Sounding the past: music as history and memory
This volume offers the first systematic exploration of the past as manifested in music of the later Middle Ages and the early modern period. It takes the reader on a journey of discovery across the continent, from the genesis of a new sense of a musical past in early thirteenth-century Paris to the...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
[Turnhout, Belgium]
Brepols
[2020]
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Schriftenreihe: | Épitome musical
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Schlagworte: | |
Online-Zugang: | Volltext Inhaltsverzeichnis Inhaltsverzeichnis |
Zusammenfassung: | This volume offers the first systematic exploration of the past as manifested in music of the later Middle Ages and the early modern period. It takes the reader on a journey of discovery across the continent, from the genesis of a new sense of a musical past in early thirteenth-century Paris to the complex and diverse roles and pedigrees given music of the past in sources, media, genres, communities, and regions in the Age of Reformations. Particular attention is given to the use of older styles and musical traditions in changing constructions of religious and political identity, laying the groundwork for a revised narrative of European music history that accommodates within its frame-work the full plurality of styles and regions found in the sources. The volume concludes with reflections on the conflicting appropriations and effects of the musical past today in composition, performance, musico-logical discourse, and tourism. |
Beschreibung: | Angekündigt auch unter dem Titel: "Resounding pasts" |
Beschreibung: | 312 Seiten Illustrationen |
ISBN: | 9782503588315 |
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Datensatz im Suchindex
_version_ | 1804181607322484736 |
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adam_text | CONTENTS
LIST OF ILLUSTRATIONS 0 6
LIST OF MUSIC EXAMPLES 0 8
NOTES ON CONTRIBUTORS 0 9
ABBREVIATIONS 0 12
PREFACE AND ACKNOWLEDGEMENTS 0 14
INTRODUCTION: TOWARDS A NEW HISTORY OF THE MUSICAL PAST 0 17
KARL KUGLE
PART I. SINGING HISTORIES
INTRODUCTION: SUNG HISTORIES 0 37
SUSAN RANKIN
1. MAKING MUSIC INTO HISTORY 0 45
SUSAN RANKIN
2. COLLECTING CLANSULAI SHAPING THE PAST 0 59
ADAM MATHIAS
3. USING THE PAST AS MODEL: MUSICAL SCRIPTS IN BOOKS OF THE PRAGUE
DIOCESE 0 75
DAVID EBEN AND SUSAN RANKIN
4. OPERATION LIHRONI: FRANCHINUS GAFFURIUS AND THE CONSTRUCTION OF A
REPERTORY
TOR MILAN S DUOMO 0 101
DANIELE V. FILIPPI
PART II. TRADITIONS
INTRODUCTION: TRADITION IN THE MUSICAL PAST 0 117
PAVVCL GANCARCZYK
5. FROM TOLERATED ADDITION TO KEEPERS OF TRADITION: THE AUTHORITY OF THE
PAST IN LATIN SONG
IN CENTRAL EUROPE IN THE FOURTEENTH AND FIFTEENTH CENTURIES 0 121
JAN CIGLBAUER
6. MEMORY OF GENRE: THE POLYTEXTUAL MOTET IN CENTRAL EUROPE AND ITS TWO
TRADITIONS 0 141
PAWET GANCARCZYK
7.TRADITION AND EXPERIMENTATION IN CHOIRBOOKS PRINTED IN LATE SIXTEENTH-
AND SEVENTEENTH-
CENTURY ITALY 0 157
EMANUEL SIGNER
PART III. PERSISTENCE IN TIMES OF CHANGE
INTRODUCTION: RELIGIOUS REFORMS AND THEIR LINKS WITH THE PAST 0 191
INGA MAI GROOTE AND LENKA HLAVKOVA
. USING THE PAST, SHAPING THE PRESENT: TRACING THE TRADITION OF
SPECIFIC POLYPHONIC REPERTORIES IN
BOHEMIAN UTRAQUIST SOURCES (C.1450-1540) 0 199
LENKA HLAVKOVA
9. FLEXIBLE UNIFORMITY OR STABILITY OVER THE YEARS? 1HE LITURGY OF
MONASTIC HOUSES AFFILIATED WITH THE
WINDESHEIM CONGREGATION 0 215
MANON LOUVIOT
10. THE PRESENCE OF THE PAST IN LUTHERAN MUSIC AND LITURGY: A COMMENTARY
ON DAVID CHYTRAEUS S
AGENDA OF 1578 0 2.13
CHRISTINE ROTH
PART IV. PERSPECTIVES
INTRODUCTION: DILEMMAS OF HISTORICISM 0 249
KARL KIIGLE
N. THE MEMORY OF MEANING: POLYCHORALITY IN VENICE AND THE CON SPCXZALI
MEMO 0 257
BARTLOMIEJ GCMBICKI
