Sounding feminine: women's voices in British musical culture, 1780-1850
"This book examines the uses and meanings of women's voices in British society and musical culture between 1780 and 1850. As previous scholars have argued, during these decades patriarchal power increasingly came to rest upon a particular understanding of the essentially different nature o...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
[2020]
|
| Schriftenreihe: | The new cultural history of music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book examines the uses and meanings of women's voices in British society and musical culture between 1780 and 1850. As previous scholars have argued, during these decades patriarchal power increasingly came to rest upon a particular understanding of the essentially different nature of male and female physiology and psychology. As a result, this book contends, the female voice-believed to blend both physical and mental attributes-became central to maintaining, and challenging, gendered power structures. It argues that the varying ways women used their voices-the sounds that they made, as much as the words they spoke or sang-were understood by contemporaries as aural markers of different kinds of femininity. Consequently, contemporary divisions over feminine ideals were both expressed and contested through women's use of their voices and audiences' responses to them. Following an introduction that lays out the book's theoretical frameworks and main arguments, the first three chapters explore how contemporary responses to different styles of female vocality were shaped by class, religious and national discourses, through an exploration of conduct literature, letters, diaries, life-writing, and music criticism and reportage in newspapers and periodicals. Two case studies then extend the argument further through detailed analysis of the use and meaning of women's voices on the part of both amateur and professional female singers respectively. A closing epilogue draws together the book's major themes and discusses their implications for the gender history of this period"-- |
| Beschreibung: | xii, 220 Seiten Notenbeispiele, 2 genealogische Tafeln |
| ISBN: | 9780190097561 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046804860 | ||
| 003 | DE-604 | ||
| 005 | 20230420 | ||
| 007 | t | ||
| 008 | 200713s2020 gfl| m||| 00||| eng d | ||
| 020 | |a 9780190097561 |c hardback |9 978-0-19-009756-1 | ||
| 035 | |a (OCoLC)1190674304 | ||
| 035 | |a (DE-599)BVBBV046804860 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-11 |a DE-703 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LQ 84005 |0 (DE-625)109095:13533 |2 rvk | ||
| 084 | |a LR 56615 |0 (DE-625)109804:13533 |2 rvk | ||
| 100 | 1 | |a Kennerley, David |d 1988- |e Verfasser |0 (DE-588)1151841412 |4 aut | |
| 245 | 1 | 0 | |a Sounding feminine |b women's voices in British musical culture, 1780-1850 |c David Kennerley |
| 264 | 1 | |a Oxford |b Oxford University Press |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a xii, 220 Seiten |b Notenbeispiele, 2 genealogische Tafeln | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a The new cultural history of music | |
| 505 | 8 | |a Introduction. Sounding Feminine -- Instructing women's voices in conduct literature -- Encountering women's voices in letters, diaries, and life-writing -- Criticising women's voices in the musical press -- Dorothea Solly's musical world : Class, religion, and the cultivation of the female voice -- The lives and voices of professional female singers : three vignettes -- Epilogue. Voicing a new femininity | |
| 520 | 3 | |a "This book examines the uses and meanings of women's voices in British society and musical culture between 1780 and 1850. As previous scholars have argued, during these decades patriarchal power increasingly came to rest upon a particular understanding of the essentially different nature of male and female physiology and psychology. As a result, this book contends, the female voice-believed to blend both physical and mental attributes-became central to maintaining, and challenging, gendered power structures. It argues that the varying ways women used their voices-the sounds that they made, as much as the words they spoke or sang-were understood by contemporaries as aural markers of different kinds of femininity. Consequently, contemporary divisions over feminine ideals were both expressed and contested through women's use of their voices and audiences' responses to them. Following an introduction that lays out the book's theoretical frameworks and main arguments, the first three chapters explore how contemporary responses to different styles of female vocality were shaped by class, religious and national discourses, through an exploration of conduct literature, letters, diaries, life-writing, and music criticism and reportage in newspapers and periodicals. Two case studies then extend the argument further through detailed analysis of the use and meaning of women's voices on the part of both amateur and professional female singers respectively. A closing epilogue draws together the book's major themes and discusses their implications for the gender history of this period"-- | |
