Art of the United States 1750-2000: primary sources
John Adams on the arts -- The Nation vs. Prang & Co. -- Should women artists marry? -- Dorothea Lange on documentary photography -- Emory Douglas, the Black Panther Party, and revolutionary art -- Fred Wilson exhibits suppressed histories
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago
Terra Foundation for American Art
[2020]
Chicago University of Chicago Press |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | John Adams on the arts -- The Nation vs. Prang & Co. -- Should women artists marry? -- Dorothea Lange on documentary photography -- Emory Douglas, the Black Panther Party, and revolutionary art -- Fred Wilson exhibits suppressed histories "Art of the United States is a landmark volume that presents three centuries of US art through a broad array of historical texts, including writings by artists, critics, patrons, literary figures, and other commentators. Combining a wide-ranging selection of texts with high-quality reproductions of artworks, it offers a unique resource for the study and understanding of the visual arts of the United States. With contextual essays, explanatory headnotes, a chronology of historical landmarks, maps, and full-color illustrations of key artworks, the volume will appeal to national and international audiences ranging from undergraduates and museum visitors to art historians and other scholars. Texts by a range of artists and cultural figures-from Benjamin West to Kara Walker-are grouped according to historical era alongside works by many of the artists featured. A sourcebook of unprecedented breadth and depth, Art of the United States brings together multiple voices throughout the ages to provide a framework for learning and critical thinking on US art"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 543 Seiten Illustrationen |
| ISBN: | 9780932171689 |
Internformat
MARC
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| 100 | 1 | |a Davis, John |d 1961- |e Verfasser |0 (DE-588)138187924 |4 aut | |
| 245 | 1 | 0 | |a Art of the United States 1750-2000 |b primary sources |c John Davis, Michael Leja ; edited by Francesca Rose ; with contributions by Lacey Baradel |
| 264 | 1 | |a Chicago |b Terra Foundation for American Art |c [2020] | |
| 264 | 1 | |a Chicago |b University of Chicago Press | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 543 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a John Adams on the arts -- The Nation vs. Prang & Co. -- Should women artists marry? -- Dorothea Lange on documentary photography -- Emory Douglas, the Black Panther Party, and revolutionary art -- Fred Wilson exhibits suppressed histories | |
| 520 | 3 | |a "Art of the United States is a landmark volume that presents three centuries of US art through a broad array of historical texts, including writings by artists, critics, patrons, literary figures, and other commentators. Combining a wide-ranging selection of texts with high-quality reproductions of artworks, it offers a unique resource for the study and understanding of the visual arts of the United States. With contextual essays, explanatory headnotes, a chronology of historical landmarks, maps, and full-color illustrations of key artworks, the volume will appeal to national and international audiences ranging from undergraduates and museum visitors to art historians and other scholars. Texts by a range of artists and cultural figures-from Benjamin West to Kara Walker-are grouped according to historical era alongside works by many of the artists featured. A sourcebook of unprecedented breadth and depth, Art of the United States brings together multiple voices throughout the ages to provide a framework for learning and critical thinking on US art"-- | |
| 648 | 7 | |a Geschichte 1750-2000 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
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| 689 | 0 | 2 | |a Geschichte 1750-2000 |A z |
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| 700 | 1 | |a Leja, Michael |d 1951- |e Verfasser |0 (DE-588)143594281 |4 aut | |
| 700 | 1 | |a Baradel, Lacey |d 1982- |0 (DE-588)1231286296 |4 ctb | |
| 710 | 2 | |a Terra Foundation for American Art |0 (DE-588)10153430-9 |4 isb | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-032219409 | ||
Datensatz im Suchindex
| _version_ | 1804181616210214912 |
|---|---|
| adam_text | CONTENTS
81
RESPONSES
TO THE
DAGUERREOTYPE
85
GEORGE
CATLIN
PORTRAYS
THE
NATIVE
AMERICANS
89
THE
PUBLIC
DISPLAY
OF
SLAVERY
91
FREDERICK
DOUGLASS
ON
AFRICAN
AMERICAN
PORTRAITURE
92
WASHINGTON
ALLSTON
IN BOSTON
94
HIRAM
POWERS S
THE
GREEK
SLAVE
98
THE
AMERICAN
ART-UNION
101
DUSSELDORF
AND
THE
DUSSELDORF
GALLERY
105
3.