12. VISIONS OF THE PAST: A CONVERSATION WITH MICHAL GONDKO AND PAWET
SZAMBURSKI 0 273
ANTONIO CHCMOTTI
BIBLIOGRAPHY 0 285
GENERAL INDEX 0 305
CONTENTS 0 6 0 8 Notes on Contributors 0 9 Abbreviations 0 m List of Illustrations List of Music Examples Preface and Acknowledgements 0 14 Introduction: Towards a New History of the Musical Past 0 17 Karl Kügle PART I. SINGING HISTORIES Introduction: Sung Histories ô 37 Susan Rankin 1. Making Music into History 0 45 Susan Rankin 2. Collecting Clausulae, Shaping the Past 0 59 Adam Mathias 3. Using the Past as Model: Musical Scripts in Books of the Prague Diocese 0 75 David Eben and Susan Rankin 4. Operation Libroni: Franchinus Gafiurius and the Construction of a Repertory for Milan’s Duomo 0 ιοί Daniele V. Filippi PART II. TRADITIONS Introduction: Tradition in the Musical Past Paweł Gancarczyk 0 117 5. From Tolerated Addition to Keepers of Tradition: The Authority of the ‘Past’ in Latin Song in Central Europe in the Fourteenth and Fifteenth Centuries Jan Ciglbauer G Bayerische Staatsbibliothe! München 0 121
6. Memory of Genre: The Polytextual Motet in Central Europe and its Two Traditions 0 141 Pawel Gancarczyk 7. Tradition and Experimentation in Choirbooks Printed in Late Sixteenth- and SeventeenthCentury Italy 0 157 Emanuel Signer PART III. PERSISTENCE IN TIMES OF CHANGE Introduction: Religious Reforms and their Links with the Past 0 191 Inga Mai Groote and Lenka Hlávková 8. Using the Past, Shaping the Present: Tracing the Tradition of Specific Polyphonic Repertories in Bohemian Utraquist Sources (c.1450-1540) 0 199 Lenka Hlávková 9. Flexible Uniformity or Stability over the Years? The Liturgy of Monastic Houses Affiliated with the Windesheim Congregation 0 215 Manon Louviot 10. The Presence of the Past in Lutheran Music and Liturgy: A Commentary on David Chytraeus’s Agenda of 1578 0 233 Christine Roth PART IV. PERSPECTIVES Introduction: Dilemmas of Historicism 0 249 Karl Kiigle n. The Memory of Meaning: Polychorality in Venice and the Cori Spezzati Meme 0 257 Bartłomiej Gembicki 12. Visions of the Past: A Conversation with Michał Gondko and Paweł Szamburski Antonio Chem otti 0 285 General Index 0 305 Bibliography 0 273
|
adam_txt |
CONTENTS
LIST OF ILLUSTRATIONS 0 6
LIST OF MUSIC EXAMPLES 0 8
NOTES ON CONTRIBUTORS 0 9
ABBREVIATIONS 0 12
PREFACE AND ACKNOWLEDGEMENTS 0 14
INTRODUCTION: TOWARDS A NEW HISTORY OF THE MUSICAL PAST 0 17
KARL KUGLE
PART I. SINGING HISTORIES
INTRODUCTION: SUNG HISTORIES 0 37
SUSAN RANKIN
1. MAKING MUSIC INTO HISTORY 0 45
SUSAN RANKIN
2. COLLECTING CLANSULAI\ SHAPING THE PAST 0 59
ADAM MATHIAS
3. USING THE PAST AS MODEL: MUSICAL SCRIPTS IN BOOKS OF THE PRAGUE
DIOCESE 0 75
DAVID EBEN AND SUSAN RANKIN
4. OPERATION LIHRONI: FRANCHINUS GAFFURIUS AND THE CONSTRUCTION OF A
REPERTORY
TOR MILAN'S DUOMO 0 101
DANIELE V. FILIPPI
PART II. TRADITIONS
INTRODUCTION: TRADITION IN THE MUSICAL PAST 0 117
PAVVCL GANCARCZYK
5. FROM TOLERATED ADDITION TO KEEPERS OF TRADITION: THE AUTHORITY OF THE
'PAST' IN LATIN SONG
IN CENTRAL EUROPE IN THE FOURTEENTH AND FIFTEENTH CENTURIES 0 121
JAN CIGLBAUER
6. MEMORY OF GENRE: THE POLYTEXTUAL MOTET IN CENTRAL EUROPE AND ITS TWO
TRADITIONS 0 141
PAWET GANCARCZYK
7.TRADITION AND EXPERIMENTATION IN CHOIRBOOKS PRINTED IN LATE SIXTEENTH-
AND SEVENTEENTH-
CENTURY ITALY 0 157
EMANUEL SIGNER
PART III. PERSISTENCE IN TIMES OF CHANGE
INTRODUCTION: RELIGIOUS REFORMS AND THEIR LINKS WITH THE PAST 0 191
INGA MAI GROOTE AND LENKA HLAVKOVA
. USING THE PAST, SHAPING THE PRESENT: TRACING THE TRADITION OF
SPECIFIC POLYPHONIC REPERTORIES IN
BOHEMIAN UTRAQUIST SOURCES (C.1450-1540) 0 199
LENKA HLAVKOVA
9. FLEXIBLE UNIFORMITY OR STABILITY OVER THE YEARS? 1HE LITURGY OF
MONASTIC HOUSES AFFILIATED WITH THE
WINDESHEIM CONGREGATION 0 215
MANON LOUVIOT
10. THE PRESENCE OF THE PAST IN LUTHERAN MUSIC AND LITURGY: A COMMENTARY
ON DAVID CHYTRAEUS'S