| 648 | 7 | |a Geschichte 1780-1850 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Sängerin |0 (DE-588)4051246-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikleben |0 (DE-588)4075128-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kultur |0 (DE-588)4125698-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Women singers / Great Britain / History / 19th century | |
| 653 | 0 | |a Women singers / Great Britain / History / 18th century | |
| 653 | 0 | |a Music / Social aspects / Great Britain / History / 19th century | |
| 653 | 0 | |a Music / Social aspects / Great Britain / History / 18th century | |
| 653 | 0 | |a Singers / Great Britain / History | |
| 653 | 0 | |a Femininity in music | |
| 653 | 0 | |a Femininity in music | |
| 653 | 0 | |a Music / Social aspects | |
| 653 | 0 | |a Singers | |
| 653 | 0 | |a Women singers | |
| 653 | 2 | |a Great Britain | |
| 653 | 4 | |a 1700-1899 | |
| 653 | 6 | |a History | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 0 | 1 | |a Sängerin |0 (DE-588)4051246-0 |D s |
| 689 | 0 | 2 | |a Musikleben |0 (DE-588)4075128-4 |D s |
| 689 | 0 | 3 | |a Kultur |0 (DE-588)4125698-0 |D s |
| 689 | 0 | 4 | |a Geschichte 1780-1850 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-0-1900-9758-5 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-1900-9759-2 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213525&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20200817 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032213525 | ||
| 942 | 1 | 1 | |c 305.309 |e 22/bsb |f 09033 |g 41 |
| 942 | 1 | 1 | |c 305.309 |e 22/bsb |f 09034 |g 41 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09033 |g 41 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09034 |g 41 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09034 |g 41 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09033 |g 41 |
Datensatz im Suchindex
| _version_ | 1804181605291393024 |
|---|---|
| adam_text | CONTENTS Acknowledgements Abbreviations xi xiii Introduction: Sounding Feminine i 1 Instructing Women’s Voices in Conduct Literature 29 2 Encountering Women’s Voices in Letters, Diaries, and Life-Writing 5 3 3 Criticising Women’s Voices in the Musical Press 84 4 Dorothea Solly’s Musical World: Class, Religion, and the Cultivation of the Female Voice 120 5 The Lives and Voices of Professional Female Singers: Three Vignettes 156 Epilogue: Voicing a New Femininity Bibliography Index 2 09 їді 181
|
| adam_txt |
CONTENTS Acknowledgements Abbreviations xi xiii Introduction: Sounding Feminine i 1 Instructing Women’s Voices in Conduct Literature 29 2 Encountering Women’s Voices in Letters, Diaries, and Life-Writing 5 3 3 Criticising Women’s Voices in the Musical Press 84 4 Dorothea Solly’s Musical World: Class, Religion, and the Cultivation of the Female Voice 120 5 The Lives and Voices of Professional Female Singers: Three Vignettes 156 Epilogue: Voicing a New Femininity Bibliography Index 2 09 їді 181 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Kennerley, David 1988- |
| author_GND | (DE-588)1151841412 |
| author_facet | Kennerley, David 1988- |
| author_role | aut |
| author_sort | Kennerley, David 1988- |
| author_variant | d k dk |
| building | Verbundindex |
| bvnumber | BV046804860 |
| classification_rvk | LQ 84005 LR 56615 |
| contents | Introduction. Sounding Feminine -- Instructing women's voices in conduct literature -- Encountering women's voices in letters, diaries, and life-writing -- Criticising women's voices in the musical press -- Dorothea Solly's musical world : Class, religion, and the cultivation of the female voice -- The lives and voices of professional female singers : three vignettes -- Epilogue. Voicing a new femininity |
| ctrlnum | (OCoLC)1190674304 (DE-599)BVBBV046804860 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1780-1850 gnd |
| era_facet | Geschichte 1780-1850 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05025nam a2200757 c 4500</leader><controlfield tag="001">BV046804860</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230420 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">200713s2020 gfl| m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190097561</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-19-009756-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1190674304</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046804860</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-703</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LQ 84005</subfield><subfield code="0">(DE-625)109095:13533</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56615</subfield><subfield code="0">(DE-625)109804:13533</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kennerley, David</subfield><subfield