Hollywood double agent: the true tale of Boris Morros, film producer turned cold war spy
The Cold War and the Golden Age of Hollywood meet in this story of the remarkable career of Boris Morros, film producer and Russian double agent. Boris Morros was a major figure in the 1930s and '40s. The head of music at Paramount, nominated for Academy Awards, he then went on to produce his o...
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| Format: | Buch |
| Sprache: | English |
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2020
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| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Zusammenfassung: | The Cold War and the Golden Age of Hollywood meet in this story of the remarkable career of Boris Morros, film producer and Russian double agent. Boris Morros was a major figure in the 1930s and '40s. The head of music at Paramount, nominated for Academy Awards, he then went on to produce his own films with Laurel and Hardy, Fred Astaire, Henry Fonda, and others. But as J. Edgar Hoover would discover, these successes were a cover for one of the most incredible espionage tales in the history of the Cold War-Boris Morros also worked for Russian intelligence. Morros's assignments took him to the White House, the Vatican, and deep behind the iron curtain. The high-level intel he provided the KGB included military secrets and compromising information on prominent Americans: his friends. But in 1947, Morros flipped. At the height of the McCarthy era, he played a leading role in a deadly tale. Jonathan Gill's 'Hollywood Double Agent' is an extraordinary story about Russian spies at the heart of American culture and politics, and one man caught in the middle of the Cold War |
| Beschreibung: | xi, 323 Seiten, 8 ungezählte Seiten Tafeln Illustrationen, Portraits |
| ISBN: | 9781419740091 |
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| 520 | 3 | |a The Cold War and the Golden Age of Hollywood meet in this story of the remarkable career of Boris Morros, film producer and Russian double agent. Boris Morros was a major figure in the 1930s and '40s. The head of music at Paramount, nominated for Academy Awards, he then went on to produce his own films with Laurel and Hardy, Fred Astaire, Henry Fonda, and others. But as J. Edgar Hoover would discover, these successes were a cover for one of the most incredible espionage tales in the history of the Cold War-Boris Morros also worked for Russian intelligence. Morros's assignments took him to the White House, the Vatican, and deep behind the iron curtain. The high-level intel he provided the KGB included military secrets and compromising information on prominent Americans: his friends. But in 1947, Morros flipped. At the height of the McCarthy era, he played a leading role in a deadly tale. Jonathan Gill's 'Hollywood Double Agent' is an extraordinary story about Russian spies at the heart of American culture and politics, and one man caught in the middle of the Cold War | |
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Datensatz im Suchindex
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| adam_text | CONTENTS PROLOGUE: ENDGAME, JANUARY 20, 1957 ..............................................ix PARTI CHAPTER ONE: ENTER BORIS, 1891-1914............................................................3 CHAPTER TWO: BROKEN CHORDS, 1914-22.....................................................11 CHAPTER THREE: THE GOLDEN LAND, 1922-25 .............................................. 21 CHAPTER FOUR: THE ENTERTAINER, 1925-33.................................................. 33 CHAPTER FIVE: COVER STORIES, 1933-34......................................................... 41 CHAPTER SIX: PARADISE AND ITS DISCONTENTS, 1934-35......................... 47 CHAPTER SEVEN: GATEWAY TO HOLLYWOOD, 1935-36 .............................. 61 CHAPTER EIGHT: A DOUBLE LIFE, 1936-38....................................................... 69 CHAPTER NINE: DECLARING INDEPENDENCE, 1938-42 .............................. 79 CHAPTER TEN: TURNABOUT, 1942-43................................................................ 95 CHAPTER ELEVEN: CHORD AND DISCORD, 1943-44.....................................111 CHAPTER TWELVE: SPOOK S BALL, 1944-45.................................................. 123 CHAPTER THIRTEEN: GETTING TO CARNEGIE HALL, 1945-47 137
PART II CHAPTER FOURTEEN: DOUBLE OR NOTHING, 1947.....................................149 CHAPTER FIFTEEN: BORIS LOVES MONEY! 1947-48..................................... 159 CHAPTER SIXTEEN: PONTIFEX MAXIMUS, 1948-49 ....................................... 171 CHAPTER SEVENTEEN: INSIDE THE TEMPLE, 1949......................................... 181 CHAPTER EIGHTEEN: BELIEVING IN TEARS, 1949-50................................... 195 CHAPTER NINETEEN: MY OWN FBI, 1950-51...................................................209 CHAPTER TWENTY: ATOMIC BONDS, 1951-52................................................ 225 CHAPTER TWENTY-ONE: IN CHAINS, 1952-54................................................241 CHAPTER TWENTY-TWO: THE AGENT IN BLACK, 1954-55 ....................... 251 CHAPTER TWENTY-THREE: A COOKED GOOSE, 1955-57............................ 263 CHAPTER TWENTY-FOUR: ABOVE THE FOLD, 1957-63 .............................. 275 NOTES ON SOURCES............................................................................................. 295 INDEX 315