THE
CIVIL
WAR
AND
ITS
AFTERMATH
1850-1870
9
FOREWORD
120
LILLY MARTIN
SPENCER:
10
ABOUT THE
BOOK
MAKING
IT
IN NEW
YORK
12
EDITORIAL
NOTE
124
ASHER
B.
DURAND
FORMULATES
THE
AMERICAN
LANDSCAPE
128
THE
LURE
OFITALY
14
INTRODUCTION
133
HARRIET
HOSMER
IN THE
ETERNAL
CITY
136
FREDERIC
CHURCH S
HEART
OF
THE
ANDES
17
1.
BUILDING
PATRONAGE
AND
INSTITUTIONS
142
EASTMAN
JOHNSON S
1750-1830
NEGRO
LIFE
AT
THE SOUTH
31
BENJAMIN
WEST:
A NEW
WORLD
144
THE
PHOTOGRAPH
AND
THE
FACE
GENIUS
CONQUERS
THE
OLD
145
PHOTOGRAPHS
OF
ANTIETAM
34
JOHN
SINGLETON
COPLEY:
147
JOHN
QUINCY
ADAMS
WARD S
FREEDMAN
AMBITION
AND
PRACTICALITY
148
ALBERT
BIERSTADT S
GREAT
PICTURE
40
JOHN
ADAMS
ON
THE
ARTS
150
THE
NATION
VERSUS
PRANG
&
CO
.
42
CHARLES
WILLSON
PEALE S
MUSEUM
153
SCULPTURE
IN MIDCENTURY
AMERICA
44
JOHN
TRUMBULL
PAINTS
REVOLUTIONARY
HISTORY
157
4.
THE
GILDED
AGE
47
A PLAN
FOR
GOVERNMENT
PATRONAGE
1870-1885
OF
HISTORY
PAINTING
172
THOMAS
MORAN
AND
THE
49
THE
NATIONAL
ACADEMY
OF
DESIGN:
WESTERN
SUBLIME
THE
FOUNDING
173
J
.
ALDEN
WEIR
WRITES
HOME
50
WILLIAM
DUNLAP
CHAMPIONS
THE
ARTS
ABOUT
JEAN-LEON
GEROME
53
THOMAS
COLE
AND
A PATRON
174
HENRY
JAMES
REVIEWS
55
FOR
THE
BIRDS:
JOHN
JAME
S
AUDUBON
SOME
AMERICAN
PAINTERS
AND
AMERICAN
NATURE
178
THOMAS
EAKINS
IN
SPAIN
179
THOMAS
EAKINS S
THE
GROSS
CLINIC
57
2.
LANDSCAPE, DEMOCRACY,
RACE
181
EAKINS
AND
THE
SCHOOL
OF
THE
1830-1850
PENNSYLVANIA
ACADEMY
OF
THE
FINE
ARTS
71
HORATIO
GREENOUGH S
GEORGE
WASHINGTON
185
YOUNG
TURKS:
THE
FORMATION
76
THOMAS
COLE
AND
THE
AMERICAN
LANDSCAPE
OF
THE
SOCIETY
OF
AMERICAN
ARTISTS
188
191
194
196
199
200
207
224
226
228
230
231
234
236
238
240
242
244
249
266
270
271
274
THE
MUNICH
SCHOOL
OTTO
BACHER
ON WHISTLER
IN VENICE
MARIANA
GRISWOLD
VAN RENSSELAER
ASSESSES
THE
PROGRESS
OF
AMERICAN
ART
WINSLOW
HOMER S
SEA
CHANGE
FRIEDRICH
PECHT:
A GERMAN
CRITIC
ON AMERICAN
ART
SYLVESTER
KOEHLER
REFLECTS
ON
A
DECADE
OF
AMERICAN
ART
5.