code="d">1988-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1151841412</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Sounding feminine</subfield><subfield code="b">women's voices in British musical culture, 1780-1850</subfield><subfield code="c">David Kennerley</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xii, 220 Seiten</subfield><subfield code="b">Notenbeispiele, 2 genealogische Tafeln</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">The new cultural history of music</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction. Sounding Feminine -- Instructing women's voices in conduct literature -- Encountering women's voices in letters, diaries, and life-writing -- Criticising women's voices in the musical press -- Dorothea Solly's musical world : Class, religion, and the cultivation of the female voice -- The lives and voices of professional female singers : three vignettes -- Epilogue. Voicing a new femininity</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"This book examines the uses and meanings of women's voices in British society and musical culture between 1780 and 1850. As previous scholars have argued, during these decades patriarchal power increasingly came to rest upon a particular understanding of the essentially different nature of male and female physiology and psychology. As a result, this book contends, the female voice-believed to blend both physical and mental attributes-became central to maintaining, and challenging, gendered power structures. It argues that the varying ways women used their voices-the sounds that they made, as much as the words they spoke or sang-were understood by contemporaries as aural markers of different kinds of femininity. Consequently, contemporary divisions over feminine ideals were both expressed and contested through women's use of their voices and audiences' responses to them. Following an introduction that lays out the book's theoretical frameworks and main arguments, the first three chapters explore how contemporary responses to different styles of female vocality were shaped by class, religious and national discourses, through an exploration of conduct literature, letters, diaries, life-writing, and music criticism and reportage in newspapers and periodicals. Two case studies then extend the argument further through detailed analysis of the use and meaning of women's voices on the part of both amateur and professional female singers respectively. A closing epilogue draws together the book's major themes and discusses their implications for the gender history of this period"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1780-1850</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sängerin</subfield><subfield code="0">(DE-588)4051246-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women singers / Great Britain / History / 19th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women singers / Great Britain / History / 18th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Social aspects / Great Britain / History / 19th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Social aspects / Great Britain / History / 18th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Singers / Great Britain / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Femininity in music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Femininity in music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Social aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Singers</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women singers</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Great Britain</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1700-1899</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Sängerin</subfield><subfield code="0">(DE-588)4051246-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1780-1850</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-0-1900-9758-5</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-1900-9759-2</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213525&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20200817</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032213525</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">305.309</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">41</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV046804860 |
| illustrated | Illustrated |
| index_date | 2024-07-03T14:57:07Z |
| indexdate | 2024-07-10T08:54:19Z |
| institution | BVB |
| isbn | 9780190097561 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032213525 |
| oclc_num | 1190674304 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-703 |
| owner_facet | DE-12 DE-11 DE-703 |
| physical | xii, 220 Seiten Notenbeispiele, 2 genealogische Tafeln |
| psigel | BSB_NED_20200817 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | The new cultural history of music |