Notes on Sources Much of the research for this book focused on readily available materials such as published histories, biographies, and memoirs, as well as popular and scholarly periodical material, especially music, radio, theater, and film trade journals from the 1930s and 1940s. Interviews with members of Boris Morros’s extended family proved useful up to a point: At first they were happy to speak openly about their very complicated relative, but with the exception of Marion Morros, his second wife, they almost inevitably eventually broke off contact without explanation, as if the long arm of Soviet intelligence had silenced them. Unpublished and both classified and declassified official sources also proved invaluable. The American archive was, ironically, somewhat less useful than the Soviet side, with the FBI having publicly released a miniscule fraction of the materials they hold related to Boris Morros’s activities, despite a wide-ranging Freedom of Information request— copies of the notorious 1943 anonymous letter to J. Edgar Hoover are an important exception. Nonetheless, there was much to learn from the transcripts of Jack Soble’s FBI interrogation (available at https://vault .fbi.gov under file number 100-86896-N). Also of much interest were the transcripts of Russian cables that the United States government inter cepted during World War II and later decoded and annotated, collectively known as the Venona files, available at https://www.nsa.gov/news-features /declassified-documents/venona/. The situation as regards official Soviet documents was very differ
ent, with a massive archive of still-classified documents having recently 295
NOTES ON SOURCES surfaced. Vasili Nikitich Mitrokhin, a senior KGB archivist, took advan tage of the transportation of the KGB’s archives from Lubyanka to Yasenevo in the 1970s and 1980s to make copies of 25,000 pages of secret documents dating from the 1930s to the 1980s and hid them in his house, bringing them to London after he defected in 1992. They are publicly available at the Digital Archive: International History Declassified section of the Woodrow Wilson Center website: https://digitalarchive.wilsoncenter .org/collection/52/mitrokhin-archives. Even more valuable than the Mitrokhin materials, at least from the perspective of the Boris Morros story, is the archive collected by Alexander Vassiliev, a former KGB general who was given full access to more than two decades of classified Soviet documents regarding American intelli gence operations dating from the 1930s to the 1950s, offering a far broader and more representative picture of Soviet intelligence operations at mid century than the Venona or Mitrokhin materials. The original idea was for the eventual publication to fund the pensions of retired KGB agents who found themselves at financial loose ends after the breakup of the Soviet Union, but that scheme fell through after two years and Vassiliev was denied further access, but by then he’d filled eight notebooks and a large number of loose pages with detailed notes. Certain that the information he had put his life in danger, he fled to England and together with Allen Wein stein published a summary under the title The Haunted Wood. Transcripts and translations
of the eight notebooks and loose pages that resulted—the text known as “Yellow Notebook #3” is almost fully devoted to Morros’s activities—are available via the Cold War Intellectual History Project of the Woodrow Wilson International Center for Scholars at https://digital archive.wilsoncenter.org/collection/86/vassiliev-notebooks. Albright, Joseph and Marcia Kunstel. Bombshell: The Secret Story of America’s Unknown Atomic Spy Conspiracy. New York: Random House, 1997. Aldrich, Richard J. The Hidden Hand: Britain, America and Cold War Secret Intelligence. London: John Murray, 2001. 296
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Index Agent in Black, 257-61,266, Bentley, Elizabeth “Teacher’s Pet,” 267-68 139,155,169,181, 210 Ahasvérus Play (Morros, В.), Beria, Laventi, 89-90,107,120, 27,28 122,123,126,138,157,195, Akhmerov, Isaak “Mer,” 99,115 206, 229-30, 240, 243-47, Albam, Jacob “Belov,” 243, 250, 251, 254, 291 266, 276 birth, 3—4 American Recording Artists blacklisting, xi, 143, 213 (ARA), 117, 125,126,128-29, blackmail, 121,153,163,189,205, 133,135 228, 278 Anonymous Letter, 124,151 blacks, 105-6, 143,166 anti-Semitism, 4, 8,16, 25-26,53 Boris Morros Music Company ARA. See American Recording (music publishing company), Artists 108,109, 111, 113-15,126, Astaire, Fred, 86, 88, 90 128-30,131, 133,287 “atomic couple,” 219-20, 232, Boris Morros Productions, 99, 290 103,108, 117 Atomic Energy Commission, 222, 226 Carmen, 73,176 Carnegie Hall, 140—45,159,160, The Bat, 18,19, 25, 38, 281 164,192,194,198,218 Beautiful Dreams (Shayne Chambers, Whittaker, 155,169, Khaleynes) (Morros, В.), 28,31 181 Chaplin, Charlie, 87, 92,152,197 315