A
NEW
INTERNATIONALISM
1885-1900
WILLIAM
HARNETT S
THE
OLD
VIOLIN
KENYON
COX S
LONELY
CAMPAIGN
FOR
THE
NUDE
JAMES
MCNEILL WHISTLER S
PLATFORM
WILLIAM
MERRITT
CHASE,
SEEING
MACHINE
ALBERT
PINKHAM
RYDER:
THE
MYTH
OF
THE
ROMANTIC
PRIMITIVE
CHILDE
HASSAM
ON PAINTING
STREET
SCENES
MARY
CASSATT,
MODERN
WOMAN
EXPERIENCING
THE
WORLD S
COLUMBIAN
EXPOSITION
SHOULD
WOMEN
ARTISTS
MARRY?
CECILIA
BEAUX: BECOMING
THE
GREATEST
WOMAN
PAINTER
BOOKER
T.
WASHINGTON
ON
HENRY
OSSAWA
TANNER
ALFRED
STIEGLITZ
ON PICTORIALISM
6.
PROGRESSIVISM
AND
MODERNISM
1900-1918
JOHN
SLOAN
ON THE
LIFE
OF
AN ARTIST
IN NEW
YORK
LEWIS HINE:
SOCIAL
JUSTICE
THROUGH
PHOTOGRAPHY
THE
MAKING
OF
A PHOTOGRAPH
BY ALFRED
STIEGLITZ
ROBERT
HENRI
ADVOCATES
INDIVIDUALITY
AND
FREEDOM
IN ART
EDUCATION
ALFRED STIEGLITZ
AND
JOHN
MARIN
INTRODUCING
MODERNISM
AT
THE
ARMORY
SHOW
278
KENYON
COX:
THE
CA E
AGAINST
MODERNI M
280
THEODORE
ROO
SEVE
LT
OFFER A
LAYMAN
S
VIEW
OF
MODERN
ART
282 EXPLANATORY
NOTES
FROM THE
M DERNI
286 MARCEL
DUCHAMP
URVEY
NEW Y
RK
287 DUCHAMP,
WITH THE
HELP
OF
L
UI
E
NORTON
AND
BEATRICE
WOOD,
DEFEND
HIS
INF
AMO
U
READYM
ADE
291
7.
PROSPERITY
AND
DEPRESSION
1918-1939
307 GEORGIA O KEEFFE
PAINT
S
A
HE W
AN
T
TO
309
JOS
EPH
STELLA
ON
THE
DIVINE
AND
THE
DEMONIC
IN THE MODERN ITY
312
_
EDWARD
HOPPER
FIND KINDRED
PIRIT
IN
JOHN
SLOAN
A
ND
CHARLES
BURCHFI
LD
315 GEORGE
SCHUYLER
AND
LANG
TON
HUGHE
PROPOSE
DIFFERENT
PATH FOR AFRI
AN
AMERICAN
CULTURE
319
ROMARE
BEARDEN
AND
AARON DOUGLA
THE
SITUATION
OF
AFRICAN
AMERICAN
ARTI
ST
323
PUTTING
ARTISTS
TO WORK
DURING
THE DEPRESSION
327 DOROTHEA
LANGE
ON
DOCUMENTARY
PHOTOGRAPHY
329
THOMAS
HART
BENTON
AND
THE
US
CENE
333 SWINGING
ABSTRACTION:
STUART
DAVI
336 A VOICE
OF
RADICAL
CULTURAL
POLITIC
IN
THE
1930S
337
339
341
345
MEYER
SCHAPIRO
S
CRITICAL
ANALY I
OF
MODERN
ART
NORMAN
BEL
GEDDES
STREAMLINE
DE
IGN
LIFE
MAGAZINE
AND
THE
DEMAND
FOR PICTURES
8.