| spelling | Kennerley, David 1988- Verfasser (DE-588)1151841412 aut Sounding feminine women's voices in British musical culture, 1780-1850 David Kennerley Oxford Oxford University Press [2020] © 2020 xii, 220 Seiten Notenbeispiele, 2 genealogische Tafeln txt rdacontent n rdamedia nc rdacarrier The new cultural history of music Introduction. Sounding Feminine -- Instructing women's voices in conduct literature -- Encountering women's voices in letters, diaries, and life-writing -- Criticising women's voices in the musical press -- Dorothea Solly's musical world : Class, religion, and the cultivation of the female voice -- The lives and voices of professional female singers : three vignettes -- Epilogue. Voicing a new femininity "This book examines the uses and meanings of women's voices in British society and musical culture between 1780 and 1850. As previous scholars have argued, during these decades patriarchal power increasingly came to rest upon a particular understanding of the essentially different nature of male and female physiology and psychology. As a result, this book contends, the female voice-believed to blend both physical and mental attributes-became central to maintaining, and challenging, gendered power structures. It argues that the varying ways women used their voices-the sounds that they made, as much as the words they spoke or sang-were understood by contemporaries as aural markers of different kinds of femininity. Consequently, contemporary divisions over feminine ideals were both expressed and contested through women's use of their voices and audiences' responses to them. Following an introduction that lays out the book's theoretical frameworks and main arguments, the first three chapters explore how contemporary responses to different styles of female vocality were shaped by class, religious and national discourses, through an exploration of conduct literature, letters, diaries, life-writing, and music criticism and reportage in newspapers and periodicals. Two case studies then extend the argument further through detailed analysis of the use and meaning of women's voices on the part of both amateur and professional female singers respectively. A closing epilogue draws together the book's major themes and discusses their implications for the gender history of this period"-- Geschichte 1780-1850 gnd rswk-swf Sängerin (DE-588)4051246-0 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Women singers / Great Britain / History / 19th century Women singers / Great Britain / History / 18th century Music / Social aspects / Great Britain / History / 19th century Music / Social aspects / Great Britain / History / 18th century Singers / Great Britain / History Femininity in music Music / Social aspects Singers Women singers Great Britain 1700-1899 History (DE-588)4113937-9 Hochschulschrift gnd-content Großbritannien (DE-588)4022153-2 g Sängerin (DE-588)4051246-0 s Musikleben (DE-588)4075128-4 s Kultur (DE-588)4125698-0 s Geschichte 1780-1850 z DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-0-1900-9758-5 Erscheint auch als Online-Ausgabe 978-0-1900-9759-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213525&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kennerley, David 1988- Sounding feminine women's voices in British musical culture, 1780-1850 Introduction. Sounding Feminine -- Instructing women's voices in conduct literature -- Encountering women's voices in letters, diaries, and life-writing -- Criticising women's voices in the musical press -- Dorothea Solly's musical world : Class, religion, and the cultivation of the female voice -- The lives and voices of professional female singers : three vignettes -- Epilogue. Voicing a new femininity Sängerin (DE-588)4051246-0 gnd Musikleben (DE-588)4075128-4 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4051246-0 (DE-588)4075128-4 (DE-588)4125698-0 (DE-588)4022153-2 (DE-588)4113937-9 |
| title | Sounding feminine women's voices in British musical culture, 1780-1850 |
| title_auth | Sounding feminine women's voices in British musical culture, 1780-1850 |
| title_exact_search | Sounding feminine women's voices in British musical culture, 1780-1850 |
| title_exact_search_txtP | Sounding feminine women's voices in British musical culture, 1780-1850 |
| title_full | Sounding feminine women's voices in British musical culture, 1780-1850 David Kennerley |
| title_fullStr | Sounding feminine women's voices in British musical culture, 1780-1850 David Kennerley |
| title_full_unstemmed | Sounding feminine women's voices in British musical culture, 1780-1850 David Kennerley |
| title_short | Sounding feminine |
| title_sort | sounding feminine women s voices in british musical culture 1780 1850 |
| title_sub | women's voices in British musical culture, 1780-1850 |
| topic | Sängerin (DE-588)4051246-0 gnd Musikleben (DE-588)4075128-4 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Sängerin Musikleben Kultur Großbritannien Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213525&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kennerleydavid soundingfemininewomensvoicesinbritishmusicalculture17801850 |