INDEX Cheka, 43,47,49 Democratic Party, 169,175-76 Child of the Danube, 212,213, Les Deux Légionnaires (The Flying 219, 226,227, 231, 234, 242 Deuces), 82-86, 99 Chord, 114,126,128,129-30,132, 134,138,140,162,166 Dewey, Thomas E., 167,175-76, 178,190, 205 CIA, x, 154, 156,163,189,286 CINERAMA, ix֊x, 273 Eisenhower, Dwight, 167,183, Clay, Lucius, 163-64,165, 168, 183 Cold War, x, 111, 156,168, 241, 244 Eisenhower, Milton, 167, 191-92, 214,243, 252,280, 196 293 Ellis Island, 21-24 color films, 63 Columbia Pictures, 61, 286-87 FBI, ix-x, x-xi, 92,123-294 Committee for State Security defection to, 145,149-57 (KGB), ix, x-xi, 251-53, 259, income from, 202,260 261-62, 267-73,275, 276, microphones of, 109, 127 291, 293 Sobie, J„ and, 127,128,134, communism/communists, 15,106, 144,150,152,160,161-62, 114-18,125,137,138,139, 190-91, 232,234-35,236, 143, 160-61,173-74,177, 245-46,265,275-76 215, 225-26,230, 241 Fedotov, Pyotr, 167,168,192,206, Communist Party, 88, 97,154,161, 168-69,187,210, 232, 264 208, 210 Film Daily, 36, 39,59, 63, 68,79, composer, 27-28, 64—65, 67, 77, 85, 91,142 The Flying Deuces (Les Deux 282 conductor, 12, 31,32, 33, 64,282 Légionnaires), 82-86,99 Constantin (step-son), 23,25 Foster, Jane “Spanningspruefer,” Coplon, Judith, 181,184,192, 210 186-90, 211, 215-16,233-34, Crosby, Bing, 38, 62, 65 236-37, 243, 260,263-65, 278-79, 281,288,290 death, 292 “Frost,” ix, 46, 53,54,131, death threats, 73,97, 98,122, 151 132-33 Fuchs, Klaus, 207-8, 210,213 316
INDEX Germany, 84, 97. See also Hitler; in Great Depression, 80 Munich; Nazis Jews in, 63-64, 80 anti-Semitism in, 53 Hoover, Herbert, 36, 204, 231 double agent for, 74-75 Hoover, J. Edgar, x, 51,150, Paramount Pictures in, 53, 151-52,175, 214, 225,227, 72-73, 76 251,255-56,293 Zarubin, V, in, 54-57, 69,71, Hopper, Hedda, 66,104 72-73 House Un-American Activities Gershwin, George, 56, 63 Committee (HUAC), 137, Gershwin, Ira, 56, 63 154-55,160֊61, 169,171, Gilchrist, Thomas, 278,279-80 181, 213, 282-83, 285-86,287 Glennan, T. Keith “Astrologer,” “How I Spied on the U.S. for the 222, 226, 255 Reds” (Sobie, J., and Lotto), Gouzenko, Igor, 138-39, 155 277-78 The Grand Illusion, 85, 86 HUAC. See House Un-American Great Depression, 37,51, 62, 80 Activities Committee Greenglass, David, 138, 213 hydrogen bomb, 208, 222, 245, Gutzeit, Peter Davidovitch, 45-46, 261 47, 50, 51-52, 54,59, 71-72, 74-75, 77 illegals, 50—51 Harriman, Averell, 184, 255 Jews, 3-6, 8, 9,15, 21, 22—23,30, Hiskey, Clarence “Skrib,” 131-32, 55, 63-66, 80. See also anti- 138 Semitism Hiss, Alger, 154,169,171,193, Joint Political Directorate 207, 210 (OGPU), 49-52 Hitler, Adolf, 41,51,55,75-76, 81, Justice Department, 51,151,181, 88, 95,114,152 226, 244, 279, 288. See also Hollywood, 75-76,154-55. See FBI also specific individuals and studios Keaton, Buster, 27, 92, 286 communists in, 143,160-61, KGB. See Committee for State 225-26 Security 317
INDEX Khrushchev, Nikita, 245, 251, MGB. See Ministry for State 268-69, 280,284 Security Kilgallen, Dorothy, 66, 281 MGM. See Metro-Goldwyn- Korea, 214, 230,235,244 Mayer Studios MICE. See money, ideology, Korotkov, Aleksandr, 169,171-79, 185,192,195,198, 200-206, compromise, or ego 236, 239,240, 248, 252, Ministry for State Security (MGB), 253-54, 257 139,140,162 Kovalenok, E. V, 198,199,205 Ministry of Internal Affairs (MVD), 244,251 Kravchenko, Victor, 127,138 “Mocase,” 156,275 Land of Promise, 31,66 Modina, Yekaterina Yefimova. See LeBaron, William, 82,140-41 Morros, Catherine Molotov, Vyacheslav, 162,163, legals, 50, 51, 52 Lenin, Vladimir, 9,15,19,49 165, 243,244 money, ideology, compromise, or Liouba (step-daughter), 23, 34 ego (MICE), 153 “Liza,” 101,115 Moropticon, 247,253,270,292 Lubitsch, Ernst, 53, 55, 92 Morros, Aleksander (brother), 43, Malenkov, Georgi, 243, 244, 245 58, 89,96, 122 Morros, Boris. See specific Manhattan Project, 97,119,124, 131-32,138,151, 207-8, 213, topics Morros, Catherine (wife), 16-18, 214 Marshall Plan, 157,184,186,205 26-27, 29,30,34, 36,37, 56, McCarthy, Joseph, 137, 210, 213, 60, 64, 65,73-74, 77,98-99, 225, 243, 245, 251, 255-56, 111, 144,168-69,173-74, 288 177-78,182-83,197-208, 215-16,225,254-55,284, Melamed, Gregory, 43-44,45,47, 50, 53, 54 292 Morros, Isaak (brother), 43,58, Melament, Leah “Teacher,” 102, 103,107,109, 111, 112 89, 96,122 Morros, Malka (mother), 4,5-6, Metro-Goldwyn-Mayer Studios 44, 57,58-59, 87 (MGM), 59, 61,80 318
INDEX Morros, Marion Sklarz (wife), rezidentūra in, 90,102,131, 242-43 247, 252,254-55,256, 272, 273, 284, 285, 294 Sobie, J., in, 184, 238-39, 246, Morros, Mendel (father), 4, 5-6, 248-49,254, 272 39, 44,45-46, 58-59, 89, 98, New York Times, xi, 21, 84, 93, 99, 102, 107-8,122, 291 280, 286,287 Morros, Richard Hyman “Dick,” Nixon, Richard, 161, 204 “Reed” (son), 31, 56, 60, 64, NKGB. See People’s Commissariat 65,77,100,108,117,143, for State Security 144,150,222, 225, 226, 227, NKVD. See People’s Commissariat 253, 291-92 for Internal Affairs Morros, Savely (brother), 42, 96, Nonaggression Pact, 81, 95, 99,122 152 Morros, Serge (brother), 42,96, nuclear weapons development, 99,122 97,119,121,124-25,130, Munich, x, xi, 273 131-32, 138, 150-51, 157, Murrow, Edward R., 255 200, 213, 219-20. See also music publishing company (Boris hydrogen bomb; Manhattan Morros Music Company), Project 108,109, 111, 113-15,126, 128-30,131,133, 287 Office of Strategic Services (OSS), MVD. See Ministry of Internal 154,155,188 OGPU. See Joint Political Affairs Directorate “My Homeland” (Morros, В.), 31 My Ten years as a Counterspy Oppenheimer, Robert, 125 (Morros, В.), 286, 294 original soundtrack recording, 133 naturalization, 26—27 Orlov, Alexander, 244, 271 Nazis, 51,75-76,104,114,124, Oscar nominations, 67, 77, 91 152,177,187,207 OSS. See Office of Strategic New York City, 33-34, 36-37, 38, Services 51-52, 55,56, 59, 81,100, Ovakimian, Gaik “Gennady,” 109,111-18,237 45-46, 50,90-92 319