WAR
AND
COLD
WAR,
ANXIETY
AND
AFFLUENCE
1939-1960
NORMAN
ROCKWELL BRINGS
THE
FOUR
FREEDOMS
TO LIFE
JACKSON
POLLOCK
REMAKES
ABSTRACTION
MARK
ROTHKO:
AGITATION
AND
CALM
370
BARNETT
NEWMAN
DECLARES
SPACE
440
AFRICOBRA
PURSUES
THE
CULTURAL
373
CLEMENT
GREENBERG
IDENTIFIES
AN
LIBERATION
OF
BLACK
AMERICA
AMERICAN
AVANT-GARDE
443
ROBERT
SMITHSON
RESHAPES
LAND
375
HAROLD
ROSENBERG
DEFINES
444
JUDY
CHICAGO S
FEMINIST
IMAGERY
ACTION
PAINTING
447
THE
ART
OF
LIGHT
AND
SPACE
378
CONFRONTATION
PIECES
BY LOUISE BOURGEOIS
IN LOS
ANGELES
379
BERENICE
ABBOTT:
DOCUMENTARY
450
ADRIAN
PIPER S
PHILOSOPHICAL
AND
PHOTOGRAPHY
IN
A WORLD
OF
PICTURES
ENGAGED
CONCEPTUAL
ART
382
OSCAR
HOWE
ON
CREATIVE
FREEDOM
AND
453
ANALYZING
PICTURE
CULTURE
THROUGH
ART
NATIVE AMERICAN
TRADITIONS
383
WALKER
EVANS
&
ROBERT
FRANK
ON
457
10.
CULTURE
WARS
AND
POSTMODERNISM
FRANK S
AMERICANS
1980-2000
385
ROBERT
RAUSCHENBERG S
DISPARATE
473
MARTHA
ROSIER:
SOCIAL
DOCUMENTARY
VISUAL FACTS
PHOTOGRAPHY
VERSUS
APPROPRIATION
388
JOHN CAGE
ON
ROBERT
RAUSCHENBERG S
476
CINDY
SHERMAN,
PICTURES
AND
IDENTITIES
COMBINES
479
MAYA
LIN S
MEMORIALS
390
JASPER
JOHNS
ON
SEEING
AND
KNOWING
480
HANS
HAACKE
AND
THE
CRITIQUE
392
US
PAINTING
AND
THE
COLD
WAR
OF
ARTS
INSTITUTIONS
483
JEAN-MICHEL
BASQUIAT S
RAW
395
9.
POLITICAL
POLARIZATION,
AND
SUBTLE
GRAFFITI
(/)
COUNTERCULTURE
AND
REACTION
486
DAVID
HAMMONS:
DEFIANT
STREET
ART
C
Q)
1960-1980
488
ROBERT
MAPPLETHORPE S
EMBATTLED
C
0
411
ALLAN KAPROW
AND
HAPPENINGS
PHOTOGRAPHS
U
413
CLAES OLDENBURG:
AN ART
OF
BENDING,
491
INCITING
ACTION
THROUGH
ART
TO END
KICKING, AND
BREAKING
THE
AIDS
EPIDEMIC
415
ROY
LICHTENSTEIN:
CAPITALISM,
494
COCO
FUSCO
PERFORMING
OTHERNESS
INDUSTRIALISM,
AND
POP
ART
497
FRED
WILSON
EXHIBITS
SUPPRESSED
417
ANDY
WARHOL
ON
POP
ART
HISTORIES
AND
HOMOSEXUALITY
500
KARA
WALKER
:
SURREAL,
SILHOUETTED
423
CAROLEE
SCHNEEMANN
AND
PANORAMAS
OF
SLAVERY
APHRODITEAN
PERFORMANCE
425
FRANK
STELLA
AND
DONALD
JUDD:
UNBROKEN
WHOLENESS
503
MAPS
429
ROBERT
MORRIS: PHYSICAL
EXPERIENCE
512
CHRONOLOGY
1500-2000
OF
THE
VISUAL FIELD
528
ACKNOWLEDGEMENTS
431
MICHAEL FRIED S
OBJECTIONS
530
INDEX
TO MINIMALISM
541
CREDITS
434
A MANIFESTO
FOR
CONCEPTUAL
ART:
543
ABOUT THE
FOUND
AT
ION
SOL
LEWITT S
PARAGRAPHS
436
ARTISTS ORGANIZE
TO
DEMAND
RIGHTS
AND
REFORMS
438
EMORY
DOUGLAS,
THE
BLACK
PANTHER
PARTY, AND
REVOLUTIONARY
ART
|
| adam_txt |
CONTENTS
81
RESPONSES
TO THE
DAGUERREOTYPE
85
GEORGE
CATLIN
PORTRAYS
THE
NATIVE
AMERICANS
89
THE
PUBLIC
DISPLAY
OF
SLAVERY
91
FREDERICK
DOUGLASS
ON
AFRICAN
AMERICAN
PORTRAITURE
92
WASHINGTON
ALLSTON
IN BOSTON
94
HIRAM
POWERS'S
THE
GREEK
SLAVE
98
THE
AMERICAN
ART-UNION
101
DUSSELDORF
AND
THE
DUSSELDORF
GALLERY
105
3.