AGENDA OF 1578 0 2.13
CHRISTINE ROTH
PART IV. PERSPECTIVES
INTRODUCTION: DILEMMAS OF HISTORICISM 0 249
KARL KIIGLE
N. THE MEMORY OF MEANING: POLYCHORALITY IN VENICE AND THE CON SPCXZALI
MEMO 0 257
BARTLOMIEJ GCMBICKI
12. VISIONS OF THE PAST: A CONVERSATION WITH MICHAL GONDKO AND PAWET
SZAMBURSKI 0 273
ANTONIO CHCMOTTI
BIBLIOGRAPHY 0 285
GENERAL INDEX 0 305
CONTENTS 0 6 0 8 Notes on Contributors 0 9 Abbreviations 0 m List of Illustrations List of Music Examples Preface and Acknowledgements 0 14 Introduction: Towards a New History of the Musical Past 0 17 Karl Kügle PART I. SINGING HISTORIES Introduction: Sung Histories ô 37 Susan Rankin 1. Making Music into History 0 45 Susan Rankin 2. Collecting Clausulae, Shaping the Past 0 59 Adam Mathias 3. Using the Past as Model: Musical Scripts in Books of the Prague Diocese 0 75 David Eben and Susan Rankin 4. Operation Libroni: Franchinus Gafiurius and the Construction of a Repertory for Milan’s Duomo 0 ιοί Daniele V. Filippi PART II. TRADITIONS Introduction: Tradition in the Musical Past Paweł Gancarczyk 0 117 5. From Tolerated Addition to Keepers of Tradition: The Authority of the ‘Past’ in Latin Song in Central Europe in the Fourteenth and Fifteenth Centuries Jan Ciglbauer G Bayerische Staatsbibliothe! München 0 121
6. Memory of Genre: The Polytextual Motet in Central Europe and its Two Traditions 0 141 Pawel Gancarczyk 7. Tradition and Experimentation in Choirbooks Printed in Late Sixteenth- and SeventeenthCentury Italy 0 157 Emanuel Signer PART III. PERSISTENCE IN TIMES OF CHANGE Introduction: Religious Reforms and their Links with the Past 0 191 Inga Mai Groote and Lenka Hlávková 8. Using the Past, Shaping the Present: Tracing the Tradition of Specific Polyphonic Repertories in Bohemian Utraquist Sources (c.1450-1540) 0 199 Lenka Hlávková 9. Flexible Uniformity or Stability over the Years? The Liturgy of Monastic Houses Affiliated with the Windesheim Congregation 0 215 Manon Louviot 10. The Presence of the Past in Lutheran Music and Liturgy: A Commentary on David Chytraeus’s Agenda of 1578 0 233 Christine Roth PART IV. PERSPECTIVES Introduction: Dilemmas of Historicism 0 249 Karl Kiigle n. The Memory of Meaning: Polychorality in Venice and the Cori Spezzati Meme 0 257 Bartłomiej Gembicki 12. Visions of the Past: A Conversation with Michał Gondko and Paweł Szamburski Antonio Chem otti 0 285 General Index 0 305 Bibliography 0 273 |
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any_adam_object_boolean | 1 |
author2 | Kügle, Karl 1956- |
author2_role | edt |
author2_variant | k k kk |
author_GND | (DE-588)140816356 |
author_facet | Kügle, Karl 1956- |
building | Verbundindex |
bvnumber | BV046805986 |
callnumber-first | D - World History |
callnumber-label | D |
callnumber-raw | D |
callnumber-search | D |
callnumber-sort | D |
callnumber-subject | D - General History |
classification_rvk | LP 19850 LR 57720 LP 19500 |
collection | ebook |
ctrlnum | (OCoLC)1220920641 (DE-599)KXP1696817978 |
dewey-full | 900 |
dewey-hundreds | 900 - History & geography |
dewey-ones | 900 - History & geography |
dewey-raw | 900 |
dewey-search | 900 |
dewey-sort | 3900 |
dewey-tens | 900 - History & geography |
discipline | Geschichte Musikwissenschaft |
discipline_str_mv | Geschichte Musikwissenschaft |
era | Geschichte 1200-1600 gnd |
era_facet | Geschichte 1200-1600 |
format | Book |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
geographic | Europa (DE-588)4015701-5 gnd |
geographic_facet | Europa |
id | DE-604.BV046805986 |
illustrated | Illustrated |
index_date | 2024-07-03T14:57:31Z |
indexdate | 2024-07-10T08:54:20Z |
institution | BVB |
isbn | 9782503588315 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032214635 |
oclc_num | 1220920641 |
open_access_boolean | 1 |
owner | DE-12 DE-355 DE-BY-UBR DE-20 |
