Charlie Parker, composer:
"Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are bro...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2020]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain. The historical circumstances of each piece are reviewed, and, in some cases, sources of the ideas of the most important tunes are explored. The introduction includes a discussion of the ontology of a jazz composition. The view is advanced that the Western concept of a music composition needs to be expanded to embrace practices typical of jazz composition and forming a significant part of Parker's work. While focusing on Parker's more conventional tunes, the book also considers his large-scale melodic formulas. Two formulas in particular are arguably compositional, since they are repeated in subsequent performances of the same piece. As part of the research for this book, all of Parker's copyright submissions to the Library of Congress were examined and photographed. The book reproduces the four of them that were copied by Parker himself"-- |
| Beschreibung: | xxvii, 338 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780190923389 |
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| 520 | 3 | |a "Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain. The historical circumstances of each piece are reviewed, and, in some cases, sources of the ideas of the most important tunes are explored. The introduction includes a discussion of the ontology of a jazz composition. The view is advanced that the Western concept of a music composition needs to be expanded to embrace practices typical of jazz composition and forming a significant part of Parker's work. While focusing on Parker's more conventional tunes, the book also considers his large-scale melodic formulas. Two formulas in particular are arguably compositional, since they are repeated in subsequent performances of the same piece. As part of the research for this book, all of Parker's copyright submissions to the Library of Congress were examined and photographed. The book reproduces the four of them that were copied by Parker himself"-- | |
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Datensatz im Suchindex
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| adam_text | Contents List ofExamples and Tables Preface and Acknowledgments xi xvii Introduction: Jazz Composition and Parker as Jazz Composer The Jazz Composition Improvisations Becoming Jazz Compositions Authoritative Recordings Creating a Chronological List of Parker Compositions Categorizing Parker Compositions Prior Studies and Analytical Approaches 1 1 22 24 27 28 29 1. Music Background and Compositional Overview Early Experiences and Training in Music Early Compositions Roots of Bebop, Hines, Eckstine, and the Partnership with Gillespie Mature Compositional Career Unrecorded Compositions 35 35 42 43 45 49 2. 32-Bar Rhythm Changes Compositions 5. Red Cross (1944) 7. Shaw ’Nuff (1945, co-composed with Dizzy Gillespie) 18. Moose the Mooche (1946) 10. Thriving from a Riff (1945) 26. Dexterity (1947) 55. Passport (1949) 55 55 60 64 68 68 68 3. Other 32-Bar AABA Compositions l.Yardbird Suite (1940-1941) 16. Alesia(1945) 9. Confirmation ( 1945) 67. My Little Suede Shoes (1951) 80. Throckmorton the Plumber (1954) 84. Tail Feathers (1955?) 81 81 89 94 103 114 114 4. 32-Bar ABAC Compositions 17. Ornithology (1945, co-composed with Benny Harris) 22. Donna Lee (1947) 36. Quasimodo (1947) 51. Cardboard (1949) 119 119 128 133 136
viii CONTENTS 5. Through-Composed Blues in C 21. Relaxin’ at Camarillo (1947) 24. Cheryl (1947) 27. Bongo Bop (1947) 38. Bongo Beep (1947) 47. Perhaps (1948) 52. Visa (1949) 54. Passport (1949) 72. Back Home Blues (1951) 75. Cosmic Rays (1952) 77. Dum Dum (1954) 82. Bongo Bird (1955?) 141 141 146 148 148 148 151 153 155 155 159 159 6. Through-Composed Blues in Other Keys 2. WichitaBlues (1940, co-composed with Jay McShann?) 29. The Hymn (1947) 31. Bird Feathers (1947) 35. Big Foot (1947) 57. Bloomdido (1950) 59. Mohawk (1950) 73. Laird Baird (1952) 12. Billie’s Bounce (1945) 43. Barbados (1948) 64. AuPrivave(1951) 69. Blues for Alice (1951) 70. Si Si (1951) 78. Half-Pass-Fass (1954) 76. Chi Chi (1953) 79. Yashitaki-Mikimoko (1954) 83. Gerry Bird (1955?) 163 163 163 164 164 166 172 173 175 179 181 183 183 188 189 192 193 7. 32-Bar Compositions with A Section or Partial A Section 19. Bird’s Nest (1947) 23. Chasin’the Bird (1947) 44. Ah-Leu-Cha (1948) 28. Dewey Square (1947) 32. Klactoveesedstene (1947) 33. Scrapple from the Apple (1947) 48. Marmaduke(1948) 34. The Bird (1947) 37. Charlie’s Wig (1947) 45. Constellation (1948) 49. Steeplechase (1948) 53. Segment (1949) 58. An Oscar for Treadwell (1950) 63. Ballade (1950, co-composed with Coleman Hawkins) 195 195 196 196 199 200 204 204 206 207 211 212 213 215 218