THE
CIVIL
WAR
AND
ITS
AFTERMATH
1850-1870
9
FOREWORD
120
LILLY MARTIN
SPENCER:
10
ABOUT THE
BOOK
MAKING
IT
IN NEW
YORK
12
EDITORIAL
NOTE
124
ASHER
B.
DURAND
FORMULATES
THE
AMERICAN
LANDSCAPE
128
THE
LURE
OFITALY
14
INTRODUCTION
133
HARRIET
HOSMER
IN THE
ETERNAL
CITY
136
FREDERIC
CHURCH'S
HEART
OF
THE
ANDES
17
1.
BUILDING
PATRONAGE
AND
INSTITUTIONS
142
EASTMAN
JOHNSON'S
1750-1830
NEGRO
LIFE
AT
THE SOUTH
31
BENJAMIN
WEST:
A NEW
WORLD
144
THE
PHOTOGRAPH
AND
THE
FACE
GENIUS
CONQUERS
THE
OLD
145
PHOTOGRAPHS
OF
ANTIETAM
34
JOHN
SINGLETON
COPLEY:
147
JOHN
QUINCY
ADAMS
WARD'S
FREEDMAN
AMBITION
AND
PRACTICALITY
148
ALBERT
BIERSTADT'S
GREAT
PICTURE
40
JOHN
ADAMS
ON
THE
ARTS
150
THE
NATION
VERSUS
PRANG
&
CO
.
42
CHARLES
WILLSON
PEALE'S
MUSEUM
153
SCULPTURE
IN MIDCENTURY
AMERICA
44
JOHN
TRUMBULL
PAINTS
REVOLUTIONARY
HISTORY
157
4.
THE
GILDED
AGE
47
A PLAN
FOR
GOVERNMENT
PATRONAGE
1870-1885
OF
HISTORY
PAINTING
172
THOMAS
MORAN
AND
THE
49
THE
NATIONAL
ACADEMY
OF
DESIGN:
WESTERN
SUBLIME
THE
FOUNDING
173
J
.
ALDEN
WEIR
WRITES
HOME
50
WILLIAM
DUNLAP
CHAMPIONS
THE
ARTS
ABOUT
JEAN-LEON
GEROME
53
THOMAS
COLE
AND
A PATRON
174
HENRY
JAMES
REVIEWS
55
FOR
THE
BIRDS:
JOHN
JAME
S
AUDUBON
SOME
AMERICAN
PAINTERS
AND
AMERICAN
NATURE
178
THOMAS
EAKINS
IN
SPAIN
179
THOMAS
EAKINS'S
THE
GROSS
CLINIC
57
2.
LANDSCAPE, DEMOCRACY,
RACE
181
EAKINS
AND
THE
SCHOOL
OF
THE
1830-1850
PENNSYLVANIA
ACADEMY
OF
THE
FINE
ARTS
71
HORATIO
GREENOUGH'S
GEORGE
WASHINGTON
185
YOUNG
TURKS:
THE
FORMATION
76
THOMAS
COLE
AND
THE
AMERICAN
LANDSCAPE
OF
THE
SOCIETY
OF
AMERICAN
ARTISTS
188
191
194
196
199
200
207
224
226
228
230
231
234
236
238
240
242
244
249
266
270
271
274
THE
MUNICH
SCHOOL
OTTO
BACHER
ON WHISTLER
IN VENICE
MARIANA
GRISWOLD
VAN RENSSELAER
ASSESSES
THE
PROGRESS
OF
AMERICAN
ART
WINSLOW
HOMER'S
SEA
CHANGE
FRIEDRICH
PECHT:
A GERMAN
CRITIC
ON AMERICAN
ART
SYLVESTER
KOEHLER
REFLECTS
ON
A
DECADE
OF
AMERICAN
ART
5.
