christentum (DE-588)4010074-1 gnd Mozarabischer Gesang (DE-588)4170623-7 gnd Kulturelle Entwicklung (DE-588)4165968-5 gnd Altspanische Liturgie (DE-588)4142096-2 gnd |
| topic_facet | Christentum Mozarabischer Gesang Kulturelle Entwicklung Altspanische Liturgie Iberische Halbinsel |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032222648&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT maloyrebecca songsofsacrificechantidentityandchristianformationinearlymedievaliberia |