CONTENTS 71. Swedish Schnapps (1951) 74. Kim (1952) 81. Tukki-Wukki (1954) ЇХ 219 221 223 8. Riff Blues 3. Hootie Blues (1940-1941, co-composed with Jay McShann) 4. The Jumpin’ Blues (1941-1942, co-composed with Jay McShann) 13. Now’s the Time (1945) 20. Cool Blues (1947) 25. Buzzy(1947) 39. Another Hair Do (1947) 40. Bluebird (1947) 56. Blues (Fast) (1950) 66. K.C. Blues (1951) 68. Happy Bird Blues (1951) 227 227 228 230 235 237 238 239 240 246 247 9. Improvisational Frames with Composed Sections and Non-Standard Works 6. M.19C (1944-1945) 8. The Famous Alto Break (1945) 14. Meandering (1945) 11. Warmin’ Up a Riff (1945) 15. Ko Ko (1945) 30. Bird of Paradise (1947) 41. Klaunstance ( 1947) 42. Bird Gets the Worm (1947) 46. Parker’s Mood (1948) 50. Merry-Go-Round (1948) 60. Leap Frog (1950) 61. Relaxin’with Lee (1950) 62. Celerity (1950) 65. She Rote (1951) 251 251 252 256 257 257 264 265 266 266 270 271 271 272 273 10. Summary and Assessment “Honeysuckle Rose” and Rhythm Changes The Tunes by Category, Contrafact, Key, and Primary Line Revisions and Adaptations On the Bandstand Calling the Tunes Quotation and Self-Quotation Interest in Twentieth-Century Concert Music Compositional Legacy 277 278 279 292 299 304 305 309 Bibliography Discography Musical Example Credits Index 317 324 325 329
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| adam_txt |
Contents List ofExamples and Tables Preface and Acknowledgments xi xvii Introduction: Jazz Composition and Parker as Jazz Composer The Jazz Composition Improvisations Becoming Jazz Compositions Authoritative Recordings Creating a Chronological List of Parker Compositions Categorizing Parker Compositions Prior Studies and Analytical Approaches 1 1 22 24 27 28 29 1. Music Background and Compositional Overview Early Experiences and Training in Music Early Compositions Roots of Bebop, Hines, Eckstine, and the Partnership with Gillespie Mature Compositional Career Unrecorded Compositions 35 35 42 43 45 49 2. 32-Bar Rhythm Changes Compositions 5. Red Cross (1944) 7. Shaw ’Nuff (1945, co-composed with Dizzy Gillespie) 18. Moose the Mooche (1946) 10. Thriving from a Riff (1945) 26. Dexterity (1947) 55. Passport (1949) 55 55 60 64 68 68 68 3. Other 32-Bar AABA Compositions l.Yardbird Suite (1940-1941) 16. Alesia(1945) 9. Confirmation ( 1945) 67. My Little Suede Shoes (1951) 80. Throckmorton the Plumber (1954) 84. Tail Feathers (1955?) 81 81 89 94 103 114 114 4. 32-Bar ABAC Compositions 17. Ornithology (1945, co-composed with Benny Harris) 22. Donna Lee (1947) 36. Quasimodo (1947) 51. Cardboard (1949) 119 119 128 133 136
viii CONTENTS 5. Through-Composed Blues in C 21. Relaxin’ at Camarillo (1947) 24. Cheryl (1947) 27. Bongo Bop (1947) 38. Bongo Beep (1947) 47. Perhaps (1948) 52. Visa (1949) 54. Passport (1949) 72. Back Home Blues (1951) 75. Cosmic Rays (1952) 77. Dum Dum (1954) 82. Bongo Bird (1955?) 141 141 146 148 148 148 151 153 155 155 159 159 6. Through-Composed Blues in Other Keys 2. WichitaBlues (1940, co-composed with Jay McShann?) 29. The Hymn (1947) 31. Bird Feathers (1947) 35. Big Foot (1947) 57. Bloomdido (1950) 59. Mohawk (1950) 73. Laird Baird (1952) 12. Billie’s Bounce (1945) 43. Barbados (1948) 64. AuPrivave(1951) 69. Blues for Alice (1951) 70. Si Si (1951) 78. Half-Pass-Fass (1954) 76. Chi Chi (1953) 79. Yashitaki-Mikimoko (1954) 83. Gerry Bird (1955?) 163 163 163 164 164 166 172 173 175 179 181 183 183 188 189 192 193 7. 32-Bar Compositions with A Section or Partial A Section 19. Bird’s Nest (1947) 23. Chasin’the Bird (1947) 44. Ah-Leu-Cha (1948) 28. Dewey Square (1947) 32. Klactoveesedstene (1947) 33. Scrapple from the Apple (1947) 48. Marmaduke(1948) 34. The Bird (1947) 37. Charlie’s Wig (1947) 45. Constellation (1948) 49. Steeplechase (1948) 53. Segment (1949) 58. An Oscar for Treadwell (1950) 63. Ballade (1950, co-composed with Coleman Hawkins) 195 195 196 196 199 200 204 204 206 207 211 212 213 215 218