A
NEW
INTERNATIONALISM
1885-1900
WILLIAM
HARNETT'S
THE
OLD
VIOLIN
KENYON
COX'S
LONELY
CAMPAIGN
FOR
THE
NUDE
JAMES
MCNEILL WHISTLER'S
PLATFORM
WILLIAM
MERRITT
CHASE,
SEEING
MACHINE
ALBERT
PINKHAM
RYDER:
THE
MYTH
OF
THE
ROMANTIC
PRIMITIVE
CHILDE
HASSAM
ON PAINTING
STREET
SCENES
MARY
CASSATT,
MODERN
WOMAN
EXPERIENCING
THE
WORLD'S
COLUMBIAN
EXPOSITION
SHOULD
WOMEN
ARTISTS
MARRY?
CECILIA
BEAUX: BECOMING
THE
GREATEST
WOMAN
PAINTER
BOOKER
T.
WASHINGTON
ON
HENRY
OSSAWA
TANNER
ALFRED
STIEGLITZ
ON PICTORIALISM
6.
PROGRESSIVISM
AND
MODERNISM
1900-1918
JOHN
SLOAN
ON THE
LIFE
OF
AN ARTIST
IN NEW
YORK
LEWIS HINE:
SOCIAL
JUSTICE
THROUGH
PHOTOGRAPHY
THE
MAKING
OF
A PHOTOGRAPH
BY ALFRED
STIEGLITZ
ROBERT
HENRI
ADVOCATES
INDIVIDUALITY
AND
FREEDOM
IN ART
EDUCATION
ALFRED STIEGLITZ
AND
JOHN
MARIN
INTRODUCING
MODERNISM
AT
THE
ARMORY
SHOW
278
KENYON
COX:
THE
CA E
AGAINST
MODERNI M
280
THEODORE
ROO
SEVE
LT
OFFER A
LAYMAN
'S
VIEW
OF
MODERN
ART
282 EXPLANATORY
NOTES
FROM THE
M DERNI
286 MARCEL
DUCHAMP
URVEY
NEW Y
RK
287 DUCHAMP,
WITH THE
HELP
OF
L
UI
E
NORTON
AND
BEATRICE
WOOD,
DEFEND
HIS
INF
AMO
U
READYM
ADE
291
7.
PROSPERITY
AND
DEPRESSION
1918-1939
307 GEORGIA O'KEEFFE
PAINT
S
A
HE W
AN
T
TO
309
JOS
EPH
STELLA
ON
THE
DIVINE
AND
THE
DEMONIC
IN THE MODERN ITY
312
_
EDWARD
HOPPER
FIND KINDRED
PIRIT
IN
JOHN
SLOAN
A
ND
CHARLES
BURCHFI
LD
315 GEORGE
SCHUYLER
AND
LANG
TON
HUGHE
PROPOSE
DIFFERENT
PATH FOR AFRI
AN
AMERICAN
CULTURE
319
ROMARE
BEARDEN
AND
AARON DOUGLA
THE
SITUATION
OF
AFRICAN
AMERICAN
ARTI
ST
323
PUTTING
ARTISTS
TO WORK
DURING
THE DEPRESSION
327 DOROTHEA
LANGE
ON
DOCUMENTARY
PHOTOGRAPHY
329
THOMAS
HART
BENTON
AND
THE
US
CENE
333 SWINGING
ABSTRACTION:
STUART
DAVI
336 A VOICE
OF
RADICAL
CULTURAL
POLITIC
IN
THE
1930S
337
339
341
345
MEYER
SCHAPIRO
'S
CRITICAL
ANALY I
OF
MODERN
ART
NORMAN
BEL
GEDDES
STREAMLINE
DE
IGN
LIFE
MAGAZINE
AND
THE
DEMAND
FOR PICTURES
8.