INDEX Pale of Settlement, 4, 5 rezidentūra, 51-52, 90,100,102, Palestine Conservatory of Music, 131,210,242-43, 270 31-32, 33 “Riabov,” 193-94,270 Palmer Raids, 25-26 Rimsky-Korsakov, Nikolai, 6, 9, 68 “Paramount on Parade,” 67—68 RKO, 80, 84-85, 87 Paramount Pictures, x, 34, 38, Robeson, Paul, 105,106,116, 41-44, 46, 52,53, 54,59-68, 143 72-73, 76, 79-80, 281 Robinson, Edward G., 64, 66, 92, Paris, 81-82,163-67,168,185-86, 105 210,211-12,215,235, Roosevelt, Eleanor, 101 236-37, 290 Roosevelt, Franklin D., 80,114, Parsons, Louella, 66,104 133,137-38 People’s Commissariat for Internal Affairs (NKVD), 69, 72, 74, Rosenberg, Ethel, 138, 214,229 Rosenberg, Julius, 125, 138,214, 88-99,103,108,117, 287 229 People’s Commissariat for State Security (NKGB), 92,101, “Salute to Our Heroes,” 104 139 Schumann, Elizabeth, 225, 247 Petrov, Dimitrievich, 202-6, Second Chorus, 86—88, 90,91,105 217-18,219-20 Semyen, 255,256 Piatigorsky, Gregor, 141,142-43 Senate Subcommittee on Internal Pius XII (Pope), 176-78 Security, 279—80 Poland, 84, 97,124 sexuality in spy game, 203-4 prisoner-of-war, 16 Shaw, Artie, 38, 86—87, 88,91,105 “Prizm,” 260 Shayne Khaleynes (Beautiful Prokofiev, Sergei, 6, 68,141, 255 Dreams) (Morros, В.), 28, 31 Shumovsky, Samuel “Blerio,” Rachmaninoff, Sergei, 6,223 72-73, 90 Rasputin, Grigori Yefimovich, Silver Palm (Officier d’Académie), 68 13-14, 65,79, 87-88,282 Red Scare, 25, 42, 51,152,157,243 Renoir, Jean, 85,159 Sklarz, Marion. See Morros, Marion Sklarz Republican Party, 167-68, 200, 204 “Slang,” 234 320
INDEX Sobie, Jack “Czech,” “Peter,” Sobolevicius, Ruvelis. See Soblen, “Minilux,” 119-21,125-26, Robert 129-30,132,134,139-40, Sovexportfilm, 196,198, 206, 162-63,165-67,188-89, 227 206, 219-20,225-56, Spellman, Francis, 133,141, 258-59, 272, 275, 276-78, 164-64,176,177,178,196, 279,281 202-3, 205, 210, 217, 227, “atomic couple” and, 232 229-30, 235,255,282 Spiegel, Sam, 92,104 bristle business of, 215, 223, 232, 239, 249 Spitz, Beatrice, 232, 290 FBI and, 127,128,134,144,150, Spitz, Henry, 232, 290 152, 160, 161-62,190-91, Stalin, Joseph, 3, 41,42,49-50, 51, 232, 234-35, 236, 245-16, 55, 58, 69,71-72, 76, 81, 97, 265, 275-76 101,120,123,137-38,152, KGB and, 271-72, 276 157,169,178,214,243,258, Korotkov and, 171-79, 206, 239, 268, 293 248, 253-54 State Department, U.S., 210, 238, in New York City, 184, 238-39, 246, 263,264, 283 246,248—19, 254, 272 Stern, Alfred K., 113-18, nuclear weapons development 125,127-32,134,150, and,219-20 160,187,188-89,210,281, in Paris, 163-67,185-86, 211- 287-89 12,215, 235 Stern, Martha Dodd, 113—18, in Vienna, 184-85,193-94, 125,127,129,131,134, 231-32,234-35, 245 160,162-63,186,187, Sobie, Myra “Ludmilla,” 160,166, 188-89, 210, 245, 281, 173, 215-16, 228, 233, 235, 287-90 239, 276-77, 281, 291 Stokowski, Leopold, 55, 67, 86, Soblen, Robert (Ruvelis 141 Sobolevicius) “Roman,” St. Petersburg (Leningrad), 5-6, 120-21,250, 290-91 7-8,11, 44, 49,57 Sobolevicius, Abromas. See Sobie, St. Petersburg Conservatory of Jack Music, 5—7, 9, 30 321
INDEX Sullivan, Ed, 59, 66,283-84 anti-Semitism in, 25-26 supersonic jets, 261-62,266—67 arrival in, 19-20 naturalization to, 26-27 Tales of Manhattan, 92-93, 98, 100,102-7,141,161,194,198 Venfilm, 227, 234 Tchaikovsky, Piotr Ilyich, 6, 216 “Venona,” 132,151,155 Tcherniavsky, Vitaly, 193,194, Vienna, ix, 184-85,191-94, 209-22, 226-31, 291 209-10,212-13,226-35, television production company, 239, 243, 245,247-48,252, 166-67, 175,178,179, 184, 253-54,257-61,266-72 221, 226, 237,252 Vladimir, 257, 266-69 3-D movies, 246-47 Tito, Josip, 214-15, 220, 244 “Waldorf Statement,” 161 Toscanini, Arturo, 86,141 walk-ins, 52 The Treasure of Cantenac, Wallace, Henry, 116, 287 185-86, 195 The Waltz King, 108,109 Trotsky, Leon, 33,41-44,50, 51, War and Peace, 177, 255 52,120 Warner, Jack, 80, 86 Trotskyites, 45,51,72,120-21, Warner Bros., 61, 80 126,138, 258-59, 266 Warren, Earl, 175-76,178,196, Truman, Harry, 138,154,157,175, 205, 210,217 183, 208,214,230-31, 234, Warsaw Pact, 268 235 Waters, Ethel, 105, 286 Truman, Margaret, 181-83 Weisband, William, 132,138 Turkey, 17-19 Welles, Orson, 92,213 Twentieth Century Fox, 61, 80, 93, West, Mae, 63, 82 wet work, 49 105 Whites, 15,16 Winchell, Walter, 55, 66,104, United Artists, 80, 93,141 United States, 51, 61-62,75,101, 282 119,137, 253,267. See also Wolston, Ilya “Slava,” 121,241, specific locations, agencies, 243, 249, 250,254,266,277 and topics Woman of 100 Faces, 159 322
INDEX Yakov, 234-35 in New York City, 109,111-14, Yefimov, Afanasy, 235-36, 239, 116-18 Sobie, J„ and, 118-22,125-29, 241, 245M6, 247, 248, 252, 259, 291 134, 162-63 Zborowski, Mark, 266, 271-72, Yugoslavia, 214—15, 220—21, 231, 244 277 Zlatovski, George “Optische,” Zarubin, Elizabeth “Helen,” “Red 187-88, 189, 215-17, 222-23, 231,233-34, Joan of Arc,” 101,123, 291 236, 243, 260,278-79,281, Zarubin, Vasily Mikhailovich “Edward Herbert,” 47, 50, 290 53, 76-78, 95-104, 107-8, Zubilin, Vasily Mikhailovich. 123-24,130,131,150,151, See Zarubin, Vasily 152,186, 291 Mikhailovich Zukor, Adolph, 34, 35, 36,54, in Germany, 54-57, 69, 71, 59-62, 67, 281 72-73 Bayerische Staatsbibliothek լ München і 323