CONTENTS 71. Swedish Schnapps (1951) 74. Kim (1952) 81. Tukki-Wukki (1954) ЇХ 219 221 223 8. Riff Blues 3. Hootie Blues (1940-1941, co-composed with Jay McShann) 4. The Jumpin’ Blues (1941-1942, co-composed with Jay McShann) 13. Now’s the Time (1945) 20. Cool Blues (1947) 25. Buzzy(1947) 39. Another Hair Do (1947) 40. Bluebird (1947) 56. Blues (Fast) (1950) 66. K.C. Blues (1951) 68. Happy Bird Blues (1951) 227 227 228 230 235 237 238 239 240 246 247 9. Improvisational Frames with Composed Sections and Non-Standard Works 6. M.19C (1944-1945) 8. The Famous Alto Break (1945) 14. Meandering (1945) 11. Warmin’ Up a Riff (1945) 15. Ko Ko (1945) 30. Bird of Paradise (1947) 41. Klaunstance ( 1947) 42. Bird Gets the Worm (1947) 46. Parker’s Mood (1948) 50. Merry-Go-Round (1948) 60. Leap Frog (1950) 61. Relaxin’with Lee (1950) 62. Celerity (1950) 65. She Rote (1951) 251 251 252 256 257 257 264 265 266 266 270 271 271 272 273 10. Summary and Assessment “Honeysuckle Rose” and Rhythm Changes The Tunes by Category, Contrafact, Key, and Primary Line Revisions and Adaptations On the Bandstand Calling the Tunes Quotation and Self-Quotation Interest in Twentieth-Century Concert Music Compositional Legacy 277 278 279 292 299 304 305 309 Bibliography Discography Musical Example Credits Index 317 324 325 329 |
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| spelling | Martin, Henry 1950- Verfasser (DE-588)131560891 aut Charlie Parker, composer Henry Martin New York, NY Oxford University Press [2020] © 2020 xxvii, 338 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier "Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain. The historical circumstances of each piece are reviewed, and, in some cases, sources of the ideas of the most important tunes are explored. The introduction includes a discussion of the ontology of a jazz composition. The view is advanced that the Western concept of a music composition needs to be expanded to embrace practices typical of jazz composition and forming a significant part of Parker's work. While focusing on Parker's more conventional tunes, the book also considers his large-scale melodic formulas. Two formulas in particular are arguably compositional, since they are repeated in subsequent performances of the same piece. As part of the research for this book, all of Parker's copyright submissions to the Library of Congress were examined and photographed. The book reproduces the four of them that were copied by Parker himself"-- Parker, Charlie 1920-1955 (DE-588)118739328 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Parker, Charlie / 1920-1955 / Criticism and interpretation Jazz / 1941-1950 / History and criticism Jazz / 1951-1960 / History and criticism Parker, Charlie / 1920-1955 Jazz 1941-1960 Criticism, interpretation, etc (DE-588)4006804-3 Biografie gnd-content Parker, Charlie 1920-1955 (DE-588)118739328 p Jazz (DE-588)4028532-7 s Komposition Musik (DE-588)4133320-2 s DE-604 Online version Martin, Henry, 1950- Charlie Parker, composer New York : Oxford University Press, 2020 9780190923402 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213497&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Martin, Henry 1950- Charlie Parker, composer Parker, Charlie 1920-1955 (DE-588)118739328 gnd Komposition Musik (DE-588)4133320-2 gnd Jazz (DE-588)4028532-7 gnd |
| subject_GND | (DE-588)118739328 (DE-588)4133320-2 (DE-588)4028532-7 (DE-588)4006804-3 |
| title | Charlie Parker, composer |
| title_auth | Charlie Parker, composer |
| title_exact_search | Charlie Parker, composer |
| title_exact_search_txtP | Charlie Parker, composer |
| title_full | Charlie Parker, composer Henry Martin |
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| title_full_unstemmed | Charlie Parker, composer Henry Martin |
| title_short | Charlie Parker, composer |
| title_sort | charlie parker composer |
| topic | Parker, Charlie 1920-1955 (DE-588)118739328 gnd Komposition Musik (DE-588)4133320-2 gnd Jazz (DE-588)4028532-7 gnd |
| topic_facet | Parker, Charlie 1920-1955 Komposition Musik Jazz Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213497&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT martinhenry charlieparkercomposer |