owner_facet | DE-12 DE-355 DE-BY-UBR DE-20 |
physical | 312 Seiten Illustrationen |
psigel | ebook BSB_NED_20210326 |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | Brepols |
record_format | marc |
series2 | Épitome musical |
spelling | Sounding the past music as history and memory edited by Karl Kügle Resounding pasts [Turnhout, Belgium] Brepols [2020] 312 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Épitome musical Angekündigt auch unter dem Titel: "Resounding pasts" This volume offers the first systematic exploration of the past as manifested in music of the later Middle Ages and the early modern period. It takes the reader on a journey of discovery across the continent, from the genesis of a new sense of a musical past in early thirteenth-century Paris to the complex and diverse roles and pedigrees given music of the past in sources, media, genres, communities, and regions in the Age of Reformations. Particular attention is given to the use of older styles and musical traditions in changing constructions of religious and political identity, laying the groundwork for a revised narrative of European music history that accommodates within its frame-work the full plurality of styles and regions found in the sources. The volume concludes with reflections on the conflicting appropriations and effects of the musical past today in composition, performance, musico-logical discourse, and tourism. Geschichte 1200-1600 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Musikalischer Stil (DE-588)4170806-4 gnd rswk-swf Erinnerung (DE-588)4015272-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Europa (DE-588)4015701-5 g Musik (DE-588)4040802-4 s Musikalischer Stil (DE-588)4170806-4 s Sozialer Wandel (DE-588)4077587-2 s Geschichte 1200-1600 z DE-604 Geschichte (DE-588)4020517-4 s Erinnerung (DE-588)4015272-8 s Kügle, Karl 1956- (DE-588)140816356 edt Erscheint auch als Online-Ausgabe 978-2-503-58997-8 https://www.brepolsonline.net/doi/book/10.1484/M.EM-EB.5.120601 Verlag kostenfrei Volltext SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032214635&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032214635&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Sounding the past music as history and memory Sozialer Wandel (DE-588)4077587-2 gnd Musikalischer Stil (DE-588)4170806-4 gnd Erinnerung (DE-588)4015272-8 gnd Musik (DE-588)4040802-4 gnd Geschichte (DE-588)4020517-4 gnd |
subject_GND | (DE-588)4077587-2 (DE-588)4170806-4 (DE-588)4015272-8 (DE-588)4040802-4 (DE-588)4020517-4 (DE-588)4015701-5 (DE-588)4143413-4 |
title | Sounding the past music as history and memory |
title_alt | Resounding pasts |
title_auth | Sounding the past music as history and memory |
title_exact_search | Sounding the past music as history and memory |
title_exact_search_txtP | Sounding the past music as history and memory |
title_full | Sounding the past music as history and memory edited by Karl Kügle |
title_fullStr | Sounding the past music as history and memory edited by Karl Kügle |
title_full_unstemmed | Sounding the past music as history and memory edited by Karl Kügle |
title_short | Sounding the past |
title_sort | sounding the past music as history and memory |
title_sub | music as history and memory |
topic | Sozialer Wandel (DE-588)4077587-2 gnd Musikalischer Stil (DE-588)4170806-4 gnd Erinnerung (DE-588)4015272-8 gnd Musik (DE-588)4040802-4 gnd Geschichte (DE-588)4020517-4 gnd |
topic_facet | Sozialer Wandel Musikalischer Stil Erinnerung Musik Geschichte Europa Aufsatzsammlung |
url | https://www.brepolsonline.net/doi/book/10.1484/M.EM-EB.5.120601 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032214635&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032214635&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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