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CONTENTS PROLOGUE: ENDGAME, JANUARY 20, 1957 .ix PARTI CHAPTER ONE: ENTER BORIS, 1891-1914.3 CHAPTER TWO: BROKEN CHORDS, 1914-22.11 CHAPTER THREE: THE GOLDEN LAND, 1922-25 . 21 CHAPTER FOUR: THE ENTERTAINER, 1925-33. 33 CHAPTER FIVE: COVER STORIES, 1933-34. 41 CHAPTER SIX: PARADISE AND ITS DISCONTENTS, 1934-35. 47 CHAPTER SEVEN: GATEWAY TO HOLLYWOOD, 1935-36 . 61 CHAPTER EIGHT: A DOUBLE LIFE, 1936-38. 69 CHAPTER NINE: DECLARING INDEPENDENCE, 1938-42 . 79 CHAPTER TEN: TURNABOUT, 1942-43. 95 CHAPTER ELEVEN: CHORD AND DISCORD, 1943-44.111 CHAPTER TWELVE: SPOOK'S BALL, 1944-45. 123 CHAPTER THIRTEEN: GETTING TO CARNEGIE HALL, 1945-47 137
PART II CHAPTER FOURTEEN: DOUBLE OR NOTHING, 1947.149 CHAPTER FIFTEEN: BORIS LOVES MONEY! 1947-48. 159 CHAPTER SIXTEEN: PONTIFEX MAXIMUS, 1948-49 . 171 CHAPTER SEVENTEEN: INSIDE THE TEMPLE, 1949. 181 CHAPTER EIGHTEEN: BELIEVING IN TEARS, 1949-50. 195 CHAPTER NINETEEN: MY OWN FBI, 1950-51.209 CHAPTER TWENTY: ATOMIC BONDS, 1951-52. 225 CHAPTER TWENTY-ONE: IN CHAINS, 1952-54.241 CHAPTER TWENTY-TWO: THE AGENT IN BLACK, 1954-55 . 251 CHAPTER TWENTY-THREE: A COOKED GOOSE, 1955-57. 263 CHAPTER TWENTY-FOUR: ABOVE THE FOLD, 1957-63 . 275 NOTES ON SOURCES. 295 INDEX 315
Notes on Sources Much of the research for this book focused on readily available materials such as published histories, biographies, and memoirs, as well as popular and scholarly periodical material, especially music, radio, theater, and film trade journals from the 1930s and 1940s. Interviews with members of Boris Morros’s extended family proved useful up to a point: At first they were happy to speak openly about their very complicated relative, but with the exception of Marion Morros, his second wife, they almost inevitably eventually broke off contact without explanation, as if the long arm of Soviet intelligence had silenced them. Unpublished and both classified and declassified official sources also proved invaluable. The American archive was, ironically, somewhat less useful than the Soviet side, with the FBI having publicly released a miniscule fraction of the materials they hold related to Boris Morros’s activities, despite a wide-ranging Freedom of Information request— copies of the notorious 1943 anonymous letter to J. Edgar Hoover are an important exception. Nonetheless, there was much to learn from the transcripts of Jack Soble’s FBI interrogation (available at https://vault .fbi.gov under file number 100-86896-N). Also of much interest were the transcripts of Russian cables that the United States government inter cepted during World War II and later decoded and annotated, collectively known as the Venona files, available at https://www.nsa.gov/news-features /declassified-documents/venona/. The situation as regards official Soviet documents was very differ
ent, with a massive archive of still-classified documents having recently 295
NOTES ON SOURCES surfaced. Vasili Nikitich Mitrokhin, a senior KGB archivist, took advan tage of the transportation of the KGB’s archives from Lubyanka to Yasenevo in the 1970s and 1980s to make copies of 25,000 pages of secret documents dating from the 1930s to the 1980s and hid them in his house, bringing them to London after he defected in 1992. They are publicly available at the Digital Archive: International History Declassified section of the Woodrow Wilson Center website: https://digitalarchive.wilsoncenter .org/collection/52/mitrokhin-archives. Even more valuable than the Mitrokhin materials, at least from the perspective of the Boris Morros story, is the archive collected by Alexander Vassiliev, a former KGB general who was given full access to more than two decades of classified Soviet documents regarding American intelli gence operations dating from the 1930s to the 1950s, offering a far broader and more representative picture of Soviet intelligence operations at mid century than the Venona or Mitrokhin materials. The original idea was for the eventual publication to fund the pensions of retired KGB agents who found themselves at financial loose ends after the breakup of the Soviet Union, but that scheme fell through after two years and Vassiliev was denied further access, but by then he’d filled eight notebooks and a large number of loose pages with detailed notes. Certain that the information he had put his life in danger, he fled to England and together with Allen Wein stein published a summary under the title The Haunted Wood. Transcripts and translations
of the eight notebooks and loose pages that resulted—the text known as “Yellow Notebook #3” is almost fully devoted to Morros’s activities—are available via the Cold War Intellectual History Project of the Woodrow Wilson International Center for Scholars at https://digital archive.wilsoncenter.org/collection/86/vassiliev-notebooks. Albright, Joseph and Marcia Kunstel. Bombshell: The Secret Story of America’s Unknown Atomic Spy Conspiracy. New York: Random House, 1997. Aldrich, Richard J. The Hidden Hand: Britain, America and Cold War Secret Intelligence. London: John Murray, 2001. 296