WAR
AND
COLD
WAR,
ANXIETY
AND
AFFLUENCE
1939-1960
NORMAN
ROCKWELL BRINGS
THE
FOUR
FREEDOMS
TO LIFE
JACKSON
POLLOCK
REMAKES
ABSTRACTION
MARK
ROTHKO:
AGITATION
AND
CALM
370
BARNETT
NEWMAN
DECLARES
SPACE
440
AFRICOBRA
PURSUES
THE
CULTURAL
373
CLEMENT
GREENBERG
IDENTIFIES
AN
LIBERATION
OF
BLACK
AMERICA
AMERICAN
AVANT-GARDE
443
ROBERT
SMITHSON
RESHAPES
LAND
375
HAROLD
ROSENBERG
DEFINES
444
JUDY
CHICAGO'S
FEMINIST
IMAGERY
ACTION
PAINTING
447
THE
ART
OF
LIGHT
AND
SPACE
378
CONFRONTATION
PIECES
BY LOUISE BOURGEOIS
IN LOS
ANGELES
379
BERENICE
ABBOTT:
DOCUMENTARY
450
ADRIAN
PIPER'S
PHILOSOPHICAL
AND
PHOTOGRAPHY
IN
A WORLD
OF
PICTURES
ENGAGED
CONCEPTUAL
ART
382
OSCAR
HOWE
ON
CREATIVE
FREEDOM
AND
453
ANALYZING
PICTURE
CULTURE
THROUGH
ART
NATIVE AMERICAN
TRADITIONS
383
WALKER
EVANS
&
ROBERT
FRANK
ON
457
10.
CULTURE
WARS
AND
POSTMODERNISM
FRANK'S
AMERICANS
1980-2000
385
ROBERT
RAUSCHENBERG'S
DISPARATE
473
MARTHA
ROSIER:
SOCIAL
DOCUMENTARY
VISUAL FACTS
PHOTOGRAPHY
VERSUS
APPROPRIATION
388
JOHN CAGE
ON
ROBERT
RAUSCHENBERG'S
476
CINDY
SHERMAN,
PICTURES
AND
IDENTITIES
COMBINES
479
MAYA
LIN'S
MEMORIALS
390
JASPER
JOHNS
ON
SEEING
AND
KNOWING
480
HANS
HAACKE
AND
THE
CRITIQUE
392
US
PAINTING
AND
THE
COLD
WAR
OF
ARTS
INSTITUTIONS
483
JEAN-MICHEL
BASQUIAT'S
RAW
395
9.
POLITICAL
POLARIZATION,
AND
SUBTLE
GRAFFITI
(/)
COUNTERCULTURE
AND
REACTION
486
DAVID
HAMMONS:
DEFIANT
STREET
ART
C
Q)
1960-1980
488
ROBERT
MAPPLETHORPE'S
EMBATTLED
C
0
411
ALLAN KAPROW
AND
HAPPENINGS
PHOTOGRAPHS
U
413
CLAES OLDENBURG:
AN ART
OF
BENDING,
491
INCITING
ACTION
THROUGH
ART
TO END
KICKING, AND
BREAKING
THE
AIDS
EPIDEMIC
415
ROY
LICHTENSTEIN:
CAPITALISM,
494
COCO
FUSCO
PERFORMING
OTHERNESS
INDUSTRIALISM,
AND
POP
ART
497
FRED
WILSON
EXHIBITS
SUPPRESSED
417
ANDY
WARHOL
ON
POP
ART
HISTORIES
AND
HOMOSEXUALITY
500
KARA
WALKER
:
SURREAL,
SILHOUETTED
423
CAROLEE
SCHNEEMANN
AND
PANORAMAS
OF
SLAVERY
APHRODITEAN
PERFORMANCE
425
FRANK
STELLA
AND
DONALD
JUDD:
UNBROKEN
WHOLENESS
503
MAPS
429
ROBERT
MORRIS: PHYSICAL
EXPERIENCE
512
CHRONOLOGY
1500-2000
OF
THE
VISUAL FIELD
528
ACKNOWLEDGEMENTS
431
MICHAEL FRIED'S
OBJECTIONS
530
INDEX
TO MINIMALISM
541
CREDITS
434
A MANIFESTO
FOR
CONCEPTUAL
ART:
543
ABOUT THE
FOUND
AT
ION
SOL
LEWITT'S
PARAGRAPHS
436
ARTISTS ORGANIZE
TO
DEMAND
RIGHTS
AND
REFORMS
438
EMORY
DOUGLAS,
THE
BLACK
PANTHER
PARTY, AND
REVOLUTIONARY
ART |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Davis, John 1961- Leja, Michael 1951- |
| author2 | Baradel, Lacey 1982- |
| author2_role | ctb |
| author2_variant | l b lb |
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| author_facet | Davis, John 1961- Leja, Michael 1951- Baradel, Lacey 1982- |
| author_role | aut aut |
| author_sort | Davis, John 1961- |
| author_variant | j d jd m l ml |
| building | Verbundindex |
| bvnumber | BV046810852 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6505 |
| callnumber-raw | N6505 |
| callnumber-search | N6505 |
| callnumber-sort | N 46505 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LO 94000 |
| ctrlnum | (OCoLC)1190922690 (DE-599)KXP1679407791 |
| dewey-full | 709.73 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.73 |
| dewey-search | 709.73 |
| dewey-sort | 3709.73 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1750-2000 gnd |
| era_facet | Geschichte 1750-2000 |
| format | Book |
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| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV046810852 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:58:51Z |
| indexdate | 2024-07-10T08:54:29Z |
| institution | BVB |
| institution_GND | (DE-588)10153430-9 |
| isbn | 9780932171689 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032219409 |
| oclc_num | 1190922690 |
| open_access_boolean | |
