Queerness in pop music: aesthetics, gender norms, and temporality
This book investigates the phenomenon of queering in popular music and video, interpreting the music of numerous pop artists, styles, and idioms. The focus falls on artists, such as Lady Gaga, Madonna, Boy George, Diana Ross, Rufus Wainwright, David Bowie, Azealia Banks, Zebra Katz, Freddie Mercury,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2020
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| Schlagworte: | |
| Zusammenfassung: | This book investigates the phenomenon of queering in popular music and video, interpreting the music of numerous pop artists, styles, and idioms. The focus falls on artists, such as Lady Gaga, Madonna, Boy George, Diana Ross, Rufus Wainwright, David Bowie, Azealia Banks, Zebra Katz, Freddie Mercury, the Pet Shop Boys, George Michael, and many others. Hawkins builds his concept of queerness upon existing theories of opacity and temporality, which involves a creative interdisciplinary approach to musical interpretation. He advocates a model of analysis that involves both temporal-specific listening and biographic-oriented viewing. Music analysis is woven into this, illuminating aspects of parody, nostalgia, camp, naivety, masquerade, irony, and mimesis in pop music. One of the principal aims is to uncover the subversive strategies of pop artists through a wide range of audiovisual texts that situate the debates on gender and sexuality within an aesthetic context that is highly stylized and ritualized. Queerness in Pop Music also addresses the playfulness of much pop music, offering insights into how discourses of resistance are mediated through pleasure. Given that pop artists, songwriters, producers, directors, choreographers, and engineers all contribute to the final composite of the pop recording, it is argued that the staging of any pop act is a collective project. The implications of this are addressed through structures of gender, ethnicity, nationality, class, and sexuality. Ultimately, Hawkins contends that queerness is a performative force that connotes futurity and utopian promise |
| Beschreibung: | xi, 243 Seiten Illustrationen |
| ISBN: | 9780367597382 |
Internformat
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| 520 | |a This book investigates the phenomenon of queering in popular music and video, interpreting the music of numerous pop artists, styles, and idioms. The focus falls on artists, such as Lady Gaga, Madonna, Boy George, Diana Ross, Rufus Wainwright, David Bowie, Azealia Banks, Zebra Katz, Freddie Mercury, the Pet Shop Boys, George Michael, and many others. Hawkins builds his concept of queerness upon existing theories of opacity and temporality, which involves a creative interdisciplinary approach to musical interpretation. He advocates a model of analysis that involves both temporal-specific listening and biographic-oriented viewing. Music analysis is woven into this, illuminating aspects of parody, nostalgia, camp, naivety, masquerade, irony, and mimesis in pop music. One of the principal aims is to uncover the subversive strategies of pop artists through a wide range of audiovisual texts that situate the debates on gender and sexuality within an aesthetic context that is highly stylized and ritualized. Queerness in Pop Music also addresses the playfulness of much pop music, offering insights into how discourses of resistance are mediated through pleasure. Given that pop artists, songwriters, producers, directors, choreographers, and engineers all contribute to the final composite of the pop recording, it is argued that the staging of any pop act is a collective project. The implications of this are addressed through structures of gender, ethnicity, nationality, class, and sexuality. Ultimately, Hawkins contends that queerness is a performative force that connotes futurity and utopian promise | ||
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| isbn | 9780367597382 |
| language | English |
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| physical | xi, 243 Seiten Illustrationen |
| publishDate | 2020 |
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| publisher | Routledge, Taylor & Francis Group |
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| spelling | Hawkins, Stan Verfasser (DE-588)1025683897 aut Queerness in pop music aesthetics, gender norms, and temporality Stan Hawkins London ; New York Routledge, Taylor & Francis Group 2020 © 2016 xi, 243 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier This book investigates the phenomenon of queering in popular music and video, interpreting the music of numerous pop artists, styles, and idioms. The focus falls on artists, such as Lady Gaga, Madonna, Boy George, Diana Ross, Rufus Wainwright, David Bowie, Azealia Banks, Zebra Katz, Freddie Mercury, the Pet Shop Boys, George Michael, and many others. Hawkins builds his concept of queerness upon existing theories of opacity and temporality, which involves a creative interdisciplinary approach to musical interpretation. He advocates a model of analysis that involves both temporal-specific listening and biographic-oriented viewing. Music analysis is woven into this, illuminating aspects of parody, nostalgia, camp, naivety, masquerade, irony, and mimesis in pop music. One of the principal aims is to uncover the subversive strategies of pop artists through a wide range of audiovisual texts that situate the debates on gender and sexuality within an aesthetic context that is highly stylized and ritualized. Queerness in Pop Music also addresses the playfulness of much pop music, offering insights into how discourses of resistance are mediated through pleasure. Given that pop artists, songwriters, producers, directors, choreographers, and engineers all contribute to the final composite of the pop recording, it is argued that the staging of any pop act is a collective project. The implications of this are addressed through structures of gender, ethnicity, nationality, class, and sexuality. Ultimately, Hawkins contends that queerness is a performative force that connotes futurity and utopian promise bisacsh / MUSIC / Genres & Styles / Pop Vocal bisacsh / MUSIC / Genres & Styles / Rock Homosexualität (DE-588)4025798-8 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Popmusik (DE-588)4046781-8 s Homosexualität (DE-588)4025798-8 s DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-1-138-82087-6 |
| spellingShingle | Hawkins, Stan Queerness in pop music aesthetics, gender norms, and temporality bisacsh / MUSIC / Genres & Styles / Pop Vocal bisacsh / MUSIC / Genres & Styles / Rock Homosexualität (DE-588)4025798-8 gnd Popmusik (DE-588)4046781-8 gnd |
| subject_GND | (DE-588)4025798-8 (DE-588)4046781-8 |
| title | Queerness in pop music aesthetics, gender norms, and temporality |
| title_auth | Queerness in pop music aesthetics, gender norms, and temporality |
| title_exact_search | Queerness in pop music aesthetics, gender norms, and temporality |
| title_exact_search_txtP | Queerness in pop music aesthetics, gender norms, and temporality |
| title_full | Queerness in pop music aesthetics, gender norms, and temporality Stan Hawkins |
| title_fullStr | Queerness in pop music aesthetics, gender norms, and temporality Stan Hawkins |
| title_full_unstemmed | Queerness in pop music aesthetics, gender norms, and temporality Stan Hawkins |
| title_short | Queerness in pop music |
| title_sort | queerness in pop music aesthetics gender norms and temporality |
| title_sub | aesthetics, gender norms, and temporality |
| topic | bisacsh / MUSIC / Genres & Styles / Pop Vocal bisacsh / MUSIC / Genres & Styles / Rock Homosexualität (DE-588)4025798-8 gnd Popmusik (DE-588)4046781-8 gnd |
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