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Index Agent in Black, 257-61,266, Bentley, Elizabeth “Teacher’s Pet,” 267-68 139,155,169,181, 210 Ahasvérus Play (Morros, В.), Beria, Laventi, 89-90,107,120, 27,28 122,123,126,138,157,195, Akhmerov, Isaak “Mer,” 99,115 206, 229-30, 240, 243-47, Albam, Jacob “Belov,” 243, 250, 251, 254, 291 266, 276 birth, 3—4 American Recording Artists blacklisting, xi, 143, 213 (ARA), 117, 125,126,128-29, blackmail, 121,153,163,189,205, 133,135 228, 278 Anonymous Letter, 124,151 blacks, 105-6, 143,166 anti-Semitism, 4, 8,16, 25-26,53 Boris Morros Music Company ARA. See American Recording (music publishing company), Artists 108,109, 111, 113-15,126, Astaire, Fred, 86, 88, 90 128-30,131, 133,287 “atomic couple,” 219-20, 232, Boris Morros Productions, 99, 290 103,108, 117 Atomic Energy Commission, 222, 226 Carmen, 73,176 Carnegie Hall, 140—45,159,160, The Bat, 18,19, 25, 38, 281 164,192,194,198,218 Beautiful Dreams (Shayne Chambers, Whittaker, 155,169, Khaleynes) (Morros, В.), 28,31 181 Chaplin, Charlie, 87, 92,152,197 315
INDEX Cheka, 43,47,49 Democratic Party, 169,175-76 Child of the Danube, 212,213, Les Deux Légionnaires (The Flying 219, 226,227, 231, 234, 242 Deuces), 82-86, 99 Chord, 114,126,128,129-30,132, 134,138,140,162,166 Dewey, Thomas E., 167,175-76, 178,190, 205 CIA, x, 154, 156,163,189,286 CINERAMA, ix֊x, 273 Eisenhower, Dwight, 167,183, Clay, Lucius, 163-64,165, 168, 183 Cold War, x, 111, 156,168, 241, 244 Eisenhower, Milton, 167, 191-92, 214,243, 252,280, 196 293 Ellis Island, 21-24 color films, 63 Columbia Pictures, 61, 286-87 FBI, ix-x, x-xi, 92,123-294 Committee for State Security defection to, 145,149-57 (KGB), ix, x-xi, 251-53, 259, income from, 202,260 261-62, 267-73,275, 276, microphones of, 109, 127 291, 293 Sobie, J„ and, 127,128,134, communism/communists, 15,106, 144,150,152,160,161-62, 114-18,125,137,138,139, 190-91, 232,234-35,236, 143, 160-61,173-74,177, 245-46,265,275-76 215, 225-26,230, 241 Fedotov, Pyotr, 167,168,192,206, Communist Party, 88, 97,154,161, 168-69,187,210, 232, 264 208, 210 Film Daily, 36, 39,59, 63, 68,79, composer, 27-28, 64—65, 67, 77, 85, 91,142 The Flying Deuces (Les Deux 282 conductor, 12, 31,32, 33, 64,282 Légionnaires), 82-86,99 Constantin (step-son), 23,25 Foster, Jane “Spanningspruefer,” Coplon, Judith, 181,184,192, 210 186-90, 211, 215-16,233-34, Crosby, Bing, 38, 62, 65 236-37, 243, 260,263-65, 278-79, 281,288,290 death, 292 “Frost,” ix, 46, 53,54,131, death threats, 73,97, 98,122, 151 132-33 Fuchs, Klaus, 207-8, 210,213 316
INDEX Germany, 84, 97. See also Hitler; in Great Depression, 80 Munich; Nazis Jews in, 63-64, 80 anti-Semitism in, 53 Hoover, Herbert, 36, 204, 231 double agent for, 74-75 Hoover, J. Edgar, x, 51,150, Paramount Pictures in, 53, 151-52,175, 214, 225,227, 72-73, 76 251,255-56,293 Zarubin, V, in, 54-57, 69,71, Hopper, Hedda, 66,104 72-73 House Un-American Activities Gershwin, George, 56, 63 Committee (HUAC), 137, Gershwin, Ira, 56, 63 154-55,160֊61, 169,171, Gilchrist, Thomas, 278,279-80 181, 213, 282-83, 285-86,287 Glennan, T. Keith “Astrologer,” “How I Spied on the U.S. for the 222, 226, 255 Reds” (Sobie, J., and Lotto), Gouzenko, Igor, 138-39, 155 277-78 The Grand Illusion, 85, 86 HUAC. See House Un-American Great Depression, 37,51, 62, 80 Activities Committee Greenglass, David, 138, 213 hydrogen bomb, 208, 222, 245, Gutzeit, Peter Davidovitch, 45-46, 261 47, 50, 51-52, 54,59, 71-72, 74-75, 77 illegals, 50—51 Harriman, Averell, 184, 255 Jews, 3-6, 8, 9,15, 21, 22—23,30, Hiskey, Clarence “Skrib,” 131-32, 55, 63-66, 80. See also anti- 138 Semitism Hiss, Alger, 154,169,171,193, Joint Political Directorate 207, 210 (OGPU), 49-52 Hitler, Adolf, 41,51,55,75-76, 81, Justice Department, 51,151,181, 88, 95,114,152 226, 244, 279, 288. See also Hollywood, 75-76,154-55. See FBI also specific individuals and studios Keaton, Buster, 27, 92, 286 communists in, 143,160-61, KGB. See Committee for State 225-26 Security 317
INDEX Khrushchev, Nikita, 245, 251, MGB. See Ministry for State 268-69, 280,284 Security Kilgallen, Dorothy, 66, 281 MGM. See Metro-Goldwyn- Korea, 214, 230,235,244 Mayer Studios MICE. See money, ideology, Korotkov, Aleksandr, 169,171-79, 185,192,195,198, 200-206, compromise, or ego 236, 239,240, 248, 252, Ministry for State Security (MGB), 253-54, 257 139,140,162 Kovalenok, E. V, 198,199,205 Ministry of Internal Affairs (MVD), 244,251 Kravchenko, Victor, 127,138 “Mocase,” 156,275 Land of Promise, 31,66 Modina, Yekaterina Yefimova. See LeBaron, William, 82,140-41 Morros, Catherine Molotov, Vyacheslav, 162,163, legals, 50, 51, 52 Lenin, Vladimir, 9,15,19,49 165, 243,244 money, ideology, compromise, or Liouba (step-daughter), 23, 34 ego (MICE), 153 “Liza,” 101,115 Moropticon, 247,253,270,292 Lubitsch, Ernst, 53, 55, 92 Morros, Aleksander (brother), 43, Malenkov, Georgi, 243, 244, 245 58, 89,96, 122 Morros, Boris. See specific Manhattan Project, 97,119,124, 131-32,138,151, 207-8, 213, topics Morros, Catherine (wife), 16-18, 214 Marshall Plan, 157,184,186,205 26-27, 29,30,34, 36,37, 56, McCarthy, Joseph, 137, 210, 213, 60, 64, 65,73-74, 77,98-99, 225, 243, 245, 251, 255-56, 111, 144,168-69,173-74, 288 177-78,182-83,197-208, 215-16,225,254-55,284, Melamed, Gregory, 43-44,45,47, 50, 53, 54 292 Morros, Isaak (brother), 43,58, Melament, Leah “Teacher,” 102, 103,107,109, 111, 112 89, 96,122 Morros, Malka (mother), 4,5-6, Metro-Goldwyn-Mayer Studios 44, 57,58-59, 87 (MGM), 59, 61,80 318