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| owner_facet | DE-19 DE-BY-UBM DE-20 DE-255 DE-29 DE-188 |
| physical | 543 Seiten Illustrationen |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Terra Foundation for American Art University of Chicago Press |
| record_format | marc |
| spelling | Davis, John 1961- Verfasser (DE-588)138187924 aut Art of the United States 1750-2000 primary sources John Davis, Michael Leja ; edited by Francesca Rose ; with contributions by Lacey Baradel Chicago Terra Foundation for American Art [2020] Chicago University of Chicago Press © 2020 543 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index John Adams on the arts -- The Nation vs. Prang & Co. -- Should women artists marry? -- Dorothea Lange on documentary photography -- Emory Douglas, the Black Panther Party, and revolutionary art -- Fred Wilson exhibits suppressed histories "Art of the United States is a landmark volume that presents three centuries of US art through a broad array of historical texts, including writings by artists, critics, patrons, literary figures, and other commentators. Combining a wide-ranging selection of texts with high-quality reproductions of artworks, it offers a unique resource for the study and understanding of the visual arts of the United States. With contextual essays, explanatory headnotes, a chronology of historical landmarks, maps, and full-color illustrations of key artworks, the volume will appeal to national and international audiences ranging from undergraduates and museum visitors to art historians and other scholars. Texts by a range of artists and cultural figures-from Benjamin West to Kara Walker-are grouped according to historical era alongside works by many of the artists featured. A sourcebook of unprecedented breadth and depth, Art of the United States brings together multiple voices throughout the ages to provide a framework for learning and critical thinking on US art"-- Geschichte 1750-2000 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Art, American / Sources USA (DE-588)4078704-7 g Kunst (DE-588)4114333-4 s Geschichte 1750-2000 z DE-604 Leja, Michael 1951- Verfasser (DE-588)143594281 aut Baradel, Lacey 1982- (DE-588)1231286296 ctb Terra Foundation for American Art (DE-588)10153430-9 isb V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032219409&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Davis, John 1961- Leja, Michael 1951- Art of the United States 1750-2000 primary sources Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4078704-7 |
| title | Art of the United States 1750-2000 primary sources |
| title_auth | Art of the United States 1750-2000 primary sources |
| title_exact_search | Art of the United States 1750-2000 primary sources |
| title_exact_search_txtP | Art of the United States 1750-2000 primary sources |
| title_full | Art of the United States 1750-2000 primary sources John Davis, Michael Leja ; edited by Francesca Rose ; with contributions by Lacey Baradel |
| title_fullStr | Art of the United States 1750-2000 primary sources John Davis, Michael Leja ; edited by Francesca Rose ; with contributions by Lacey Baradel |
| title_full_unstemmed | Art of the United States 1750-2000 primary sources John Davis, Michael Leja ; edited by Francesca Rose ; with contributions by Lacey Baradel |
| title_short | Art of the United States 1750-2000 |
| title_sort | art of the united states 1750 2000 primary sources |
| title_sub | primary sources |
| topic | Kunst (DE-588)4114333-4 gnd |
| topic_facet | Kunst USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032219409&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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