INDEX Morros, Marion Sklarz (wife), rezidentūra in, 90,102,131, 242-43 247, 252,254-55,256, 272, 273, 284, 285, 294 Sobie, J., in, 184, 238-39, 246, Morros, Mendel (father), 4, 5-6, 248-49,254, 272 39, 44,45-46, 58-59, 89, 98, New York Times, xi, 21, 84, 93, 99, 102, 107-8,122, 291 280, 286,287 Morros, Richard Hyman “Dick,” Nixon, Richard, 161, 204 “Reed” (son), 31, 56, 60, 64, NKGB. See People’s Commissariat 65,77,100,108,117,143, for State Security 144,150,222, 225, 226, 227, NKVD. See People’s Commissariat 253, 291-92 for Internal Affairs Morros, Savely (brother), 42, 96, Nonaggression Pact, 81, 95, 99,122 152 Morros, Serge (brother), 42,96, nuclear weapons development, 99,122 97,119,121,124-25,130, Munich, x, xi, 273 131-32, 138, 150-51, 157, Murrow, Edward R., 255 200, 213, 219-20. See also music publishing company (Boris hydrogen bomb; Manhattan Morros Music Company), Project 108,109, 111, 113-15,126, 128-30,131,133, 287 Office of Strategic Services (OSS), MVD. See Ministry of Internal 154,155,188 OGPU. See Joint Political Affairs Directorate “My Homeland” (Morros, В.), 31 My Ten years as a Counterspy Oppenheimer, Robert, 125 (Morros, В.), 286, 294 original soundtrack recording, 133 naturalization, 26—27 Orlov, Alexander, 244, 271 Nazis, 51,75-76,104,114,124, Oscar nominations, 67, 77, 91 152,177,187,207 OSS. See Office of Strategic New York City, 33-34, 36-37, 38, Services 51-52, 55,56, 59, 81,100, Ovakimian, Gaik “Gennady,” 109,111-18,237 45-46, 50,90-92 319
INDEX Pale of Settlement, 4, 5 rezidentūra, 51-52, 90,100,102, Palestine Conservatory of Music, 131,210,242-43, 270 31-32, 33 “Riabov,” 193-94,270 Palmer Raids, 25-26 Rimsky-Korsakov, Nikolai, 6, 9, 68 “Paramount on Parade,” 67—68 RKO, 80, 84-85, 87 Paramount Pictures, x, 34, 38, Robeson, Paul, 105,106,116, 41-44, 46, 52,53, 54,59-68, 143 72-73, 76, 79-80, 281 Robinson, Edward G., 64, 66, 92, Paris, 81-82,163-67,168,185-86, 105 210,211-12,215,235, Roosevelt, Eleanor, 101 236-37, 290 Roosevelt, Franklin D., 80,114, Parsons, Louella, 66,104 133,137-38 People’s Commissariat for Internal Affairs (NKVD), 69, 72, 74, Rosenberg, Ethel, 138, 214,229 Rosenberg, Julius, 125, 138,214, 88-99,103,108,117, 287 229 People’s Commissariat for State Security (NKGB), 92,101, “Salute to Our Heroes,” 104 139 Schumann, Elizabeth, 225, 247 Petrov, Dimitrievich, 202-6, Second Chorus, 86—88, 90,91,105 217-18,219-20 Semyen, 255,256 Piatigorsky, Gregor, 141,142-43 Senate Subcommittee on Internal Pius XII (Pope), 176-78 Security, 279—80 Poland, 84, 97,124 sexuality in spy game, 203-4 prisoner-of-war, 16 Shaw, Artie, 38, 86—87, 88,91,105 “Prizm,” 260 Shayne Khaleynes (Beautiful Prokofiev, Sergei, 6, 68,141, 255 Dreams) (Morros, В.), 28, 31 Shumovsky, Samuel “Blerio,” Rachmaninoff, Sergei, 6,223 72-73, 90 Rasputin, Grigori Yefimovich, Silver Palm (Officier d’Académie), 68 13-14, 65,79, 87-88,282 Red Scare, 25, 42, 51,152,157,243 Renoir, Jean, 85,159 Sklarz, Marion. See Morros, Marion Sklarz Republican Party, 167-68, 200, 204 “Slang,” 234 320
INDEX Sobie, Jack “Czech,” “Peter,” Sobolevicius, Ruvelis. See Soblen, “Minilux,” 119-21,125-26, Robert 129-30,132,134,139-40, Sovexportfilm, 196,198, 206, 162-63,165-67,188-89, 227 206, 219-20,225-56, Spellman, Francis, 133,141, 258-59, 272, 275, 276-78, 164-64,176,177,178,196, 279,281 202-3, 205, 210, 217, 227, “atomic couple” and, 232 229-30, 235,255,282 Spiegel, Sam, 92,104 bristle business of, 215, 223, 232, 239, 249 Spitz, Beatrice, 232, 290 FBI and, 127,128,134,144,150, Spitz, Henry, 232, 290 152, 160, 161-62,190-91, Stalin, Joseph, 3, 41,42,49-50, 51, 232, 234-35, 236, 245-16, 55, 58, 69,71-72, 76, 81, 97, 265, 275-76 101,120,123,137-38,152, KGB and, 271-72, 276 157,169,178,214,243,258, Korotkov and, 171-79, 206, 239, 268, 293 248, 253-54 State Department, U.S., 210, 238, in New York City, 184, 238-39, 246, 263,264, 283 246,248—19, 254, 272 Stern, Alfred K., 113-18, nuclear weapons development 125,127-32,134,150, and,219-20 160,187,188-89,210,281, in Paris, 163-67,185-86, 211- 287-89 12,215, 235 Stern, Martha Dodd, 113—18, in Vienna, 184-85,193-94, 125,127,129,131,134, 231-32,234-35, 245 160,162-63,186,187, Sobie, Myra “Ludmilla,” 160,166, 188-89, 210, 245, 281, 173, 215-16, 228, 233, 235, 287-90 239, 276-77, 281, 291 Stokowski, Leopold, 55, 67, 86, Soblen, Robert (Ruvelis 141 Sobolevicius) “Roman,” St. Petersburg (Leningrad), 5-6, 120-21,250, 290-91 7-8,11, 44, 49,57 Sobolevicius, Abromas. See Sobie, St. Petersburg Conservatory of Jack Music, 5—7, 9, 30 321
INDEX Sullivan, Ed, 59, 66,283-84 anti-Semitism in, 25-26 supersonic jets, 261-62,266—67 arrival in, 19-20 naturalization to, 26-27 Tales of Manhattan, 92-93, 98, 100,102-7,141,161,194,198 Venfilm, 227, 234 Tchaikovsky, Piotr Ilyich, 6, 216 “Venona,” 132,151,155 Tcherniavsky, Vitaly, 193,194, Vienna, ix, 184-85,191-94, 209-22, 226-31, 291 209-10,212-13,226-35, television production company, 239, 243, 245,247-48,252, 166-67, 175,178,179, 184, 253-54,257-61,266-72 221, 226, 237,252 Vladimir, 257, 266-69 3-D movies, 246-47 Tito, Josip, 214-15, 220, 244 “Waldorf Statement,” 161 Toscanini, Arturo, 86,141 walk-ins, 52 The Treasure of Cantenac, Wallace, Henry, 116, 287 185-86, 195 The Waltz King, 108,109 Trotsky, Leon, 33,41-44,50, 51, War and Peace, 177, 255 52,120 Warner, Jack, 80, 86 Trotskyites, 45,51,72,120-21, Warner Bros., 61, 80 126,138, 258-59, 266 Warren, Earl, 175-76,178,196, Truman, Harry, 138,154,157,175, 205, 210,217 183, 208,214,230-31, 234, Warsaw Pact, 268 235 Waters, Ethel, 105, 286 Truman, Margaret, 181-83 Weisband, William, 132,138 Turkey, 17-19 Welles, Orson, 92,213 Twentieth Century Fox, 61, 80, 93, West, Mae, 63, 82 wet work, 49 105 Whites, 15,16 Winchell, Walter, 55, 66,104, United Artists, 80, 93,141 United States, 51, 61-62,75,101, 282 119,137, 253,267. See also Wolston, Ilya “Slava,” 121,241, specific locations, agencies, 243, 249, 250,254,266,277 and topics Woman of 100 Faces, 159 322
INDEX Yakov, 234-35 in New York City, 109,111-14, Yefimov, Afanasy, 235-36, 239, 116-18 Sobie, J„ and, 118-22,125-29, 241, 245M6, 247, 248, 252, 259, 291 134, 162-63 Zborowski, Mark, 266, 271-72, Yugoslavia, 214—15, 220—21, 231, 244 277 Zlatovski, George “Optische,” Zarubin, Elizabeth “Helen,” “Red 187-88, 189, 215-17, 222-23, 231,233-34, Joan of Arc,” 101,123, 291 236, 243, 260,278-79,281, Zarubin, Vasily Mikhailovich “Edward Herbert,” 47, 50, 290 53, 76-78, 95-104, 107-8, Zubilin, Vasily Mikhailovich. 123-24,130,131,150,151, See Zarubin, Vasily 152,186, 291 Mikhailovich Zukor, Adolph, 34, 35, 36,54, in Germany, 54-57, 69, 71, 59-62, 67, 281 72-73 Bayerische Staatsbibliothek լ München і 323 |
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| isbn | 9781419740091 |
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| spelling | Gill, Jonathan Verfasser (DE-588)1215794339 aut Hollywood double agent the true tale of Boris Morros, film producer turned cold war spy Jonathan Gill New York Abrams Press 2020 xi, 323 Seiten, 8 ungezählte Seiten Tafeln Illustrationen, Portraits txt rdacontent sti rdacontent n rdamedia nc rdacarrier The Cold War and the Golden Age of Hollywood meet in this story of the remarkable career of Boris Morros, film producer and Russian double agent. Boris Morros was a major figure in the 1930s and '40s. The head of music at Paramount, nominated for Academy Awards, he then went on to produce his own films with Laurel and Hardy, Fred Astaire, Henry Fonda, and others. But as J. Edgar Hoover would discover, these successes were a cover for one of the most incredible espionage tales in the history of the Cold War-Boris Morros also worked for Russian intelligence. Morros's assignments took him to the White House, the Vatican, and deep behind the iron curtain. The high-level intel he provided the KGB included military secrets and compromising information on prominent Americans: his friends. But in 1947, Morros flipped. At the height of the McCarthy era, he played a leading role in a deadly tale. Jonathan Gill's 'Hollywood Double Agent' is an extraordinary story about Russian spies at the heart of American culture and politics, and one man caught in the middle of the Cold War die Buchstaben w, u und n im Haupttitel sind als kyrillische Buchstaben dargestellt Morros, Boris 1891-1963 (DE-588)1062471571 gnd rswk-swf Morros, Boris / 1891-1963 Espionage, Soviet / United States Cold War Motion picture industry / California / Los Angeles / History / 20th century Motion picture producers and directors / United States / Biography Spies / Biography Espionage, Soviet Motion picture industry California / Los Angeles United States 1900-1999 History Biographies (DE-588)4006804-3 Biografie gnd-content Morros, Boris 1891-1963 (DE-588)1062471571 p DE-604 Erscheint auch als Online-Ausgabe 978-1-68335-815-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213152&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213152&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032213152&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Gill, Jonathan Hollywood double agent the true tale of Boris Morros, film producer turned cold war spy Morros, Boris 1891-1963 (DE-588)1062471571 gnd |
| subject_GND | (DE-588)1062471571 (DE-588)4006804-3 |
| title | Hollywood double agent the true tale of Boris Morros, film producer turned cold war spy |
| title_auth | Hollywood double agent the true tale of Boris Morros, film producer turned cold war spy |
| title_exact_search | Hollywood double agent the true tale of Boris Morros, film producer turned cold war spy |
| title_exact_search_txtP | Hollywood double agent the true tale of Boris Morros, film producer turned cold war spy |
| title_full | Hollywood double agent the true tale of Boris Morros, film producer turned cold war spy Jonathan Gill |
| title_fullStr | Hollywood double agent the true tale of Boris Morros, film producer turned cold war spy Jonathan Gill |
| title_full_unstemmed | Hollywood double agent the true tale of Boris Morros, film producer turned cold war spy Jonathan Gill |
| title_short | Hollywood double agent |
| title_sort | hollywood double agent the true tale of boris morros film producer turned cold war spy |
| title_sub | the true tale of Boris Morros, film producer turned cold war spy |
| topic | Morros, Boris 1891-1963 (DE-588)1062471571 gnd |
| topic_facet | Morros, Boris 1891-1963 Biografie |
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